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Pablo Amaringo bequeathed us a rich treasury of visions and encyclopaedic knowledge of the indigenous shamanic plant traditions of the Amazon. Although he has left us physically, his knowledge and skill as a seer and traveller into the spiritual realms of nature remain with humanity in the form of his art. His paintings are something to truly celebrate. May Pablo continue to inspire and change lives for generations to come. He trained as a curandero in the Amazon, healing himself and others from the age of ten, but gave this up in to become a full-time painter and art teacher at his Usko-Ayar school. His book, Ayahuasca Visions: The Religious Iconography of a Peruvian Shaman, co-authored with Luis Eduardo Luna, brought his work and the rich mythology of the Amazon to a wide audience in the West. He was ten years old when he first took Ayahuasca—a visionary brew used in shamanism, to help him overcome a severe heart disease. The magical cure of this ailment via the healing plants led Pablo toward the life of a vegetalismo in which he worked for many years. Howard and Peter met with Pablo at the school which he founded Usko-Ayar school of painting in Pucullpa where he lives and paints, and interviewed Pablo about his life as a shaman and artist. It was a spiritual matter for me. Then in I saw a curandera3 miraculously heal my sister who had been in mortal agony with hepatitis, and could not either eat or speak, but with this single healing from the plants, she was cured in just two hours. That motivated me to start learning the science of vegetalismo. No, the Senora used the knowledge of Ayahuasca and chanted. That was during the day. I saw many things. I sat like a king and watched! After that I dieted for five days, staying at home, without seeing many people. After one month I began to feel what everybody else was feeling, it was a very strange thing! And I discovered I could sing the chants without even learning them. They came out beautifully and I wondered how it was possible that I knew them. I realised I had powers in me and I began to be a curandero when I cured a young man with a terrible headache, firstly I felt it and then he was better. That was how the powers were given to me, but others say that when they take the Ayahuasca, they can see what the problem is with their patient. Just Ayahuasca, but afterwards I took other plants at the same time as Ayahuasca, to learn more things. Wherever I went I cured people. Yes, the houses were mostly wooden, with cultivation behind them, there were no high buildings. None of the streets had tarmac, they were of red mud, except for the one central Plaza. The road to Lima was terrible and it took a month or more to get there. How do you communicate with plant spirits after you take them into you? When you take any plant other than Ayahuasca, you connect through your dreams. Ajo sacha, Chric Sanango, Bobinsana etc. But with Ayahuasca no, you are conscious and awake. That is why it is the planta maestra — the eye through which you see the world, the universe. If you obey, no knowledge will be withheld from you. My visions helped me understand the value of human beings, animals, the plants themselves, and many other things. The plants taught me the function they play in life, and the holistic meaning of all life. We all should give special attention and deference to Mother Nature. She deserves our love. And we should also show a healthy respect for her power! I used to make portraits and landscapes when I was 20 years old, but mostly using charcoal. I was working as secretary to the chief of customs here in the port of Pucullpa. One day my boss told me to paint two armchairs, and as I had never painted, I just slapped on the paint any old how, and it looked awful with lumps everywhere. I was a little hurt because he was always so impressed by everything I did. This made me think that if I was going to learn to paint, I would learn to do it well. After three years working there I had a heart problem and returned to doing portraits in pencil beginning with my own portrait. Years passed and I used to say to my mother, when I am older I will paint several pictures of myself so that after I am dead people will know there has been a painter in the family! One day I was asked to accompany a foreign gentleman because I spoke a little English but I did not know that he was the biologist Denis McKenna. After some years he recommended me for a job in Sepagua but I was not able to take it up because my mother fell ill. So when he came back in I asked him if he would show my pictures in an exhibition he was organizing in Switzerland. They were small pictures, but later he returned with Luis Eduardo Luna who said how beautifully you paint Pablo. I can promote your work; do you want to be a world class painter? I just want you to help me sell my pictures to make a little money. I was portraying the daily realities of people in the Amazon, how they sow and harvest, how they fish and celebrate their