Anthrax Worship Music 2022

Anthrax Worship Music 2022




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Anthrax Worship Music 2022


Blue Ridge Rock Festival 2022

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O2 Academy Brixton

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The entire 2hr performance, plus never-before-seen rehearsal footage and Scott Ian’s New York City “walking tour,” pointing out the spots that played a role in Anthrax’s formation and history, will be released in North America on July 15 on Blu-Ray and Digital (Megaforce). “Anthrax XL" will also have a European Digital release on July 15 (Nuclear Blast), followed by a Blu-Ray release later this year.
Collectible tour poster Signed (limited print)
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(840147 ratings) 94% positive over last 12 months
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(188288 ratings) 86% positive over last 12 months
(3063634 ratings) 97% positive over last 12 months


Anthrax Format: Audio CD


4.7 out of 5 stars

628 ratings



Includes FREE MP3 version of this album. Provided by Amazon Digital Services LLC. Terms and Conditions . Does not apply to gift orders. Complete your purchase to save the MP3 version to your music library.
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Language

:

English Product Dimensions

:

5.63 x 4.92 x 0.47 inches; 3.53 Ounces Manufacturer

:

Ais Original Release Date

:

2012 Date First Available

:

July 27, 2011 Label

:

Ais ASIN

:

B005D6T0OS Number of discs

:

1


4.7 out of 5 stars

628 ratings



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Top reviews



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Been a fan of Anthrax since the 80s. Spreading the Disease is probably still my favorite album of theirs. Joey's voice is what made them stand out for me, and what made them unique amongst the Big 4. A metal band that had a real (call it classic if you want) metal singer, instead of growler, screamer, or whatever else. I'll give Hetfield credit where it's due, his voice is unique, and the man can (could?) sing. Araya was Araya obviously, and was good for what it was. I love Megadeth, and Mustaine's voice was also awesome and unique. But Belladonna's voice really won out for me when it came to the Big 4. With that backstory out of the way, I was really bummed out back when they originally threw Joey Belladonna out of the band. I really wondered how Bush was going to sound with them, and then I heard Only. And I wanted to like it more than I actually did. I bought the album. Enjoyed it for what it was. But Anthrax now sounded like a heavy grunge act to me. It felt like they were trying to blend with what was cool and trendy and no longer being themselves. I never bought another Anthrax album with Bush on it. I just never liked them at all with Bush. I know there is lots of love for the guy in these reviews, and he deserves credit where it's due for his vocals, but his strainy over-grainy style was never my thing, and it turned me off to Anthrax permanently. There was quite a lot of lineup drama in Anthrax in recent years, and I always hoped they'd get it together and be able to work with Joey again. Worship Music really seems to have made the 20 or so years without Joey worth the wait. His vocal performance is even more classic metal than ever before. There are even hints of Dickenson in the performances when he hits the lower registers. The writing, performance, and everything else on this album are top notch. It's not even a nostalgic coolness, like a lot of comeback albums are. This seriously stands on it's own as one of my favorite Anthrax albums. And I'm pretty sure that overall, it tops Euphoria and Persistence on my favorite albums list. I'm genuinely excited to see what's in store for the future with Anthrax. Oh, and worth mentioning, is Rob Caggiano's guitar playing. Growing up, Danny Spitz was in my top 2 or 3 guitar players. His solos always had such quirky style and personality. So I was very skeptical about how much I'd really like Caggiano's lead playing. But I love his lead style. I will admit that in any case he seems to be a smoother and polished player, but not in a boring way. Sometimes during his leads I'll get a little taste of what I think Spitz might have done himself. I just felt this was worth mentioning, as it's the only piece of the "classic" lineup not in place, but I really don't think Anthrax suffers for it, in fact, it's an improvement.












If you're like me - hard rockin' teenager in the 70's, lover of metal in the 80's and beyond - your middle-aged sensibilities might be growing nostalgic for the fine art of "clean" vocals. Let's face it, thrash is an incredibly exhilarating genre, but there comes a time when aging rockers want to sing along while banging their heads! How many times, in recent years, have you listened to a new release and silently wished to yourself that, to go along with those killer riffs, it had a real singer with real lyrics, as opposed to screams, grunts, groans, and cookie monster growls? Well, if you're a fellow-traveler, you will love this album! Not only does Joey's voice sound fabulous - and, frankly, I wasn't always the biggest Joey fan - but the lyrics on this album are meaningful, thought-provoking, and clever. The production is first-class (and I hope Metallica has learned a lesson after the shoddy engineering of Death Magnetic, an otherwise superb CD); every song on Worship Music is a winner. Though not the fastest or heaviest album out there, the album definitely jams: every song (except the three instrumentals, which are excellent in their own right) has catchy riffs and overtones of genuine thrash. The leads are technical and wonderfully melodic. The bass-work and drumming provide an incredibly solid foundation. There's no need for me to give a song by song breakdown - many reviewers have already done an admirable job in that department. Let's just say you will find yourself air-guitaring, head-banging, and singing along to these sophisticated, well-constructed tunes. (Wait 'till you hear the chorus on "Crawl" - IMHO, one of the greatest hooks in metal history!) Perhaps it's an overly used cliche, but - in all honestly, speaking of hooks - this album has more hooks than a tackle box! Notice the high percentage of 5-star reviews at this Amazon.com website. That tells you all you need to know. Anthrax has always been a great band, easily deserving its status as one of the "Big 4" of thrash metal. With this CD, the boys have proven that it's possible to mature with age and yet stay close to the roots. Needless to say, highly recommended! Buy it, crank it up, and enjoy it to the max!


5.0 out of 5 stars









45 not 33....












Joey's return to the New York thrashers fold, and boy, what a return! Still sounding musically like a John Bush album, the anger burns through this record like a searing knife through flesh, with added zombie apocalypse survival advice. The mix on vinyl is better for Rob Caggiano's insisting on a "flat graph". Beware though, this version is 45rpm, which once the surprise has settled, and reality has dawned, is quite amusing on first listen, as the orchestral intro doesn't give it away.... Great record, preordered, very happy.


5.0 out of 5 stars









They really have come for us all this time.












This is IMMENSE, a stunning return to form. I've got to say I didn't have great expectations for this, I've plodded along with Anthrax for years and not a lot they've done matches up to the visceral teenage thrill I got listening to Spreading the Disease and Among the Living, (although The Sound of White Noise was pretty good). It's not to say that they haven't had their moments over various albums, however, but this album is just great song after great song. What's the magic formula? you may well ask. Well, fans will know the album has had a stormy gestation,with Bush departing, new vocalist Dan Nelson coming and going and then the mighty Joey Belladonna returning to the fold to re-join and re-record the vocals. I think that's part one of the revival. While he hasn't got the trademark wail of the past, you just know he sounds r
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