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15 Lit Sex Scenes That Showcase Black Love At Its Finest
15 Lit Sex Scenes That Showcase Black Love At Its Finest
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Reminisce and keep the love flowing with these film and TV picks.
You gotta love Black love, especially when it's shown in its full, hot, sticky, magical lusciousness on the big screen through Black sex scenes. When we see ourselves loving on one another in ways that are passionate and real, we get the feels, not just because it's great to fantasize about replicating in real life---but because it humanizes our experiences and showcases a side of us that's not always fighting, suffering, or traumatized.
The memories of classic Black sex scenes on film and TV live forever. Here are 15 Black sex scenes to take you back and reignite the love and passion in your life:
When Kevin and Chiron shared their first kiss, validating feelings they'd had for each other and taking unspoken bonds to the next level, it was passionate and endearing. Kevin then pleasured Chiron via a hand job, which is another act of endearment that further solidified a gift of freedom in sexual identity that they could not fully reveal in their everyday lives. That scene from the 2016 Academy Award-winning film reminded us all of our own first time with a deep crush or connection from our teen years.
You gotta love a story of instant attraction between two creatives, and Micheal and Mae don't disappoint in this film. The journalist and art curator (respectively) enjoy a steamy romp during a New York City rainstorm, reminding us all how deliciously fun having a storm bae can be. And the fact that their love has a backdrop of Mae's mother's affair with the father she never knew adds that much more allure. (A close second in the favorite love scene category for this film is the one with her mother and father in 1980s New Orleans enjoying their first time to Luther Vandross and Cheryl Lynn's "If This World Were Mine.")
You've got thug-loving at its finest in this scene, and DMX showed us that doggy style means more than just barking in a rap song. Though his character in the film, Tommy Buns, had a very toxic relationship with his live-in bae Kiesha, played by the beautiful Taral Hicks, this scene made us all---OK maybe just me---think back on that one street dude you had to let go but who could have you climbing the walls and answering his calls a little longer than you should have.
Tisha Campbell played Jane Toussaint, an HBCU student, and leader of the Gamma Rays, a social group that supported the fictional fraternity in the film, Gamma Phi Gamma. The frat's leader, Julian, was her bae (played by Giancarlo Esposito). There's a spicy scene in the film where the two take a break from stepping, party-planning, and being messy to get their freak on. Speaking of freaky, Jane goes as far as licking Julian's parted haircut, giving a whole new meaning to fetishes among undergrads. (When my girls and I saw this film for the first time as college freshmen, some were totally grossed out, others argued the feminist implications of a young woman doing such a thing, and the rest---including me---wondered whether there was indeed a fruit-flavored hair oil on the market for ... nevermind.
This film, set in the 1960s, gives Carmen Jones vibes with a bit of edge. When Sylvie meets saxophonist Robert, it's love at first sight on a Harlem street, and things get much more sensual and romantic. Their first time making love is on a rooftop, and then they meet up again, years later, at New York's iconic Plaza Hotel. What adds to the appeal of the sex scenes between the two is the legendary jazz and R&B soundtrack and the nostalgic style of lingerie Sylvie wears, providing inspo for all of us to role play and get into a few 60s-inspired pieces ourselves.
We are so here for artist Nola, who identifies as a polyamorous bisexual, and her relationships with men and women that include wonderfully entertaining escapades in her "loving bed." One major relationship was the one she had with Opal, a single mother and a horticulturalist. The two explore not only physical awareness and intimacy but a deep personal connection, leading Nola to rethink her life and consider settling down. Good sex will do that to ya!
When blue-collar Jason (played by Allen Payne) wanted to take Lyric (played by Jada Pinkett-Smith ) out of the Houston hood and into a new life of love and infinite possibilities, we'd already fallen for him. When he commandeered a whole city bus to take her on a date, we swooned. But when we saw his chiseled back and hairy man-parts putting in work with Lyric in a field of lilac flowers, we all wet our panties and reconsidered giving that hard-working brotha at the Radio Shack a chance. (Go ahead, sis. Don't be ashamed. You know you did.)
This indie film is about a group of friends from Brown University who travel together for a weekend filled with drama, sex, and revelations. Especially sexy and sultry are the exchanges between Magnus and his boyfriend Ryan, including long, deep kissing sessions and lots of deep stroking.
This is, without a doubt, a classic favorite , and Darius Lovehall (played by the never-aging-a-day-in-his-life Larenz Tate) awakened the sapiosexual in all of us with his sensual wordplay and intellectual prowess during house-party debates. But when he and Nina Mosley (played by another actress who proves that Black indeed doesn't crack, Nia Long) finally hit the sheets, it was more than a sight for sore eyes. Add Maxwell's "Somethin' Somethin'" remix laying the vibes for lovemaking and you've got the peak to a love story that just made us all wish we had a writer boyfriend to be the "blues" in our "left thigh trying to become the funk" in our "right." Yas! That's all right!
