Beverly Marsh Rule 34
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Beverly Marsh Rule 34
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Home Movies How It handles the book's most controversial scene
By Kevin P. Sullivan September 08, 2017 at 08:30 AM EDT
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How It handles the book's most controversial scene
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This post contains spoilers about Stephen King's It and the film adaptation out in theaters Friday.
When Stephen King 's It arrives in theaters on Friday, it will refamiliarize viewers with killer clown Pennywise, the novel's iconic antagonist who was so memorably brought to life by Tim Curry in the 1990 television miniseries based on King's book.
But what fans of that landmark television event won't see on screen is the novel's most controversial sequence: the climax's pre-teen orgy.
Toward the end of King's book—which typically runs over 1,000 pages in print editions and switches between timelines—our heroes, the Losers' Club, get lost in the Derry sewer system after defeating Pennywise…for the moment. Understanding that the group won't be able to escape without being unified, the gang's lone female member, Beverly, decides she needs to have sex with the six boys.
"I have an idea," Beverly said quietly.
In the dark, Bill heard a sound he could not immediately place. A whispery little sound, but not scary. Then there was a more easily place sound…a zipper. What— ? he thought, and then he realized what. He was undressing. For some reason, Beverly was undressing.
The plan works. As soon as Beverly has finished having sex with each of her friends, one of the boys immediately remembers where the group made a wrong turn and they subsequently escape.
As recent as 2013, King has commented on the scene, offering some explanation for its inclusion and expressing an understanding of how it's aged.
"I wasn't really thinking of the sexual aspect of it," King writes in a post on his official site's message board via his office manager Marsha DeFillipo. "The book dealt with childhood and adulthood—1958 and Grown Ups. The grown-ups don't remember their childhood. None of us remember what we did as children—we think we do, but we don't remember it as it really happened. Intuitively, the Losers knew they had to be together again. The sexual act connected childhood and adulthood. It's another version of the glass tunnel that connects the children's library and the adult library. Times have changed since I wrote that scene and there is now more sensitivity to those issues."
Removed from the context of the book, the scene obviously loses some of its significance—but it's hard to deny its problematic nature. Like the TV miniseries, the new film directed by Andy Muschietti—from a script credited to the film's previous director, Cary Fukunaga, as well as Chase Palmer, and Gary Dauberman—skips the sequence entirely. Once Pennywise is defeated, the Losers reappear outside the tunnels in the next scene, with no indication they got lost at all.
Dauberman, who took over writing duties when Fukunaga left the project, spoke with EW's Clark Collis about the scene and the production's debate over whether to include it in the film. "Besides Georgie in the sewer [the It opening], I think it's the one scene that everybody kind of brings up and it's such a shame," he says. "While it's an important scene, it doesn't define the book in any way I don't think and it shouldn't. We know what the intent was of that scene and why he put it in there, and we tried to accomplish what the intent was in a different way."
A 2014 draft supposedly written by Palmer and Fukunaga alone includes an interpretation of the sex scene, albeit a much cleaner alternative: After their climactic showdown with Pennywise, the Losers are lost in the tunnels. Beverly, sensing the boys' panic, takes each of their faces into her hands, providing the "light" they need to come together and escape.
While the original scene has been the subject of debate ever since the book's release in 1986, it has proven an interesting experiment in adaptation. Throughout King's career, he has pushed boundaries, especially in his depiction of adolescent sexuality, and the fact that the two produced adaptations of It have avoided the book's most challenging scene entirely is telling about the respective mediums and what happens when words on the page become light and sound.
Now Reading The Part Of Stephen King's It I Can't Forget
Let’s get this out of the way first: Pennywise the Clown, played by Bill Skarsgård with a jaunty ferocity, is absolutely terrifying in the adaptation of Stephen King's It . At one point, my seat companion involuntarily emitted a shriek, and I flew a few inches out of my seat. That night, when I turned off the lights to go to sleep, Pennywise’s bright buck teeth briefly shone in my dark imagination.
