Bad Liar Stripper

Bad Liar Stripper
If playback doesn't begin shortly, try restarting your device.
Videos you watch may be added to the TV's watch history and influence TV recommendations. To avoid this, cancel and sign in to YouTube on your computer.
New videos every week!

https://www.instagram.com/imalecchambers
https://www.facebook.com/imalecchambers
https://twitter.com/imalecchambers
A song to send to your significant other
An error occurred while retrieving sharing information. Please try again later.
Halsey - Without Me (COVER by Alec Chambers) | Alec Chambers by Alec Chambers 14,959,212 views
0:03 / 2:41 • Watch full video Live
Watch ads now so you can enjoy fewer interruptions

I would like to report a video issue related to:

Visual
Audio
Offensive
Irrelevant
Repetitive
Other

Headline Planet does not collect personal data, but some third-party advertisers & applications may use cookies. Please confirm your acknowledgement and/or consult our privacy policy for details & opt-out instructions. Confirmed Privacy policy
Switch to the dark mode that's kinder on your eyes at night time.
Switch to the light mode that's kinder on your eyes at day time.
Switch to the dark mode that's kinder on your eyes at night time.
Switch to the light mode that's kinder on your eyes at day time.
Thursday, May 18 and Friday, May 19 were big days in the world of pop music: four pop singles entered the market.
Selena Gomez released an eagerly anticipated new solo single in “Bad Liar.” Liam Payne introduced the world to “Strip That Down (featuring Quavo),” his first single outside One Direction. Camila Cabello debuted “Crying In The Club,” her first completely solo single — and first release since officially departing Fifth Harmony. Katy Perry shared her Nicki Minaj collaboration “Swish Swish,” which many perceived as a response to Taylor Swift’s “Bad Blood.”
All four singles entered the market with enormous stakes. In scoring three pop radio number ones and two Top 5 Billboard Hot 100 hits during her “Revival” album era, Gomez had been flirting with elite hitmaker status. If immensely successful, “Bad Liar” may have put her in that rarified air.
Payne was actually the last One Direction original to release music outside the group, but with “Strip That Down,” he became the first to issue a clear, unabashed, mainstream pop/rhythmic single. He became the truest test case for whether the masses would accept a One Direction member as a mainstream “pop star.”
In addition to the hits she released as part of Fifth Harmony, Cabello scored a moderate hit in her Shawn Mendes collaboration “I Know What You Did Last Summer” and a major hit in her MGK duet “Bad Things.” While it was hard to deny Cabello’s heavy contributions to those successes, it was categorically impossible to give her full credit. No such asterisk would apply to “Crying In The Club.” It was a completely solo release — and thus a very valid test of her prowess as an artist and as a commercial draw.
Katy Perry opened her “Witness” album era with “Chained To The Rhythm.” The song was successful by most standards, but it was a disappointment by Perry’s historical standards. It was not as catchy as “California Gurls” or “Roar.” It was nowhere near as successful.
Follow-up “Bon Appetit (featuring Migos)” was a textbook flop. A solid video spurred some interest, but the song itself performed poorly on iTunes and Spotify and quickly stalled at radio.
“Swish Swish” thus debuted with incredible pressure. While most had already accepted the fact that the “Witness” era was probably not going to yield a diamond smash in the vein of “Firework” or “Dark Horse,” few were willing to ignore the fact that Katy Perry is Katy Perry. She is one of the world’s biggest and most charismatic pop stars, and she really needed a hit at least remotely befitting that status. She also needed to generate some momentum ahead of the “Witness” release.
