Bisexual Vids

🛑 ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻

Bisexual Vids
Your browser isn’t supported anymore. Update it to get the best YouTube experience and our latest features. Learn more

It’s a wonderful thing to see increasing LGBT representation in the movies. While awesome films with queer characters can be found even decades ago, they were few and far between; nowadays, cinema-goers have a much better chance of seeing even-handed portraits of gay characters than before.
However, one group that remains under- or unfairly-representative is bisexuals. Often a bisexual character is played for laughs, is a confused queer character, or (on the darker side) their bisexuality is evidence of their grotesqueness. Female bi characters also suffer from being portrayed solely through the male gaze for titillation.
Luckily, there are several fantastic exceptions to this and we can only hope that the number of options for this list of our top bisexual movies will grow as people become more open-minded. Enjoy these acclaimed films and let us know if there are any we’ve missed!
Wondering where to watch? It depends on where you live in the world and which streaming services you have. We link to the streaming service we watch on in each case - be it Netflix, Amazon Prime, Apply TV+, or elsewhere.
You can get one month free of Amazon Pride (or a 6-month trial for students ) of Amazon Prime and also get immediate access to FREE Two Day shipping, Amazon Video, and Music. While you won't be charged for your free trial, you'll be upgraded to a paid membership plan automatically at the end of the trial period - though if you have already binged all these, you could just cancel before the trial ends.
Apple TV+ also has a one-week trial, and Hulu has a one-month trial (which can be bundled with Disney!). Another option might be using a VPN to access Netflix titles locked to other regions . Netflix is now available in more than 190 countries worldwide and each country has a different library and availability. US Netflix is (understandably) one of the best. 
While we wish everything could just be in one place - for now, it seems these are the best streaming platforms to watch on.
In this article we will cover... [ show ]
Super-stylish, super-creative and super-sexy, this absolute queer classic also takes an open and refreshing approach to bisexuality – essentially, it doesn’t make it a big deal at all.
Michael York’s innocent writer in Berlin initially declares himself gay in response to Sally Bowles’ overt passes at him, before starting a relationship with her; only for them to later realise they’ve each been having an affair with the same man. The relationships might be complicated, but the film never singles York’s character out as odd – he simply is attracted to men and women.
We’ll be honest, we find it a little tricky having this on our list of top bisexual movies after hearing lead actress Salma Hayek’s disturbing account of Harvey Weinstein’s role in the production. Nevertheless, it is a fantastic film and an unflinching account of Frida Kahlo’s complicated life and relationships.
She was a bisexual woman; she was also passionate, talented, independent and difficult. These things are honestly represented in the film without her bisexuality needed to be a defining characteristic.
This is a rare beast indeed: an action thriller with all the fight scenes and unrealistic spy plots of a Bond film, with a leading woman who happens to be bisexual.
As she stalks in stilettos through the streets of post-Cold-War Berlin , Charlize Theron’s M16 spy has romantic encounters with both men and women with no self-doubt or navel-gazing. If you’re not a fan of the genre, it’s probably not the right film for your next bisexual movie night – but it’s good to know that it’s out there!
Chasing Amy has all the hallmarks of a Kevin Smith film – plenty of swearing, filthy humour, questionable jokes – but is also a surprisingly tender look at falling in love. Ben Affleck plays Holden, who meets and is immediately attracted to Alyssa, a lesbian comic book artist.
When she reciprocates his feelings, you might initially think this is some kind of basic conversion movie. However, that’s not the case, and the plot explores slut-shaming, friendship and how much easier it sometimes is for bi people to simply identify as gay.
This 90s movie has become something of a cult film for, among other things, its nuanced depiction of bisexual characters. Christian Bale plays a journalist in the 80s tracing the story of glam rock star Brian Slade (Ewan McGregor) back at the peak of his fame (and the music’s popularity) in the 1970s.
Flashbacks and vignettes show the decadence of this time, but also the openness and how rock influenced the gay culture of the time. Bale and McGregor might mark it as a very 90s film, but the story perfectly evokes the mood of the 70s. Proud bi characters like here are ones we’re always happy to see on our screens.
