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Watch and discover Features and reviews Lists From girlhood to adulthood: 6 French films about sexual awakening < Lists
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With our Teenage Kicks season celebrating movies about the joys and pains of adolescence, let’s talk about sexual awakening on screen... French-style.
As part of BFI ’s Teenage Kicks season, we teamed up with I am Dora to present a special screening of Maurice Pialat’s À nos amours (To Our Loves) on Sunday 10 August. After the screening, we held a salon in the Teenage Kicks teen bedroom installation at BFI Southbank and discussed the idea of the young femme fatale in French cinema as a construct of male directors’ fantasies, and how these depictions affect the female viewer’s sense of self.
Pialat’s film centres on 15-year-old Suzanne (a stunning performance by a very young Sandrine Bonnaire ) who – on a mission to escape her overbearing father, histrionic mother and brutish brother – embarks on a rampage of sexual adventure, working her way through partners with apparent cool abandon. As Suzanne’s transformation unfolds, audiences and those closest to her are left wondering what it is that she seeks: affection, freedom, pleasure, or a man just like her father? Maurice Pialat (who himself plays in the film as Suzanne’s father) directs a fresh-faced and inscrutable Bonnaire to give us few easy answers; here is a girl who seems to have the power of youth and beauty, but never quite finds what she’s looking for.
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In her essay to mark the Criterion DVD release of the film in 2005, critic Molly Haskell posits À nos amours as settling comfortably into a collection of iconic films exploring “the teenage girl on the cusp of sexual awakening”:
Part child, part femme fatale, innocent and dangerous in equal proportions, these schoolgirl seductresses, born to blossom under the eye of the camera, have exerted a fatal fascination for Pygmalion auteurs who seek to capture and unveil this drama of unfolding. But over the years, as one transfixing newcomer after another, barely out of braces and backpacks, embarks on the vita sexualis, we have to wonder, whose sexuality is it, exactly? Is this the way they see themselves, are these their yearnings, or is this precocious sensuality a projection of the guilty desires and fears of directors old enough to be their fathers?
To mark the occasion we’ve put together a list of six French films that play with and subtly subvert this idea of female ‘sexual awakening’ in cinema, from girlhood to adulthood.
Carl Theodor Dreyer ’s silent masterpiece focuses not on the unsteady steps into womanhood, but on the last moments of our 19-year-old heroine’s brief life. Here is a girl who eschews the pressures of gender conformity, refusing to wear women’s clothes and vowing her faith and obedience to no earthly man – only to God – and is punished severely.
While the film’s focus is firmly on Joan’s trial and persecution, critic Pauline Kael saw something else in Dreyer’s austere direction that combined stark close-ups and rapid editing to build the atmosphere of fervent oppression that leads to Joan’s torture and eventual death. For her, there was a subtle double meaning in the ‘passion’ of the title, referring both to its spiritual and subversively erotic dimension: “In [his] enlargement Joan and her persecutors are shockingly fleshly – isolated with their sweat, warts, spittle, and tears, and (as no one used makeup) with startlingly individual contours, features, and skin. No other film has so subtly linked eroticism with religious persecution.”
Séverine ( Catherine Deneuve ) is a 23-year-old woman languishing in the boredom of her bourgeois marriage. Having never been allowed to indulge in any sort of sexual experimentation in her youth, she has instead followed convention and married a handsome doctor who keeps her dripping in Yves Saint Laurent but cannot pique her sexual interest. Being unable to have a healthy sexual relationship within her marriage, she indulges in perverse fantasies of rape and sexual domination, eventually attempting to realise them by becoming a madame at a high-class brothel.
Luis Buñuel ’s exploration of Séverine’s sexuality is played out with characteristic surrealist flourish, and her true motivations remain always obscured. Critic Melissa Anderson has observed that, for Deneuve, this ultimate mystery became a calling card and the basis of the rest of her filmic output: “ Belle de Jour , more than any other film from the first decade of her career, defined what would become one of the actress’s most notorious personae: the exquisite blank slate lost in her own masochistic fantasies and onto whom all sorts of perversions could be projected.”
