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Posted SatSaturday 29 FebFebruary 2020 at 12:51am
Two South Australian crossbench politicians are calling for an urgent review of classification laws, after discovering videos and comic books sold in Australia that depict sexual images of children, including rape scenes.
SA Best Upper House MP Connie Bonaros has been investigating Japanese anime and manga publications and found many for sale that she believed should not have got past the Classification Board.
"They are effectively regulating this material like they would a video game or like they would a film, but they are doing so in isolation of our criminal law," Ms Bonaros said.
"Our federal criminal code clearly says that this material would meet the definition of child exploitation material and therefore should not be available at all."
Ms Bonaros has found titles with themes of incest, rape and sexual abuse — all involving children.
That includes animation Eromanga Sensai where a 15-year-old boy and his 12-year-old sister create pornographic comics together, or comic book No Game No Life where an 18-year-old boy and his 11-year-old sister enter an online gaming world.
She said these publications were available in bookshops and DVD stores around Australia.
"You have Astro Boy and Pokemon and in amongst all that material there are titles which clearly contain material that meets the definition of child exploitation material," Ms Bonaros said.
"Themes of minors involved in incest and rape, sexual abuse — the choice was absolutely endless."
Ms Bonaros's federal colleague, Centre Alliance senator Stirling Griff, has joined her campaign, launching a motion in Parliament calling for an urgent review of classification regulations.
"Experts that advocate against child exploitation have referred to this type of anime and manga as a gateway to the abuse of actual children," Senator Griff said.
"Experts also say that explicit anime and manga can be used by paedophiles as tools to groom children.
"It makes me sick to the stomach to even speak about this."
There have been cases in Australia where people have been prosecuted for possessing child exploitation material, even though the images are drawings rather than actual photographs.
But the Classification Board granted Eromanga Sensai an MA15+ rating, saying: "The film contains strong themes that are justified by context."
While all videos pass through the Classification Board, it only looks at comic books if they are submitted, and it is up to the book's distributors to decide if it needs to be classified.
Ms Bonaros and Senator Griff want this changed and are calling for an ongoing review of classification regulations to extend the board's oversight to printed materials.
"The board is aware that a campaign has been launched about the sale of Japanese manga and anime in Australia and that in the context of the Government's review of classification regulation this issue has been raised," the Classification Board said in a statement.
Fans of anime and manga have defended the industry, pointing out the majority of publications are not pornographic.
The owner of Adelaide store Shin Tokyo, William Chappell, said the artform had a 60-year history, and like other parts of the entertainment industry, content could range from child-friendly through to pornographic.
He said while the Classification Board was experienced in dealing with the material, he was still careful about what he sold in his shop.
"We're a family-friendly store so we're really careful ordering products," he said.
"We look at how female characters are portrayed and there are quite a lot of products that we decide aren't suitable."
"That's where we are just extremely careful and we just say 'hey, if it looks bad, we're just not going to stock it'."
Ms Bonaros took up the campaign of child exploitation material in anime and manga after travelling to Japan to push for child-like sex dolls to be banned.
For survivors of child sexual abuse, reading the details of crimes can provoke a wide range of emotions. We spoke to experts about how to deal with triggering, traumatic news.
"The trip to Japan was a bit of an eye-opener in many regards," she said.
"Obviously, when I went there I wasn't aware of the extent of the problem of manga."
Ms Bonaros said laws in Japan did not consider drawings to be child exploitation material, but there were groups there campaigning for it to be banned.
She said she wanted to help Japanese activists who believed pressure from other countries would help their cause.
"They need external pressure — they need their politicians to understand that the rest of the world doesn't look at this material through the same lens that they do," Ms Bonaros said.
"There is a lot of pressure being applied at the moment in Japan, but it is being done very discreetly, so what they've told me is the more help they can get from external countries, the more hope they have of making some inroads in terms of ensuring that their child exploitation laws are stronger."
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Anime historian Kumi Kaoru’s unpopular position brings much-needed attention to the wink-wink-nudge-nudge world of subliminal child-porn imagery in Japanese manga and anime.
Editor’s Note: This is an edited translation of the article Kumi Kaoru, an anime historian living in Japan, contributed to the Huffington Post Japan this past December. KK wrote an insightful analysis in reference to a hot controversy over Japanese society’s insensitivity to child-pornographic visual elements subliminally inserted into anime and manga. This most recent controversy began with a November 30 mention on KK's Twitter, which criticized, from the child-porn viewpoint, an illustration from a popular anime show Sound! Euphonium. KK approached AWN previously about working together to translate, edit and publish pieces regarding what the penetrating anime critic considers an indefensible position taken by some anime and manga publishers in Japan. This is the first of such pieces.
