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Women Of Hip Hop - The Best Female Rappers Of 2020
The COVID-19 pandemic led to the biggest shutdown the music industry has ever witnessed — no concerts, no tours, venues closing left and right and artists left scrambling with what to do next. But despite the grim reality the pandemic has shoved down our throats, an onslaught of music made its way to our ears thanks to the ample downtime quarantine provided.
Female rappers, in particular, rose to the occasion and there was no shortage of powerful women rhyming with fervor and precision in 2020. Not all of them were lyrical nerds per se — some simply impacted the rap space so boldly, they were impossible to ignore. Others wowed Hip Hop fans with their acute attention to detail in every bar they spit or their brash, no nonsense approach to their music — no matter how “offensive” it came across.
From Megan Thee Stallion, Cardi B and Flo Milli to Tierra Whack, Chika and Rapsody, there was a little something for everyone’s tastes.
Simply put, Megan Thee Stallion made 2020 her bitch. The statuesque Houston native catapulted to the top of the Billboard Hot 100 with the “Savage (Remix)” featuring Beyoncé in April, won numerous 2020 BET Awards (including Female Rapper of The Year) in June, signed a lucrative contract with cosmetic giant Revlon in August, dropped her Roc Nation debut Good News in November and scooped up four Grammy Award nominations to cap off the year. With the exception of the “Savage (Remix),” she accomplished all of that and then some recovering from bullet wounds sustained in a July shooting. Now that’s savage.
Love her or hate her, Cardi B has fully made the transition from a loud, outspoken Love & Hip Hop: New York personality to bona fide rap pop star. And while she didn’t release an album this year, the fiery Bronx native did unleash perhaps one of the most talked about rap videos in recent memory — the one and only “WAP.”
With its overtly crass meaning and salacious visual, the song drew both praise and criticism but in true Cardi B fashion, she gave no fucks. Instead, she watched it settle in the No. 1 spot on the Billboard Hot 100, get certified platinum in less than a month and break numerous streaming records.
Cardi also became the first female rapper to be named Woman of the Year at the Billboard Women in Music Awards earlier this year, took home several ASCAP Rhythm & Soul Music Awards and won a One Billion Stream Award from Spotify for “I Like It,” Taki Taki” and “Girls Like You.”
Mulatto jumpstarted her career in 2016 when she won the first season of Jermaine Dupri’s rap competition show The Rap Game. Although the Atlanta native opted not to move forward with So So Def, she eventually found a home at RCA Records earlier this year, not long after her single “Bitch From Da Souf” started making waves. The song peaked No. 95 on the Billboard Hot 100 and was remixed by Saweetie and Trina. After dropping “No Hook” and “He Say She Say,” she teamed up with Gucci Mane in July for “Muwop.”
The following month, Mulatto made a cameo appearance in Cardi and Megan’s “WAP” video and was featured on NLE Choppa’s single “Make Em Say” the same day. In addition to being named HipHopDX’s Rookie of The Year and earning a nomination in the Best New Hip Hop Artist category at the 2020 BET Hip Hop Awards, she dropped her RCA Records debut Queen of Da Souf, which peaked at No. 44 on the Billboard 200. Other 2020 releases include Chloe x Halle remix and DX’s R&B Song of the Year “Do It” featuring Doja Cat and City Girls, “Down” with G-Eazy, “Sex Lies” and “Spend It.”
Flo Milli’s name has been popping up more and more these days. The Alabama native soared to notoriety in 2019 when her singles “Beef FloMix” and “In The Party” went viral on TikTok and hit No. 2 on Spotify’s Viral 50 in April 2019. After securing a deal with RCA Records, she dropped her major label debut Ho, Why Is You Here? in July and landed a BET Hip Hop Award nomination in the Best New Artist category in September. Known for her bubbly, versatile raps about relationships and her never-ending hustle, the 20-year-old has just begun carving her own lane.
Flo Milli’s fellow Alabama native Chika has gone from viral Instagram rapper to Warner Music Group signee in less than two years. After releasing her major label debut Industry Games in March, she wasn’t able to tour in support of the EP due to the raging COVID-19 pandemic but still found other ways to shine.
