Bedroom Leave It To Beaver

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Перевести · 04.12.2018 · I've just begun to work on the Leave it to Beaver home. I was going to just focus on their second home on 211 Pine Street. But, there is one part of …
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Перевести · You are interested in: Leave it to beaver house photos. (Here are selected photos on this topic, but full relevance is not guaranteed.) If you find that some photos …
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Перевести · 02.12.2012 · June and Ward’s bedroom is seen for the first time in the Pine Street house. They have their own bath, sleep in twin beds, and have a portable TV in the room. Two years before Leave It to Beaver …
www.thestudiotour.com/.../colonial-street-the-cleaver-house-leave-it-to-beaver-house
Перевести · This house currently features as ‘4352 Wisteria Lane’ on Desperate Housewives, and was originally built for the 1996 ‘Leave It To Beaver’ movie. It’s been on Colonial Street ever since. Photo Gallery – Old ‘Leave it to Beaver…
Leave it to Beaver House Tour: Main Floor, Upstairs and Backyard [CG Tour]
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Перевести · 11.03.2019 · Tour the Leave it to Beaver house. This is their 2nd home on 211 Pine. Come tour the Leave it to Beaver house, …
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Перевести · 20.03.2016 · Leave It To Beaver On Universal City S Colonial Street And Beyond. A Bewitched House 1164 Morning Glory Circle. The Studiotour Com Universal Studios Hollywood Backlot. Well considered addition makes for amazing changes to home leave it beaver …
When did leave it to Beaver House take place?
When did leave it to Beaver House take place?
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How to identify house plants in leave it to Beaver?
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How old is Beaver in leave it to Beaver?
How old is Beaver in leave it to Beaver?
When the show opens, Beaver is seven years old ("almost eight") and in second grade at Grant Avenue Grammar School. Beaver is all-boy with baseball, carnivals, comic books, money-making schemes, and animals of all kinds high on his list of interests, while very proper ladies,[6]dance lessons, bathing, and homework test his patience to the limit.
en.m.wikipedia.org/wiki/Leave_It_to_Beave…
How many sq ft does leave it to Beaver take?
How many sq ft does leave it to Beaver take?
Well, it must take away 1,000 sq ft on a house. In this overhead view, you not only get a sense of the feel of the whole layout of the home, but you get to see that quirky passageway from the kitchen to the entryway. By the way, there was room [but just barely] for a half bath under the stairs.
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https://en.m.wikipedia.org/wiki/Leave_It_to_Beaver
Created by: Joe Connelly, Bob Mosher
Genre: Sitcom, children's television series
No. of episodes: 234 (list of episodes)
Original network: CBS (1957–58), ABC …
Concept, pilot, and premiere
In 1957, the radio, film and television writers Joe Connelly and Bob Mosher developed a concept for a TV show about childhood and family life featuring a fictional suburban couple and their children. Unlike The Adventures of Ozzie & Harriet, Father Knows Bestand other sitcoms and domestic comedies of the era, the show would not focus on the parents, but rather on their children, wi…
Concept, pilot, and premiere
In 1957, the radio, film and television writers Joe Connelly and Bob Mosher developed a concept for a TV show about childhood and family life featuring a fictional suburban couple and their children. Unlike The Adventures of Ozzie & Harriet, Father Knows Best and other sitcoms and domestic comedies of the era, the show would not focus on the parents, but rather on their children, with the series being told from the kids' point of view. Working titles during the show's gestation period included It's a Small World and Wally and the Beaver. The pilot aired April 23, 1957, as "It's a Small World" on the anthology series Heinz Studio 57.

The stars of the pilot were Casey Adams and Paul Sullivan (as father and son Ward and Wally Cleaver). They were replaced as production of the series neared. Six months after the broadcast of the pilot, the series debuted on CBS on Friday October 4, 1957, as Leave It to Beaver, with the episode third in production order, "Beaver Gets 'Spelled". The intended premiere, "Captain Jack", displayed a toilet tank (which didn't pass the censor's office in time for the show's scheduled debut) and aired the week following the premiere. "Captain Jack" has claimed its place in television history as the first American TV show to display a toilet tank. In 1997, it was ranked number 42 in TV Guide's 100 Greatest Episodes of All Time.

