Art Nude Teens

Art Nude Teens




⚡ ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻

































Art Nude Teens



About


Discover


Learn


Tag art


Support us




Glasgow Museums Resource Centre (GMRC)






Not all locations are open to the public. Please contact the gallery or collection for more information



North Cyprus: Study for a History Painting
Government Art Collection


Salt Triangle at Hyères, France
Government Art Collection


Nude, 12 Vertical Positions from the Eye
Victoria Gallery & Museum


Young Nude Girl
Glasgow Museums Resource Centre (GMRC)


Gyroscope Nude
The Hepworth Wakefield


® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).
Art UK has updated its cookies policy. By using this website you are agreeing to the use of cookies. To find out more read our updated Use of Cookies policy and our updated Privacy policy .
Sign in to access personalised features
Remember me (uncheck on a public computer)
By signing up you agree to terms and conditions
and privacy policy

Enter your email address below and we’ll send you a link to reset your password
Register to access personalised features
I agree to the Art UK terms and conditions
and privacy policy

My details can be shared with selected Art UK Partners

© the estate of Euan Uglow / Bridgeman Images . Photo credit: Glasgow Life Museums
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
See a tag that’s incorrect or offensive ? Challenge it and notify Art UK.
Help improve Art UK. Tag artworks and verify existing tags by joining the Tagger community.

