Bitches Aint Shit But Hoes And

Bitches Aint Shit But Hoes And
[Chorus: Snoop Dogg (Sample)] Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks [Verse 3: Nipsey Hussle] Look, I like bitches, that's lightskinned-ed With a whole a lot of ass, and get right with it Off a pill, I can probably make her like bitches Lick lick it, like a lolli till it's like liquid These hoochies always talking bout, where my dick is But if it's not in your mouth, then get out my business A nigga real ratchet, I ain't wifin' shit Known to fuck and cut her off, light switches Uh, now what I get? Money bitch You look good, but to me you just a bummy bitch And the funny shit is, you know my other bitch Met me through her, on some under cover lover shit Got damn, ain't that your home-girl? Scandalous bitches, we living in a cold world That's why I flip em, flip em like ah zone girl And every week I change my number to my phone cause...
[Chorus: Snoop Dogg (Sample)] Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks[272144]
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YG uses a sample from “Bitches Ain’t Shit” (Snoop Dogg’s Part) to make the hook.
He Partners up with Tyga and Nipsey Hu$$le, who also believe “Bitches Ain’t Shit.”

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Dr Dre - Bitches Aint Shit But Hoes And Tricks

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"No bitches?" nah, bitches aint shit
Gen Z girls woulnt last 1 day in 1980-1990 rap 💀

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4 : 10 3:54 (EP version) 1:26 (reprise) (Bonus track attached to "Still" on SSSG )

^ Jump up to: a b c d e f g h i Thomas Golianopoulous, "Dr. Dre, 'The Chronic' at 20: Classic track-by-track review" , Billboard.com , Prometheus Global Media, LLC, 15 Dec 2012.

^ Jump up to: a b c d Wayne Marshall, "Hip-hop's irrepressible refashionability: Phases in the cultural production of black youth", in Orlando Patterson with Ethan Fosse, eds., The Cultural Matrix: Understanding Black Youth (Cambridge, MA & London, UK: Harvard University Press, 2015), p 184 .

^ Jump up to: a b c Soren Baker, The History of Gangster Rap (New York: Abrams Image, 2018), indexing "Bitches Ain't Shit" .

^ Jump up to: a b c James G. Spady , Charles G. Lee & H. Samy Alim, Street Conscious Rap (Philadelphia: Black History Museum, UMUM/LOH Pub., 1999), p 538 .

^ Jump up to: a b c David Diallo, ch 10 "From electro-rap to G-funk: A social history of rap music in Los Angeles and Compton, California", in Mickey Hess, ed., Hip Hop in America: A Regional Guide , Volume 1: East Coast and West Coast (Santa Barbara, CA: Greenwood Press , 2010), pp 228–231 on Ice T, particularly p 231 , and pp 234–238 on N.W.A, amid backstory on their precursor, contemporary, and evolving rap scene in the Los Angeles area. In more focus on the scene's transition from electro rap to gangsta rap, whereby N.W.A's landmark album, Straight Outta Compton , in 1988, granted West Coast rap its first unique identity, see Loren Kajikawa, "Compton via New York", Sounding Race in Rap Songs , (Oakland: University of California Press, 2015), pp 91–93 . For more on the album, see Steve Huey, "N.W.A: Straight Outta Compton " , AllMusic.com , Netaktion LLC, visited 14 Jun 2020.

^ Todd Boyd, Am I Black Enough for You?: Popular Culture from the 'Hood and Beyond (Bloomington & Indianapolis: Indiana University Press , 1997), p 75 .

^ Jump up to: a b c d e f g h i Ben Westhoff, " The making of The Chronic " , LAWeekly.com , LA Weekly , 19 Nov 2012.

^ Jump up to: a b c d e f g Ben Westhoff, "Backstabbing, Moogs and the funky worm: How gangsta rap was born" , TheGuardian.com , Guardian News & Media Limited, 13 Sep 2016.

^ Will Lavin, "Dr. Dre says he didn't want to appear on his classic '2001' album at all" , NME .com , BandLab Technologies, 17 Nov 2019.

