Anthrax Worship Music
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Anthrax Worship Music
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From the opening strings of the song "Worship (Intro)", I already expected a much better work from Anthrax. Although the album falls victim to the early 2010s depressing production, it's not a bad work at all. Read More
Release Date
September 12, 2011
Heavy Metal Speed/Thrash Metal
Aggressive
Manic
Visceral
Brash
Brooding
Confrontational
Energetic
Harsh
Hostile
Intense
Malevolent
Raucous
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Nihilistic
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Street-Smart
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Cynical/Sarcastic
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Anger/Hostility
Guys Night Out
Imagination
Late Night
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Anthrax fans have had no choice but to be very patient waiting for the arrival of the group's tenth studio album overall, 2011's Worship Music. Doubling as the first Anthrax studio album since 2003's We've Come for You All and the first with singer Joey Belladonna since 1990's Persistence of Time , Worship Music was also recorded once before with singer Dan Nelson , and was to be released in 2009. After the group parted ways with Nelson shortly before the album's projected release, Belladonna was welcomed back into the fold, and all the vocals were re-recorded. But to Anthrax's credit, it all fits together seamlessly, resulting in arguably their finest studio album since, well, the last one that Belladonna sang on! With vintage '80s metal sounds reconnecting with the masses in the early 21st century, one of thrash metal's originators picked a fine time to unleash a strong and inspired effort, especially on such standout stompers as "The Devil You Know," "Fight 'Em 'Til You Can't," and "In the End." And while the subject of "Judas Priest" is not the heavy metal band of the same name, the track still serves as a tip of the cap to one of heavy metal's all-time greats (and what makes the tribute even more fitting is that the year that Worship Music was released, Halford and company announced their impending retirement from touring). As with past Anthrax records, it's not all about pushing the pedal to the metal from start to finish, as evidenced by the slowly building beginnings of "I'm Alive" and "Crawl." Despite the long Boston / Def Leppard-esque layoff, Anthrax certainly deliver with Worship Music.
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(840147 ratings) 94% positive over last 12 months
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(188288 ratings) 86% positive over last 12 months
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Anthrax Format: Audio CD
4.7 out of 5 stars
628 ratings
Includes FREE MP3 version of this album. Provided by Amazon Digital Services LLC. Terms and Conditions . Does not apply to gift orders. Complete your purchase to save the MP3 version to your music library.
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Language
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English Product Dimensions
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5.63 x 4.92 x 0.47 inches; 3.53 Ounces Manufacturer
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Ais Original Release Date
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2012 Date First Available
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July 27, 2011 Label
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Ais ASIN
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B005D6T0OS Number of discs
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1
4.7 out of 5 stars
628 ratings
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Been a fan of Anthrax since the 80s. Spreading the Disease is probably still my favorite album of theirs. Joey's voice is what made them stand out for me, and what made them unique amongst the Big 4. A metal band that had a real (call it classic if you want) metal singer, instead of growler, screamer, or whatever else. I'll give Hetfield credit where it's due, his voice is unique, and the man can (could?) sing. Araya was Araya obviously, and was good for what it was. I love Megadeth, and Mustaine's voice was also awesome and unique. But Belladonna's voice really won out for me when it came to the Big 4. With that backstory out of the way, I was really bummed out back when they originally threw Joey Belladonna out of the band. I really wondered how Bush was going to sound with them, and then I heard Only. And I wanted to like it more than I actually did. I bought the album. Enjoyed it for what it was. But Anthrax now sounded like a heavy grunge act to me. It felt like they were trying to blend with what was cool and trendy and no longer being themselves. I never bought another Anthrax album with Bush on it. I just never liked them at all with Bush. I know there is lots of love for the guy in these reviews, and he deserves credit where it's due for his vocals, but his strainy over-grainy style was never my thing, and it turned me off to Anthrax permanently. There was quite a lot of lineup drama in Anthrax in recent years, and I always hoped they'd get it together and be able to work with Joey again. Worship Music really seems to have made the 20 or so years without Joey worth the wait. His vocal performance is even more classic metal than ever before. There are even hints of Dickenson in the performances when he hits the lower registers. The writing, performance, and everything else on this album are top notch. It's not even a nostalgic coolness, like a lot of comeback albums are. This seriously stands on it's own as one of my favorite Anthrax albums. And I'm pretty sure that overall, it tops Euphoria and Persistence on my favorite albums list. I'm genuinely excited to see what's in store for the future with Anthrax. Oh, and worth mentioning, is Rob Caggiano's guitar playing. Growing up, Danny Spitz was in my top 2 or 3 guitar players. His solos always had such quirky style and personality. So I was very skeptical about how much I'd really like Caggiano's lead playing. But I love his lead style. I will admit that in any case he seems to be a smoother and polished player, but not in a boring way. Sometimes during his leads I'll get a little taste of what I think Spitz might have done himself. I just felt this was worth mentioning, as it's the only piece of the "classic" lineup not in place, but I really don't think Anthrax suffers for it, in fact, it's an improvement.
If you're like me - hard rockin' teenager in the 70's, lover of metal in the 80's and beyond - your middle-aged sensibilities might be growing nostalgic for the fine art of "clean" vocals. Let's face it, thrash is an incredibly exhilarating genre, but there comes a time when aging rockers want to sing along while banging their heads! How many times, in recent years, have you listened to a new release and silently wished to yourself that, to go along with those killer riffs, it had a real singer with real lyrics, as opposed to screams, grunts, groans, and cookie monster growls? Well, if you're a fellow-traveler, you will love this album! Not only does Joey's voice sound fabulous - and, frankly, I wasn't always the biggest Joey fan - but the lyrics on this album are meaningful, thought-provoking, and clever. The production is first-class (and I hope Metallica has learned a lesson after the shoddy
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