There’s every chance you haven’t heard of this wonderful film, which makes us sad but not surprised. Once you’ve watched it, however, you’ll be raving about it to everyone you meet. Written and directed by Iranian-American Desiree Akhavan (who went on to make The Miseducation of Cameron Post ), this film feels intensely personal, telling the story of bisexual Shirin as she encounters romantic turmoil and familial pressure.
While her sexuality is part of her identity, Shirin is clearly much more than that. She, and all of the characters, are treated as fully human and with immense compassion by the filmmaker. It’s also hilarious, which helps!
Hold on to your hats, here’s a film set in London that doesn’t have its characters living in vast riverside flats or in Notting Hill! It’s a refreshingly realistic depiction of life in the UK’s capital when your dreams haven’t quite panned out the way you expected; and it also happens to explore bisexuality .
An aspiring comedian, who works as a call-centre employee, falls for a man he meets on a bus – but then also his female flatmate. It’s brutally honest and bleak, but well worth a watch if you’re feeling tough enough!
 This Indian drama is bold and original in so many ways. Telling the story of an Indian teenager with cerebral palsy who moves to New York for university, it’s a sensitive and emotional take on sexuality, self-discovery and disability.
Laila falls in love with a blind girl from Pakistan, while being attracted to a male classmate, and trying to reconcile these feelings with her conservative upbringing. Her disability and her bisexuality are both treated realistically but without too much focus – recognising that people are people first and foremost, before we need to focus on their sexuality or condition.
As bisexual movies go, this is a difficult one. We really loved this film – and it includes one of the best interpretations of a Shakespeare scene that we’ve ever seen – but we can understand why it might be critiqued for its portrayal of the bisexual male lead.
The man in question is Ned Kynaston, the most acclaimed actor playing female roles in the 17 th century, a time when only men could act on stage. His fate interlinks with that of Maria, a young woman who longs for the stage. He has romantic and sexual encounters with both men and women, and Stage Beauty has some interesting moments of exploring the ‘masculine’ and ‘feminine’.
To be honest, sexuality really isn’t the crux of any of the storylines in Olivia Wilde’s awesome Booksmart – which is what makes it so damn good, in our opinion! Best friends Molly and Amy realise as they finish high school that they never had any fun, and try to use their last night before graduation to party hard. And party hard they do, in a wonderfully natural, real-life-teenager way.
Amy is gay and has a crush on skater-girl Ryan, who then goes on to kiss jock Nick. Ryan is a confident and unapologetic character who perfectly illustrates that you can’t put bi people in a box, and we are totally here for that representation of bisexuality. Be who you are, enjoy life!
Tempting Ideas For Sex And Hooking Up While Traveling! 🔥
10 Fabulous Lesbian TV Shows To Binge-Watch Tonight!
Our mission is to inform, inspire, connect, and empower the global LGBT+ community by shining a light on the world’s most fabulous gay destinations.
We offer guides to 200+ cities worldwide and know the best gay bars, hotels, clubs, saunas, parties, beaches, and not-to-be-missed experiences. Plus films, fashion, pop culture, gay events, and much, much more.
If it is queer or prideful – chances are you will find it here…
As an Amazon Associate Queer In The World earns from qualifying purchases. Other affiliate programs linking to recommended products and services are also used. Any and all access or use of this site is at the risk of the user. Queer In The World is not liable in any manner whatsoever for any direct, indirect, or consequential damages arising out of the access, use, or inability to use this site or any third-party website.
© 2021 Queer In The World. All Rights Reserved.

View cookies Reject cookies Accept cookies
Characters who desire both men and women are few and far between on the big screen. But there are some glorious exceptions…
The B in LGBT is not explored in cinema as much as the L, the G and, latterly, the T. But there are some glowing exceptions.
Bisexual men and bisexual women are depicted very differently in cinema. In the worst examples, films can be downright squeamish about their characters’ bisexuality – see (or don’t) Oliver Stone ’s timid biopic of Alexander the Great ( Colin Farrell played a more interesting bi character in 2005’s A Home at the End of the World ). Tinto Brass ’s notorious Caligula was far less timid but far more offensive, showing the Roman emperor’s sexuality as just another example of his appalling decadence. Laurence Olivier ’s famous, unreciprocated pass at Tony Curtis in the baths in Spartacus (1960) – “My taste,” he hisses, “includes both snails… and oysters” is meant to add to his repulsiveness. Still, things are getting better – if even James Bond is allowed a suggested previous sex life with males, as is hinted in Skyfall (2012), then Hollywood cinema is at least acknowledging other sexualities.
