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As mainstream Hollywood lags behind in meaningful explorations of sexuality, these provocative short films embrace the unusual tapestry of human predilections.
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As film festivals pivot to the ever-shifting landscape of distribution and sales, the way we consume independent film is changing more dramatically than anyone could have predicted. Audiences can now experience a wider variety of films online, opening a world of possibilities that will hopefully benefit smaller films. With any luck, the new reality will broaden movie lovers’ horizons enough to include short films , which U.S. audiences can be reluctant to embrace. Most filmmakers begin to craft their voices with shorts, and given the significance of making a strong first impression, the format encourages creative risks. What’s more, younger and emerging filmmakers naturally have a finger on the pulse of more progressive ideas, ensuring a broader range of perspectives.
While mainstream Hollywood struggles to address human sexuality in any meaningful way, these four recently-released short films explore sex and desire with a refreshing playfulness. Whether it’s a feminist genre take on actual bloodlust, or a comedy about an erotic encounter where the two people never touch, these films celebrate the full spectrum of human desire. They’re all available online, though you’ll have to head over to YouTube for the more explicit titles, and each one has its own unique vibe.
Though dealing swimmingly with sexual themes, this daring drama pushes the envelope a bit too far to be considered flat-out sexy. Rather, Australian filmmaker Renée Marie Petropoulos uses sexuality as fertile ground to explore the complex connection between a mother and daughter, and each woman’s complicated relationship to her own sexuality. A quintessential “cool mom” throws a raucous pool party for her wide-eyed teenage daughter, eerily pushing her to flirt with the boys. The older woman saunters in her loose caftan doling out Jello shots, sucking down a cigarette after some boys toss her in the pool with the rest of the teenagers. As her daughter looks on — whether in shame, disgust, or normal teenage angst — an ocean of pain is shared in the glances between the two.
When a cunning teenager steals a dildo and harness from her local sex shop, she suddenly finds herself empowered beyond the imaginations of her small-minded boyfriend. Emboldened by the high of her new toy, she exudes a new confidence in front of her friends, who seem devoted to conventional gender roles. She quickly grows tired of being shut out of the boys’ games, and poses a unique dare to the young men in her circle. But her confidence is rewarded when her macho lover surprises her in exciting ways.
This funky little documentary explores the world of custom-order porn, a niche filmmaking enterprise designed by married couple Dan and Rhiannon Humes. Though they began their career in mainstream porn, the duo soon recognized an opening for user-designed content. Customers approach them with fantasies, whether to explore a specific fetish or to revisit an erotic childhood memory, and the Humes then craft them into bespoke porn. The film shows the coupe lugging camera equipment around their California home, interviewing the performers, and recounting customers and requests that stuck with them. Many of the scenarios are surprisingly moving, like the guy who just wants to see a pretty girl call him “honey” and “love.”
Three films in, and director Mathew Puccini has pretty much covered the gamut of queer experience. With a light touch and a lyrical eye, Puccini’s shorts play like a moving triptych of quietly pivotal moments in the lives of queer men. “The Mess He Made” starred Max Jenkins as a man waiting for the results of an HIV test, and “Lavender” featured Michael Urie as half of a couple who invite a younger third into their longterm relationship. “Dirty” explores the awkwardness of a more universal folly — bottoming for the first time. As always in Puccini’s work, the characters are tender and natural; the images aglow with intimacy.
The most erotic film ever made about a window washer, “Squeegee” follows a delightfully weird tryst between a career woman and the scruffy younger man who washes her office windows. The 10-minute short is almost entirely devoid of dialogue, instead relying on a moody jazz score that wouldn’t be out of place in a noir. Lead actress Amy Rutherford embodies her frisky businesswoman with an empowered girlishness, communicating everything from desperate lust to soulful longing with nothing more than a few subtle looks. The glass that separates the two characters is both a literal safety barrier as well as representative of the often murky disconnect between fantasy and reality. Written and directed by Morgan Krantz, “Squeegee” is an entertaining comedic interlude that has a lot to say about the human condition. You’ll never look at window washers the same way again.