Seeing is believing. Let's take a look at the image on the left: the cover illustration of the young adult novel "Sound! Euphonium: Welcome to the Brass Band Club of North Uji High School." On the right is a new promotional illustration of the anime adaptation of the same title by Kyoto Animation Studios. The novel is now available in Japan with the new cover illustration taken from the anime adaption.
Let's take a closer look at the image on the right. We see a Japanese high school girl, barefoot, long slender bare legs and a seductive pose (in a classroom!) , giving up an up from under look, in the style of Marlene Dietrich from the 1930 film The Blue Angel. The brass horn euphonium appears cold and metallic against her warm-colored flesh, as if a phallic object is just being inserted between her young thighs. Yes, it’s quite easy to see that the girl's image has been decorated with many sexual and seductive hints within the anime adaptation, though in the original novel, she is a simple country girl in a suburb around Kyoto.
I am not implying that the anime Sound! Euphonium is child-porn. Quite the contrary, I appreciate it as a heart-warming story of teenage girls' love for music as well as their high ambition aimed at winning the national competition. It makes perfect sense that many anime fans were excited by the news of the theatrically-refined version coming next spring, which is to be followed by the second TV series.
I, however, must say that I do not have any love for young adult anime. To me, it is no more than an interesting subject for a study when we look into the fact that Japanese manga (Japanese comics) and anime have been continually criticized as a weird mixture of sex and violence. Consider the BBC’s controversial report, "Why Hasn't Japan Banned Child - Porn Comics?" (February 2015), released only a few months after a man was convicted in Britain for his possession of Japanese manga titles, which only contained imaginary girls, considered child-porn under the UK’s anti-child pornography laws.
First of all, I’m arguing against the typical criticism that young female characters depicted in anime and manga are products of sexual exploitation of young girls, because I know for certain that they are not derived from child pornography at all.
The United Nation’s protocol defines child pornography as “any representation, by whatever means, of a child engaged in real or simulated explicit sexual activities or any representation of the sexual parts of a child for primarily sexual purposes.” (Note - See article 2 from "Optional Protocol to the Convention on the Rights of the Child on the sale of children, child prostitution and child pornography.")
In addition, Japan excludes any illustrated fictional child-like figure form classified as an “actual child” under the basis of freedom of expression, as long as human rights of actual children are not violated.
Logically speaking then, in Japan it is inaccurate and a false charge to criticize the depiction of baby-faced fictional girls, also known as the very symbol of Japanese geek (called “Otaku”) culture, as sexual exploitation of actual girls no matter what age these fictional comic and animation characters are described to be.
Subliminally Seductive Images Embedded in Kyoto Animation Studios' Wholesome Illustrations
I, however, wonder if it is possible to clear up the accusation that seductive images of anime girls are downright pornographic even if they cannot be categorized as child-porn under the principle of Japanese law.
In one particular example, I saw many bits and pieces of seductive elements in Sound! Euphonium illustrations produced by Kyoto Animation Studios (also called Kyo-Ani among anime fans), designed deliberately so that they would inspire subtle sexual fantasies in viewers. Look at the cover illustration of the original novel’s first volume (left) and that of the anime magazine “Animestyle” featuring the Sound! Euphonium anime (right).
The foreground figure in the illustration on the right has a baby-face with disproportionately seductive legs under the windswept short skirt. She is holding a large instrument in her hands as if to show the contrast between her flesh and the symbolic metallic "penis." The figure on the right holds an obedient kneeling pose, as if she is about to pet the tuba with her hands and mouth.
The girl on the left is put behind the foreground girl presumably because the contrabass cannot make an impression of the contrast between the metal and the flesh. The background girl's trumpet is half-hidden behind the kneeling girl’s head, apparently because it is a little too small to make contrast with her flesh.
In other illustrations from the anime, artists have subtly inserted girls holding seductive poses, also showing short skirts flapping in the wind while keeping their undergarments unexposed, because they know veiling something invokes greater sexual thoughts than overtly exposing it. The girl’s forefinger points to her exposed lower region like a road marker leading to a tunnel, a baton also pointed between the legs. The girls’ breasts are also portrayed much larger than the usual Japanese high school girl, underscored with unnatural shadows to accentuate their size.
Analysis of other illustrations will be saved for another day since there is not sufficient space to highlight a very interesting mechanism behind them. If you would like to claim I should refrain from this analysis as it only shows my own personal fantasy, I recommend you do a Google search with a few keywords, such as ‘ユーフォニアム′(Euphonium), ‘エロ’(ero), and ‘同人’ (fanzine) in Japanese. That will produce for you an enormous pile of very stimulating imagery, further illustrating just how much of this content exists.