Not only did she make her acting debut in the Jamie Foxx-led Netflix film Project Power (which also featured one of her original songs), she also earned her first-ever Grammy Award nomination in the Best New Artist category, something she addressed on her latest single “Gold Medals.” With her innate singing talent and propensity for crafting fire bars, Chika is poised for a productive new year.
When it comes to top tier lyricists, Rapsody is always the cream that rises to the top. The Snow Hill, North Carolina-bred MC delivered her potent, highly intoxicating masterpiece EVE in 2019 and firmly established her place in the game, only to return with even more heat in 2020.
After opening up the 2020 BET Awards alongside Public Enemy, Nas, YG, and Enemy Radio MC Jahi for the “Fight The Power” remix, dropped the politically charged single “12 Problems” and won BET’s Lyricist Of The Year Award. 
She also contributed to Elle Varner’s “Wishing Well,” Jacob Collier’s “He Won’t Hold You,” Terrace Martin, Robert Glasper, 9th Wonder and Kamasi Washington’s “The Mighty Tree,” T.I.’s “Air & Water Interlude” and Lecrae’s “Deep End (Remix)” as well as DoorDash’s Every Flavor Welcome campaign, which is currently in rotation.
Tierra Whack made a splash in 2018 when she released the highly innovative album Whack World on Instagram, a 15-track burst of imagination comprised of one-minute songs custom fit for the social media giant. While she’s remained somewhat quiet since, Whack resurfaced in November with two new singles — “Peppers and Onions” and “feel good” — which she told Apple Music were her answers to the COVID-19 blues.
Showcasing top tier flows and clever lyricism, Whack once again reminded her fans what makes her so alluring. She also scored a spot in Apple’s holiday ad for the HomePod Mini, which has been airing all month.
As Griselda Records’ sole female artist, Armani Caesar has some big shoes to fill. But judging by her tenacity and fierceness on the mic, the Buffalo native is up for the challenge. After signing with the imprint in March, she dropped her first single “Simply Done” featuring Benny The Butcher and DJ Premier in August, putting her sharped-tongued rhyming prowess firmly on display. Fans are still waiting for her highly anticipated project The Liz, but they can get a little taste in the form of the video for “Palm Angels,” which arrived in September.
Noname is still kind of bubbling under the surface, but she flexed on J. Cole in June with “Song 33,” proving she has the skills and confidence to go up against the best of them. Two days after Cole appeared to target the Chicago rapper/activist with the polarizing single “Snow On Tha Bluff,” she wasted no time responding with the Madlib-produced track.
In the second verse, she reiterated her belief mainstream rappers aren’t using their platforms to speak about police brutality, racism and other social injustices — which is what caught Cole’s attention in the first place. In August, Noname hopped on the remix of Anderson .Paak’s “Lockdown” single with J.I.D and Jay Rock, once again showing off her sharp lyricism and unabashed wit.
Sa-Roc is the epitome of class and poise — but when she gets on the mic, she’ll rip anyone to shreds. As she explained in an interview with HipHopDX, people often mistake her for a singer and are blown away once she starts rhyming. The Roots’ Black Thought witnessed that first hand when he pulled her onstage at 2011’s A3C Festival and watched her kill her impromptu verse — acapella style.
In October, the Washington D.C. native dropped her 10th studio album and first for Rhymesayers, The Sharecropper’s Daughter, which found her swapping bars with Thought again, this time on “Black Renaissance.” Throughout the project, she effortlessly articulates some of her most personal feelings while simultaneously showing off her impeccable lyrical skills.
Rico Nasty’s aggressive, raw and in-your-face rapping style is almost jarring at first, but it soon becomes apparent just how passionate she is about her craft — and her wild persona. Her video for “OHFR?” is a particularly glaring example. Released in November, the black-and-white visual finds the Atlantic Records signee sporting a black mohawk, fishnet stockings, black lipstick and a black leather jacket as she swings around a Flying-V guitar. The video has racked up over 1.8 million YouTube views and served as the perfect precursor for her debut studio album Nightmare Vacation, which dropped in December.
