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A

Abella Danger 42.2K Adriana Chechik 32.5K Alexis Fawx 31.6K Alina West 6.36K Allie Haze 11.0K Amber Rayne 7.78K Angela White 28.1K Anna De Ville 8.57K Ariel Anderssen 952 Ariel Carmine 5.26K Asa Akira 21.4K Ashley Lane 6.77K Astro Domina 758

B

Bella Rossi 4.65K Bonnie Rotten 8.13K Brandi Love 31.8K Britney Amber 26.5K Bruce Venture ♂ 9.25K

C

Cadence Lux 11.7K Candle Boxxx 536 Casey Calvert 21.7K Chanel Preston 26.2K Charlotte Vale 1.82K Cherie Deville 41.6K Cherry Torn 5.19K Chloe Camilla 430 Chrissy Marie 992 Christina Carter 2.04K Claire Adams 4.07K Cory Chase 36.3K

D

Dani Daniels 23.6K Danny D ♂ 27.2K Dee Williams 14.9K Dillion Harper 17.3K DirtyTina 5.74K Dixie Comet 1.07K Drea Morgan 150

E

Elise Graves 1.33K Elise Siswet 1.63K Eve Laurence 2.98K

F

Foxy Di 6.61K

G

Gabbie Carter 8.80K Gina Gerson 25.0K Goldie Star 1.08K

H

Haley Wilde 5.03K Hot Wife Rio 1.56K

I

India Summer 31.1K Isis Love 11.8K

J

James Deen ♂ 26.3K Jasmine Jae 18.5K Jaye Summers 10.1K Jeny Smith 2.27K Jewell Marceau 2.41K Juliette March 2.62K

K

Katrina Jade 13.4K Kendra James 5.70K Kinky Carmen 2.33K Kira Noir 14.1K Kurious 314

L

Lady Sonia 20.0K Lana Rhoades 17.4K Lauren Phillips 23.1K Lena Paul 23.1K Lia Louise 2.42K Little Caprice 7.27K Lola Myluv 5.07K London River 11.9K Luna Rival 5.66K

M

Madison Young 1.57K Maitresse Madeline 2.02K Manuel Ferrara ♂ 22.0K Mark Davis ♂ 4.03K Martina Smeraldi 3.61K Master Costello ♂ 139 Mistress Mira 4.56K Mistress T 7.16K Mona Wales 7.06K Mz Berlin 1.72K

N

Nicole Aniston 25.3K Nyrobi Knights 2.04K

P

Penny Pax 21.9K Piper Perri 15.7K Princess Donna 3.07K

R

Rae Lil Black 2.41K Rain Degre 1.35K Rebel Rhyder 2.61K Remy LaCroix 10.3K Renata Fox 3.93K Riley Reid 41.0K Rocco Siffredi ♂ 30.0K

S

Sasha Grey 8.53K Shannon Heels 787 Sheena Shaw 5.22K Star Nine 1.89K Syren De Mer 17.3K

T

Tia Ling 1.91K Tommy Pistol ♂ 13.1K

V

Victoria Voxxx 3.75K

W

Wenona 1.56K

Y

Yhivi 5.61K







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BDSM stands for Bondage and Discipline/Dominance and Submission and Sadism and Masochism. It’s a very wide and basically involves people indulging in various bizarre sexual activities where one inflicts pain on the other by brutally physical means. It’s an interesting subject that filmmakers often use to delve deeper into the dark zones of the human psyche. Very few films have managed to portray BDSM accurately and most of them uses the subject as a mere provocative device.
With that said here is the list of top BDSM movies ever. These great BDSM films that have managed to depict the subject in many different ways. Some of these movies you can watch for free, while you can stream most of the other best BDSM movies on Netflix or Amazon Prime or Hulu. Just a reminder that these are not BDSM porn films.