From Wikimedia Commons, the free media repository
Qafár af Аҧсшәа bahasa ambon Acèh адыгабзэ адыгабзэ تونسي/Tûnsî تونسي Tûnsî Afrikaans Akan Gegë Alemannisch тÿштÿк алтай тил አማርኛ Pangcah aragonés Ænglisc अङ्गिका العربية ܐܪܡܝܐ mapudungun جازايرية الدارجة مصرى অসমীয়া American sign language asturianu Atikamekw авар Kotava अवधी Aymar aru azərbaycanca تۆرکجه башҡортса Bali Boarisch žemaitėška Batak Toba Batak Toba جهلسری بلوچی Bikol Central беларуская беларуская (тарашкевіца)‎ беларуская (тарашкевіца)‎ български روچ کپتین بلوچی भोजपुरी भोजपुरी Bislama Banjar bamanankan বাংলা བོད་ཡིག বিষ্ণুপ্রিয়া মণিপুরী بختیاری brezhoneg Bráhuí bosanski Batak Mandailing Iriga Bicolano ᨅᨔ ᨕᨘᨁᨗ буряад català Chavacano de Zamboanga Mìng-dĕ̤ng-ngṳ̄ нохчийн Cebuano Chamoru Choctaw ᏣᎳᎩ Tsetsêhestâhese کوردی corsu Capiceño Nēhiyawēwin / ᓀᐦᐃᔭᐍᐏᐣ qırımtatarca къырымтатарджа (Кирилл)‎ qırımtatarca (Latin)‎ čeština kaszëbsczi словѣньскъ / ⰔⰎⰑⰂⰡⰐⰠⰔⰍⰟ Чӑвашла Cymraeg dansk Deutsch Österreichisches Deutsch Schweizer Hochdeutsch Deutsch (Sie-Form)‎ Thuɔŋjäŋ Zazaki dolnoserbski Dusun Bundu-liwan डोटेली ދިވެހިބަސް ཇོང་ཁ eʋegbe Emiliàn Ελληνικά emiliàn e rumagnòl English Canadian English British English Esperanto español español de América Latina español (formal)‎ eesti euskara estremeñu فارسی Fulfulde suomi meänkieli Võro Na Vosa Vakaviti kvääni føroyskt français français cadien arpetan Nordfriisk furlan Frysk Gaeilge Gagauz 贛語 赣语(简体)‎ 贛語(繁體)‎ kriyòl gwiyannen Gàidhlig galego گیلکی Avañe'ẽ गोंयची कोंकणी / Gõychi Konknni गोंयची कोंकणी Gõychi Konknni Bahasa Hulontalo 𐌲𐌿𐍄𐌹𐍃𐌺 Ἀρχαία ἑλληνικὴ Alemannisch ગુજરાતી Gaelg Hausa 客家語/Hak-kâ-ngî Hawaiʻi עברית हिन्दी Fiji Hindi Fiji Hindi Ilonggo Hiri Motu hrvatski Hunsrik hornjoserbsce Kreyòl ayisyen magyar magyar (formal)‎ հայերեն Արեւմտահայերէն Otsiherero interlingua Bahasa Indonesia Interlingue Igbo ꆇꉙ Iñupiak ᐃᓄᒃᑎᑐᑦ inuktitut Ilokano ГӀалгӀай Ido íslenska italiano ᐃᓄᒃᑎᑐᑦ/inuktitut 日本語 Patois la .lojban. jysk Jawa ქართული Qaraqalpaqsha Taqbaylit Адыгэбзэ Адыгэбзэ Kabɩyɛ Kabuverdianu Kongo کھوار Gĩkũyũ Kırmancki Kwanyama ဖၠုံလိက် қазақша قازاقشا (تٴوتە)‏ قازاقشا (جۇنگو)‏ қазақша (кирил)‎ қазақша (Қазақстан)‎ qazaqşa (latın)‎ qazaqşa (Türkïya)‎ kalaallisut ភាសាខ្មែរ ಕನ್ನಡ 한국어 조선말 Перем Коми Kanuri къарачай-малкъар Krio Kinaray-a karjal कॉशुर / کٲشُر کٲشُر कॉशुर Ripoarisch kurdî كوردي (عەرەبی)‏ kurdî (latînî)‎ къумукъ коми kernowek