The stakes were very real. Did the songs deliver? Here is how they are performing as of 12:40PM ET on July 5, 2017. Radio information is via Mediabase. YouTube views are global; all other data is US-only.
Bad Liar:
Billboard Hot 100: #24
iTunes: #11 (currently discounted)
Spotify: #30
Pop Radio (official position for June 25-July 1 tracking week): #13 | airplay up 5.5% vs. last week
Pop Radio (real-time position for July 2-8 tracking week): #13 | airplay up 6.3% vs. last week
Rhythmic Radio (official position for June 25-July 1 tracking week): #33 | airplay up 5.3% vs. last week
Rhythmic Radio (real-time position for July 2-8 tracking week): #32 | airplay down 3.8% vs. last week
Hot AC Radio (official position for June 25-July 1 tracking week): #34 | airplay up 15.3% vs. last week
Hot AC Radio (real-time position for July 2-8 tracking week): #33 | airplay up 1.9% vs. last week
YouTube Music Video Views: 76 million views since June 14
Strip That Down:
Billboard Hot 100: #33
iTunes: #24
Spotify: #19
Pop Radio (official position for June 25-July 1 tracking week): #21 | airplay up 13.5% vs. last week
Pop Radio (real-time position for July 2-8 tracking week): #21 | airplay up 15.0% vs. last week
Rhythmic Radio (official position for June 25-July 1 tracking week): #19 | airplay up 28.3% vs. last week
Rhythmic Radio (real-time position for July 2-8 tracking week): #17 | airplay up 21.2% vs. last week
Hot AC Radio (official position for June 25-July 1 tracking week): #36 | airplay up 16.8% vs. last week
Hot AC Radio (real-time position for July 2-8 tracking week): #32 | airplay up 35.4% vs. last week
YouTube Music Video Views: 39 million views since June 1
Crying In The Club:
Billboard Hot 100: #50
iTunes: #41 (currently discounted)
Spotify: #59
Pop Radio (official position for June 25-July 1 tracking week): #20 | airplay up 2.1% vs. last week
Pop Radio (real-time position for July 2-8 tracking week): #20 | airplay down 1.1% vs. last week
Rhythmic Radio (official position for June 25-July 1 tracking week): #34 | airplay down 4.3% vs. last week
Rhythmic Radio (real-time position for July 2-8 tracking week): #31 | airplay up 1.6% vs. last week
Hot AC Radio (official position for June 25-July 1 tracking week): #38 | airplay up 5.9% vs. last week
Hot AC Radio (real-time position for July 2-8 tracking week): #39 | airplay up 11.9% vs. last week
YouTube Music Video Views: 45 million views since May 19
Swish Swish:
Billboard Hot 100: #90
iTunes: #84 (currently discounted)
Spotify: #104
Pop Radio (official position for June 25-July 1 tracking week): #37 | airplay down 10.3% vs. last week
Pop Radio (real-time position for July 2-8 tracking week): #38 | airplay down 22.5% vs. last week
Rhythmic Radio (official position for June 25-July 1 tracking week): Not in the Top 40
Rhythmic Radio (real-time position for July 2-8 tracking week): Not in the Top 40
Hot AC Radio (official position for June 25-July 1 tracking week): Not in the Top 40**
Hot AC Radio (real-time position for July 2-8 tracking week): Not in the Top 40**
YouTube Music Video Views: No official music video | Lyric video with Gretchen is at 10 million views since July 3
**”Save As Draft” – not “Swish Swish” – is Katy Perry’s official single at hot adult contemporary
Brian Cantor is the editor-in-chief for Headline Planet. He has been a leading reporter in the music, movie, television and sporting spaces since 2002.
Brian's reporting has been cited by major websites like BuzzFeed, Billboard, the New Yorker and The Fader -- and shared by celebrities like Taylor Swift, Justin Bieber and Nicki Minaj.
Contact Brian at brian.cantor[at]headlineplanet.com.
Your email address will not be published. Required fields are marked *

