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“I have a thing for black girls”! Why the #WOC fetish is a problem
15th March 2018
3 minute read
With the help of porn and race-based sexual fantasies, it has encouraged the misconception that all black women are “good in bed” or extra voracious. Exoticism and othering have a huge part to play with how women of colour are stereotyped.
In one article published in The Metro, Filomena Kaguako published an open letter to every Irish man she had the misfortune of encountering on the dating site, Plenty of Fish. Many of her would-be suitors admitted to being interested in her purely to “tick a box” and be able to say that they have “experienced” a black woman in bed. She says, “I’ve noticed that Irish men fetish-ise black women. I think this is because in Ireland interracial relationships aren’t as common as other places.” In her letter to Irish men she repeats the words “Stop sexualising us.”
On dating apps, Filomena estimates that maybe 70 to 80% of white men she has spoken to make reference to her being black and many women of colour have agreed with her.
In one interview with Vice, 21-year-old Charlie speaks up about men she matched on Tinder. “I’d love to have sex with a black girl,” read the message from David, 25, who had matched with me on Tinder. “I’ve never been with one before. You in?” She went on to say, “I unmatched with David immediately. And yet, the questions kept coming. “What are you?” asked Santy, 21, a student. “You look like you have a bit of oriental in you,” wrote Darren, 22, a musician. “I have a thing for black girls,” said George, 28, a banker. This is what it’s like to be a mixed-race girl on Tinder. Out of the hundreds of conversations I’ve had on the app, about half of them have involved a man tokenising me for my ethnicity.”
If you haven’t already caught Michaela Coel’s Chewing Gum, now available on Netflix, we urge you to binge watch the award-winning comedy. The life of Tracey (played by Michaela Coel) is a comedic interpretation of many racial and societal issues that are faced in the daily lives of many women. In one episode in the second season, Tracey (Coel), is wearing a make-shift African “tribal” inspired outfit. With her gobbledegook chants and “ritualistic” dancing, her new love interest Ash, and his “never been with a black girl” line, is something that is representative of many experiences of women of colour.
His response that his taste in black women counts as “positive discrimination” and the claim that he’s a “campaigner for ethnic minority power” because he “went to Kenya and the Gambia” for a gap year, highlights an unfortunately common mind-set that illustrates this topic.
Chinese actress Constance Wu was in the headlines recently in Huffington Post for calling out the fetishisation and exoticism of Asian women too. Where it’s often supposed to be “flattering” to be someone’s preference, it is instead a wider objectification of sexualised racism. Kristina Wong writes, “Men will defend their fetish for Asian women as an innocent preference. “I just like what I like” is really code for “I have sexualized my racism and bought into the stereotype of Asian women.” The objectification of Asian women as “exotic lotus blossoms” isn’t just confined to modern media depictions of Asian women saying “me so horny” to U.S. military men. It links to a longer, more problematic Western subjugation of Asian women that dates all the way back to the Silk Road.”
When a sexual preference is defined solely by race, it shows the entirety of “othering” women of colour and placing them all into a category without room for variation. As with racism, this is a standardised and institutionalised mind-set that needs to change.
Where it seems like a futile mission to overcome such stereotypes that are normalised within Western culture, education, representation and inclusion need to be entirely overhauled in order to stop black women and all women of colour being seen as fetishes and nothing other than “tick boxes.”
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https://en.m.wikipedia.org/wiki/Racial_fetishism
Racial fetishism is sexually fetishizing a person or culture belonging to a specific race or ethnic group.

Theories
Homi K. Bhabhaexplains racial fetishism as a version of racist stereotyping, which is woven into colonial discourse and based on multiple/contradictory and splitting beliefs, similar to the disavowal which Freud discusses. Bhabh…
Racial fetishism is sexually fetishizing a person or culture belonging to a specific race or ethnic group.

Theories
Homi K. Bhabha explains racial fetishism as a version of racist stereotyping, which is woven into colonial discourse and based on multiple/contradictory and splitting beliefs, similar to the disavowal which Freud discusses. Bhabha defines colonial discourse as that which activates the simultaneous "recognition and disavowal of racial/cultural/historical differences" and whose goal is to define the colonized as 'other,' but also as fixed and knowable stereotypes. Racial fetishism involves contradictory belief systems where the 'other' is both demonized and idolized.

The effects of racial fetishism as a form of sexual racism are discussed in research conducted by Plummer. Plummer used qualitative interviews within given focus groups, and found that specific social locations came up as areas in which sexual racism commonly manifests. These mentioned social locations included pornographic media, gay clubs and bars, casual sex encounters as well as romantic relationships. This high prevalence was recorded within Plummer's research to be consequently related to the recorded lower self-esteem, internalised sexual racism, and increased psychological distress in participants of color.