Sign up for BFI news, features, videos and podcasts.
Bi women are even less visible in Hollywood films, particularly before the last couple of decades (a surprising exception being Lauren Bacall ’s psychiatrist in 1949’s Young Man with a Horn ). Often, if bi females are portrayed at all, they are as monsters (pick any European vampire film at random from the 1960s and 70s) or as titillating sex pots (pick any DVD at random from your sex shop). Sometimes they are just confused young women who think they are lesbians, but ‘change their mind’ after a steamy session with the nearest hunk (as in overwrought 1967 melodrama The Fox ). There are exceptions – Angelina Jolie ’s career was launched through her charismatic performance as a tragic model in Gia (1998), a superior TV movie.
Some of the films below may not fall under the label ‘bisexual’ in the conventional sense. Is a man who has sex with a man in prison bi? Is a supernatural entity that sleeps with an entire household able to be allocated a sexuality? Perhaps ‘great films in which sexuality is fluid’ is a more accurate description. But either way, the following selection brings together some of the most interesting films in which characters enjoy sex with men and women.
Prison has been a favourite setting for filmmakers wanting to show homosexual desire. Usually the location is an all-female jail, either to enable sensational scenes of unrepressed lust – sleazy sexploitation flicks such as Barbed Wire Dolls (1976) became a staple of softcore cinemas – or to examine relationships between women in a world without men. Sexual relationships between men in prison is usually restricted to brutal rape scenes, but William Dieterle ’s silent drama Sex in Chains , outrageous title notwithstanding, is far more sensitive.
After accidentally killing a man who was hassling his wife, Franz (played by Dieterle) is jailed for three years. Frustrated to the point of madness through being away from his wife, he gives in to temptation and sleeps with a fellow prisoner, who falls in love with him. Although nominally a rallying cry for prison reform, the film’s depiction of Franz’s sexuality, though ultimately tragic, is moving and heartfelt. It’s a reminder of the commendably liberal depictions of same-sex relationships that appeared in many films from the Weimar era, including Different from the Others (1919), Mikaël (1924) and Pandora’s Box (1929).
One of Claude Chabrol ’s most intriguing films, Les Biches opens with a rich woman, Frédérique ( Stéphane Audran ), picking up a young street artist ( Jacqueline Sassard ) called Why and taking her back to her apartment. They then hightail it to the Riviera with the older woman’s rather weird gay male cronies, but their bohemian idyll is torn apart by the arrival of a handsome architect ( Jean-Louis Trintignant ). The visitor has a sexual liaison with Why, before Frédérique makes her move and embarks on a relationship with him herself, to the chagrin of Why.
A synopsis of the plot sounds like a tired chauvinist fantasy, but Chabrol isn’t much interested in his leading man. It’s the power play between the two women that excites, leading to a gripping psychological, and very enigmatic, thriller. Games are a symbol throughout, even inviting the audience to play along and unravel its mysteries (Why’s name is a gift for film studies tutors). Audran won the best actress award at Berlin for her compelling performance.
It may seem reductive to call Terence Stamp ’s enigmatic character in Pier Paolo Pasolini ’s masterpiece bisexual, but given he seduces an entire family – father, mother, daughter, son – and their maid, it’s not wildly inaccurate either. A repressed wealthy family has their world shaken up by a visitation from a beautiful stranger. Following passionate exchanges with all of them, they are devastated when he suddenly leaves the narrative halfway through the film, changing their behaviour in dramatic ways – one becomes a nymphomaniac, one becomes a saint, while the shy son becomes an abstract artist.
Jolting the Italian ruling class out of their bourgeois stupor, Stamp’s antichrist destroys society’s constructs – in the most directly political metaphor, following the visitor’s departure, the father gives his factory away to the workers and wanders naked into the desert. His final howl to camera is a disquieting finale to a highly provocative film.
A landmark film, this, as it was the first British film to show two men kissing. It stars singer Murray Head as a bisexual artist who embarks on simultaneous relationships with a Jewish doctor ( Peter Finch ) and a divorcee ( Glenda Jackson ) – both are aware that they are “sharing” their lover, but tolerate the set-up for fear of losing him. The film is non-judgmental about its characters, and just four years after gay male relationships were partially legalised in the UK , its positive portrayal of a happy homosexual man was groundbreaking.