Sponsors and budget
Remington Rand was a potential sponsor during the show's conception and counseled against the show's suggested title, Wally and the Beaver, believing viewers would think the show was a nature program. The show was ultimately sponsored by Ralston Purina, with General Electric (the GE logo was clearly visible on all kitchen appliances) and Chrysler Corporation sponsoring the later seasons (Ward Cleaver was often seen driving the newest Plymouth Fury during the opening credits or coming home from work, starting in Season 3. In the first two seasons, he drove a 1957 Ford).

Episodes were budgeted at $30,000 to $40,000 each ($280,000 to $370,000 in 2020 dollars), making the show one of the most costly to produce at the time. High production costs were in part due to many outdoor scenes. The most expensive single episode, "In the Soup" (in which Beaver gets stuck in an advertising billboard with a gigantic make-believe cup of soup, curious as to how "steam" came out of the cup), was budgeted at $50,000. Two billboards were built for the episode: one outside on the back lot, and the other inside the studio.

Characters and casting
Casting directors interviewed hundreds of child actors for the role of Beaver, but kept calling back Jerry Mathers, an eight-year-old with substantial acting experience. At one of many auditions, Mathers wore his Cub Scout uniform and told casting personnel he was eager to leave for his den meeting. Connelly and Mosher were charmed with Mathers' innocent candor and cast him in the title role. Barbara Billingsley, an actress with experience in several B movies and one failed television series (Professional Father), was then hired to play Beaver's mother, June. Preteen Tony Dow accompanied a friend auditioning for Johnny Wildlife to the studio, and, although Dow had no aspirations to an acting career, tried out for the role of Beaver's brother, Wally, and was hired. Several adult candidates then auditioned for the role of Beaver's father, Ward, but Connelly and Mosher finally signed Hugh Beaumont, an actor and Methodist lay minister who had worked with Mathers in a religious film.

Main cast
• Hugh Beaumont as Ward Cleaver
• Barbara Billingsley as June Cleaver
• Tony Dow as Wallace "Wally" Cleaver
• Jerry Mathers as Theodore "Beaver" Cleaver

Recurring cast
• Ken Osmond as Eddie Haskell, Wally's mischievous best friend
• Rusty Stevens as Larry Mondello, Beaver's apple-eating best friend
• Stanley Fafara as Hubert "Whitey" Whitney, Beaver's classmate and friend
• Rich Correll as Richard Rickover, Beaver's classmate and friend
• Stephen Talbot as Gilbert Bates, Beaver's classmate and friend
• Jeri Weil as Judy Hensler, Beaver's classmate and nemesis
• Patty Turner as Linda Dennison, Beaver's classmate and first love interest
• Karen Sue Trent as Penny Woods, Beaver's classmate and second love interest
• Bobby Mittelstaedt as Charlie Fredericks, a high-achieving classmate of Beaver's
• Richard Deacon as Fred Rutherford, Ward's overbearing co-worker
• Frank Bank as Clarence "Lumpy" Rutherford, Fred's bully of a son and Wally's friend
• Wendy Winkelman and Veronica Cartwright as Violet Rutherford, Fred's daughter
• Buddy Joe Hooker as Chester Anderson, Wally's friend and classmate
• Tiger Fafara as Tooey Brown, Wally's friend and classmate
• Cheryl Holdridge as Julie Foster, Wally's first love interest
• Pamela Baird as Mary Ellen Rogers, Wally's second love interest and eventual wife
• Edgar Buchanan as Uncle Billy Cleaver, Ward's globetrotting and whimsical uncle
• Madge Kennedy as Aunt Martha Bronson, June's eccentric spinster aunt
• Diane Brewster as Miss Canfield, Beaver's second-grade teacher
• Sue Randall as Miss Alice Landers, Beaver's third-grade teacher
• Burt Mustin as Gus, an elderly fireman who acts as a role model for Beaver
• Doris Packer as Mrs Cornelia Rayburn, the principal of Grant Avenue Grammar School
• Madge Blake as Mrs Margaret Mondello, Larry's short-tempered and much put-upon mother
• Karl Swenson and George O. Petrie as George Haskell, Eddie's father
• Ann Doran and Anne Barton as Agnes Haskell, Eddie's mother