Ms. Nasty also provided the original song “My Little Alien” to the soundtrack for the 2020 film Scoob! in May and her 2017 single “Smack a Bitch” was certified gold by the Recording Industry Association of America (RIAA) not long after. Rico’s music has been featured on the HBO television series Insecure as well. Other 2020 releases include a remix of “iPhone (Ookay)” and “Don’t Like Me” featuring Gucci Mane and Don Toliver.
Kamaiyah is one of the Bay Area’s most intriguing artist to emerge in the last few years, almost like a female version of Too $hort. Brash, confident and full of boss bars, the Oakland native emerged in 2016 with the critically acclaimed mixtape A Good Night In The Ghetto. 
After signing with Interscope Records the same year, she hit a few bumps along the way but managed to land on her feet in 2020 with the release of not one but two new projects — Got It Made and Oakland Nights, a collaborative EP with fellow Bay Area artist Capolow. She also helms her own imprint GRND.WRK, intent on staying in the driver’s seat when it comes to her career.
The mysterious Leikeli47 has yet to reveal her face. Instead, she lurks behind a variety of different masks, bandanas or balaclavas, making her persona even that much more intriguing. Following the massive success of her single “Money” from 2017’s Wash & Set (which was featured in the 2019 film Little starring Regina Hall and Issa Rae), the RCA Records artist returned with Acrylic in 2018 but has been relatively quiet since.
Aside from a feature on Rapsody’s EVE album (“Oprah”), she has barely been heard from in the last couple of years, but that changed in August when she released an animated visual for “Zoom,” the lead single from her forthcoming album Shape Up. Showcasing her signature braggadoccious bars, the song was a good reminder of Leikeli’s knack for writing infectious hooks and hard verses.
CupcakKe has built a career on sexually-explicit lyrics, a hyper-sexualized persona and unapologetically brazen rapping style. After unleashing her debut mixtape Cum Cake in 2016 — which included the viral singles “Vagina” and “Deepthroat” —  she rode that momentum with four subsequent albums. This year, the Chi-Town native dropped the single “Lemon Pepper” with half of the proceeds going towards the Minnesota Bail fund and another single “Discounts,” which peaked at No. 80 on the UK Singles Sales Chart, her first to do so.
On December 15, she unveiled the “How To Rob (Remix)” and dissed numerous artists in the industry, including Lil Baby, Megan Thee Stallion, Migos and Flo Milli. But as she noted on Twitter, it was “all love to all the rappers mentioned.”
Yung Baby Tate may not be on everyone’s radar yet, but the spunky 24-year-old is intent on changing that. This year alone, she secured a record deal with Issa Rae’s record label Raedio and released two singles from the Insecure TV soundtrack. In April, she teamed up with British singer/rapper Bree Runway for “Damn Daniel” and followed up with a video for the “Rainbow Cadillac” single, which comes from her EP After The Rain featuring 6LACK and Flo Milli.
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12 Readers Joined the Discussion
Women Of Hip Hop - The Best Female Rappers Of 2020
nicki and doja are literally top of the board, funny you didn’t include them
How the F did you not include Snow Tha Product? GTFOH The only rapper I agree with on this list is Cupcakke.
The fact that Doja Cat's not included here... smh
ExXxoticc dopest female MC who came out of the south Bronx in a long time. She’s on the West Coast now raising hell with a new sound.
Snow The Product isn’t on here is smh, She crushes every female on this list lyrically and speed. Not to mention way more of technical rapper then any one on this list. Just my opinion
Not having Che Noir on this list is inexcusable. Dropped one of the five best albums of the year and even self produced her most recent effort. Y’all buggin
Why Would Anyone Take Any Of You Serious
January 5, 2021 | 1:28 PM
Female rappers are as interesting as math class ... snoozefest .... hip-hop is funny ... the guys spend all their time bragging about how tough and gangster they are while crying about society viewing them as criminals ... and the women spend every song talking about their beat up boxes and what bad bitches they are all the while crying about being treated as a sexual object lmfao
Che Noir murders every Bitch on this list!
WahWah to This website is trash!
January 4, 2021 | 10:29 AM
HAHAHAHAHAHA she is fire but didn't have an much of an impact this year.
Just 3 dope albums, I guess that's no impact.