Flexing muscles just always does something to me, and Ghost (played by Omari Hardwick) knew just how to do that while stroking the living daylights out of Tasha (Naturi Naughton ). Half the time I didn't care that it was often angry make-up sex between the hubby-and-wife crime duo because, TBH, seeing a strong Black man with a coin---and clearly great gym form---getting it on was always fine by me. The determination on his face, the multiple positions , and the look of bliss at the end of almost every scene...whew chile! Just go ahead and rewind again. We won't be mad.
Issa Rae reminds us all that everyday women---even us awkward girls---can get our rocks off on the regular, and enjoy sex with some fine men to boot. From your usual comfy-couple sex on the couch with Lawrence (Jay Ellis), her soon-to-be ex, to crazy studio rendezvous with her rebound guy Daniel (Y'lan Noel), it's all about normalizing the dynamics of sex beyond love-story fairy tales and into the realm of IRL ish.
Spike Lee sheds light on baby mama drama---and the love in between---as Mookie, who absolutely frustrates his boo Tina (Rosie Perez) throughout the whole film. Despite the arguments, the two end up having a playful sensual escapade . Mookie pulled out the ice trays---and got the side-eye from their son's caretaker, Tina's own mom---to give the both of them much-needed relief from the NYC heat. The dripping cubes-on-nipples action was something I probably shouldn't have been watching at the young age I was when I saw this movie for the first time, but as a grown woman, I can appreciate the combo of frozen treats and laughter to make relationship frustrations disappear.
Now, some of you might fight me on this one, but who didn't didn't want to "make the tacos" for somebody after watching that scene? (And this movie has another hot love scene contender in Ving Rhames (who played Melvin) when he blessed Jody's mom, Juanita (A.J. Johnson), with a little standing froggy-style action.) I know, I know: Baby daddy-baby mama drama at its finest. You can't deny, though, that this scene was one to re-watch and that it was refreshing to see a young couple work through their issues to find common ground and holy matrimony in the end.
Queen Latifah shines as one of the foremothers of blues, Bessie Smith, and in the film, she shares beautiful moments with her friend and lover, Lucille. The vulnerability and flirtatious exchanges between the two add an extra enchantment to watching this major part of the singer's life unfold through film.
Michael B. Jordan . Need I say more? OK, I'll go on. His character in the film, Adonis, falls in love with Bianca, a hearing-impaired singer-songwriter played by Tessa Thompson . In one scene, the two gain an understanding and connection via music and have a meeting of minds in how they'll both overcome inner demons to reach their life and career goals. Who doesn't love a man who can accept and love all of you? And again, Michael B. Jordan. 'Nuff said.
Originally published on March 5, 2020
Janell Hazelwood is a journalist, speaker, editor, and consultant who has worked for companies including The New York Times, Black Enterprise, and Conde Nast. She's fluent in women's issues, black entrepreneurship, guilty (reality TV) pleasures, and Trini patois.
It's one thing to be totally financially responsible for self, but it's a totally different ball game when you have little ones to care for. And the cost of parenting is far from cheap. Research shows that the average cost of raising a child through age 17 is more than $230,000. And while many parents happily do what they have to do to ensure their children are not only surviving but thriving, the cost reinforces the importance of grasping healthy concepts about wealth and money management and putting them into action.
Word on the street is that billionaire beauty boss Rihanna is setting her eyes on another major market, hair. The internet went into a frenzy after images of Fenty Hair trademark documents began circulating online.
In 2018, Miami-bred rap duo City Girls (JT and Yung Miami) dropped the mixtape Period , featuring a song detailing their rise to success: “Rap Shit.”
My own daddy said I wouldn't be shit / I looked at him, like we gon' see bitch / I'm up now, I don't give a fuck about my past bitch / I don't really fuck with this rap shit
The track has all the elements of City Girls music: a braggadocio anthem for the girls who are defying the odds and making it in a fake, male dominated industry on their own terms, with your daddy’s money. Even as they share their real hardships, the mood is fun, something for the summertime, no matter the season.
Creator and executive producer Issa Rae captured the mood and the mission of this song and the City Girls as a whole and turned it into TV magic with her latest HBO hit series Rap Sh!t .
Set in Miami, Florida, and very loosely based on the show's executive producers City Girls, Rap Sh!t follows Shawna (Aida Osman) and Mia (KaMillion), two former high school friends who grew apart and find themselves back in each other’s orbit when life doesn’t go as planned.
Now a hotel clerk, Shawna’s rapper dreams have stalled as her conscious lyrics and incessant need to cover up her face and body keep her music and style from resonating widely. Mia turned to sex work to support her young daughter, but her large social media fanbase doesn’t always translate into the dollars she needs to make ends meet. After a drunken night of reconnecting, Shawna and Mia decide to form a rap group.