Writers and directors
The show's chief writers, Bob Mosher and Joe Connelly, met while working in New York City for the J. Walter Thompson Agency. Once in Hollywood, the men became head writers for the radio show Amos 'n' Andy and continued to write the well-received show when it moved to CBS television in 1950. Although both men initially wrote all the scripts for earlier episodes of Leave It to Beaver, after becoming executive producers they began accepting scripts from other writers, refining them, if necessary.

With Mosher the father of two children and Connelly six, the two had enough source material and inspiration for the show's dialogue and plot lines. Connelly's eight-year-old son, Ricky, served as the model for Beaver and his fourteen-year-old son, Jay, for Wally, while Eddie Haskell and Larry Mondello were based on friends of the Connelly boys. Connelly often took the boys on outings while carrying a notebook to record their conversations and activities.

Other writers who contributed to the show were Bill Manhoff, Mel Diamond, Dale and Katherine Eunson, Ben Gershman, George Tibbles (who later became the head writer on My Three Sons), Fran van Hartesvelt, Bob Ross, Alan Manings, Mathilde and Theodore Ferro, John Whedon and the team of Dick Conway and Roland MacLane, who wrote many of the shows for the last two seasons. Connelly told an interviewer, "If we hire a writer we tell him not to make up situations, but to look into his own background. It's not a 'situation' comedy where you have to create a situation for a particular effect. Our emphasis is on a natural story line."

Connelly and Mosher worked to create humorous characters in simple situations, rather than relying on contrived jokes. The two often adapted real-life situations in the lives of their children. "The Haircut", for example, was directly based on an incident involving Bobby Mosher, who was compelled to wear a stocking cap in a school play after giving himself a ragged haircut. Fourteen-year-old Jay Connelly's preening habits became Wally's frequent hair combing. Seven-year-old Ricky Connelly's habit of dropping the initial syllables of words was incorporated into Beaver's character.

According to Tony Dow, "If any line got too much of a laugh, they'd take it out. They didn't want a big laugh; they wanted chuckles."

Norman Tokar, a director with a talent for working with children, was hired to direct most of the episodes for the first three years and developed the characters of Eddie Haskell and Larry Mondello. Other directors included Earl Bellamy, David Butler (who had directed child actress Shirley Temple), Bretaigne Windust, Gene Reynolds and Hugh Beaumont. Norman Abbott directed most of the episodes through the last three years.

Filming
For the first two seasons, Leave It to Beaver was filmed at Republic Studios in Studio City, Los Angeles. For its final four seasons, production moved to Universal Studios. Exteriors, including the façades of the two Cleaver houses, were filmed on the respective studio back lots. Stock footage was often used for establishing shots.

The script for an upcoming episode would be delivered to the cast late in the week, with a read-through the following Monday, awkward lines or other problems being noted for rewrites. On Tuesday afternoon, the script was rehearsed in its entirety for the camera and lighting crew. Over the following three days, individual scenes would be filmed with a single camera.

Filming was limited to one episode per week (rather than the two typical of television production of the period) to accommodate the large number of child actors, who were allowed to work only four hours a day. Scenes with children were usually filmed first, with adult actors having to wait until after 5:00 pm for filming.

Series cinematographers included Mack Stengler with 122 episodes between 1958 and 1962, Jack MacKenzie with 40 episodes between 1962 and 1963, and William A. Sickner with 37 episodes between 1957 and 1959. Fred Mandl (1962), Ray Rennahan (1958), and Ray Flin (1960) served as cinematographers on less than five episodes each.