Fetishism can take multiple forms and has branched off to incorporate different races. The theories of naturalist Darwin can offer some observations in regards to why some people might find other races more attractive than their own. Attraction can be viewed as a mechanism for choosing a healthy mate. People's minds have evolved to recognize aspects of other peoples' biology that makes them an appropriate or good mate. This area of theory is called optimal outbreeding hypothesis.

Examples
White women
Rey Chow argues that the fetishism of white women in Chinese media does not have to do with sex. Chow describes it as a type of commodity fetishism. White women are seen as a representation of what China does not have: an image of a woman as something more than the heterosexual opposite to man.

Perry Johansson argues that following the globalization of China, the perception of Westerners changed drastically. With the Opening of China to the outside world, representations of Westerners shifted from enemies of China to individuals of great power, money, and pleasure.

In a study of Chinese advertisements from 1990 to 1995, marketed solely to the Chinese people, Johansson concluded that, in China, the racial fetish of Western women does have something to do with sex. Chinese advertisements depict Western women as symbols of strength and sexuality. The body language of Chinese models in ads expresses shyness and subordination with canting of heads and bodies, lying down and covering of faces, while the body language of Western women demonstrates power and uninhibited unashamedness. Western women do not cover their mouths while laughing, hold their heads high, and stare straight into the camera. Western women represent a shift in the power dynamics between women and men and are event presented with qualities otherwise considered to be "masculine" in Chinese culture.

Asian women
An Asian fetish focusing on East Asian, Southeast Asian and to some extent South Asian women has been documented in Australasia, North America, and Scandinavia.

According to an article from the Washington and Lee Journal of Civil Rights and Social Justice, the "Asian fetish" syndrome is born out of the male desire for dominance and the stereotype of Asian women as individuals open to domination. For example, following the 1970s and a peak in the American feminist movement, many white men turned to mail-order bride companies in search of a loyal, understanding, and subservient partner. They saw women of their own race as too career-oriented and strong-willed. Asian women were the antithesis to their perception of white women. While white women resisted powerlessness and subjugation to the white man, Asian women were seen as open to the subjugation, even depicted as enjoying it.

The song "Yellow Fever" by The Bloodhound Gang includes lyrics such as, "She's an oriental rug cause I lay her where I please," and "Then I blindfold her with dental floss and get down on her knees." Both of these instances exemplify the stereotype of Asians as submissive. Margaret Cho has labeled Gwen Stefani's Harajuku Girls as a "minstrel show" because they represent fetishized East Asian stereotypes. The girls follow Stefani around on tour and are contractually obligated not to speak English in public. The performer had "renamed" them corresponding to her album title and clothing brand, L.A.M.B.: Love, Angel, Music, and Baby.

Furthermore, there have been many cases of Asian fetishism leading to criminal activity. In one case in 2000, two men, David Dailey and Edmund Ball, abducted and blindfolded two Japanese girls in Washington, one who was eighteen and the other who was nineteen. Ball specifically targeted these Asian students because he thought that they were submissive and were less likely to report sexual abuse. In another case, in 2005, Michael Lohman, a doctoral student at Princeton University, was charged by the state of New Jersey for reckless endangerment, theft, harassment as well as tampering with a food product. Michael had cut locks of hair off at least nine Asian women. He also poured his semen and urine into the drinks of Asian Princeton students more than fifty times. In his apartment, Michael also had mittens filled with hairs of Asian women.

Middle Eastern women
According to multiple articles, the West's fetishization of fully covered Arab women has led to the stereotype that Middle Eastern women are oppressed and therefore submissive. When French armies invaded Algeria, they had anticipated Algerian women to be sexually available and hookah smokers. To their surprise, Algerian women actually appeared to have been more modestly dressed and covered from their head to toes. Many French photographers paid Algerian women to remove their religious attire and pose for provocative photos to make French postcards. In his book Desiring Arabs, Joseph Massad talks about how the West's interpretation of Arab culture has painted the stereotype of Arab women being exotic and desirable. Massad's book was largely influenced by Edward Said's book Orientalism.

Latina women
In her book Sex Tourism in Bahia Ambiguous Entanglements, Erica Lorraine Williams published the first full-length ethnography of sex tourism in Brazil, including interviews with tourists who come solely to participate in sexual tourism, which may be considered a form of racialized fetishism. One of the tourists interviewed described his experience, "I’ve had a thing for Latin, brown-skinned women since my early twenties. I’m from [a place] where there are a lot of blond, white girls. Whatever you have, you like the opposite --they’re exotic, intriguing."

