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Taste Of Cinema - Movie Reviews and Classic Movie Lists
May 19, 2018 • 9 comments
The 10 Best Lesbian Movies of All Time
When thinking of a ‘best’ list of LGBT related films, the criteria is so varied that it’s very hard to pick just a small amount. Are we comparing them in terms of narrative? Or is it strong and unique characters? Is it in terms of innovation of the genre, and can we even call lesbian or LGBT films a genre in general, considering they can vary from comedies, to dramas, to murder stories?
Of course, one must consider all these things at once because, after all, films are complex and multi-sided. Although many films were made in earlier cinema about lesbians – whether openly or in more subtle forms – it is the New Queer Cinema that really transformed the definition of sexuality and the potential of what non-heterosexual films can be as well as the way LGBT characters can be presented. Although the movement never became mainstream, it has subtly infiltrated both indie and Hollywood cinema in a way that it’s traces are still seen today.
Without further ado, although a list of great films should never be limited to such a small number as 10, these titles definitely stand as strong representations of lesbian films.
10. The Handmaiden (Park Chan-wook, 2016)
The Handmaiden is a brilliant film in all its aspects, with a plot that doesn’t stop to shock and surprise at every turn. The film follows a con-man, Count Fujiwara (Ha Jung-woo) who is on a mission to seduce and steal the inheritance of a rich Japanese woman Lady Hideko (Kim Min-hee).
To carry out his plan he hires the help of a professional thief, Sook-Hee (Kim Tae-ri) to act as her handmaiden. However, the women are smarter than Fujiwara thought and what follows is an endless power swap of the characters, in the process of which Sook-Hee and Lady Hideko fall in love.
9. The Bitter Tears of Petra Von Kant (Rainer Werner Fassbinder, 1972)
Although this is not the film most associated with Fassbinder, it is a real gem and one of his greatest works. The Bitter Tears of Petra Von Kant was adapted by him from his own play of the same name, giving it a great cinematographic spin and illuminating it with rich colours suitable to a film about a fashion designer. The story is both humorous and tragic, showing the difficulties of finding true love when you’re rich and famous – a story quite personal to Fassbinder himself.
Set in a luscious and artistic apartment of Petra Von Kant (Margit Cartensen), a powerful woman who is arrogant and self-righteous, whose life changes for the better or worse when, infatuated with a young model Karin (Hanna Schygulla), she invites her to move in with her, causing a series of drama.
8. My Summer of Love (Pawel Pawlikowski, 2004)
The summer is a strange romantic time for youth. A period where you have a lot of time to yourself, and longing for something exciting to happen that will help you feel more alive.
Set in such a period of time, My Summer of Love explores a unique relationship between two young girls that could not have less in common. Tamsin (Emily Blunt), coming from an upper-class background and a spoiled attitude and Mona (Natalie Press) a lower-class girl hiding her brightness behind a hard-faced mask.
However, whether it is the summer, or the bonding over their familial problems, the girls immediately become close and find themselves crossing over the strict friendship barrier.
Like many LGBT films, Pariah is a film of self-discovery, and one that is very much personal to the director herself. The film follows Alike (Adepero Oduye) in a coming of age story that creates a lot of sympathy and identification with the young teenager.
One can’t help but root for her as she is forced to hide her unfemininity in front of her parents, changing clothes before seeing them as a reassurance of her normality. At the same time we can experience the joy of her first love and the transformation in makes in her and for her relationship with herself as she finally finds someone who understands her.
The film is filmed with beautiful cinematography from Bradford Young that reflects Alike’s emotions through the saturated colours at a night club scene and green murky tones of desperation as she finds out the price of being herself.
6. Desert Hearts (Donna Deitch, 1986)
Desert Hearts is a ground breaking film in that, for the first time, a man was not in any way involved in the romance between two women.
