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All Hail the Beautiful, Black Gay Love on Pose
“I hope Pose is teaching Hollywood that portraying queer people, Black and brown people, and trans people can all be done authentically...and we can sell.”
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them, a next-generation community platform, chronicles and celebrates the stories, people and voices that are emerging and inspiring all of us, ranging in topics from pop culture and style to politics and news, all through the lens of today’s LGBTQ community.
Before Patrik Ian Polk’s beloved series Noah’s Arc and Lee Daniels’ groundbreaking episodic Empire , television's only representations of queer Black men were not only inaccurate but absurdly farcical, oversexualizing these characters and using them solely for comic relief. Today, Ryan Murphy and Steven Canals’ FX drama Pose holistically centers the narratives of queer Black men like never before. With sweet, young couple Damon and Ricky played by actors Ryan Jamaal Swain and Dyllón Burnside, audiences get to see sincere, well-rounded portrayals of Black gay love on screen.
On Pose , Damon (Swain) and Ricky (Burnside) are young Black men searching for their place in the world in 1980s New York, at the height of the HIV/AIDS epidemic. Damon is a young queer dancer estranged from his biological family for his sexuality and feminine attributes, and Ricky is a young man who lives on the streets of NYC, hungry for love and security. In the face of racism and homophobia, the two find each other and develop a tender and mutually supportive relationship.
“We haven’t seen a lot of Black, queer love stories between young men,” Burnside tells me on the set of a photoshoot in Bushwick. “We had Moonlight and Noah’s Arc , but beyond that, we haven’t had a lot of different representations — something that showcases Black queer love in a positive light.”
Swain adds, “[ Pose ], aside from having the most transgender actors scripted on American television, is about unity and it’s about family. That speaks to the brevity and the weight of what it means to be American and be in the human race.”
“[My character Damon] is such a bright-eyed, bushy-tailed young individual coming into this new space not knowing anyone or anything,” Swain continues. “From learning how to vogue, dealing with aspirations as a modern dancer, and on top of that, juggling love and internalized homophobia that he’s had to unpack coming from Allentown, Pennsylvania to New York — it was a crash course.” Swain studied dance while coming of age, but he stopped dance training in high school to pursue acting. Pose marks his first major acting job, and he believes this show reaches a universal audience.
“I hope Pose is teaching Hollywood that portraying queer people, Black and brown people, and trans people can all be done authentically...and we can sell,” Florida-raised Burnside says. The actor’s past credits include a leading role in the original Broadway cast of Holler if Ya Hear Me .
“[As Pose is] a period piece, we find universality in specificity. We’ve never seen these women and these queer individuals celebrated in a light that’s primetime,” Swain tells me. “We’ve had instances with movies and TV shows, but it was never saturated in the complexity of what it means... Right now, we need that more than ever — especially with the political climate. They’re trying to segregate us, but really and truly, our differences are our superpowers.”
Photographed by Myles Loftin Fashion Editor: Ian Bradley Hair: John Cotton Makeup: Raisa Thomas
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Black Love Twinks
