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“The life expectancy of a trans woman or transvestite in Brazil is 35 years old.” — Camila Falcão
The following photos are from the series “Abaixa que é tiro” by Brazilian photographer Camila Falcão. 
“I used to think I would be a painter because I started painting when I was 10, but in college (I have a Bachelor Degree in fine arts) teachers from video art and photography departments started paying more attention to my work, it was then that I realized that I have the ability to express myself in these medias and I started to dedicate myself more to photography.” — Camila Falcão
Read more from Camila on the following pages. Learn more about her work on her web site and Instagram .
“I used to be a volunteer at CRD (Center for Reference in Defense of Diversity), in São Paulo, and thanks to this job I was in constant and direct contact with many transgender women and transvestites. After some time I realized the enormous diversity between them, all those possibilities of expressing the feminine enchanted me and I saw there an opportunity to do a relevant work by bringing this plurality to the surface, contributing to the deconstruction of stereotypes and, above all, to the construction of new and more realistic perception of these women.”
“I live in the most transphobic society in the planet, there were 163 transphobia murders in Brazil only in 2018 . Brazil is also the country that consumes most pornography with this population, so as you can figure, we live in a pretty sick society when it comes to gender and sexuality. The life expectancy of a trans woman or transvestite in Brazil is 35 years old. The majority of these people broke up with the family and failed to complete their studies because they had to work and fight for survival, so unfortunately 90% of them work as prostitutes. The degree of social invisibility of trans people in Brazil is so great that there are no official studies or data that can map this segment across the country in order to promote human rights policies, in the fight against violence, and in the creation of State Public Policies to meet the due demands, which are many.”
“So, when I started thinking about making this project viable, I thought it was important to get them out of the context of the streets, put them in a domestic environment and photograph them with natural light, I felt they needed to be humanized and that was my way of making that happen. Another conscious choice was to only photograph bodies without surgical intervention, precisely to show their natural beauty and prove that it is not necessary to have any type of surgery to be a woman. Bodies that have been transitioning for some time, bodies that are not going to change but are still bodies of women, women with penises, with or without breasts — many possible women. I invite people to ask themselves: Does simply passing as a woman define being one?”
“Being a transvestite in Brazil is above all resistance, especially now that we have just elected an extremely prejudiced president, but there’s a whole new generation of Brazilian trans women and transvestites fighting for rights, visibility, and dignity, and I’m very proud to be an ally.”

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 These portrait photographs of Russia's ruling Romanovs were taken in 1903 at the Winter Palace in majestic. St. Petersburg. Knowing what was to follow, the venue was apposite. St Petersburg is the city Christopher Hitchens called "an apparent temple of civilization: the polished window between Russia and Europe... the ...

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"These are images of people whose lives I shared and whom I think I understood" - Christer Strömholm
In the 1950s and early 1960s Swedish photographer Christer Strömholm took these gorgeous photographs of transgender women in Paris. The women were pictured on the streets around Place Blanche and Pigalle where Strömholm was living.
Strömholm compiled the pictures in his 1983 book Les Amies de Place Blanche . He wrote:
“This is a book about the quest for self-identity, about the right to live, about the right to own and control one’s body. …These are images of people whose lives I shared and whom I think I understood.”
After the sun had set, the air cooled down. At the time when shadows stretched, we could catch glimpses of prostitutes walking out of alleys. Big and beautiful women. Some of them exceeded in height their hope-swollen clients. Surrounded by circuses, freaks and snakes, the prostitutes stood there in the buildings’ shadows, keeping a constant eye on the boulevard, the shows and the clients.
Midway through January, when the fairground people set off again, the boulevard went back to normal – the party was over. On the boulevard and in the alleys surrounding place Pigalle and place Blanche, the prostitutes – both male and female, lesbians, transsexuals, transvestites or in other words: the usual group – took back their old spots.