Кыргызча Latina Ladino Lëtzebuergesch лакку лезги Lingua Franca Nova Luganda Limburgs Ligure Līvõ kēļ لەکی Ladin lumbaart lingála ລາວ Silozi لۊری شومالی lietuvių latgaļu Mizo ţawng لئری دوٙمینی latviešu 文言 Lazuri मैथिली Basa Banyumasan мокшень Malagasy Ebon олык марий Māori Minangkabau македонски മലയാളം монгол ꯃꯤꯇꯩ ꯂꯣꯟ ဘာသာ မန် молдовеняскэ मराठी кырык мары Bahasa Melayu Malti Mvskoke Mirandés မြန်မာဘာသာ эрзянь مازِرونی Dorerin Naoero Nāhuatl Bân-lâm-gú Napulitano norsk bokmål Plattdüütsch Nedersaksies नेपाली नेपाल भाषा Oshiwambo Niuē Nederlands Nederlands (informeel)‎ norsk nynorsk norsk ᨣᩴᩤᨾᩮᩥᩬᨦ Novial ߒߞߏ Nouormand Sesotho sa Leboa Diné bizaad Chi-Chewa Nyunga occitan Livvinkarjala Oromoo ଓଡ଼ିଆ Ирон لسان توركى ਪੰਜਾਬੀ Pangasinan Kapampangan Papiamentu Picard Deitsch Plautdietsch Pälzisch पालि Norfuk / Pitkern polski Piemontèis پنجابی Ποντιακά Prūsiskan پښتو português português do Brasil Runa Simi Runa shimi Rumagnôl Tarifit rumantsch kaalengo tšimb romani čhib Kirundi română armãneashti tarandíne русский русиньскый armãneashti Vlăheşte Влахесте Vlăheşte Kinyarwanda मारवाड़ी संस्कृतम् саха тыла ᱥᱟᱱᱛᱟᱲᱤ sardu sicilianu Scots سنڌي Sassaresu کوردی خوارگ davvisámegiella Cmique Itom Koyraboro Senni Sängö žemaitėška srpskohrvatski / српскохрватски Tašlḥiyt/ⵜⴰⵛⵍⵃⵉⵜ Tašlḥiyt ⵜⴰⵛⵍⵃⵉⵜ ၽႃႇသႃႇတႆး tacawit සිංහල Simple English Кӣллт са̄мь кӣлл bidumsámegiella ubmejesámiengiälla slovenčina سرائیکی سرائیکی slovenščina Schläsch Gagana Samoa åarjelsaemien julevsámegiella anarâškielâ sääʹmǩiõll chiShona Soomaaliga shqip српски / srpski српски (ћирилица)‎ srpski (latinica)‎ Sranantongo mbia cheë SiSwati Sesotho Seeltersk себертатар Sunda svenska Kiswahili ślůnski Sakizaya தமிழ் Tayal ತುಳು తెలుగు tetun тоҷикӣ тоҷикӣ tojikī ไทย ትግርኛ Türkmençe Tagalog толышә зывон Setswana lea faka-Tonga Tok Pisin Türkçe Ṫuroyo Seediq Xitsonga татарча/tatarça татарча tatarça chiTumbuka Twi reo tahiti тыва дыл ⵜⴰⵎⴰⵣⵉⵖⵜ удмурт ئۇيغۇرچە / Uyghurche ئۇيغۇرچە Uyghurche українська اردو oʻzbekcha/ўзбекча ўзбекча oʻzbekcha Tshivenda vèneto vepsän kel’ Tiếng Việt West-Vlams Mainfränkisch Volapük Vaďďa Võro walon Winaray Wolof 吴语 хальмг isiXhosa მარგალური saisiyat ייִדיש Yorùbá 粵語 Vahcuengh Zeêuws ⵜⴰⵎⴰⵣⵉⵖⵜ ⵜⴰⵏⴰⵡⴰⵢⵜ 中文 文言 中文(中国大陆)‎ 中文(简体)‎ 中文(繁體)‎ 中文(香港)‎ Bân-lâm-gú 中文(澳門)‎ 中文(马来西亚)‎ 中文(新加坡)‎ 中文(台灣)‎ 粵語 isiZulu
The following 42 files are in this category, out of 42 total.