Armed with powerful and complex characters, Desert Hearts follows Vivian Bell (Helen Shaver) in an attempt to start fresh after her divorce, as she learns to rediscover who she is. The spark she needed appears in the form of Cay (Patricia Charbonneau), a bright and energetic sculptor who has long learnt to forget about society’s permission when it comes to living her life as she wants. She is fearless and not afraid to be challenging, something that immediately draws Vivian. The films western rural landscapes serve as a backdrop for the inspiring affair.
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Storytelling is a very important thing. In fact, it is a responsibility. It is through stories that the world gets to know about various things — from the depths of human emotions to the issues that plague society. Hence, it becomes an even more important task to tell the stories of the minority sectors of society. Keep them at the center of a story and show the world a glimpse of what their real lives can be like. This is why diversity is important, not just in the hiring of actors, but also in the sketching of the characters. The LGBTQ+ community rarely gets to see someone like them at the center of a show; quite often, they have to be content as a sidekick. But times are changing now, and more and more LGBTQ characters are becoming parts of all kinds of stories. With that said, here’s the list of really good LGBTQ shows on Netflix that are available to stream right now:
‘The Fosters’ follows the story of a couple who struggle to raise their children — biological, adopted, and foster kids. Stef and Lena are at the center of it. Stef is a cop, and Lena is a school vice-principal. Together, they raise a bunch of kids with mixed ethnicities and face the challenges that come at every turn. The story starts with two foster kids arriving at their home. Meanwhile, their relationship with Stef’s biological son and the twins they had adopted also drives the plot of the story. Speaking in terms of representation, ‘The Fosters’ proves itself to be a very inclusive show and tries to show the world from everyone’s perspective.
Out of the countless things that have been stereotyped by the world is the character of a spy. In every film or TV show that you watch, a good spy is either a suave, chick-magnet who can seduce any woman in his vicinity or a Black Widow-ish woman, whose charms are as deadly as her strength to kill you with her thighs! While these characters are appealing to the audience, the question arises: are only straight people tailored for this job? Why can’t an LGBT person pull this off? If you’re wondering about this, then ‘London Spy’ is the show you must watch. If you’re not, then you can still watch it; it’s pretty great. It stars Ben Whishaw as Daniel, a man who discovers that his boyfriend was a spy. In order to find the truth about his death, Daniel embarks on a mission that will pit him against some of the deadliest people in the business.
Talk about badass sidekicks, and the name of Waverly Earp comes to mind. She is the lead character, Wynonna’s half-sister, and an expert on the history of their family name. Actually, she is an expert at almost anything! The show follows the story of the Earp sisters, primarily Wynonna, as they try to let what’s dead be dead. Embracing their legacy as the savior of the world from the supernatural dangers, the Earp sisters unite with a black-ops division of the government to fulfill their duties. Waverly and Nicole, the deputy sheriff of the town, hit off with sizzling chemistry in their first encounter and eventually become a couple that the whole fandom had been shipping.
The 2nd entry in ‘The Haunting’ series, ‘The Haunting of Bly Manor’ is a slow-burn horror that gradually develops through a disturbing atmosphere and unsettling circumstances. However, as one of the characters points out in the final episode, the series is ultimately a love story. American governess Danielle “Dani” Clayton (Victoria Pedretti) arrives at the Bly Manor to look after the recently-orphaned niece and nephew of Lord Henry Wingrave (Henry Thomas). There, she meets the property’s gardener Jaime (Amelia Eve), with whose help she finally frees herself from her tragic past.
The romance between Dani and Jamie adds an important level of complexity to the series. Showrunner Mike Flanagan (‘Gerald’s Game’) used Henry James’ 1898 classic novella ‘The Turn of the Screw’ as the blueprint and then wrote a screenplay that not only modernizes the original story but also improves it in certain aspects.
Series creator Justin Simien developed ‘Dear White People’ from his own 2014 film of the same name. Proudly controversial and self-conscious, the show deals with issues like racism, classism, gender identity, and sexuality with an unconventional flamboyance. ‘Dear White People’ is a pioneering work in terms of the representation of the black LGBTQ+ community. As it demonstrates the wide spectrum of black queerness, it directly contradicts the stereotype that Hollywood has helped developed on the subject.