But it’s been a few days, and time, great cosmic eraser that it is, has diminished the horror of Pennywise. Another horror, one more based in the material world, has taken Pennywise’s place. Now, the scene I can’t get out of my head is that of Beverly Marsh (Sophia Lillis), teetering on the knife’s edge of her adult sexuality, having a tense conversation with her lecherous father (Stephen Bogaert).
By that point in the film, Beverly, the only girl in the movie’s It-fighting gang of preteens, has been branded by her sexuality. The boys collectively gape at Beverly, as if she were some magic figure sent over from the other side of the gender divide. Ben (Jeremy Ray Taylor) and Bill (Jaeden Lieberer) are especially smitten by Bev’s mixture of kindness and aloof self-confidence. Their admiration only grows more acute when Beverly flirts with, and distracts, an older pharmacist, allowing the Losers Club escape the store.
Disturbingly enough, Mr. Marsh seems to relish his daughter’s burgeoning femininity as much as her peers do. Yet whereas Ben writes Bev an admirably literary poem about her hair, her father burrows his face in her hair and takes a deep whiff. He forces her to promise that she’ll stay his “little girl” forever.
Clearly, Beverly has lived in a constant state of fear long before It jumped into her life. In fact — and this association comes as no surprise — the camera films Mr. Marsh’s face from below, the same angle by which Pennywise is filmed.
While no incident of sexual abuse occurs in the film, each scene between Beverly and her father is laced with the understanding of what he wants, and what she knows he wants. Then, the dam breaks: Mr. Marsh chases Beverly through their stark apartment, pins her to the floor, and attempts to abuse her. What she must do to escape is equally traumatic.
When this scene between Mr. Marsh and Beverly occurs in the novel , King makes it clear that Bev’s father is actually possessed by It. It takes the shape of whatever its target fears the most , so Mr. Marsh is used as a conduit to embody Beverly’s worst fears of abuse.
In the movie, though, Mr. Marsh isn’t possessed by It. He’s just motivated by a regular, human evil, the kind that will stick around even after if the kids vanquish Pennywise the Clown's supernatural threat.
The scariest character in It isn’t a supernatural demon which emerges every 27 years, because, no matter how vivid the CGI effects are or how growly Skarsgard’s voice is, Pennywise the Clown is not real. The scariest character is Beverly’s abusive father, and the entire adult world depicted in It .
Jaeden Lieberher as Bill Denborough and Sophia Lillis as Beverly
Beverly’s father is the most alarmingly abusive parent of the children in the Losers’ Club, but the rest are controlling or neglectful in their own ways. Eddie’s (Jack Dylan Grazer) smothering mother (Sonia Kasprak) has Munchausen by proxy syndrome, and puts him on a strict regimen of placebo pills, rendering him a hypochondriac. Bill’s father (Geoffrey Pounsett) is severe and emotionally removed. Stan’s father (Ari Cohen) watches Stan (Wyatt Oleff) bumble through the Torah from the temple rafters and shouts insults.
Though they don't believe it yet, the kids in the Losers Club are a few decades away from their parents’ situations — perhaps the worst of all possible realities. For them, growing up means losing touch with the things that matter: Bravery, integrity, goodness. Growing up means becoming blind to the world — adults in the film are literally incapable of seeing It’s tricks. If kids are the movie's heroes, then both It and the adults are the enemy. The Losers Club is blisteringly aware, and almost pitying, the foibles of their less-noble adult counterparts.
More than the clown, what I’ll remember from It is its haunting implications about the adult world. At their best, adults are snide gossips, who wish to hurry children along on a pre-conceived track. At their worst, adults are like Beverly’s father. The kids don’t need a clown to scare them — their parents are villainous enough.
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tip: "sherlock (tv)" m/m NOT "sherlock holmes/john watson"
Richie has always felt like there was something missing from his life, it only takes him 27 years to find it again.
8 times when Richie almost remembers the Losers and the time when he finally does.
Richie wasn't ever supposed to say anything. They were supposed to laugh and share intimate glances and have inside jokes. They were supposed to pretend that they didn't know it was weird for them to sit together in the hammock at seventeen years old. They were supposed to pretend like it was still okay to go to the clubhouse, just the two of them. They were supposed to tiptoe around each other and grin and blush and sometimes maybe Eddie would dare to lean his head on Richie's shoulder.
