Beauty Incest
⚡ ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻
Beauty Incest
worldofbuzz.com needs to review the security of your connection before proceeding.
Did you know there are Verified Bots that are allowed around the internet because they help provide services we use day to day?
Requests from malicious bots can pose as legitimate traffic. Occasionally, you may see this page while the site ensures that the connection is secure.
Performance & security by Cloudflare
Plus Icon
Click to expand the Mega Menu
Plus Icon
Click to Expand Search Input
Print Plus Login
Subscribe to Print Plus
Print Plus Login
Subscribe to Print Plus
Print Plus Login
Subscribe to Print Plus
Plus Icon
Click to expand the Mega Menu
Plus Icon
Click to Expand Search Input
Print Plus Login
Subscribe to Print Plus
Print Plus Login
Subscribe to Print Plus
Read More About:
Cannes Film Festival
Cannes Film Review: ‘That Lovely Girl’
Reviewed at Cannes Film Festival (Un Certain Regard), May 15, 2014. Running time: 97 MIN. (Original title: “Harcheck mi headro”)
Production:
(Israel-France-Germany) A Transfax Film Prods., Bizibi, Riva Filmproduktion production. (International sales: Other Angle Pictures, Paris.) Produced by Marek Rozenbaum, Michael Rozenbaum, Emmanuel Agneray, Jerome Bleitrach, Michael Eckelt.
Crew:
Directed, written by Keren Yedaya, adapted from the novel “Away From His Absence” by Shez. Camera (color), Laurent Brunet; editor, Arik Lahav-Leibovich; production designer, Eyal Elhadad; costume designers, Li Alembik, Ofri Barel; sound (5.1), Simone Weber, Stephen Konken; line producers, Dan Gurfinkel, Christian Vennefrohne; assistant director, Adin Weiner.
With:
Maayan Turjeman, Tzahi Grad, Yael Abecassis, Tal Ben-Bina, Ori Yadlin, Adi Shir, Or Edry, Barak Friedman, Dor Srugo. (Hebrew dialogue)
Variety
About Us
Newsletter
Variety Events
Variety Archives
Variety Insight
Careers
Legal
Terms of Use
Privacy Policy
Privacy Preferences
AdChoices
Accessibility
Variety Magazine
Subscribe
Print Plus Login
Advertise
Media Kit
Back Issues
Customer Service
Help
VIP+ Account
Login
Subscribe
FAQ
Learn More
Connect
Instagram
Twitter
YouTube
Facebook
LinkedIn
Variety is a part of Penske Media Corporation. © 2022 Variety Media, LLC. All Rights Reserved. Variety and the Flying V logos are trademarks of Variety Media, LLC. Powered by WordPress.com VIP
Icon Link
Plus Icon
Variety is a part of Penske Media Corporation. © 2022 Variety Media, LLC. All Rights Reserved.
Verify it's you
To help keep your account secure, please log-in again.
Dismiss
Log-In
Please log in
You are no longer onsite at your organization. Please log in.
For assistance, contact your corporate administrator.
Dismiss
Log-In
Keren Yedaya's textbook portrait of a sexually abused woman is tough yet unremarkable.
Incest continues to be inexplicably popular arthouse fodder, with Keren Yedaya’s “That Lovely Girl” prolonging the trend. A hothouse story of a father-daughter’s abusive (in all senses) relationship includes collateral issues such as codependency, self-mutilation and bulimia, making for a fairly accurate psychological profile of a sexually abused woman. If only Yedaya offered insight rather than a textbook portrait delineated solely by her protag’s victimization. Shot frequently in closeup to enhance feelings of inescapability, the pic is tough yet unremarkable, significantly marred by a vital side character lacking plausibility. “Girl” will accumulate fest and streaming dates, but little else.
Moshe (Tzahi Grad) and Tammy (Maayan Turjeman) are father and daughter. The script offers no backstory, so audiences only understand that he’s raped his child, now in her early 20s, for so long that she gets upset if he doesn’t have sex with her. His intimidation is so complete, her conviction that he’s the only person who loves her so total, that she becomes distraught when she suspects he’s with another woman. After Moshe comes home late, she asks, “Are you having an affair?” “Is it any of your business?” he demands in return, accompanying the jibe by slapping Tammy in the face and then sodomizing her from behind.