Despite the obvious oversaturation of Netflix teen-dramas, the Spanish series ‘Elite’ has managed to stand out with its bold approach to portraying sexuality and willingness to show the other side of what is conventional. The series has a big ensemble cast. It initially concentrates on three teenagers from blue-collar families, Samuel (Itzan Escamilla), Nadia (Mina El Hammani), and Christian (Miguel Herrán), and their experience after they start attending a prestigious boarding school. One of the show’s most popular romances is between Omar (Omar Ayuso) and Ander (Arón Piper). The two characters embark on an incredible journey together that eventually leads to complete acceptance of their sexuality.
The web adaptation of the 2013 namesake novel by Kirsten Smith, ‘Trinkets’ is about three vastly different young girls, Elodie (Brianna Hildebrand), Moe (Mackenzie Lenton), and Tabitha (Quintessa Swindell), who have one thing in common: they are all kleptomaniacs. They become acquainted at a Shoplifters Anonymous meeting and subsequently agree to maintain an amount of secrecy around their friendship. Among the main three characters, Elodie is queer. Her relationship with a singer named Sabine (Katrina Cunningham) is a major plot point in the series.
While ‘Trinkets’ is definitely not one of the top-rated teen dramas that Netflix has released in recent years, it is still a well-made, relatively short-lived show with a compelling storyline and complex characters. It deals with a variety of social issues without being too preachy. ‘Trinkets’ is actually helped by the absence of any major star in its cast, as all three protagonists get separate chances to shine. Hildebrand is the most well-known member of that cast. She portrayed Negasonic Teenage Warhead in the ‘Deadpool’ films.
Set in San Diego, ‘Grace and Frankie’ tells the story of two women who are quite different from each other. Grace (Jane Fonda) is a cosmetics baron who has clawed her way to the very top of her industry. She is pragmatic, possesses an arid sense of humor, and can be extremely ruthless. On the other hand, Frankie (Lily Tomlin) is an artist with a humble and kind personality. These two women get the shock of their lives when their husbands, Robert (Martin Sheen) and Sol (Sam Waterston), announce that they have fallen in love with each other. As their erstwhile spouses find happiness together, Grace and Frankie discover that they have no choice but to live with one another. As the series progresses and their friendship deepens, Grace and Frankie start to relearn all the joys of life.
The collaboration between comedy legends Tina Fey and Robert Carlock previously produced a gem like ‘30 Rock’, a satirical sitcom about the inner workings of network television. That unique brand of humor almost seamlessly found its way into their next project, the Netflix sitcom ‘Unbreakable Kimmy Schmidt.’ It tells the story of Kimmy Schmidt (Ellie Kemper), who was taken from her family when she was in the 8th grade by the leader of a doomsday cult, Reverend Richard Wayne Gary Wayne (Jon Hamm), and kept at an underground bunker for 15 years with three other women. When they are ultimately freed, Kimmy decides to make New York City her home.
Her roommate, Titus Andromedon (Tituss Burgess), is egotistical and delightfully over-the-top. A struggling actor, Titus ran away from his home on his wedding day to his childhood friend Vonda Jeanne Brooks (Pernell Walker). After arriving in New York, he officially came out of the closet and embraced who he truly is. ‘Unbreakable Kimmy Schmidt’ deftly balances the comedy with deeper, dramatic moments, much of which can be considered as the upshot of Burgess’ remarkable performance.
Created by Evan Romansky and Ryan Murphy, ‘Ratched’ provides the backstory to one of the most iconic villains of world cinema, Nurse Ratched. Ken Kesey created the character for his 1962 novel ‘One Flew Over the Cuckoo’s Nest.’ In 1975, Czech-American filmmaker Miloš Forman adapted the book for a film of the same name, in which Louise Fletcher delivered an Oscar-winning performance as Nurse Mildred Ratched. Murphy and Romansky set their version in the late 1940s and developed a psychological thriller drama series that is as different as it could have been from the source material. Like a typical Ryan Murphy fare, it’s filled to the brim with shock-inducing scenes, self-awareness, and utter insanity.