Opening and closing sequences
In the first season, each episode opens with a teaser, either featuring clips from the episode, or using generic footage from multiple episodes and a voice-over introduction by Beaumont briefly stating the episode's theme. The teaser is followed by the main title and credits in which the show's four main stars are introduced. Midway through the first season, the Beaumont voice-over introduction was discarded in favor of a brief scene extracted from the episode at hand, and, at the end of the first season, the teaser was entirely discarded, moving immediately to the title and credits. In seasons five and six, significant crew are listed in an extension of the opening credits after a commercial break.

Each season had an individually filmed sequence for the opening credits. In season one, for example, a cartoon-like drawing of a freshly laid concrete sidewalk was displayed with the show title and stars' names scratched into its surface, while in the final season, the Cleavers left the house through the front door carrying picnic items (see List of Leave It to Beaver episodes for specific season opening sequences). Billingsley was the first to be introduced in all opening sequences, followed by Beaumont and Dow. Mathers was introduced last, with the voice-over line, "...and Jerry Mathers as The Beaver".

The closing sequence for the first season featured a simple, dark background as the credits rolled. In the second season, Wally and Beaver are seen walking home from school with their schoolbooks and entering the house through the front door. In the third through fifth seasons, Wally and Beaver are seen walking towards the Pine Street house. Beaver carries a baseball glove and limps along the curbstone. In the last season, Beaver, arguing with Wally as the two are walking home, pushes Wally into the street and they start chasing each other around a tree and into the house.

Music
The show's opening and closing sequences are accompanied by an orchestral rendition of the show's bouncy theme music, "The Toy Parade", by David Kahn, Melvyn Leonard, and Mort Greene. For the third season, the tempo was quickened and the tune whistled by a male chorus over an orchestral accompaniment for the closing credits and for the production credits following the opening sequence. For the final season, the song was given a jazz-like arrangement by the veteran composer and arranger Pete Rugolo. Though lyrics exist for the theme tune, an instrumental arrangement was used for the show's entire run. Elements of the theme tune were given a subdued musical arrangement, which was then used as background music for tender and sentimental scenes. Occasionally, a few phrases from well-known musical compositions, such as Chopin's "Funeral March" and "La Marseillaise", the French national anthem, were quoted.

This CBS show required "wall-to-wall" music, a term for productions that utilize musical "tag" pieces between scenes as needed. While "The Toy Parade" theme was written for the show, incidental music was not. This is evident through the progression of the series, as the theme matured, the usual background music did not. This is the equivalent of the "needle-drop" library of prerecorded music that is still prevalent today. This incidental music was likely a product of the CBS Television Orchestra and clearly sounds reminiscent of the early 1950s, especially by 1963. Many of the musical cues were utilized in multiple series, including such varying shows as Lassie, The Munsters, Wagon Train, and The Virginian.

Settings
Time setting
The time setting of Leave It to Beaver is contemporary with its production—the late 1950s and the early 1960s. References to contemporary news issues or topics are infrequent. Communism is mentioned in the episode "Water, Anyone?" The launching of the Russian satellite Sputnik, which coincided with the debut of the series, is mentioned in several episodes, as is the rapidly expanding missile defense sector in the 1962 episode "Stocks and Bonds". In one episode, Eddie makes an allusion to Cassius Clay. In Gilbert's first appearance, he tells Beaver he is in training for the 1968 Olympics.

Contemporary cultural references are more frequent but not overwhelming. The show acknowledges the greaser subculture and, in the last season, "The Twist", a popular song and dance craze of the early 1960s. The dance's promoter, Chubby Checker, is hinted at in the episode's fictional "Chubby Chadwick" and his fictional hit tune, "Surf Board Twist". Wally and his friends perform a tepid version of The Twist at Wally's party in "The Party Spoiler". The 1960 Kirk Douglas vehicle Spartacus is brought up in "Teacher's Daughter", Eisenhower, Nikita Khrushchev and Joseph P. Kennedy Sr. are mentioned and, in one episode, Beaver's best friend Gilbert says Angela Valentine wore a "Jackie Kennedy wig" to class. Contemporary celebrities mentioned on the show include Rock Hudson, Tuesday Weld, Cary Grant, Sal Mineo, Frank Sinatra, Edd Byrnes, Tony Curtis, Sonny Listo
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