While he’s out, she binges and vomits, then pulls out an X-acto knife to add further cuts to her heavily self-scarred limbs. Daddy returns, bandages the wounds, and treats it all like a minor nuisance. Later he scolds her for getting fat: She cries, so to make her feel better, he roughly takes her from behind before leaving again. When he brings his new g.f., Iris (Tal Ben-Bina), to Passover dinner, Tammy sulks and finally runs away to the beach, where she lets four guys have sex with her.
With all the new activity, Tammy loses her purse and becomes distraught. Fortunately, Shuli (Yael Abecassis), a stranger, calms her down and takes her home, allowing her to stay the night and tending to her latest batch of self-mutilations. Who is Shuli? Does she have a job, or a life other than one devoted to this young woman she’s just met on the beach? Given the obvious lesbian overtones, including penetrating gazes and body language, audiences are led to think that Tammy is fated to be yet another victim of exploitation — it would have been a more interesting twist than the one Yedaya takes, of a selfless woman trying to break Tammy free from her abusive father. Surely the word “die,” which Tammy carved on her own arm, should have given Shuli enough pause to consider that maybe she’s a little out of her depth here.
Such thoughts remain unaddressed as Tammy ping-pongs between Daddy and her new protector, unable to break away from her codependency. Yedaya’s superior debut feature, “Or,” featured another kind of dysfunctional family, involving a teen girl and her prostitute mother; the follow-up, “Jaffa,” was less about the dynamics of parents and children, though still concerned with family power plays. With “That Lovely Girl” (originally titled “Away From His Absence,” like the novel it’s based upon), the helmer returns to the more minimal intensity of her freshman work, yet her characters are defined only by their psychological deformities – Moshe as monster, Tammy as traumatized victim. Shuli, meanwhile, is merely Good Samaritan, a far-fetched notion in keeping with Yedaya’s roughly sketched notions of personality, designed to make a statement rather than present a real human being.
Turjeman and Grad give what are generally called “brave” performances, and there’s no question they opened themselves up emotionally for this punishing psychological ride. Lensing marks a stylistic return of sorts to “Or,” also shot by Laurent Brunet, though here there’s a far heavier use of closeups, especially in the first two-thirds, which emphasize Tammy’s constricted world.
Before making a single edit, Tropedia EXPECTS our site policy and manual of style to be followed. Failure to do so may result in deletion of contributions and blocks of users who refuse to learn to do so. Our policies can be reviewed here.
All images MUST now have proper attribution, those who neglect to assign at least the "fair use" licensing to an image may have it deleted. All new pages should use the preloadable templates feature on the edit page to add the appropriate basic page markup. Pages that don't do this will be subject to deletion, with or without explanation.
All new trope pages will be made with the "Trope Workshop" found on the "Troper Tools" menu and worked on until they have at least three examples. The Trope workshop specific templates can then be removed and it will be regarded as a regular trope page after being moved to the Main namespace. THIS SHOULD BE WORKING NOW, REPORT ANY ISSUES TO Janna2000 , SelfCloak or RRabbit42 . DON'T MAKE PAGES MANUALLY UNLESS A TEMPLATE IS BROKEN, AND REPORT IT THAT IS THE CASE. PAGES WILL BE DELETED OTHERWISE IF THEY ARE MISSING BASIC MARKUP.
Main Page
Discuss
All Pages
Community
Interactive Maps
Recent Blog Posts
Index Index
Tropes of Legend
Omnipresent Tropes
Universal Tropes
Genre Tropes
Narrative Tropes
Topical Tropes
Media
Meta Concepts
Just for Fun
Tropedia Community Portal
Trope Workshop
Troper Userboxes
Mechanics of Writing
Official Discord
Official Subreddit
Forum
Main Page
Discuss
All Pages
Community
Interactive Maps
Recent Blog Posts
Index Index
Tropes of Legend
Omnipresent Tropes
Universal Tropes
Genre Tropes
Narrative Tropes
Topical Tropes
Media
Meta Concepts
Just for Fun
Tropedia Community Portal
Trope Workshop
Troper Userboxes
Mechanics of Writing
Official Discord
Official Subreddit
Forum
Categories :
Trope
Brother-Sister Incest
Live Action TV
Community content is available under CC-BY-SA unless otherwise noted.