Issa may have come to prominence being relatably awkward and insecure, but in Rap Sh!t we see a creator standing fully in her confidence, using social media as a cinematic device to expose layers of her characters. So much could go wrong with switching between IG lives, stories, FaceTime and IRL to tell the story of these Black women and how they perform vs. who they really are. But under the leadership of showrunner Syreeta Singleton, the transitions are smooth, and the device is not an indictment of the characters' (and the viewers!) social media obsession, but a compelling revelation.
With Issa's Raedio label serving up the soundtrack for the series, the music becomes a character itself, revealing even more about where Mia and Shawna are in their lives. Their first hit song, “Seduce and Scheme” sums up the duo perfectly. While Mia knows how to get a man to break some bread off, Shawna’s also got some tricks up her sleeve that might not be totally legal. The two are in survival mode and become each other’s life rafts. Their rebuilt friendship is the heart of the show and works because Osman and KaMillion ooze chemistry.
Osman, who also writes for the show, brings sincerity and vulnerability to Shawna who may be oblivious to her own self-righteousness but has a heart of gold that makes you root for her, even as she’s stealing people’s credit cards at work. And real-life rapper KaMillion was a reality TV star on Love and Hip Hop: Miami and the “Queen of Twerk Music,” but the multi-faceted talent moves like a seasoned vet through Mia’s hilarious one-liners and heart-breaking desperation.
In a show full of rising stars, Jonica Booth stands out as pimp and club-promoter Chastity, the self-proclaimed Duke of Miami, who tries to hustle her way into being Shawna and Mia’s manager. The always excellent RJ Cyler rounds out the cast as Mia’s baby daddy Lamont, whose immaturity makes him seem like more of a deadbeat than he intends.
Devon Terrell’s Cliff serves as the foil to Lamont as Shawna’s law school-future politician boyfriend. But this is a show about the complexities of Black life and Black love, and it shatters the stereotypes of what makes for a good partner. By episode six, Cyler has an opportunity to flex his charm, and does not disappoint.
It’s in that sixth episode (directed by Insecure alum Amy Aniobi and the last of the eight-episode first season given to press) when it clicks for me why I love this show. Yes, it’s fun and laugh-out-loud funny from the jump and the characters are consistently full and beautifully Black and specific to Miami – but there’s something else that’s crystallized toward the latter end of the series.
Episodes five and six take us through some serious issues that Black women face; in other hands, bringing this subject matter to screen could have done some damage to its Black audience. But if we know anything about Issa Rae, it’s that she’s rooting for everybody Black. In her and Singleton's hands, the trauma explored on screen is authentic without retraumatizing the Black audience for the white gaze.
Though I haven’t seen the final two episodes yet, if they cover any of the real-life drama the City Girls have publicly faced, Shawna and Mia might be in for some serious heartbreak. But there is joy in knowing that this team of writers cares about the viewers as much as its characters. Like all of Issa’s work, we love it because it loved us first.
Rap Sh!t premieres on HBO July 21 at 9 p.m. EST.
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Since the passing of Kelis' husband, Mike Mora, the “Milkshake” singer has been finding ways to cope. On July 20, Kelis shared a photo dump of herself wearing locs. While the majority of the photos showed her wearing swimsuits while basking in the sun, it was the caption that revealed the sentimental feelings behind her latest look.
“Some last loc looks for the moment …. I could not deal with my hair these past 6 months while I dealt with my heart something as simple as a style I didn’t have to touch gave me so much,” she wrote. “But I’m good and It’s been real . Until we meet again …… soon ;)
Mike died in March after a battle with stage 4 stomach cancer. He was 37. The photographer shared two children with Kelis, a one-year-old daughter, and a six-year-old son. The chef has yet to speak on her husband’s death but she seems to be keeping herself busy. The “Bossy” singer continues to share food videos on her social media as well as perform. In May, she performed at the Lovers and Friends Festival in Las Vegas, NV.
In June, Kelis attended Refinery 29 Unbothered Presents: The Glow Up festival where she spoke about the importance of creating safe spaces by having Black women on your team.
“Like for me, that for me is a safe space,” she said. “I need to be able to know that when I call you about my business, about my child, about whatever it is, that I’m talking to someone who speaks my language for real.”
She added, “Because they know if I win, we all win. It can’t be the other way around. It wasn’t designed to be that way. So for me, that’s the safe space. I want people who look like me, who talk like me, that’s what I want. That’s what makes me feel good.”
In another Instagram post, Kelis seemingly gave insight into another way she has been coping with Mike’s death. “Self care can look like a lot of different things . For me the ocean is always on the list. Salt water is medicinal,” she wrote .
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I love the soft life aesthetic. I love seeing Black women and femmes indulge in rest and find new ways to treat themselves to nice things. But, it isn't lost on me that some components of this lifestyle require access to resources that are hard to come by. For many people, a soft life is the ultimate goal—nobody wants to struggle. Unfortunately, life is not always easy and carefree.
Her annual event to celebrate the culture has a new name and more intention than ever before
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