Che Noir did damage in 2020...she just refuses to be an industry hoe to sell records...shorty is fire

Henry Adaso has written about hip-hop since 2005 and founded the award-winning blog The Rap Up. He has written for "Vibe," MTV, Rap Rehab, and more.
We know that making a list of the top 10 female rappers is going to be controversial—and we certainly can't include everyone—but we feel the more attention drawn to the ladies of hip-hop, the better. So what went into our criteria? Basically, we looked for women who not only made game-changing contributions to hip-hop culture but also continue to influence the new generation of emcees—male or female. Here, in our option, are the greatest female rappers of all time:
Before she went all Hollywood on us, Eve was running the game with her Ruff Ryders comrades. Anthems like "Satisfaction," "Gangsta Lovin'" and "Let Me Blow Your Mind" showcased her unique ability to appeal to a broad audience without losing her edge. Eve left to pursue acting, making her box-office debut in 2002's "XX". She also starred in "Barbershop" and "The Cookout". But the self-named "pit bull in a skirt" couldn't stay away from her first love for too long. In 2013, she staged a feisty comeback with the solid "Lip Lock," and in 2018 announced she is working on a new album.
When producer Jermaine Dupri discovered Da Brat in 1992, there were only a handful of female rappers working in the music business. Still, the Chicago native proved unstoppable. Da Brat eschewed the sexually charged images of artists like Foxy Brown and Lil Kim, relying instead on her double-time flow and dashing delivery. The approach was good enough to make her debut, 1994's "Funkdafied," the first platinum-selling album by a female solo rapper.
Foxy Brown logged a slew of memorable guest spots early in her career. Before she ever released an album she was dropping jewels on LL Cool J's "I Shot Ya" and Jay-Z's "Ain't No N***a," none of which would've sounded the same without Fox Boogie's catchy couplets. Her impressive cameo run launched a bidding war in the mid-'90s, with Def Jam winning her signature. Brown's proper introduction, 1996's "Ill Na Na," featured some of the biggest names in rap and sold over a million copies.
With several solid releases under her belt, South African-born, New York-bred rapper Jean Grae has been spinning heads since 1996. What makes Grae stand out from the pack is her combination of wit and substance. Whether poking fun at herself on "Going Crazy" or rhyming about loyalty and dedication on "My Crew," Jean Grae does it all with supreme skill. In 2005, she hooked up with producer 9th Wonder for a full length collaboration dubbed "Jeanius," one of the best collaborative hip-hop albums ever. Like Eve, she's also tried her hand at acting, and has made several memorable appearances on both the big and small screens, including a supporting role in the film "Big Words," and appearance on the hit comedy "Two Broke Girls."
Lil' Kim's "The Naked Truth" was the first album by a female rapper to receive the prestigious 5 mics award from The Source, a magazine for hip-hop enthusiasts. In hindsight, the award was well deserved. Kim's influence still looms large. Since her "Hard Core" debut in 1996, Kim has spawned a handful of emulators eager to replicate her libidinous lyrics and in-your-face attitude. She was also a member of Notorious B.I.G.'s Junior M.A.F.I.A. (Junior Masters at Finding Intelligent Attitudes). When all is said and done, this Queen Bee will go down as one of the most influential rappers of all time.
Rah Digga first showcased her lyrical tenacity by dropping verses here and there as a member of Busta Rhymes' Flipmode Squad. Digga eventually solidified her place with her first full-length, the electrifying "Dirty Harriet." Rah's ability to craft commercially viable tracks while still dropping hardcore gems makes her stick out from the rest. And as her audacious 2010 "Classic" LP proved, she still hadn't lost a step. Today, she mainly makes appearances on other artists' albums, and independently releases her own music in the form of singles on platforms like Soundcloud and iTunes.
Missy Elliott is not only one of the best in the business, she's also one of the most versatile hip-hop artists of all time. A multi-faceted entertainer, Missy writes, raps, sings, crafts beats, and directs music videos that are some of the most innovative in the game. To top it off, no other woman has ever been able to match her commercial success—the Virginia native is the only female rapper with six platinum-certified albums. In June 2011, Elliott took a break from the music industry due to a hyperthyroidism disorder known as Graves' disease. She still makes public appearances at music award shows, though, and has made a number of recent television appearances on both music specials and sitcoms.
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