Richie was not supposed to ruin it by speaking out loud what they both have been too scared to admit. Because now Eddie knows and he kind of wants to throw up at the horrifying realization that things are changing.
Or, Richie confesses; Eddie freaks; feels ensue
After a year of children going missing in Derry, it is not unusual for walls and poles around the town to be littered with missing posters. However, when Will Byers goes missing, somehow it takes a group of nerds and losers to find him and discover Derry's secret.
Basically, the Party and the Losers Club fight against a shapeshifting clown in their last year of middle school.
Richie ‘Trashmouth’ Wentworth Toizer had a lot of jobs in his life, from inspiring comedian to hosting his own reality investigation show before ending up a jobless blogger looking for the next big story. He was a hopeless romantic and a loser to those who knew him. Now Richie may have found what he was looking for, a chance to bring back his name into the spotlight. He would also be taking down a corporation that he knew was corrupt every way possible. Derry. With the business being able to skirt the legal system he had connected several disappearances and deaths to their name but no one believed him. Well now they would have as he pays a visit to the Pennyworth Asylum, a place where Derry has planted it’s poisonous roots at. What he would find there would turn his whole life upside down. If it didn’t kill him first. -- Eddie wasn’t expecting a knight in shining armor and that was good because that’s not what he got. When Eddie and Richie meet it’s a battle of sanity and insanity alongside a passion that could melt their hearts with love or burn them out with obsession.
Richie tells Eddie how he is moving away from Derry to live with his older sister, Victoria Tozier. Eddie, instead of listening, lashes out and tells the losers. Then a big argument happens and it’s 6 v 1
Richie tells Eddie how he is moving away from Derry to live with his older sister, Victoria Tozier. Eddie, instead of listening, lashes out and tells the losers. Then a big argument happens and it’s 6 v 1
“Rich what’s wrong, buddy?”, Stan’s voice was gentle and concerned. This made Richie’s eyes well up. He didn’t know what he was afraid of. “Stan,” Richie looked up to Stan’s soft, brown eyes, softer than Eddie’s deep ones, “I’m pregnant.” He let out a sob and looked down at his hands before Stan could react. He did hear a faint gasp. Stan was quiet for a second, then quickly grabbed Richie’s hand and squeezed it.
"Maine, I wanna go to Maine." She bites her lip.
His eyebrows fly up, then crash back down into a frown with the rest of his face.
"For the mooses? Moosen? Neither of those sound right. Meesen?" A rotten feeling eats at his spine thinking about the place. Although he has no memories of that town other than it being horrible. It's annoying the crap out of him.
Richie and his daughter, Lydia, kick off their summer going to Derry, Maine. Only for things to spiral out of control within a few days of being there. Reuniting with old friends never felt so terrifying.
The comedian nods and turns back to his duffel bag, where he continues to pack the few items he has left to go into the bag. Ben sits on the edge of the bed and asks," what did you see?"
"None of your business." Richie responds. He didn't want anyone knowing what he'd seen. He didn't want anyone knowing the truth about him, about who he loved. That was for no one else but him.
"Okay, it was that bad, huh?" Ben asks and Richie just nods in response before he zips up his duffel bag." Please don't leave, Rich."
"I'd much rather be in my apartment right now, curled up in a ball on my couch, eating greasy pizza whilst watching Ru Paul's Drag Race." Richie states and Ben just stares at him for a second before saying," we're all scared, dude, we're all petrified. I understand how you're feeling to an extent. I don't know what life has been like for you, Rich, but whatever you saw today, you can overcome it-
"I can't!" Richie interrupts with a finality in his voice that makes Ben jump slightly, not having heard the tone used by the comedian before.
"What are you doing here, all alone, bunny?", the nickname is unsettling, but that is a new one, then again Patrick and Bill are never ever alone one to one like this,often Henry torments Bill and Patrick often focuses on Richie or Eddie. So it's scary having his attention, he'd rather have Bowers'.
Bill is in for a lot more than just that from Patrick Hoc
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