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The FSB claimed that the "Russia-Ukraine war has reinforced pre-existing concerns" it has worrying the "development and potential illegal usage of cryptoassets."

In case you hadn't heard, the metaverse is coming. Maybe Facebook will build part of it. Possibly it's currently here, in the type of computer game such as Fortnite, digital collectibles understood as non-fungible tokens and even cryptocurrencies. Perhaps there will be more than one metaverse; perhaps there won't ever really be any.

What is clear, nevertheless, is that we are indicated to think about this amorphous metaverse as a place of unlimited wonder and possibility. It is envisaged by techno-utopians as an interconnected web of virtual worlds in which our "digital twins" can wander about buying virtual art, going to virtual gigs and having virtual relationships.

"It's not about the commerce behind it, but belonging where people from different parts of the world can. have an opportunity for success." Obviously Meta, Kovan has no interest in making a land-grab for this brand-new sphere, never mind that his pseudonym may come from a partial translation from Tamil to imply "king of the metaverse" or that he might run among the world's most significant NFT funds.

NFTs representing plots of virtual "land" in the metaverse have actually already been offered for numerous countless dollars' worth of cryptocurrency. One business offering such virtual goodies is Somnium Area, bought by Facebook founder Mark Zuckerberg's old competitors, Cameron and Tyler Winklevoss nowadays better known for being bitcoin billionaires.

"The race for the metaverse is on!" A Good Read tweeted. He provided the game away. As far as I'm concerned, the hypocritical dream that underpins crypto likewise lies at the heart of the metaverse. This isn't about developing a decentralised paradise where everybody can succeed and reside in harmony; this has to do with making a small group of people rich."The metaverse is a marketing offensive," states Janet Murray, a teacher of digital media at the Georgia Institute of Innovation and author of Hamlet on the Holodeck: The Future of Story in Cyberspace.