Archive Whore

Archive Whore

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Graphic Violence

Explicit Sexual Content

Hate Speech

Misinformation/Disinformation

Marketing/Phishing/Advertising

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Publication date

1994

Topics
Amos Kollek , film , pimp , Hell's Kitchen , New York City , Vidmark Entertainment , VHS , prostitute

According to IMDd, the film also goes by the name Bad Girls, and actual prostitutes in NYC acted in the film.

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2020-08-21 20:36:50

Identifier
whore_2_1994___572d891148474

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Uploaded by

Motock Bergeivough

on August 21, 2020

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Archive is a music-collective, originating from London, UK, but based in Paris, France for many years where they enjoy a much bigger following. They are signed to Warner Music France. Archive was formed by Londoners Darius Keeler and Danny Griffiths in 1994 and began as an electronica project. At the beginning, they mixed Bristol-style, Massive Attack , Portishead with Rap . The first album of the band, Londinium released in 1996 (with Roya Arab and Rosko John as guest vocalists). The second album, Take my Head, (which the band hates) was released in 1999 (with a new guest vocalist S… read more

Archive is a music-collective, originating from London, UK, but based in Paris, France for many years where they enjoy a much bigger following. They are signed to Warner Music France. Arch… read more

Archive is a music-collective, originating from London, UK, but based in Paris, France for many years where they enjoy a much bigger following. They are signed to Warner Music France. Archive was formed by Londoners Darius Keeler and … read more

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Graphic Violence

Explicit Sexual Content

Hate Speech

Misinformation/Disinformation

Marketing/Phishing/Advertising

Misleading/Inaccurate/Missing Metadata

Publication date

1992

Topics
Prostitution -- History , Prostitutes -- Social conditions , Sex Work -- history , Prostitution , Prostitutie , Prostitutes -- History , Westliche Welt , Prostitution History

Publisher
London : Harper Collins
Collection
inlibrary ; printdisabled ; internetarchivebooks

Digitizing sponsor
Kahle/Austin Foundation

Contributor
Internet Archive

Language
English

xii, 380 pages, 16 unnumbered pages of plates : 24 cm 'If prostitution is the world's oldest profession, then men writing about it is certainly the second oldest.' It was to retrieve an important part of women's history from the hands of male writers - who have defined prostitution from their own point of view as the client sex - that Nickie Roberts undertook this invigorating blend of social history and sexual politics. In her far-reaching narrative account, the author proclaims herself unreservedly on the side of the Unrepentant whore, the most maligned woman in history. From the high-ranking temple whores of Egypt and the courtesans of Ancient Greece and Rome, she tells the story of the prostitute with liberal quotations from contemporary sources and anecdotes of bawdy-house and brothel life. She shows how, in the Middle Ages, the Church exploited the sex industry to build churches out of the proceeds; she describes the high-class cortegiane of Renaissance Italy, the French maisons De tolerance and the lives of the grandes horizontales; and she analyses the Victorian denial of female sexuality (which enabled the bourgeois male to concentrate exclusively on his own) and the double standards of conventional attitudes. In the 20th-century section, she gives whores their voice and describes whores' movements such as the English Collective of Prostitutes and the American COYOTE (Call Off Your Old Tired Ethics). She criticizes legislative attempts at Control, challenges orthodox views on prostitutes, dissects feminist approaches to the subject ('all sex work is degrading to women') and argues strongly in favour of the decriminalization of prostitution and the sexual and financial autonomy of the whore. The result is a vivid, stimulating and well-researched work of history whose perspective on the subject is both original and provocative, and whose argument will engage both male 'experts' and feminist 'sisters' Alike Includes bibliographical references and index 1. Origins: the Goddess and the Whore -- 2. Classical Attitudes: Wives, Slaves and Whores -- 3. The Roman Circus: the Imperial Sex Trade -- 4. The Dark Ages: the Martyrdom of Sexuality -- 5. The Roaring Trade: Prostitution in Medieval Europe -- 6. An Unholy Trinity: Organized Prostitution, the Crown and the Church -- 7. Splendours and Miseries: Prostitution in the Renaissance and Reformation -- 8. Feign'd Tears and Forg'd Smiles: Prostitutes' Lives in the 16th and 17th Centuries -- 9. Almighty Curtezan: the Triumph of the Aristocracy -- 10. The Age of Debauchery: 18th-Century Europe -- 11. Old World, New World: 19th-Century Prostitution on Two Continents -- 12. Madonnas and Magdalens: the Whore-Stigma in the 19th Century -- 13. 'Shame, Shame, Horror!': Abolitionism and the Struggle for Social Purity -- 14. Prostitution in a Free Society: the 20th Century -- 15. Women in Danger: Prostitution Now -- 16. Coming Out of Stigma: Contemporary Whores and the Creation of a Movement

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Uploaded by

station54.cebu

on February 19, 2021

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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Wounded Girl (as Ginger Lynn Allen)
Director Ken Russell made the movie as a response to Pretty Woman (1990) .
When Liz gives the finger to the anal-sex enthusiast in the opening scene, a person is walking through the tunnel toward her. When she turns around a moment later, the pedestrian disappears.
Credits have MCMLXXXXI for 1991, should read MCMXCI.
Available in three different versions: a 85 minutes NC17-rated version, originally released in US theaters; a 80 minutes R-rated video version, which features some cuts and is sometimes repackaged on video under the title "If you can't say it, see it"; and the uncut 92minutes version released in Europe.
DOING THE BANG Produced & Performed by Fascinating Force Written by P. Nero, H. Nero, J. Spivey, T. Keith & W. Fratacci Courtesy of Select Records
"A girl's gotta do what a girl's gotta do..."
Ken Russell's "Whore" begins with an amusing shot of cars driving through a tunnel (R-rated Freudianism?) coupled with a Jamaican rap on the soundtrack about doing the "boom boom" with girls. Russell, who directed the film and co-adapted the screenplay from David Hines' play, is highly adept at quirky bits of business--blending hammy, outré comedy with blunt-force dramatics--but with "Whore", his mix of in-your-face, sexually-comedic bits and pieces are not always compatible bedmates next to the violence or the introspective moments. Theresa Russell plays Liz, a streetwise hooker full of bravado; often addressing the camera directly, Theresa speaks with an odd swagger in her voice (as if she's channeling someone standing beside her). Striking amazing poses--like Lolita all grown up--Theresa Russell has some choice moments (usually when she's not speaking, as with a silent come-on to a guy who turns out to be gay), but she is not a vulgar, cartoony actr
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