Invoking Sexual Images with Quick Flash
Japanese anime (and manga) always make plausible excuses when they depict pretty, baby-faced girls in sensual poses. (Note: Kyoto Animation Studios used to adapt some of the all-age videogames which were previously designed as adults-only games featuring baby-faced sexy female characters.) These well planned and deliberate poses invoke thoughts of highly sexual images instantaneously in the viewers’ minds – within a second, the viewers find themselves watching ordinary poses with common objects, including musical instruments such as a tuba or a euphonium, while the sexual fantasies continue to settle into their subconscious minds.
The key point here is that although Sound! Euphonium is a touching, innocent, adolescent story, the show invokes the viewers’ sexual desires by imprinting sexual fantasies into the viewers’ subconscious minds through the use of provocative illustrations, not through the show itself.
As mentioned , the production staff has devoted great creative efforts to make the show seem like the most purely innocent, touching, adolescent anime story ever produced. This effort helps the show's admirers act as "evangelists" to silence a pariah like myself who attempts to unveil the subconscious mechanism of the supposedly innocent-looking show.
To my surprise, many Japanese readers got angry at my theory on Sound! Euphonium when I tweeted it one month ago. They apparently perceived my remark as an insult to the pride of brass band players! I am not saying brass band players are all perverts. What I meant was that any innocent instrument, like a castanet, could be used in the context of sexual fantasy when designed by anime creators who are experienced with such subliminal methods of visualization. In fact, Kyo-Ani showed its talents and skill in the context of subliminal pornography a few years ago by bringing up images of high school girls with electric guitars with their illustrations for advertising the TV show, K-On! (“The Light Music Club”).
Many Kyo-Ani fans criticized me by saying, “How could you claim that teenage girls playing the guitar is a metaphor for petting male genitalia?” or “You do NOT suck the brass instrument when you play it! Don’t you know what a mouthpiece is like?” when I tweeted the analysis of Kyo-Ani anime from a viewpoint of sexuality. Their claims might sound rational, but they ignore the fact that it doesn’t matter whether or not the female characters really touch (or suck) the male genitalia as long as they can invoke subliminal images of sexuality. The issue is the subtle manipulation through the suggestive illustrations. No one can tell the difference from a distance – to see it you have to look closely.
Just for your information, those visual techniques of subliminal sexual suggestion already appeared in the illustrations of American pulp sci-fi magazines in the early 20th century, and they have been used in a huge amount of public advertising elsewhere in the Western world. This technique, however, has become extremely sophisticated in the land of the rising sun, especially in Otaku culture including anime, manga and video games.
Non-Otaku Mainstream People Can’t Tell Baby-Faced Anime Characters from Child-Porn
Subliminal pornographic images cloaked behind an innocent exterior are not exclusive to Japan. Many studies, such as Wilson Bryan Key’s “Media Sexploitation” (1976) show how other media creators, including advertisement artists, especially in the U.S., have developed and used those techniques for decades. However, it is unquestionably the peculiar way of Japanese pop-culture to put a pile of sexual innuendo into content for children. By comparing the likes of popular anime to Pixar cartoons, for example, Pixar cartoons don’t normally add sexually subliminal images or innuendos into their movies while Crayon Shin-chan, one of the most popular kids' cartoon series in Japan, frequently expresses sexual innuendos, includes sarcastic jokes by a kid about his parents and satirical comments about modern society.
Japan’s Otaku culture has maintained a duality of “for kids” and “for mature audiences” for dozens of years so that a wide range of content, not just subliminally sexual, could drive audiences with ideas outside age-appropriate ethical borders and thus, could produce fantastically entertaining materials. Girls & Panzer is one example. It's a touching young adult story about baby-faced high school girls fighting to win the battle tank competition in a city that really exists in Japan, as if they're challenging each other in the national sports championship. They drive real-world tanks such as Germany’s Tiger and Japan’s Type Ten. What an exciting youth story! Japanese audiences enjoy such fantastic storylines that would hardly ever appear in Hollywood or be considered appropriate for kids in the U.S.
Both for Kids and for Mature Audiences
Otaku culture has positioned itself as an innocent-looking, borderline grand orgy straddling the boundary between kids and adults, loaded with adult immaturity by overlooking the age double standard as a kind of joke. Presumably, the baby-faced, underage (sometimes at age or overage) seductive female characters from anime and manga were represented as fascinating examples of Otaku fantasy universe. They would be embedded with sexually suggestive
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