More Tropedia
1
Magnificent Bastard
2
Huge Guy, Tiny Girl
3
Full Service/Characters
Explore properties
Fandom
Cortex RPG
Muthead
Futhead
Fanatical
Follow Us
Overview
What is Fandom?
About
Careers
Press
Contact
Terms of Use
Privacy Policy
Global Sitemap
Local Sitemap
Community
Community Central
Support
Help
Do Not Sell My Info
Advertise
Media Kit
Fandomatic
Contact
Fandom Apps
Take your favorite fandoms with you and never miss a beat.
Tropedia is a FANDOM Anime Community.
River: (to Shepherd Book) We want you to marry us.
Simon: What? We... no! (pause) What?
River: Two by two... Everyone has a match, a mate, a dopple. I love you.
Simon: No, River... mei-mei... of course, I love you too, but we can't be married. (to Book) She's really crazy! (River kicks Simon in the shin) Ow! Ah, no, I — I don't mean crazy... that's just — you know that's not something brothers and sisters do. I mean, on some planets but only pretty bad ones.
Monica: You were my Midnight Mystery Kisser?!
Ross: You were my first kiss with Rachel?!
Monica: You were my first kiss ever ?!
Chandler: What did I marry into?!
Monica: Here's a few things you can discuss: mucus, fungus, and the idea of me and Ross doing it .
Netflix film Two has 'wildest' sex scene of the year with incest twist
We pay for stories! Send your videos to video@trinitymirror.com
Too Hot To Handle: Netflix announces third season of hit show
We use your sign-up to provide content in ways you've consented to and to improve our understanding of you. This may include adverts from us and 3rd parties based on our understanding. You can unsubscribe at any time. More info
Keep up to date with all the latest news
We use your sign-up to provide content in ways you've consented to and to improve our understanding of you. This may include adverts from us and 3rd parties based on our understanding. You can unsubscribe at any time. More Info.
CONTAINS SPOILERS If you're looking for a film to watch with the family this festive period, perhaps steer clear of Dos (Two) on Netflix, thanks to it featuring one of the most disturbing sex scenes of the year
After having our fill of Christmas classics and festive films, many have been turning to Netflix in recent days when looking for something a little different to kill a few hours.
While plenty have enjoyed Jimmy Carr's latest stand up special, or the star-studded disaster comedy Don't Look Up, some have decided to dabble in the horror genre - giving Mar Targarona's Dos (Two) a go on the streaming platform.
Thanks to it's twisted storyline, dramatic ending and an exceptionally disturbing sex scene, the Spanish horror-thriller has left many viewers lost for word's after watching the psychological drama.
After playing at film festivals since the summer, Dos (Two) is now available to a global audience - many split on what they think after watching the erotic thriller.
Dos (Two) kicks by showing two strangers waking up naked in bed together, coming to the horrific realisation that they have been sewn together at the abdomen.
Already, viewers may some comparisons to the infamous Human Centipede franchise, but the Spanish thriller has actually been likened to another torture porn flick - Saw.
Many have compared the set-up of the new Netflix movie to sadistic villain Jigsaw and his imagined version of his cruel games with a pornographic element.
In Dos (Two) two strangers — Sara (Marina Gatell) and David (Pablo Derqui) — wake up naked and stitched together where even the tiniest bit of movement causes incredible pain for the pair.
While sex may be the last thing on many people's minds placed in this situation, the entwined two do end up going on to produce one of the wildest and most disturbing sex scenes of 2021.
Not only that, plenty of icky and gruesome twists ensure the plot is equally disturbing.
If you can't stomach watching the thriller for yourself, we've summed up the plotline for you below - stop reading now if you're planning to brave watch Dos (Two) one day.
After waking up entwined together, Sara and David try to figure out just who is behind this incredibly weird and intense act, with the pair suspecting Sara's controlling husband, Mario.
David has been working as a male escort and remembers being hired by another man to sleep with his wife - something Sara can picture happening.
After they end up kissing for a second time, their unknown captor shuts off the lights - to avoid seeing the act of intimacy - which reinforces their belief it's Sara's husband behind the set-up.
Somehow, the pair end up going on to have sex in the dark before their sadistic tormentor gives in and offers them a way out of the room.
At this point, things get weird and a plot twist reveals that David and Sara are actually long-lost conjoined twins after being placed in the foster care system after they were born.
Their mother died durin
Nude Girl In Stockings
Naughty America Milf Com
Uk Mature