^ Jump up to: a b c Vlad Lyubovny, interviewer, "The D.O.C.: I put Suge and Dre together so we could build Death Row Records" , VladTV / DJVlad "Verified" channel @ YouTube, 22 Dec 2015. Interview clip opens on money gripes sending Dr. Dre from Ruthless Records. Death Row Records' formation enters near 2:33 mark. Snoop Dogg's development enters near 12:36 mark.

^ Jump up to: a b c d e Chuck Philips, "The big mack", Spin , 1994 Aug; 10 (5):48–53,96, p 53 .

^ Sheldon Pearce, Changes: An Oral History of Tupac Shakur (New York: Simon & Schuster , 2021), pp 173 – 177 .

^ Jump up to: a b c Ronin Ro, Have Gun, Will Travel: The Spectacular Rise and Violent Fall of Death Row Records (New York: Main Street Books/Doubleday, 1999), esp. p 83 .

^ Sheldon Pearce, Changes: An Oral History of Tupac Shakur (New York: Simon & Schuster , 2021), p 182 .

^ Jump up to: a b c Snoop Dogg cover story by Dream Hampton , "G Down", The Source , 1993 Sep;(48):64–70, archived at dreamhampton.com .

^ For Daz's recollection, see Vlad Lyubovny, interviewer, "Daz Dillinger details working on 'The Chronic' w/ Dr. Dre at 15" , VladTV / DJVlad "Verified" channel @ YouTube, 20 Aug 2015. For more on that, see Trent Clark, interviewer, "Daz Dillinger says Dr. Dre took his ideas to create 'The Chronic' " , HipHopDX "Verified" channel @ YouTube, 23 Apr 2018. On Warren's contribution, see Ebro Darden & Laura Stylez , interviewers, "Warren G talks growing up as Dr. Dre's brother, Snoop's early rap battles and his new album", Hot 97 "Verified" channel @ YouTube, 10 Aug 2015, 22:30 mark. Jeff Weiss adds, "As much as 'The Chronic' is a psychedelic and sinister warp of the Parliament and Funkadelic records that constantly rotated on Dre's childhood turntable, it is the sound of Long Beach, too: the ecumenical hymns of the Baptist church turned into filthy harmonic gospel by Snoop, Nate Dogg , Warren G , and Daz" [J Weiss, "25 years later, Dr. Dre's 'The Chronic' remains rap's world-building masterpiece" , ChicagoTribune.com, Chicago Tribune & The Washington Post , 15 Dec 2017]. Snoop said that Daz and Warren made some beats on Doggystyle , but that production, truly Dre's, was a far greater task [Rob Markman, "Did Dr. Dre produce Snoop's Doggystyle?" , MTV.com, MTV News , 26 Nov 2013]. For fuller discussion, mainly defenses of Dre, while Dre may concede some crediting neglect at Death Row Records, but asserts diligently avoiding such at his subsequent label, Aftermath Entertainment , see Jake Brown, Dr. Dre in the Studio (Phoenix, AZ: Colossus Books, 2006), pp 54–57 .

^ Apparently, Dr. Dre drew the foundation of the G-funk sound from Cold 187um , who, as record producer of rap group Above the Law , worked near Dre at Ruthless Records on the group's second album, Black Mafia Life , while Dre was working on N.W.A's final album, Efil4zaggin [Ben Westhoff, "Backstabbing, Moogs and the funky worm: How gangsta rap was born" , sec "Who invented G-funk?", TheGuardian.com , Guardian News & Media Limited, 13 Sep 2016]. Yet it was Dre's guidance whereby it became, rather, "a fully formed universe" [Jeff Weiss, "25 years later, Dr. Dre's 'The Chronic' remains rap's world-building masterpiece" , ChicagoTribune.com , Chicago Tribune & The Washington Post , 15 Dec 2017].

^ Jump up to: a b c d e f Marcus Reeves, Somebody Scream!: Rap Music's Rise to Prominence in the Aftershock of Black Power (New York: Faber and Faber, Inc. , 2008), p 142 . Besides the "pop-crafted ingenuity" of Chronic singles " Nuthin' but a 'G' Thang " and " Let Me Ride ", Dre's gangstas in these songs and music videoes, not fleeing the police on grim streets, were cruising sunny boulevards in modified 1964 Chevy Impalas , showcasing them at street rallies, mingling at barbecues, and, after nightfall, drinking malt liquor at parties, at any moment puffing weed, altogether, at that time, "a glamorous brand of gangsta rap" [ p 143 ].