Search Metadata

Search text contents

Search TV news captions

Search radio transcripts

Search archived websites

Advanced Search

remove-circle
Share or Embed This Item

EMBED

EMBED (for wordpress.com hosted blogs and archive.org item tags)
[archiveorg BadLiar width=560 height=384 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true]

Want more?
Advanced embedding details, examples, and help !

Flag this item for

Graphic Violence

Explicit Sexual Content

Hate Speech

Misinformation/Disinformation

Marketing/Phishing/Advertising

Misleading/Inaccurate/Missing Metadata

Topics
MP3

Collection
opensource_media

Language
English

Addeddate
2019-03-23 23:05:49

Identifier
BadLiar

Identifier-ark
ark:/13960/t8md6gs03

Scanner
Internet Archive HTML5 Uploader 1.6.4

There are no reviews yet. Be the first one to
write a review .

Due to a planned power outage on Friday, 1/14, between 8am-1pm PST, some services may be impacted.

There Is No Preview Available For This Item

This item does not appear to have any files that can be experienced on Archive.org.

Please download files in this item to interact with them on your computer.

Show all files

Uploaded by

CaiMeYah

on March 23, 2019

What It's Really Like To Be A Stripper In Reno, Nevada
Photo: Photographer_ME / Shutterstock
The content you see here is paid for by the advertiser or content provider whose link you click on, and is recommended to you by Revcontent. As the leading platform for native advertising and content recommendation, Revcontent uses interest based targeting to select content that we think will be of particular interest to you. We encourage you to view your opt out options in Revcontent's Privacy Policy
Want your content to appear on sites like this? Increase Your Engagement Now!
Want to report this publisher's content as misinformation? Submit a Report
By Cat Thomas — Written on Dec 01, 2020
My name was Violet. I was a professional liar.
I stripped at every strip club in Reno, Nevada from ages 20-27.
You could call it my night job while I was trying not to pass out in the University of Nevada-Reno Student Union every morning, pouring over my pills and Starbucks that kept my secrets in.
On that morning, I was just Cat: late to class and underachieving on the academic scale I would attach myself to.
I fit the profile of 'artsy girl with unrealistic expectation of student living.' So I found a new ego to feed.
I took too many selfies in the strip club dressing room and filled too many diaries with stranger-than-fiction tales.
I had an identity crisis every night. I went through phases of feminist thought, drugs, fashion, and men.
Upon closer evalutaion, you'll see an unlikely, and truly bizarre, feminist bravado unfold: House moms with hard accents.
Strippers who cried too much. My life was mirrors and femme rage. I raged on and on and on and on. I breathed in way too much secondhand smoke.
One time I saw a ghost in the Fantasy Girls dressing room.
For an entire month, I only stripped to Rage Against the Machine. Ah, to be 23 years old without a care in the world while prancing around to protest music. I thought I was so edgy.
Sometimes I miss stripping. Sometimes. Not so much the hauntings that occurred but the shadiness of the whole ordeal.
I miss the part-time comedian DJ who went to community college all day.
And falling in love with the bartender. I miss working on Christmas. And Thanksgiving.
I miss my iPhone camera, my most loyal companion, always right next to the stripper who always cried. (And don't ever make eye contact or she'll unfold her troubles onto you.)
I lived a life that was honest yet severely alienating.
I wanted to be super-human in the club. And of course, druges helped.
It said: I like my face, but not enough to smile with teeth. Me: a tall, pixie brunette l ooks at her reflection with her best Playboy centerfold.
A picture says a thousand words. One of the other stripper's gold hoops is missing.
She doesn't notice, too busy dipping into nachos and asking the house mom — a well-intentioned woman who babysits dancers in the dressing room, often with a maternal ruling that sustains order and comfort).
The crumbs on the velvet carpet. Evidence of cupcakes in the fridge suggests another dancer turned 22. Ripped magazines on a broken loveseat couch. Cigarette burns on the maroon comforter.
My favorite thing at the end of the night? The leftovers. No, I'm not talking about Dominos from house mommy.
The end of the night meant freedom, even if we all hated each other.
Strip sisters bond through vulnerability and then dismantle the moment the next night when you wave hello and they ask for a line or a Red Bull. I never took it personally. Some girls called it grooming or cruelty or abuse by dancers who worked there the longest.
Even I was guilty of being hot and cold to new, novice strippers.
Especially when I was the alpha stripper because ike any employee who stays with the company for ten years, you start earning respect and perks.
The unspoken rule: you can be mean to beta strippers if you busted your ass for management the past 6 years.
Such a good rule. But absolutely disappointing as a policy. Girls hate girls sometimes. I had to get past the passive-aggressiveness.
Ivy: “I love you, but I will talk shit on your gold choker all night, Violet! You from the future? Girl, you a mess.”
Ouch. And to think, last night we shared an expensive pizza and tried on the other’s heels.
There was such a mess of female competition, combined with mood disorders and substance abuse problems; it unhinged us.
We were all frenemies, thick as thieves and eager to show both the love and hate we carried for each other day in and day out. We never got attached, though. That’s a rule we never broke.
I lived in the utopia of abandonment. Energy belonged to girls who aged into ghosts of themselves.
I like to think they wandered off into the Nevada desert and make art with rough pastels now. It's one of my favorite denial fantasies, of which I have many.
And then there's the men who frequent the clubs.
The tourists who lie about their names more often than we do.
The men who become combative with alcohol and can’t decide if they want the VIP experience.
The ones who can't pay. The regulars who came just for you: for support, money, love. Or to make sure your night is going okay, to refill your Red Bull, read their poem.
The novelty of the obsessive type gets old fast. I didn’t get into this business to be preyed on; I do the preying.
The fanatics are just therapy cases with quick expiration dates and on to the next. I get enough personal time with my shrink every other Monday at 3pm.
I learned not to bother with questions and explanations. A bouncer hides his sneer when Romeo flashes roses and hugs you for three minutes longer than necessary.
This place never made sense in the first place.
A faulty work place can’t be good for the soul. You’re lonely but hey, you’ll never truly be alone in a place charged with so much personality.
Soak it in. Help Destiny shave her legs and show Cassidy that song she asked about last night, then fight about the name of the band for five minutes.
One day, you'll wake up with your mind closed. You're jaded. Your heart is frozen. You’re higher than the heels you wore last night.
Or perhaps your mind is open and you feel like forgiving your sworn enemy or calling your mom. Look in the mirror. Allow your complexity to suggest you’re more than just a a “ good girl” or “bad girl.”
Because you're both. How many names do you have? Who are you today?
Cat Thomas is a freelance writer and singer. Follow her music at Band Camp .
The content produced by YourTango is for informational and educational purposes only. Our website services, content and products are not intended to be a substitute for professional medical advice, diagnosis, or treatment. Please consult your doctor before taking any action. See additional information
© 2022 by Tango Publishing Corporation All Rights Reserved.

Youku Video Nudist Deti
Cuckold Sperm Gangbang
Big Ass Porn Com

Bad Liar Stripper

Report Page