This film isn’t really erotic, but there are aspects of it that make ‘A Dangerous Method’ an essential pick for this list. Directed by David Cronenberg, this film takes a slight deviation from the kind of work this master filmmaker is famous for, focusing on a real-life-inspired story dealing with the relationship between Carl Jung and Sigmund Freud that helped in the discovery and perfection of psychoanalysis treatment. Particularly focusing on Jung’s methods which concerned themselves with human body collaboration, a lot of his practices conducted on student Sabina Spielrein are in focus for a good portion of the movie’s runtime. Again, it is all mostly clinical in nature, but since it is clearly implied that there was an intimate understanding between the two, a lot of his tests conducted on her were of a sadomasochistic nature, with Sabina asking to be punished and him complying. On the whole, though parts of it work well, I thought the movie was too confused to communicate its complicated ideas in the simple ways it opted for.
I figured I couldn’t really complete a list like this and be proud of it without including the best film released so far on the dark, mysterious, and fascinating real events that transpired in the life of Bettie Page, who could be called the pin-up model that brought BDSM into public acceptance with her infamous photographs depicting the same. Shot and edited in a way that suits the timeline of her tale, this biographical picture also devotes considerable time to her stint as a bondage model, wherein she would pose as both the dominatrix or the mistress handling the punishments, as well as the victim receiving them. Her life is examined quite intricately by this adaptation, though it is flawed in a lot of ways. I’ve personally researched a lot about the model who inspired many, and therefore I found myself having a better time with this picture than others, based on the public opinion, which seems to be mixed to positive. As a pin-up lady, Bettie teases her audience by suggesting or implying the wilder and more intimate sides of the sex acts that come under this category, which the film captures very well. To top it all off, Gretchen Mol gives an absolutely spectacular performance as the title character.
There’s a certain coldness in the way Ryu Murakami directs his film that makes the brutal sex in it unerotic, but then, rather than being dull and soulless, he allows his depiction of these activities to further intellectual thought in the minds of the viewers. Following the life of a call-girl, as she walks about a particularly sex-driven locality in Japan, the film brilliantly contrasts the metropolitan beauty of the exterior locations in the area with the dark truths that take place behind closed doors. The woman’s sexual experiences are nothing short of violent, but she submits herself nonetheless to torturous acts of lovemaking perpetrated by her clients, who range from gangsters to her own friends, who lure her into a trap with influences like drugs . Being rather good at heart, the film focuses on a strange character shift that she has to go through in order to fit in with the eerie, uncompromising, uncaring surroundings she has established herself within. The film is quite hard to watch because little to nothing is hidden from the viewers, with violent acts being mercilessly depicted in their full on screen. ‘Tokyo Decadence’ is a little too confused about its own themes and motives to receive my guarantee of the good film status, but it is still watchable, provided you are well aware of the kind of content you are in for.
It isn’t just the portrayal of the sadomasochistic relationship that ticked people off with this movie. The characters who conduct these and their surroundings were considered equally shocking and offensive to a large number of people back when the film first released, and it continues to bring out strongly differing opinions today. Though ‘The Night Porter’ isn’t much of a spectacle, the fact that it took up this kind of a story, following the relationship between a female Holocaust survivor and a Nazi officer who had punished her with torturous sex acts while she was his prisoner, makes it worth the watch. The two have a chance encounter at a hotel several years after the war, which persuades them to take up the sadistic activities of their past and perform them in a more romantic, passionate light. There’s a deeper aspect to all of this, which adds to the tension in the plot, which is that the other few surviving Nazis, who obviously disapprove of this relationship, have discovered the lovebugs and their activities. It is up to the two of them, then, to protect themselves from the hands of these evil men. The way I describe it, you might assume that the film is straightforward with its tale, but (in case that was what you had assumed) you couldn’t be further away from the truth, since the presentation of the story is part of the film’s infamous charm.
It isn’t always that you hear of a BDSM film that’s not just caring and romantic , but also a little bit sweet. ‘Maitresse’ tells of an awkward love story that has its roots clawed into S&M, though on the whole, it is more concerned with its characters than it is with its depiction of sex, which isn’t explicit here, being very much pleasant on the contrary. Gerard Depardieu and Bulle Ogier give appreciable performances in this film that has to do with a burglar who enters the house of a dominatrix by accident. It talks of his developing feelings for this woman as he begins to spend time in her house, helping her out with punishing her “slaves”. In a surprising twist, the man learns that she isn’t as powerful and dominating in real life as she is while she does her dirty work, being a struggling mother working hard to provide for her only son. This only makes him crave her more, as the unconventional romance tale quickly transforms from a sex film into a character study. It isn’t without its problems, but I like ‘Maitresse’ for how outwardly honest it comes off as. By the end of it, you feel this sense of optimism envelope you, along with a sense of surprise, since you didn’t expect a well-shot, competitively directed, heartwarming comedy-drama when you went in.
Lars von Trier ‘s closing epic to the Depression Trilogy follows a sex-addict and her attempts at exploring distinctive, excessively pleasuring, and ultimately highly satisfying methods of lovemaking. Told in the form of a flashback joining a series of events that trail a good chunk of her life, we see her go through different styles of such encounters, and among those, some are quite brutal and sadistic. In typical von Trier fashion, these moments are gone through with little empathy in the filmmaking, giving the audience a raw experience lined with a brash essence to it all. ‘Nymphomaniac’ is one of the director’s most immersive films, in my honest opinion, but somewhere along its second half, the film loses its spark, trailing into predictable territory and disappointing conclusions. Still, it is interesting alone to see von Trier introduce his trademark structuring in a film that tells a story of this kind. Though the experience feels more-or-less direct in comparison to other films helmed by the director, there is no compromise made on the artistic end. Overall, it’s a very original picture, one that portrays BSSM and other sexual acts in ways that haven’t been tried out in cinema before.
‘Venus in Fur’ is probably the most fun film to feature here. It is aware of exactly the kind of picture it is, and therefore doesn’t try to be anything more or less than what it’s worth. Brilliantly directed by Roman Polanski , the film takes place entirely in one location, where the director of a play is making casting choices for the lead actress, when a woman, whose name isn’t on the audition list, barges in after the scheduled time. The story of the film is concerned with how she attempts to convince the director to give her the part of the lead, as they begin a strange conversation that switches from the dialogues in the script to reality quite seamlessly. The character she has to play is connected closely with the activities covered in the BDSM tag. Not only is it frequently discussed or mentioned, but there are also several scenes where acts are actually performed by the actress herself, though nudity is minimal. Emmanuelle Seigner plays her role to perfection, looking extremely sexy, desirable, and comical enough to work in effect to the plot at hand. The sexual undertones of the picture come from the costumes and character interactions. I won’t deny that the film is weird in more ways t
Arisa Kuroki
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