^ Jump up to: a b c d Bryan J. McCann, The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (Tuscaloosa: University of Alabama Press , 2017), p 70– , for several pages, McCann swiftly unveils and deciphers the cultural subtexts of the G-funk aesthetic.

^ Jump up to: a b c d e f Gerrick D. Kennedy, Parental Discretion Is Advised: The Rise of N.W.A and the Dawn of Gangsta Rap (New York: Atria Books , 2017): pp 204 & 211 on Death Row Records' atmosphere; p 201 on Dr. Dre's ghostwriter the D.O.C. 's own view of it; p 206 on Chronic singles gaining play on popular radio and on MTV and then superstardom by Dre and Snoop as trendsetters; pp 211–213 on Doggystyle 's recording and content and on Snoop's murder case.

^ Jump up to: a b c d e Travis L. Gosa, "The fifth element: Knowledge", in Justin A. Williams, ed., The Cambridge Companion to Hip-Hop (Cambridge, UK: Cambridge University Press , 2015), p 56 .

^ Jump up to: a b c d e Alan Light , "The year in hip hop: Hard reign", Vibe , 1993 Dec & 1994 Jan; 1 (4):74–75, p 75 .

^ Jump up to: a b Kevin L. Ferguson, Pop Goes the Decade: The Nineties (Santa Barbara, California: ABC-CLIO , 2019), p 130 .

^ Jump up to: a b c d e Stereo Williams, "When Snoop Dogg became the most wanted man in America" , TheDailyBeast.com , The Daily Beast Company LLC, 18 Nov 2018.

^ James C. Howell, The History of Street Gangs in the United States: Their Origins and Transformations (Lanham, MD: Lexington Books , 2015), pp 83 –85, finds the G-funk innovation, superseding N.W.A, employing videos depicting "acclaimed and imagined places" showcasing street gangs' hubs in South Central Los Angeles , Compton , and Long Beach . But unlike warring Crips and Bloods sets, "G-funk artists remained united in messaging and representing, creating a profound cultural force (with the benefit of broadcast media)", blending "two overarching behavioral types, the nihilist gangbanger and the enterprising hustler", "stressing 'gratuitous, individualist pleasures of the moment'." "What is most remarkable is that G-funk music became mainstream. Dr. Dre's ' Nuthin' but a 'G' Thang ' was arguably the 'hardest rap' to ever rank high (#2) on the Billboard Hot 100 chart" [p 83]. Howell elaborates, while citing further sources, "gang images have served for many decades as a marketable media product—in movies, novels, news features, and television drama—but the 1990s saw a significant change in how they were presented." "Thus, gangsta rap gained status as 'a culture of resistance' " [pp 83–84]. "In sum, gangsta rap contributed significantly to the emergence of more gangs in the late 1980s and early 1990s and, with that, gang membership rolls expanded more than in any period of U.S. history." "Along with the parallel growth of gangs and gang-related violence and drug trafficking, arrests in many cities contributed to substantial growth in imprisonment of young black men". "Without any doubt, youth gangs became more formidable once undergirded by the highly influential youth subculture. The allure of gangs grew stronger because of the widespread glorification of gang culture in rap music." [p 85] Note, however, that youths' commission of violent crime per se manifested a different statistical trend. "Arrest rates of young people for homicide and other violent crimes skyrocketed from 1983 to 1993. In response to the dramatic increase in the number of murders committed by young people, Congress and many state legislatures passed new gun control laws, established boot camps, and began waiving children as young as 10 out of the juvenile justice system and into adult criminal courts. Then, starting in the mid-1990s, overall arrest rates began to decline, returning by 1999 to rates only slightly higher than those in 1983." [Office of the Surgeon General, National Institute of Health, Youth Violence: A Report of the Surgeon General (Rockville, Maryland: Office of the Surgeon General of the United States , 2001), ch 2 "The magnitude of youth violence" , sec "The violence epidemic"]

^ Recording Academy , "Artist: Dr. Dre" , Grammy.com , 13 Apr 2020.

^ Jump up to: a b Havelock Nelson, "Album reviews: The Chronic " , RollingStone.com , Rolling Stone , 18 Mar 1993.