“I find sex to be pretty absurd, and I wanted to show that,” Krantz told Short of the Week , which premiered “Squeegee” in late May. “I’ve also been in relationships with people where we both know there is no practical way to really be together. But when you’re having one of these ‘flings,’ I have found that it can actually be easier to express how wild you are about a person… because you both know that you can never end up together. So that’s the glass between these two characters.”
Lithe and full of longing, a young Italian embraces his provocative drag persona in this short and sensual documentary. Vincenzo is a young queer artist from Naples, Italy who performs cabaret-style drag at La Boum, Milan’s premiere gay club. His soul-searching voiceover narrates visually sumptuous footage of his performances, interspersed with more traditional community scenes of life in Naples. Whether he’s going by Vincenzo, Ambrosia, or Vincenzo D’Ambrosia, the film celebrates his shifting identity as he explains that the very act of naming himself is both confusing and empowering. While he appears confident and beautiful onstage, behind the scenes Ambrosia bounces between concerns about being pretty or feminine enough and feeling like he’s letting down his family every time he puts on a heel. Director Peter Spark expertly crafts this glittery dance between art and artist, allowing the harshness of Ambrosia’s inner monologue to exist side by side in beautiful contrast with his enthralling stage persona.
A young woman anxiously awaits a special visitor in a quaint roadside motel room in this surprising and humorous gore-inflected genre morsel. When her young and lanky massage therapist arrives, he isn’t exactly one for small talk, immediately putting her even more edge. Writer/director Meredith Alloway takes center stage as the eager client; she’s natural and open opposite a deliciously creepy Peter Vack. Following a string of TV roles in shows like “Mozart in the Jungle” and “Homeland,” Vack distinguished himself as a filmmaker with the highly controversial “Assholes,” which premiered at SXSW in 2017, prompting IndieWire’s David Ehrlich to call it “one of the most disgusting movies ever made.” While “Deep Tissue” is more provocative than disgusting, the final reveal is in line with Vack’s own filmmaking philosophy. Keep ’em on their toes, and they’ll eat it right up. You can watch “Deep Tissue” via The Future of Film Is Female.
Quirky and unnervingly erotic, this whimsical stop-motion animation celebrates all kinds of bodies and predilections. The film debuted as part of Sundance Film Festival’s 2018 Midnight Shorts Program, and premiered online as a Vimeo Staff Pick last year. The films spies on different creatures in bed, from lesbian nuns to gender-blending lovers. Animator Michaela Olsen wanted to show “the lives people lead behind closed doors,” and while her intricately crafted figures aren’t all people, each character channels a unique persona even in their brief scenes. “I wanted to play on the idea of seeing every detail of the characters’ worlds and secrets,” Olsen told Vimeo . “They’re opening up their world to you as a viewer and showing you their true selves.”
This Article is related to: Film and tagged Sexuality , Short Films
Under Covers seems interesting because I like stop motion animation.
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*First Published: Jun 24, 2016, 12:20 pm CDT
Posted on Jun 24, 2016 Updated on May 26, 2021, 1:31 pm CDT
Directly in the heart of Moscow, near the Taganskaja metro station, you can meet Katrin. Just send her a message on a website called Dosug and grab your wallet.
She’s a beautiful, 25-year-old Russian woman who could bankrupt you with her presence.
An evening with Katrin is relatively expensive: 15,000 rubles—about $228—for an hour of her time. But those kind of prices are increasingly common for sex workers in Russia. As the Russian economy and currency sunk over the last several years, the price of prostitution has spiked across the board.
But the sex is “excellent,” according to the reviews on her Dosug profile, so men pay the price.
Dosug (?????, translated as Leisure) is a Russian online brothel centered in Moscow but with operations all around Europe. It can be found on both the anonymous dark net as well as the normal internet, where the website is always trying to stay two steps ahead of Russia’s notoriously vigorous cyber censors.
At over a decade old, Dosug serves as Russia’s biggest catalog of sex workers. Its existence means buying anything from a massage to sex is nearly as easy as ordering up a taxi on your phone. Dosug’s map of nearby available prostitutes looks an awful lot like Uber ‘s map of available drivers.
