Billy Wilder - Prosecution Witness
Prosecution witness ... Oh, the title with the film is ambiguous, slippery, insidious and amazingly almost sarcastically truthful.
blog about movies In my situation, Billy Wilder is actually a super-successful Hollywood director of the era of the dominance of avant-garde art while in the West, whose films absolutely are a vivid example, the truth is, of your avant-garde art. This avant-garde art itself is renowned for its challenges, manifestations directed against academic art, that your avant-garde artists had the ability to hunt down, to operate a vehicle into cellars in which they, the fact is, a place before. The halls from the academies were thrown open for a variety of cans or car tires, which, like "installations", proudly pressed the classical still life, an array of "performances" mocking the classical strategies to composition. Individuals avant-garde art, being accused by academics for a long period, simply, decisively and, usually, even naturally took on the mission with the prosecutor, and people who were persecuted began to persecute themselves, in my opinion, only confirming because of their temporary and imaginary success the illegality with this success and justice own bullying. I watched that great detective movie Witness with the Prosecution (1957) on #link# online with free streaming in HD.
“Don't judge, along with be judged,” says the Bible, and this can be partly true in case you were spoiled by way of the understanding of classical art, its canons, zealous supporters of academicism while in the West from the core last century who have been suddenly persecuted by young people. But ... all alike it would be a lie as the classics are incorruptible and no one remembers the garbage in the avant-garde. But at that time (oh, yes!) The avant-garde was exhibited in palaces, intended for itself palaces-museums of colossal cost.
A necessary feature on the avant-garde was the "multi-storey", sophisticated lie of accusing classical art of most imaginable and inconceivable sins (which is partly true, nevertheless there is really something predatory within the contemplation of dramas) and Billy Wilder, who seems like a fish in water on this mainstream atmosphere, presents us one example, an allegory of her quantity of the image of Marlene Dietrich - a person known to place it mildly non-standard (read: avant-garde) of her behavior at private life as well as on stage.
So, the image of a desperate and deceitful person presented from the film and never without some sort of heroism is an image typical for that point associated with an intellectual woman who builds a crooked smile at the view of the statue of Venus de Milo and makes statements about her shortcomings and she (for example, an American girl) "Harder", "more decent", etc., etc., etc., and usually different.
And the truth is this film by Billy Wilder is really "different" as, as an example, so it heroizes lies, which can be certainly unacceptable for just a "canonical" person! But such was the era when everyone jointly lied that they are as good as Sophocles, Moliere, they were “bored” and perhaps “disgusting” to mimic the geniuses of the past; innocent. Needless to say it became a lie - hysterical, "multi-storey", desperate since the performance of the Prosecution Witness, performed by one of the avant-garde queens - Marlene Dietrich.
There's no doubt that Billy Wilder saw the essence in the era really extraordinary and, I must say, talented script for his film, realizing it or not.
read movies reviews Those were the times - everyone desperately lied and lingered until ... postmodernism, an era in which classical art was fully restored to its reputation.
The heroine on the film can be a desperate liar whose place is in a comedy, but the avant-garde artist Wilder sees her in a very tragic role - an innovation conventional this era of total lies, a time of muddy waters during which outlandish fish like Marlene Dietrich put together - strangely organic within the role of the witness for that prosecution presented to us, damn unnatural creatures. new movies reviews