Prostitution was as active as it used to be at the end of the 19th century. Organized prostitution happened all year long. A desperate fight, both to earn the daily bread and, for transsexuals, to see their identitarian dreams come true.
These beautiful ladies dreamt of travelling to Casablanca to undergo surgery. The outcome of a transformation started a long time ago. These women were biologically born as men. They lived here, in the place Blanche neighbourhood. They worked in cabarets, sang, did stripteases. They were outspoken and they answered back immediately to the public, it was a typical Parisian tradition. A cocky and saucy sense of humour.
They earned 60 French francs a day, enough to pay for the food and the hotel room but not enough to afford the 40,000 francs surgery. The streets were their only solution. Some of them had loyal customers, others stood in the same place on the street. Here, prostitution was part of the neighbourhood life. A way to survive.
This is where I arrived in 1959. This is where I settled and started to tell of the life I shared with the transsexuals. They soon became ‘the friends of Place Blanche’.
Often, around 2 o’clock in the afternoon, I heard knocking on the wall of my room. It was Cobra, telling me coffee was ready. We had coffee with milk in her room on the 5th floor of the hotel Chappe. There were breadcrumbs in bed. We had been sleeping since dawn and it would soon be dark.
Six transsexuals lived on my floor. Each of us rented a room for the month. Some had gas, which allowed us to cook a little. We remained quiet, in our respective homes. We had turned the day into night. It was in these moments that Cobra and others broke taboos by wearing skirts.
That was when General de Gaulle ruled France. It was the war in Algeria and ‘Aunt Yvonne’, as we called Madame de Gaulle, was the incarnation of morality. So she was the one who determined the lives of my friends. A man had the right to wear makeup or a wig, to put on a blouse or even tight leather pants, but he could never wear a skirt. No, not a man! In the darkness of the night, bans softened and police controls became less frequent. During the short morning hours, my friends could live more freely their women lives.
However, the police abused their power. The number of cop-dicks sucked over these years is incalculable.
It was mainly around place Blanche that young boys from Normandy, North Africa, Brittany or the south of France came to seek comfort, shared feelings, friendship and their feminine side. Most of them weren’t understood, so they fled their homes and often hostile families. Here on the place Blanche, they could live their conviction of being a woman, then draw in their self-confidence, take steps to consider an operation and change their lives. Become a hairdresser, a shop assistant, a nurse or a student, like Suzannah.
But before that, everything had to go well in Casablanca.
At the time of the Commune, there already were transvestites on the place Blanche. But it was in the late 50s that the word ‘transsexual’ began to be used.It was also at that time that it became possible for a man to physically become a woman thanks to hormones and surgery. But hormone therapy has also been the cause of tragedies. Often they were denied the help of a doctor. So they had to fend for themselves.
Sometimes they dealt with difficult problems, the consequences of which could be irreversible, or fatal: incorrect dosages, suicides… But they didn’t all want to undergo surgery. Some managed to find indulgence and understanding from a heterosexual friend who loved the person and not the sex.
My friends could not find work. In Paris, an ID card was necessary, and if the name did not fit the feminine appearance, any job became an inaccessible dream. There was no social security, and society’s unwillingness to understand made life impossible. This cost them dear. Common sense does not accept playing with identity. The State pushed people into prostitution even though it pretended to fight it.
Twenty-two years later, only one friend of mine still lives on prostitution. One in twenty.
Night-clubs in Paris’ Place Pigalle. (Photo by Fox Photos/Getty Images) 1955
When I arrived, it was Nana that I befriended. At first, she was a beautiful and intelligent ‘flapper’. Now, she is a woman, even more beautiful and intelligent. It was Nana who introduced me to Jacky, Sabrina, Gina, Cobra, Caprice, Miriam, Carole, Dolly, Zarah, Carmen, Paulette and the others. Gina and Cobra have died since. So did Caprice. She committed suicide in her small pad, rue Clef. Desperate, lost and alone – heroin was her final companion. The circumstances of her death are still unclear. Was it a conscious act or a fatal error? In an
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