fiestas and so on. Every year I have been coming for the last eight years, travelling up the Amazon through Brazil and Peru to Panama! I asked him why he came. What was he looking for? We are interested in the magical plants of Peru from the coast, Sierra and Selva. I know what you are after, I said. I could have told you so much about what I had seen, I said. Then I started to think that I could paint for him all the things I had seen in my visions and all the things that were explained to me. But I had to do it in secret because even when people saw photos of what I painted, they said I had gone mad, that I was bedevilled and painting things of the demon! They worried me with these remarks. I could never have had an exhibition here in Pucullpa. So Luna said paint for me then! And I made two pictures of visions for his next visit, and when he saw those pictures — one of which is in the Museum of Washington DC and the other in the University of Stockholm — they took hundreds of pictures of them. But I said he could take them away. They sold them and sent me the money. They studied them and said they found language and biology in the pictures so later I began to make explanations of them. But I could never show them to people here. Yes, many are still. Once some religious people came and said that if the name of Jesus was spoken the paintings would explode. And they asked me to say Jesus. They said to each other, he has got the devil in him, if he says Jesus, he will explode! You have many amazing paintings here in your studio; can you tell us something about them? The pictures are a means by which people can cross spiritual boundaries. Some people say they can only believe what they see, but there are thing which exist which cannot be seen. The pictures are for reminding people what we are and where we come from and where we are going. They are for people of any culture in the world although there is much that is taken from indigenous Amazonian culture. Looking at this painting, it reminds us of many of the Amazonian legends in which animals adopt human forms, does this painting relate to these stories? That is correct, spirits cannot materialize easily, if they cannot take human form, they take animal form. They are made from the spirits of animals, but if they appear human, then they can reproduce with women in order that they can be incarnate in us. It is part of our mystic evolution. Everyone has a role to play inspiring, creating, evolving their minds to preserve the world. The spirits are working untiringly to protect Mother Nature — everything from the plants and animals to the circles of the planets. You touch on an important point about protecting nature; there is an increasing amount of damage that people are causing to the natural world, what is your view why humans do so much damage? It is our lack of ingenuity, and above all imagination. We think we are the only ones here on earth, unique! We should all work like scientists, teachers, composers so that we can fully and creatively engage in the world, so in that way the world continues. If we play a part in the functioning of the universe we will not die. When I am old and about to die and cannot see well enough to paint, I will be talking other things instead, but I can still paint now and I am The plants in the painting are ishanga, maromara, pinon blanco, pinon colorado and pinon negro, lengua de perro, verbena. The ethnic elements are Shipibo5, Conibo, Shetebo, Amahuaca, and you can see the spells and spaceships. Here is represented the different grades of shaman. A suniruma is the highest expert sitting here, with dominion of the sky, then banco puma or banco sumi who has dominion of the land, finally the muraya who has dominion over the water. You can see waves just like the effects of Ayahuasca — the mareacion. It comes strongly and it seems as if it is passing and then another one comes, like waves from a stone in the water. This is the sachamama6 which comes in different colours in the mareacion and protects the vegetation. You can be chopping a path with your machete and strike it unknowingly, until blood appears! If it sees you, it draws you into its mouth with its power, you cannot escape. You can see here the seven rays of the rainbow which portray this power. This painting is about the mystical beginning of life which can be accessed through drinking Ayahuasca. The first cell which divided for the first time was with the help of extra-terrestrial beings, spirits, and angels which enlisted sub atomic particles. The cells have taken millions of years to develop and evolve, and after making cells they created marine animals, fish, and large snakes to live amongst the plants. They made the plants grow and finally terrestrial animals, lions and tigers and large flying animals. These inventions gave them the practice they needed for creating more, four legged animals, and domestic animals. Wild plants were made for changing the environment while domestic plants, especially flowers, are for altering the heart, mind