Every business sells a product. Dosug’s is sex work 2.0.
Uber revolutionized hailing cabs on your phone. Silk Road forever changed buying drugs on the dark net . Websites like Dosug take a page from both to bring the world’s oldest profession into a high-tech, low-life 21st century.
Dosug was created by Konstantin Rykov, a 37-year-old Russian internet entrepreneur and politician who, until 2011, served as a legislative deputy in President Vladimir Putin ‘s United Russia party and worked in the Duma Committee on Science and High Technologies.
Rykov, who first learned about the internet in a 1995 state-sponsored trip to the United States and fell deeply into IRC chat networks, is a one-of-a-kind beast who fits strangely well into the wonderland circle of Kremlin influence and ideology.
Starting in the 1990s, Rykov built a kingdom of popular websites beginning with fuck.ru, an obscenity-laced website that flaunted Russia’s rules while he operated under the psuedonym Jason Foris. He expanded into website design, advertising networks, book publishing, television, and eventually hundreds of other internet projects, according to his own count.
Among other news websites, Rykov runs ?????? (Sight), referred to around the Western world as a mouthpiece of Putin’s Kremlin. He dubbed Russia’s annexation of Crimea as the “Russian Spring.”
But it’s Rykov’s collection of porn, erotic, and prostitution sites, among others, that sets him apart.
“I make in a night as much as Yandex makes in a year,” Rykov told a Russian journalist in 2011 when discussing his internet empire. Yandex, Russia’s version of Google , is a multibillion dollar company. During that interview, Rykov listed websites to his credit including Dosug.
Not much about the inner workings of Dosug today is clear. While Rykov founded Dosug, it’s not definite that he’s still running it. Neither Rykov nor Dosug’s current operators responded to requests for comment.
When I asked Dosug’s social media team if they had anyone who spoke English to talk with a reporter, they assured me, “most of the girls on our site are polyglots, try them if you want, but they prefer doing some interesting things over talking.”
Listing prostitutes online is nothing new. Sites likes Craigslist , myRedBook, and Backpage are just a few iconic names in a long, global list of websites that have been advertising sex work for years.
Until 2015, however, none of those sites used the Tor network .
Often synonymous with the dark net—the sites, services, apps, data, and files not indexed by search engines like Google —Tor masks users’ identities through encryption and a unique routing scheme that makes it difficult to connect you to the sites you visit and the things you do there. It also enables so-called hidden services, sites that are only accessible with the use of a specialized Tor Browser designed to grant privacy, anonymity, and security far beyond the likes of Chrome or Firefox.
A wide range of people use Tor, including journalists, human rights activists, soldiers, governments, criminals, and terrorists.
In a bid to beat Russian censors—who had already taken down dozens of other versions of the site—Dosug leaped over to the dark net. It’s had a home there ever since, even after Dosug re-established itself on normal websites by doing business from countries like the Czech Republic, where prostitution is legal and lazily regulated, and Cyprus, where the laws on prostitution are vague and often unenforced.
Being close to the Kremlin doesn’t automatically grant you favor when it comes to internet censorship. German Klimenko, Putin’s own internet advisor, runs a BitTorrent tracker that’s offered pirated content . The site has been blocked at times during copyright disputes.
Dosug has existed and thrived in one form or another for 17 years. Last year’s move to the dark net was just another evolution necessary to survive and thrive.
The move is immediately reminiscent of the dark net markets famous for selling drugs, guns, and data around the world in exchange for bitcoins. The godfather of those sites, Ross Ulbricht , was a fiercely politicized activist when he created Silk Road in 2011. But unlike those markets, Dosug takes dollars, rubles, pounds, and euros. Bitcoin is nowhere to be found.
“Bitcoin is no so popular in Russia for payments,” Anton Nesterov, a Russian programmer, explained, “and I don’t think that Russian customers of sex workers are Bitcoin evangelists. They moved to .onion [the dark net domain] not because they are cypherpunks, but because their main site was blocked in Russia.”
The women on Dosug have their own section of the site where they can place ads, check messages, and do business with Dosug’s tens of thousands of visitors. Vi
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