About


Discover


Learn


Tag art


Support us




® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).
Art UK has updated its cookies policy. By using this website you are agreeing to the use of cookies. To find out more read our updated Use of Cookies policy and our updated Privacy policy .
Remember me (uncheck on a public computer)
By signing up you agree to terms and conditions
and privacy policy

Enter your email address below and we’ll send you a link to reset your password
I agree to the Art UK terms and conditions
and privacy policy

My details can be shared with selected Art UK Partners

Posted 12 Aug 2021, by
Andrew Shore
Trawling through Art UK, I came across this 1927 work by the artist George Spencer Watson .
It was the first painting in the collection of The Harris in Preston to feature a naked woman. As such, it was controversial, and some Councillors thought it would corrupt the morals of Prestonians.
History has not recorded any specific debauchery or low moral behaviour in Preston as a result of this artwork's display.
Watson's works in UK collections are a strange mix of sombre portraits and sensuous nudes, and sure enough, another of his nudes is now in Bournemouth, in the collection of the Russell-Cotes Art Gallery & Museum.
Photo credit: Russell-Cotes Art Gallery & Museum
There is no specific reaction recorded to this particular painting, but it set me wondering if this had been a common occurrence in galleries throughout the land.
Surely the Preston nude can't be the only one that caused some controversy at the time... Well indeed not. Artistic nudes have had a complicated history, tied up with the male gaze, the public perception of what was 'decent' at different times in history, religion, and plenty of other factors.
There are famous examples that caused a stir in public such as Manet's Olympia and the 1917 exhibition of Modigliani's works that was closed, supposedly due to the depiction of pubic hair. There are private works not originally intended to be shown to the public, such as Goya's La Maya desnuda (The Naked Maja) and Courbet's L'Origine du monde (The Origin of the World) – both are now in major museums (the Prado and Musee D'Orsay respectively). But here's a quick look at some of the other works in the UK that have a salacious or saucy history.
The next nude on our list is by the firmly establishment figure of Sir Gerald Festus Kelly . Kelly was one of the foremost portrait artists of his time, and yet even his standing could not prevent a public backlash when this painting went on display in Newport Museum and Art Gallery in 1947.
© the copyright holder. Photo credit: Newport Museum and Art Gallery
To be fair to the denizens of 1940s Newport, the fuss seems to have been caused mainly by one man, Dorian Herbert, who was the bishop of Caerleon for a small independent group called the Ancient British Church. His sister had seen some girls sniggering at the work, so he (naturally) went to see the picture for himself. Clearly it left quite an impression as he subsequently described it as 'brazen, abandoned and vulgar'. This didn't stop 20,000 people queuing up to see it (perhaps it even helped), or Kelly later becoming the President of the Royal Academy.
When it was put on display in the gallery again in 2008 the biggest complaint this time was that the model was smoking. How times change...
Going back a little further, in 1914 a version of Auguste Rodin 's The Kiss was lent to Lewes Town Council for display in the Town Hall.
Originally conceived as just one part of the sculptor's large Gates of Hell , the embracing lovers are supposed to be Paolo and Francesca , who were real people but immortalised as a lustful couple in Dante's Divine Comedy .
Although the French public had embraced the work, the East Sussex town was perhaps not ready for the amorous subject matter. Soldiers were soon billeted in the Town Hall due to the start of the First World War, which led to this most famous of sculptures being draped in a tarpaulin. It was eventually acquired by the Tate in the 1950s and remains a firm favourite today.
You can find out more about its surprising history in this Tate Shots video.
Some of the issues around depicting female nudes are that nudity was traditionally fine for representing goddesses, personifications or other mythological beings, but not for actual real women.
This can be shown in the works of Philip Wilson Steer – for example, his Seated Nude: The Black Hat , painted around 1900.
Steer was another establishment figure. He taught at the Slade from 1893 to 1930 and in 1931 was awarded the Order of Merit. The objections to this work were that the hat is modern, and therefore the viewer sees the model as a contemporary, real woman – not Eve, not Venus, not 'Spring'.
This oil sketch was not exhibited until it was chosen for the Tate Gallery by the Director John Rothenstein directly from Steer's studio in 1941. Steer said: 'friends told me it was spoiled by the hat; they thought it indecent that a nude should be wearing a hat, so it's never been shown.'
A similar composition of his is the coyly titled The Panama Hat , where the focus is once again not really on the hat.
Photo credit: University of Aberdeen
Is it time for a nice cup of tea? Perhaps surprisingly for a portrait in a Scottish castle, this painting shows a lady drinking tea in the nude.
Photo credit: Kinloch Castle, Rum (NatureScot)
So far, so chilly. But why would this be considered scandalous? The reason is that it's thought that the model was the lady of the estate.