and spirit of people. In your garden its best to grown domestic plants, to put on your table to make you happy and give you love. All this has taken many thousands of years of work by the spirits. Before a person is born, while still in the womb, we recapitulate evolution and pass through a snake-like phase, at another phase you can see horns. At this stage we are like a book in which you can read everything that will happen in your life, how many years you will live and so on. I was very astonished when I saw these things. It is very emotional. We just need the potential to see, but if we could see everything we would go mad. So we must be trained to learn and survive the big shock. For this you need to diet7. Elsewhere they are drinking Ayahuasca in colourful clothes coming from the wisdom they are getting. Much depends of what the mother eats when she is pregnant — she should eat natural food so the child will be strong, otherwise they are weak. Bottom right corner, is the beginning of the blood, the spark of life, the spirit which enters when the mother is asleep while pregnant. You can see the uterus there and the waves which give the child his emotions and characteristics. With this you can deal with all the problems of life. Tinguna is the first cells of life to be formed. The yacaruna are people that live in under the river in tunnels which are pictured here, and they lead to another world as you see. They play musical instruments to enchant people at midnight when all is silent under the moonlight. You can see dolphins, manatee sea-cow , electric eel and charapa mama which are marine turtles. Then there are muraya Shipibo shamans , water dogs, water horses and fish which fly when it rains very hard and fall out of the sky. For me personally, though, they mean even more than this. Plants—in the great living book of nature—have shown me how to study life as an artist and shaman. They can help all of us to know the art of healing and to discover our own creativity, because the beauty of nature moves people to show reverence, fascination, and respect for the extent to which the forests give shelter to our souls. The consciousness of plants is a constant source of information for medicine, alimentation, and art, and an example of the intelligence and creative imagination of nature. Much of my education I owe to the intelligence of these great teachers. People who are not so dedicated to the study and experience of plants may not think this knowledge is so important to their lives—but even they should be conscious of the nutritional, medicinal, and scientific value of the plants they rely on for life. My most sublime desire, though, is that every human being should begin to put as much attention as he or she can into the knowledge of plants, because they are the greatest healers of all. And all human beings should also put effort into the preservation and conservation of the rainforest, and care for it and the ecosystem, because damage to these not only prejudices the flora and fauna but humanity itself. Even in the Amazon these days, many see plants as only a resource for building houses and to finance large families. People who have farms and raise animals also clear the forest to produce foodstuffs. Mestizos8 and native Indians log the largest trees to sell to industrial sawmills for subsistence. They have never heard of the word ecology! I, Pablo, say to everybody who lives in the Amazon and the other forests of the world, that they must love the plants of their land, and everything that is there! This expression of love must be a sincere and altruistic interest in the lasting well-being of others. We are not here simply to exist, but to enjoy life together with plants, animals, and loved ones, and to delight in contemplation of the beauty of nature. Does such a thing exist without costing a fortune? Just follow this link:. Your email address will not be published. Notify me of follow-up comments by email. Notify me of new posts by email. Just follow this link: Leave a Reply Cancel reply Your email address will not be published. Owing to the complex legal status of ayahuasca in many places, comments geared towards finding ayahuasca or ayahuasca ceremonies cannot be accepted. Comments with commercial intent are also not accepted. While you may feel compelled to, please refrain from giving medical advice, especially in regard to a physician prescribed pharmaceutical regime.
'The Ayahuasca Visions of Pablo Amaringo' - Article from Sacred Hoop Magazine Issue 71
An interview with Pablo Amaringo
ayahuasca visions
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Seeing with eyes wide shut: Ayahuasca inner visions
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Seeing with eyes wide shut: Ayahuasca inner visions
An interview with Pablo Amaringo
'The Ayahuasca Visions of Pablo Amaringo' - Article from Sacred Hoop Magazine Issue 71
'The Ayahuasca Visions of Pablo Amaringo' - Article from Sacred Hoop Magazine Issue 71
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