Black women
The fetishization of black women expanded during the Colonial Era, as some white male slave owners raped their black, female slaves. They justified their actions by labeling the women as hyper-sexual property. These labels solidified into what is commonly referred to as the "Jezebel" stereotype. The opposite of this "Jezebel" identity or persona is the "Mammy" figure who loses all of her sexual agency and autonomy, and becomes an asexual figure. L.H Stallings notes that the creation and identities for the Jezebel or Mammy figures are "dependent upon patriarchy and heterosexuality." An example of racial fetishism within the colonial era is that of Sarah Baartman. Sarah's body was utilized as a means to develop an anatomically accurate representation of a black woman's body juxtaposed to that of a white European woman's body during the age of biological racism. The scientist studying her anatomy went as far as making a mold of Sarah Baartman's genitalia postmortem because she refused him access to examine her vaginal region while she was alive. The data collected on Baartman is the origin of the black female body stereotype, i.e. large buttocks and labia.

Charmaine Nelson discusses the way black females are presented in paintings, with an emphasis on nude paintings. Nelson argues that every nude painting feeds into the voyeuristic male gaze, but the way black women are painted has even more undertones." The black female body defies the white male subject's desire for a single subject of 'pure' origin in two ways: firstly, through a sexual 'otherness' as woman, and secondly through a racial and color 'otherness' as black. It is the combined power of these two markers of social location which has enabled western artists to represent black women at the margins of societal boundaries of propriety." The black woman is considered a fetish in these paintings and she is only viewed in a sexual lens.

One of the more recent popular discourses around the fetishization of black women surrounds the release of Nicki Minaj's popular song, "Anaconda" in 2014. The entire song and music video revolves around the largeness of black women's bottoms. While some praise Minaj's work for its embrace of female sexuality, many believe that this song continues to reduce black women to be the focus of the male gaze.

Black men
Most commonly, black men are expected to be hyper-masculine and hyper-sexual, and their fetishization is seen predominately throughout porn and the ‘BBC’ (Big Black Cock) category, which reinforces the idea that they should have a large penis. Furthermore, within porn videos, the black male is expected to be rough, acting in almost a primitive manner. Black actors in porn have been calling out issues with filming on social media, bringing attention to the common but outdated practice whereby a white performer charges a higher rate for ‘interracial scenes’, to which Isiah Maxwell states "IR is a smokescreen for what you’re really trying to say…it doesn’t mean Asian or Latino. It means, ‘Are you willing to have sex with a black guy?"

The aspect of the black male being a performer under the ‘white gaze’ (Frantz Fanon) can be manifested through the sporting body and their representation within the sphere of athleticism. Ben Carrington further elaborates on this in his article Race, representation and the sporting body whereby "Blackness itself was pathologised as a deviant identity, and the black male was stereotyped (and subsequently mythologised) as a hyper-sexed, almost animal-like, entity." (Carrington, 2002). This idea that the black man has to possess animalistic behaviour is explained in more detail by Carrington, explaining that "Black athletes – female and male ─ are invariably described as being strong, powerful and quick but with unpredictable and ‘wild’ moments when they supposedly lack the cognitive capabilities – unlike their white peers – to have ‘composure’ at critical moments". Just as Fanon talks about the white gaze, Carrington presents the view that representation in the media (both in sports and pornography) leaves the black male body vulnerable and exposed to inspection.

In BDSM
There is also a practice in BDSM which involves fetishizing race called "raceplay". Susanne Schotanus defined raceplay as "a sexual practice where the either imagined or real racial background of one or more of the participants is used to create this power-imbalance in a BDSM-scene, through the use of slurs, narratives and objects laden with racial history."
Attitudes towards interracial relationships
https://melanmag.com/2018/03/15/i-thing-black-girls-woc-fetish-problem
Перевести · 15.03.2018 · Many of her would-be suitors admitted to being interested in her purely to “tick a box” and be able to say that they have “experienced” a black woman in bed. She says, “I’ve noticed that Irish men fetish-ise black women. I think this is because in Ireland interracial relationships aren’t as common as other places.”
https://m.youtube.com/watch?v=WHCFs_jWuNQ
Перевести · 16.01.2021 · Happy New Year cuties :)In today's video I'm talking about the recent trend of fetishized and performative admiration toward Black …
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Перевести · Последние твиты @BlackGirlFetish
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Перевести · 29.06.2020 · I refuse to date these 5 types of white men who are poorly hiding the fact that they have a black fetish. Has he dated outside …
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