Anapola Mushkadiz
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Anapola Mushkadiz
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Anapola Mushkadiz is known for Battle in Heaven (2005), A Simple Love Story (2007) and Hate 2 O (2006).
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Art department (1 credit)
2004
Filmando: Batalla en el cielo
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Personal Quote:
Nowadays, sex and nudity are a big taboo, and nobody wants to talk about sex. Then you watch a Sony program and there's sex everywhere, but it's a very plastic sex that doesn't go with the way I think about nudity and sex.
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Is an art designer.
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Published: December 9th, 2020 / Modified: March 31st, 2022
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Furthermore, Anapola started her career back in the year 2005 from the movie Battle in heaven where she played the role of Ana. According to her IMDB profile, she has just worked in three movies in her career and hasn’t been mentioned in her IMDB profile. However, we have mentioned some of her facts in the list below.
From Wikipedia, the free encyclopedia
This article is about the 2005 film. For the biblical event, see War in Heaven .
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^ Jump up to: a b "Festival de Cannes: Battle in Heaven" . festival-cannes.com . Retrieved 2009-12-05 .
^ "BOMB Magazine - Carlos Reygadas" .
^ Jason Wood, "Carlos Reygadas" in Talking movies: contemporary world filmmakers in interview London : Wallflower Press (2006) p. 189
^ "Anapola Mushkadiz : "No tengo tabúes sexuales" " . cronica.com.mx . Archived from the original on 18 October 2007 . Retrieved 2022-01-30 .
^ Jonathan Romney, " Battle in Heaven (18) " The Independent Sunday, 30 October 2005
^ Lisa Schwarzbaum, " Movie Review: Battle in Heaven (2006) " Archived 2009-04-27 at the Wayback Machine Entertainment Weekly Posted Feb 15, 2006
^ "Sight & Sound's films of the decade" . British Film Institute. Archived from the original on March 22, 2019 . Retrieved December 14, 2016 .
^ "The 21st Century's 100 greatest films: Who voted?" . BBC. August 23, 2016 . Retrieved December 14, 2016 .
Battle in Heaven ( Spanish : Batalla en el cielo ) is a 2005 Mexican-French-German film. It is the second feature film by director Carlos Reygadas who previously directed the Mexican film Japón . It was entered into the 2005 Cannes Film Festival . [1] Reygadas has said about this film: "it’s my problem child, and therefore the film of mine I love the most." [2]
Marcos (Marcos Hernández) is a working class man in Mexico, employed by "the general." Marcos learns that the baby that he and his wife kidnapped for ransom had accidentally died. The remainder of the film follows a despondent Marcos, seemingly haunted by the moral and/or legal implications of his actions.
Marcos stands next to his wife Berta (Berta Ruiz) at the subway as she sells clocks and sweets at a stand. He travels to the airport to meet the "general's" upper-middle class daughter, Ana (Anapola Mushkadiz) whom he has known since she was a child. Ana orders Marcos to take her to the "boutique" where she works in the sex trade . While driving, Marcos is very distracted, and at one point stalls the car. Ana recognizes that something is wrong, but Marcos claims he's distracted only because of his wife's supposed ill health.
Ana invites Marcos into the "boutique" so that he can have sex with one of her "friends." Marcos is apparently not aroused by the "friend." The friend tells Ana that Marcos would prefer her instead. Ana goes to talk to Marcos, and reminds him that they have known each other since her childhood. Marcos then reveals that he and his wife kidnapped a baby but the baby died before they could collect any ransom. Ana seems to remain composed at hearing this news.
Back home, Marcos has sex with his wife, Berta. They seem united in their sorrow regarding the dead baby. Marcos tells Berta that he told Ana about the kidnapped baby, indicating that the confession brought him relief. Berta, upset, demands that he make sure that "the princess" does not tell anyone. The next day, Marcos visits Ana. She seems annoyed by his visit, but drives him to her place where they have sex. Ana advises Marcos to turn himself in to the police.
Marcos, Berta, their son, and a few friends (including the mother of the dead baby, who does not know who took her child, nor that it has died) go out to the countryside. Marcos tells Berta that he is going to turn himself in. She asks him to wait until after the pilgrimage (which is in honor of the Lady of Guadalupe), an event that Marcos had earlier shown disdain for. Marcos seems to agree with his wife. Marcos' mental state seems to worsen. Instead of driving back with his party, he treks through the countryside. He reaches a peak with Christian crosses, overlooking a valley. Marcos buries his face in his hands.
