Black Girl Glory Hole

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Black Girl Glory Hole
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Credit: Courtesy Serge Sorokko Gallery/Glitterati Editions
Unseen photos provide a sensitive look at America's early 'working girls'
Dita Von Teese is a burlesque performer, model and author. This is an edited extract from her foreword to "Working Girls: An American Brothel, Circa 1892" by Robert Flynn Johnson.
Women in sexual professions have always distinguished themselves from other women, from the mores of the time, by pushing the boundaries of style. The most celebrated concubines and courtesans in history set the trends in their respective courts. The great dames of burlesque -- Sally Rand, Gypsy Rose Lee -- boasted a signature style on- and offstage, reflecting broader-than-life personalities.
Dita von Teese on the eternal allure of a well-dressed gentleman
Given that photography was still an emerging technology, an emerging creative medium, when these "working girls" posed for William Goldman in the 1890s at a Reading, Pennsylvania brothel, the entire exercise transcends their initial business liaison. The instantaneous concept of click-and-shoot was still decades away. To be photographed required sitting very still. The women featured in Goldman's collection obviously caught his eye. Not just anyone is asked to be the subject of artistic documentation.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The local photographer and his anonymous muses appear to straddle an artful titillation, at times striving toward Degas nudes and at another, more in the spirit of a strip and tease. There is a beauty in even the most mundane moments.
Among Goldman's models, my own gaze zeroed in on the striped stockings and darker shades of their risqué brassieres. These ladies of Reading, Pennsylvania, might not have had the wealth of Madame du Barry, celebrated mistress of Louis XV of France, or the fame and freedom of a silver-screen sex goddess such as Mae West. But they sought to elevate their circumstances, to feel lovelier and more fashionable, with a daring pair of knickers.
Courtesy Serge Sorokko Gallery/Glitterati Editions
To feel special is fundamental to the human condition. Few opportunities outshine a sense of specialness than when an artist asks to record your looks, your beauty. Under the right circumstances, to be the object of admiration -- of desire -- to be what is essentially objectified is not only flattering. It can also provide a shot of confidence and a sense of strength and power and even liberation, however lasting or fleeting.
Courtesy Serge Sorokko Gallery/Glitterati Editions
For these working girls who were already going against the drudgery of toiling in a factory or as a domestic, who were surviving in a patriarchal world by their wits and sexuality, the opportunity to sit for Goldman was very likely not only thrilling. It was also empowering.
One can only imagine the mutual giddiness prevailing among them all, too, at the possible outcome from all these lost afternoon shoots. In a singular image from this collection appears Goldman striking a pose as proud as a peacock. It's one of stock masculinity in the canons of classic portraiture (though usually in military uniform), and like his muses, presented in all his naked glory. By sharing in the objectivity of the process, Goldman basks in the specialness his models must have felt. By stepping around the lens, he becomes a true confidante.
Courtesy Serge Sorokko Gallery/Glitterati Editions
It suggests a balance of power between artist and muse, man and woman -- at least behind closed doors. Their collective decision to strip and strut for the camera reveals a shared lack of shame for the body beautiful and, in that, a shared, albeit secret, defiance of cultural mores.
Courtesy Serge Sorokko Gallery/Glitterati Editions
By all accounts from curator Robert Flynn Johnson's devoted research on this once-lost collection, Goldman seems to have kept his treasured collection as a personal trove. As a successful photographer of weddings and social events, it was most certainly not in his interest for the public to know about his private creative pursuits.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The brothel was a necessary evil in town, where men with certain desires visited women who would oblige. In this case, it was the desire of a man to capture the beauty and sensuality of the women he befriended. There is much to learn and (most of all!) take pleasure in with this discovery.
As these lost photographs illustrate more than a century later, one period's "social problem" is another's cultural revelation.
"Working Girls: An American Brothel, Circa 1892" by Robert Flynn Johnson, with a foreword by Dita Von Teese, is out now.
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Shanghai unveils new 'moving' theater
The Bund Finance Centre, designed by Heatherwick Studio and Foster + Partners, is transforming an area known for its dull office buildings.
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By
Annie Mishler ,
September 29th 2014



Girls are supposed to be feminine, dainty, clean, fresh and put-together all of the time. Right?
Well — excuse me, but hahaha — that couldn’t be farther from the truth. Girls: I’m sorry for exposing our truths to the world, but it needs to be done. Guys: You might not want to read this if you have a girl in your life that you view as perfect. That perfection is about to be seriously compromised.
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Let’s start out with the obvious: EVERYBODY POOPS. Considering females fall under the category of “everybody,” this constitutes that we — yes, we — poop. Duh. And we like it.
*Checks stomach in mirror to see how much flatter it got*
If we’re wearing pants we probably didn’t shave last night. Or the night before. But most likely all of last week. Too lazy to shave our armpits? Shirt with sleeves it is. No Shave November? Me too.
And regularly, I might add. Lots of times it’ll happen while driving. If I have a booger and no tissues, I’m not going to wait until I can find a tissue — that’s just weird.
We’ve worn the same bra for…an undetermined, yet very very long amount of time. And here’s our logic: I didn’t sweat today, so there’s no need to wear a different bra tomorrow. Repeat. Repeat. Repeat. The limit does not exist.
We’ve been forced to use rolled-up toilet paper upon discovering that our period just started. Extra gross points for those who go the whole day like this due to being busy/in class/working. Admit it — you’ve done it.
Gross, or just another way to conserve water? You be the judge.
There are just too many period-related truths about girls, and this particular one simply can’t be left out. We bleed on our underwear. A lot. And then we’ll rinse out our underwear in the sink. We will then leave said underwear in sink whilst going about our day. Then we forget underwear is in sink and subsequently horrify a visitor that goes to wash their hands. Typically we don’t learn our lesson, and this will happen about seven more times.
Our hygiene is questionable at times. We can go four days without washing hair and validate it by using dry shampoo. No time to shower? Wash off armpits and apply a thick layer of perfume all over body. No time to wash face? Too LAZY to wash face? No problem! Re-apply new makeup OVER yesterday’s crusty makeup.
Okay, not ALL girls do this, and certainly not all of the time. Sometimes it’s an accident and you have to roll with it, and sometimes it’s completely voluntary. My current situation describes the latter.
In conclusion: come get us boys; we’re all yours.
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