The love story between Ratched (Sarah Paulson) and Gwendolyn Briggs (Cynthia Nixon), the press secretary to the governor of California, is placed at the heart of the series. The audience is well aware of what the future likely holds for these characters, and part of the show’s tragedy derives directly from that. ‘Ratched’ doesn’t necessarily address the issues that the contemporary members of the LGBTQ+ community were facing. Instead, it builds a near-utopian world around its protagonist and her love interest and offers them a temporary happy ending at the end of season 1.
Netflix’s ‘House of Cards’ started on a very good note. It was even one of its most popular shows. But then, the Kevin Spacey scandal emerged, and things soon went downhill for the show as well. If you can separate it from its controversies, ‘House of Cards’ is still a very enjoyable show. It is mostly about politics and minorly takes a detour in other directions. The show was bold about a lot of things, one of which included Frank Underwood’s characterization as a bisexual man. Since the story didn’t build much on that prospect, this show might not be so ideal. Still, it is only one of the handfuls that place an LGBTQ+ character in the lead role.
‘Super Drags’ is a Brazilian adult-animated comedy that follows the story of three drag queens who are superheroes, out in the world with only one mission — protecting LGBT people. The main villain is an evil queen who hatches all sorts of malignant plans to push the superheroes to accept defeat. But through each other’s help and support, the Super Drags always manage to defeat her. The show uses its fantastic setting to poke at society’s attitude towards the LGBT community and how people have to channel the superhero within them to handle the mistreatment that society throws at them every day.
‘Gypsy’ stars Naomi Watts as a psychiatrist named Jean Holloway. She is married and has a child, but she wants to break free from the mundane cycle her life has been caught up in and wants to do something exciting. Her patients become the source of great stories for her and she decides to take her job one step further. She begins to indulge herself in their lives under an alias. Her life becomes a bit too exciting when she falls for one of her patients’ ex-girlfriend.
If the title of this show is the tagline of your life’s story, then you should head over to the comedy section of Netflix. There are some great sitcoms that’ll make your day, and ‘Everything Sucks!’ is one of them. Boring is a small town in Oregon and this is where the story of this show is set. At the center of it are two social outcasts who try to do something radical — making a film about the school. This becomes the premise for further struggles in love and personal lives. One of the boys falls in love with the principal’s daughter, Kate. She is a great character because, through her, we see someone exploring their sexuality and checking out all options, making sure they know who they are, before settling on anything.
‘Sense8’ follows the story of a group of people who discover that they are mentally and emotionally linked to each other. Through this connection, they can share all that they know. However, they don’t know the reason behind this ability. The show is praised for using all of its main characters to add some diversity to its cast. By setting them in different parts of the world, it uses their storylines to highlight the problems in different sections and communities of the world. One of the eight “sensates”, as they grow to call themselves, is Nomi Marks. Nomi is a transgender person who is a hacktivist living in San Francisco. She is shown as a strong and determined character and will easily become your favorite of all.
Set in Los Angeles, ‘Eastsiders’ follows the story of a gay couple who tries to set right the dynamics of their relationship. Cal and Thom have been together for four years, but it becomes difficult to keep it running when Cal discovers that Thom has been cheating on him with someone else. Furious and heartbroken, he decides not to break-up with Thom because he loves him too much for that, but agrees with himself that payback is in order. Thus, a series of infidel affairs and the unhampered use of drugs leads them down a very difficult path. Apart from them, Kathy, Cal’s best friend, also comes to the limelight, from time to time.
‘Sex Education’ is a romantic comedy that premiered this year on Netflix and became a popular watch. While most of its focus lies on the sex lives of the teenagers, there is the representation of the LGBTQ+ community that it handles very well, brutally well, in fact. Otis’s best friend, Eric, is portrayed as a black gay teen, coming from a religious family. Throughout the whole season, Eric goes through a very difficult time and struggles with accepting his identity. His character goes th
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