Marcos visits Ana at her home. He tells her that he will turn himself into the police that day. She gives him a goodbye kiss. Marcos leaves the apartment. He pees his pants, goes back to the apartment and fatally stabs Ana.
The police become aware of both the attack on Ana and the death of the baby, and are in search for Marcos. Marcos seems to have joined the pilgrimage to the Basilica, at first on foot, and then on his knees. Someone places a hood over his face, but Marcos continues to hobble forward. The hood becomes increasingly stained with blood as he makes his way into the Basilica during the church service.
Eventually the pilgrims are gone, and the Basilica is vacant. The police allow Berta to go in to see her husband. She touches him on the head and he collapses.
Like Robert Bresson , Reygadas prefers to use non-professional actors, [3] while occasionally recycling one (Hernández had a small part as a chauffeur in Japón ). Unlike Bresson, Reygadas puts explicit sex scenes in his films. The sex scene between Hernández and Ruiz was simulated at Ruiz's husband's request, according to Reygadas on an interview included on the DVD.
Casually, in a scene when Marcos is masturbating in front of the TV screen, he's watching a football league match between Pachuca CF and Atlante F.C. , valid for the Primera División de México Apertura 2003 , which ended with a draw & no goals scored.
Anapola Mushkadiz said that a prosthetic penis was used in the fellatio scenes with Marcos Hernández. [4]
Jonathan Romney says that "To a degree, Battle in Heaven might seem like another warmed-over example of a familiar movie myth: a fairly repellent no-hoper redeemed by hot sex with a quasi-virginal prostitute," but that "it's finally hard to know whether Reygadas takes his transcendental, religious theme seriously, or is deriding it outright - or even deriding us for taking it seriously." [5]
Lisa Schwarzbaum gives the film a grade of D+. "Between those two attention grabbers on a theme of flagpoles, languorously performed and indifferently observed, Mexican filmmaker/provocateur Carlos Reygadas pitches his own fight for the aesthetic tolerances of viewers, goading us to react to images about which he himself studiously offers no opinion." Schwarzbaum finds that "for all the shock of the movie's clinical carnality, this battle is lost." [6]
Battle in Heaven was later voted one of the 30 best films of its decade in a poll for Sight & Sound . [7] It was also ranked by Michael Atkinson of The Village Voice as the fifth greatest film since 2000 in BBC 's 2016 poll . [8]
Philippe Bober Susanne Marian Carlos Reygadas Jaime Romandia Joseph Rouschop
Marcos Hernández Anapola Mushkadiz Berta Ruiz
Adoración G. Elipe Benjamin Mirguet Carlos Reygadas Nicolas Schmerkin
Famous Mexican director Carlos Reigadas shot some strange pictures, mainly intended for author's film lovers, where studio shooting is almost never used and non-professional actors play. In one of them, Anapola Mushkadiz starred in the main female role.
The plot of the Mexican rethinking of "Crime and Punishment" is based on the Mexican criminal chronicle. The painting "Battle in Heaven" participated in the main competition of the 2005 Cannes Film Festival. The main character, Marcos - the chauffeur of the general, a middle-aged obese man - together with his wife, an unattractively fat woman, steals a newborn child for the purpose of obtaining ransom. However, the child dies.
Anapola Mushkadiz plays the general's daughter Anu, who is carried by Marcos, who knows almost everything about her, even about the voluntary work of prostitution, which is carefully concealed from everyone. He decides to tell everything to Anya, and she advises to surrender to the authorities.
There are a lot of almost pornographic scenes in the picture; the director says that he is not persuading anyone, he just talks for a long time with everyone. Anapole, who has the only attractive character in the film, had to shoot a lot naked and in sex scenes. The film begins with a close-up, where his heroine, a young, pretty girl, has oral sex with a loose brown partner.
Like all films of Carlos Reigadas, the film received excellent reviews from critics and controversial from viewers, who mostly paid attention to directorial searches, since the play of non-professional actors is somehow not in order to discuss.
However, Anapola Mushkadiz was noticed, and she starred in two low-budget art-house films - "Hate" in 2006 and "Love Stories" in 2007. About the girl it is known only that she is a resident of Mexico City, works as an art designer.
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