Sunday Bloody Sunday won BAFTA s for best film, best director ( John Schlesinger ), and for the performances of Finch and Jackson. Eagle-eyed viewers will spot the film debut of Daniel Day-Lewis , in a small role as a vandal.
Although Cabaret has become a key gay text, its fanboys and fangirls tend to deify the performances of Liza Minnelli as singer Sally Bowles and Joel Grey as the sexually ambiguous master of ceremonies. Both are magnificent, and both won Oscars. But the best, albeit far less showy, acting comes from Michael York as the bisexual writer (based on Christopher Isherwood, who penned the memoir upon which the musical is based) who moves to Berlin to complete a doctorate, but falls in with Minnelli’s glamorous cabaret singer. The two have a complicated relationship – they have sex with each other, and later find out they have been having a relationship with the same man, a rich baron.
York’s transformation from nervy innocence (his hesitation in revealing his attraction to men to Sally is beautifully played) to confident independence – a narrative journey Sally can’t quite make – is deeply moving. Alas, York was ignored by many contemporary reviews. Interestingly, the film hold the record for most Oscars (eight) without winning best picture (it lost to The Godfather ).
Radley Metzger has made better movies than Score – porno The Opening of Misty Beethoven (1976) is better acted, The Lickerish Quartet (1970) is more ambitious. But its sheer, celebratory images of bisexual sex make it a superior slice of erotica. Based on an off-Broadway play, the plot is a simple one: in a European coastal town called Leisure (the location shooting was done in Yugoslavia), a sex-hungry couple make it their mission to seduce a pair of newlyweds. They succeed.
Bisexuality in sex films is usually limited to girl-on-girl action made for a straight male audience, but here the boys get to have fun with each other too. Claire Wilbur – later an Oscar-winning producer of short films – has a camp old time of it as the predatory Elvira, while adult movie icon Casey Donovan plays against type as the frigid, closeted husband. Fun fact: the telephone repairman in the original play was portrayed by Sylvester Stallone , although his look was deemed too un-European by Metzger for the film.
Gay rights activists picketed Basic Instinct for showing sensationalised, psychotic queer female characters, ruining the ending by carrying placards revealing the name of the character responsible for the grisly ice-pick murder of a man slaughtered while having sex. As for the famous scene where Sharon Stone uncrosses her legs to reveal she isn’t wearing underwear in front of a room of cops determined to find her guilty of murder, whether you see it as an indefensible, misogynist shot or a woman using her sexuality to disarm a group of inadequate men is up to the viewer (I favour the latter).
Is it great? I think so. Stone is so good, so clever and so knowing in her role that I found myself rooting for a possible serial killer. She run rings around all around her, male and female, and while her bisexuality is undoubtedly exploited for titillation by Paul Verhoeven , who offered fascinating queer characters in his Dutch films Spetters (1980) and The Fourth Man (1983) – and let’s not get started on Showgirls (1995) – at least she’s a female character who dominates the action, stealing the film from Michael Douglas ’s rather rubbish detective. The DVD has one of the best commentaries ever recorded, with social critic Camille Paglia gleefully cheering on the film’s political incorrectness.
Josiane Balasko , previously best known as the plain secretary who embarks on an affair with a businessman married to a beautiful wife in Bertrand Blier ’s Trop belle pour toi! (1989), directs, co-writes and stars in this marvellous farce, often translated as French Twist. She plays a hyper-masculine lesbian who successfully seduces an unhappy wife ( Victoria Abril ) away from her boorish, homophobic husband ( Alain Chabat ), leading to a wildly funny ménage à trois.
Despite their many flaws, Balasko’s characters are often very likeable, especially the female characters. Although political correctness often goes flying out the window, the last few scenes are generous to its characters, as we are given an alternative family structure that leaves everyone happy – perhaps the most subversive element of the whole film.
That rare thing, a London film set neither in a fictional upper-middle class idyll nor a terrifyingly rough council estate, Tom Shkolnik ’s film is hugely underrated. Few films have captur
Brielleday Cam
Minus8 Flash
Hot Girl Fingering Herself