Close examination of the background, the red carpet and the lion skin, strongly indicates the Great Hall at Kinloch Castle as the location. From what we can see of the model's facial features, they are remarkably similar to photographs of Lady Bullough . The cup and saucer resemble pieces from a tea service in Lady Bullough's drawing room.
Posed away from the viewer, it's possible that this piece was always intended as a private piece for Sir George Bullough's eyes only (or indeed for one or more of her rumoured lovers ). That's clearly no longer the case, but it's a beautiful painting – the only known work by Louis Galliac in a UK public collection.
Drinking tea in the buff is apparently not uncommon, as shown by this lithograph by Leslie Cole of his wife Brenda.
© the artist's estate. Photo credit: Swindon Museum and Art Gallery
Back on the theme of artists painting the aristocratic ladies of the manor, it's worth looking at the case of Rex Whistler .
In 1936 Whistler was commissioned by Charles Paget (1885–1947), 6th Marquess of Anglesey to paint a trompe l'oeil for his country seat of Plas Newydd House in Wales. The finished work is an ambitious and fantastical mural , over 17.5 metres long – purportedly the largest work on canvas in the UK. Whistler undertook the commission on site, basically living with the Paget family for a couple of years while he progressed the work. During his stay he became infatuated with one of the Marquess' daughters, Lady Caroline Paget.
He painted her a number of times, including this nude.
Photo credit: National Trust Images
It's not known if Lady Caroline posed for the work or if it's from Whistler's imagination. We do know that although the pair were friends, ultimately his love was unrequited, and he was to die in the Second World War, killed in action in Normandy. It seems unlikely the nude study was ever shown to the Marquess, and yet today it is on display in the National Trust property.
Artists sometimes use family members as their models, and here Ivor Williams unusually depicts a tender moment with perhaps unexpected nudity – his proposal to his wife.
© the artist's estate. Photo credit: Merthyr Tydfil Leisure Trust
This reclining nude was also modelled by the artist's wife.
© the artist's estate. Photo credit: Merthyr Tydfil Leisure Trust
But why the extra title? When the artist's daughter was a young girl the painting went on display, and a friend exclaimed 'Oh look it's Brown Owl!' Mrs Williams was Brown Owl of the local Brownies, and the young girl recognised her. There's probably not a badge for that.
So far, perhaps unsurprisingly, we've seen quite a few nude women, and it does seem to have been women's nudity in public galleries that people have found so objectionable. However, there are a couple of male nudes that also caused something of a stir.
In the late 1920s, the artist Eric Kennington was commissioned to create a sculpture for the London School of Hygiene & Tropical Medicine, intended to be situated above the School's Keppel Street entrance.
© courtesy of the family of the artist. Photo credit: London School of Hygiene & Tropical Medicine
As you can see, the panel depicts a mother and child being protected from a fanged serpent by a nude, bearded, knife-wielding father. However, the trustees of the School did not appreciate the display of male genitalia and would not allow it to be placed above the School's entrance unless Kennington added a loincloth.
As one would hope from an artist with integrity, he refused to censor or change his vision and so the work was placed above the entrance of the library where it remains today. Perhaps some kind of brief would have been useful...
Male nudity in art had long been accepted as heroic and is found all the way back to ancient Greece. There are also works with clear homoerotic undertones in many male artists' works, from Michelangelo to Henry Scott Tuke .
However, having a woman artist creating a male nude has been something of a rarity, especially depicting any hint of genitalia. Student works by women on Art UK through the twentieth century show that even when they painted from life, the male models were often modestly covered .
That's perhaps why Sylvia Sleigh 's works are sometimes seen as shocking – even today.
This full-frontal, unapologetically hairy, 1970s male is a sight not often seen in galleries. Certainly it wasn't four or five decades ago. The model, Paul Rosano, seems relaxed in his nakedness – he posed for Sleigh on several occasions. Sleigh's works are a forthright answer to the male gaze, subverting centuries of men looking at women.
Are these works shocking today? To the general public, probably not. Attitudes have largely changed, particularly in the past few decades. The breaking down of barriers around what is acceptable and what is shocking has possibly been hastened by the internet. The nude in art perhaps doesn't seem so provocative anymore, but can still be appreciated, and interrogated as a way into looking at social mores of the past.
Andrew Shore, Head of Content at Art UK
Girl. 1953–1954, bronze by Reg Butler (1913–1981). © estate of Reg Butler. photo credit: Bristol Museums, Galleries & Archives
Study for 'Branded'. 1982, oil on paper, 100.3 x 74.4 cm by Jenny Saville (b.1970). Purchased (Henry and Sula Walton Fund), 2017. © Jenny Saville. photo credit: National Galleries of Scotland
Miss Barbara Harris. photo credit: TopFoto
A Study of a Nude Male Figure. 1895, black chalk by Ida Margaret Nettleship (1877–1907). Photo credit: UCL Art Museum, CC BY-NC-SA
Seen From Behind: Perspectives on the Male Body and Renaissance Art. By Patricia Rubin, published by Yale University Press
Vandalised 'Rokeby Venus', 1914. (cuts made by Mary Richardson in 1914 using the meat cleaver shown in th
Real Orgasims
Tera Patrick Pussy
Lesbians In Bondage

Report Page