^ Jump up to: a b c d Chris Steffen, interviewer, "Ben Folds on repeating mistakes, conjuring characters, and repeating mistakes" , AllMusic .com , Netaktion LLC, 23 Aug 2019. Here, piano rock singer Folds discusses his own 2005 cover version of "Bitches Ain't Shit" and clarifies that he took most of the original song's "misogynistic rant" out from his own version. Yet Folds also says, "Dr. Dre is no dummy: there's comedy in it, there's Quentin Tarantino , and then there's also serious stuff in it." In turn, about the Hollywood filmmaker, Bret Easton Ellis , "The gonzo vision of Quentin Tarantino" , NYTimes.com , The New York Times , 12 Oct 2015, cannot "imagine an earnest 20-something millennial dreaming up a film as perverse and lurid" as his 1994 film Pulp Fiction or 1992 film Reservoir Dogs , much less "his racially explosive comedy-western Django Unchained ." Ellis deems 2015 "obsessed with 'triggering' and ' microaggressions ' and the policing of language", whereas Tarantino's films are "relentlessly un- PC ."

^ Jump up to: a b "Dr. Dre speaks at Snoop Dogg's Hollywood Walk of Fame ceremony 11.19.18" , The Hollywood Fix "Verified" channel @ YouTube, 19 Nov 2018.

^ In Calabasas, on the hills west of the San Fernando Valley , Dre had bought, in perhaps 1989, "a lavish troubadour-style home", and put a recording studio in an upstairs bedroom [Gerrick D. Kennedy, Parental Discretion Is Advised: The Rise of N.W.A and the Dawn of Gangsta Rap (New York: Atria Books , 2017), pp 123 & 132 ].

^ "The house was described by fire officials and neighbors as heavily damaged, particularly its shingled roof and the attic, which was completely destroyed. Fire officials estimated damage at $125,000. 'It looks like a dinosaur ate a huge chunk out of it,' said neighbor Amanda —, 16" [Henry Chu & Aaron Curtiss, "Fire damages rap singer's house, injures 2 firefighters" , Los Angeles Times , 29 Jun 1992].

^ Nelson George, "Rhythm & blues", Billboard , 1986 Mar 29; 98 (13): 27 , identifies Galaxy Sound's owner as Dick Griffey. Viewable in 2021, a tribute website places the SOLAR building at 1635 North Cahuenga Boulevard, Hollywood, CA, 90028, "right between Hollywood Blvd and West Sunset Blvd, and just a few blocks from the legendary Capitol Records Tower . The building included office space and his Galaxy Sound Studio where most of his acts had recorded their hits" ["This is a Tribute to.... SOLAR (Sound Of Los Angeles Records)" , Disco-Disco.com , visited 21 Aug 2021].

^ Jump up to: a b c d e Jeff Weiss, "25 years later, Dr. Dre's 'The Chronic' remains rap's world-building masterpiece" , ChicagoTribune.com , Chicago Tribune & The Washington Post , 15 Dec 2017.

^ Jump up to: a b c d e Felicia Angeja Viator, To Live and Defy in LA: How Gangsta Rap Changed America (Cambridge, MA: Harvard University Press , 2020), p 234 skims the March 3, 1991, beating of Los Angeles resident Rodney King by city police officers; pp 242–242 skim the nation's reaction to the April 29–May 4, 1992, rioting that was triggered by the police officers' acquittal at criminal trial; pp 252– 254 skim the riots influence on The Chronic and the album's setting for the rap genre a new national standard; Kurupt is quoted, about the riots' influence upon the album, on p 253.

^ EAM, "Dr. Dre: 'Bitches Ain't Shit' from The Chronic " , HiddenSongs.com , ERRRRK! Media, visited 25 Aug 2021. Meanwhile, the song is listed #16 and the album is copyrighted 2001 at " The Chronic : Dr. Dre" , Music.Apple.com , Apple Inc., visited 25 Aug 2021.

^ Jump up to: a b Mark Beaumont, "Remember the '90s fad for 'hidden tracks' on CDs? Here are 10 of the best from Nirvana, Blur, Dre and more (and where to find them) ", § "6: Dr Dre—'Bitches Ain't Shit' ", NME .com , BandLab Technologies, 5 Apr 2019.

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