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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Polly Platt (story) (screenplay) Louis Malle (story)
Years after Brooke Shields starred in the film, she studied French Literature at Princeton University. Ironically, her 1987 senior thesis, written during her final year, was entitled "The Initiation: From Innocence to Experience: The Pre-Adolescent/Adolescent Journey in the Films of Louis Malle , Pretty Baby (1978) and Lacombe, Lucien (1974) ", meaning she wrote about a film she herself had starred in.
In one scene, Violet holds a plastic doll as opposed to a composite one. Plastic dolls weren't available until the late 1940s.
The closing credits include a card that states, "With our gratitude for the priceless music of FERDINAND "JELLY ROLL" MORTON."
Against his own wishes UK censor James Ferman was forced to make minor edits to the original cinema version under the 1978 Protection of Children Act, and pubic hair was optically airbrushed onto a scene where Brooke Shields is sitting with her legs slightly spread so that 'the actual cleft was not visible'. A further cut was also made to remove a very brief shot of her standing up in a bath. The edits were fully waived for the 1987 video release.
At the time of its release, PRETTY BABY attracted a lot of controversy for its subject matter and matter-of-fact nudity of pre-teen Brook Shields (Violet). Now it would probably not get made at all -- which is a shame, because it's a solidly written and directed drama. The late Louis Malle, who also directed the amazing BLACK MOON, approaches the subject of child prostitution without judgement or moralizing.
The film's effectiveness comes from a script that does not burden any of its characters with explanatory dialog. Most of the dialog heard is of the incidental kind. Characters do not pause to explain situations or pontificate. Malle captures glances, body language, reflections and uses the non-verbal to tell his very human story of a New Orleans cathouse. Susan Sarandon, as Violet's prostitute mother, turns in a fine performance as a woman in denial of her reality. Keith Carradine, who plays a photographer who falls in love with Violet, delivers a perfectly tuned performance with little more than than a dozen lines of dialogue. Also worth nothing is the beautiful performance of Francis Faye as Nell, the cathouse madam. She brings a sharp gift for irony to her role. Brooke is very, very good, too, and this was the performance of her career.
Suggest an edit or add missing content
What is the streaming release date of Pretty Baby (1978) in Australia?
The Best Movies and Series to Watch in October
Hollywood Heartthrobs Through the Years
A teenage girl lives as a prostitute in New Orleans in 1917. A teenage girl lives as a prostitute in New Orleans in 1917. A teenage girl lives as a prostitute in New Orleans in 1917.
Bellocq : Her father unknown, and her mother deserted the child.
Violet : My mother's name was Hildegarde. Hildegarde Marr. M-A-R-R.
Priest : And she was Caucasian, or other?

From Wikipedia, the free encyclopedia

^ "Kinderwhore grunge fashion guide" . Mookychick . 2014.

^ Jump up to: a b Garis, Mary Grace (July 9, 2014). "The Evolution of Courtney Love" . Elle . Kevin O'Malley . Retrieved December 13, 2015 .

^ "Miss World" music video . dailymotion .

^ Meltzer, Marisa (2010). Girl Power: The Nineties Revolution in Music . New York: Faber and Faber. p. 48. ISBN 978-0-86547-979-1 . Retrieved December 13, 2015 .

^ Jump up to: a b c Way, Mish (July 20, 2015). "My Kinderwhore Education" . i-D.com . Vice . Retrieved May 14, 2017 .

^ Fricke, David (December 15, 1994). "Courtney Love: Life Without Kurt" . Rolling Stone .

^ Andrews, Charlotte Richardson (February 27, 2013). "Hidden treasures: Daisy Chainsaw – Eleventeen" . The Guardian .

^ Garland, Emma (October 8, 2018). "Searching for Utopia: An Interview with Katie" . Vice .

^ Stegemeyer, Anne; Price Alford, Holly (2014). Who's Who in Fashion (6th ed.). New York: Fairchild Books. ISBN 978-1-60901-969-3 . Retrieved December 13, 2015 .

^ Schneier, Matthew (February 13, 2019). "Angry Dolls Meet Their Mother" . The New York Times . Retrieved July 30, 2019 .

^ " 'Six Of The Best': Guy Mankowski" . Narc Magazine . Retrieved September 29, 2020 .


Kinderwhore was a clothing style used by a handful of mostly female grunge bands in the US during the early to mid-1990s. The kinderwhore look consisted of torn, ripped tight or low-cut babydoll and Peter-Pan-collared dresses, slips, knee-socks, heavy makeup with dark eyeliner, [1] barrettes , and leather boots or Mary Jane shoes . [2] [3] [4]

Mish Way described it as "intentionally taking the most constraining parts of the feminine, good-girl aesthetic, inflating them to a cartoon level, and subverting them to kill any ingrained insecurities." [5] She further noted that although the look was very feminine, when its exponents performed onstage they "stood tall and confident, they threw their guitars around like weapons, and screamed out whip-smart feminist lyrics. These women were questioning the cultural importance of typical beauty through costume and the stage." [5]

The origin of kinderwhore is uncertain. It is believed that Kat Bjelland of Babes in Toyland was the first to wear the look, and to define it, while her former roommate Courtney Love of Hole was the first to popularize it. The term was coined by Melody Maker journalist Everett True . [5] Interviewed in 1994, Love commented;

I would like to think—in my heart of hearts—that I'm changing some psychosexual aspects of rock music. Not that I'm so desirable. I didn't do the kinder-whore thing because I thought I was so hot. When I see the look used to make one more appealing, it pisses me off. When I started, it was a What Ever Happened to Baby Jane? thing. My angle was irony. [6]
Love has claimed that she took the style from Divinyls frontwoman Christine Amphlett , [2] and was also inspired by KatieJane Garside of Daisy Chainsaw who toured with Hole during 1991. [7] [8] The look became very popular in 1994. [9]

In 2019 designer Batsheva Hay cited Courtney Love's "kinderwhore aesthetic" as inspiration. Hay said Love's look "was so of that time but she was also so ahead of her time". [10]

A 2020 novel by the English author Guy Mankowski , entitled "Dead Rock Stars", apparently depicts a fictional Kinderwhore band called 'Cherub', whose lead singer Emma draws from the Kinderwhore aesthetic of 'Hollywood glamour of tiaras and satin dresses... with a twisted, girlish sensibility.' Mankowski added, 'I was influenced by the urge that such artists had to use their body to offer a message, with them making the very most of the textual space that comes with being in a band.' [11]

This fashion -related article is a stub . You can help Wikipedia by expanding it .

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