In Chantal Akerman ’s magnificent exploration of one woman’s need to contain her emotions in a fortress of control, she gives us a female protagonist who is a single mother, devoted housewife and afternoon prostitute. Steadfastly refusing to reduce Jeanne to an object that is the product of a seedy profession, Akerman lingers not on her afternoon visits with her male clients but instead gives meticulous detail to the time it takes for the dressing, the cooking and the cleaning that make up Jeanne’s day.
Akerman’s direction is almost reverent in its distanced respect for her heroine; she chose not to use close-ups or point-of-view shots, stating that she refused to cut “this woman in pieces”. Over three days (three hours and 21 minutes for the viewer), things start to unravel: a button is lost, the potatoes are over cooked and the coffee doesn’t taste right. As each small disaster disturbs the delicate equilibrium of 23, quai du Commerce, the film’s structure changes and the viewer is led for the first time into an encounter with a paying client during which Jeanne unexpectedly experiences an orgasm. In Jeanne’s world though, this sexual ‘awakening’ is not proof of a long dormant longing, but an unwelcome intrusion that induces a coolly murderous impulse.
In what could be a scene out of any teen movie, Catherine Breillat’s À ma sœur ! begins with two girls walking arm-in-arm talking about losing their virginity, but it soon becomes apparent that this is no American Pie . The girls could not be more different. Elena is the very epitome of youth and French beauty; her young, slim body is a site of reverence and she longs for the chase of romantic love. Anais’s body is a fortress, overweight and unkempt, and she has no such fantasies about this rite of passage. “My first time should be with nobody,” she says, “Guys are sick”.
Directing her film more like a horror than a coming-of-age drama, Breillat concerns herself with the violent and often humiliating reality of a girl’s loss of virginity. Employing real-time direction (the first scene in which Elena’s holiday love interest convinces her to have sex is 25 minutes long), she dethrones the idea that sexual awakening as a teenager is any sort of liberation. As the fallout from Elena’s loss of virginity plays out within their family, the film’s ferocious climax reveals Breillat’s preoccupation with the idea that any the ‘shame’ associated with a young woman’s sexual activity is not inherent in the act itself, but a result of the constructed lie of romantic love.
Michael Haneke’s Erika, the protagonist of The Piano Teacher , is hardly a girl on the cusp of womanhood. Instead she is a woman who has masochistically resisted the painful transition from girlhood. In her 40s, Erika ( Isabelle Huppert ) lives at home with her domineering mother, a relationship marked with dysfunctional co-dependence and embattled suffocation. From the outside she is a picture of bourgeois respectability, a well-paid and well-respected classical music teacher, whose every movement demonstrates precision and discipline. In private, Erika indulges in seedy voyeurism, visiting pornographic bookshops, spying on people having sex at drive-ins and then indulging in masochistic self-harm.
But this is not a tale of a kinky schoolteacher. Setting his film in Vienna, the birthplace of Freud, Haneke is as much interested in our fascination with Erika’s sexual deviations as he is in the deviations themselves. As Erika’s pursuit of control through sexual domination gains momentum, Haneke’s orchestration of his grim denouement leaves no one left unscathed.
Céline Sciamma ’s first two films ( Water Lilies , 2007; Tomboy , 2011) explored the myriad effects that societal conventions have on delicately forming female identities. In her third film, which opened the Director’s Fortnight at Cannes this year, 16-year-old Marieme (Karidja Touré) must navigate not only the disruptive onset of womanhood, but also the inequalities, prejudices and disadvantages of being black and living in the underprivileged ‘banlieues’ of north-western Paris. Marieme lives in a man’s world, with an abusive brother governing her unhappy home life. Her developing sexual autonomy is compromised by this patriarchal hold, as her love interest, Ishmael, initially rebuffs her advances for fear of reprisal from her brother. Taking refuge in a girl gang transforms Marieme, and her new group identity helps her to express a kind of bad girl sexuality that empowers her to consummate and then dominate her eventual relationship with Ishamel.
Dividing her film into four clearly marked sections in which Marieme changes her physical appearance to suit the different worlds (school, street, home) she must navigate, Sciamma shows the viewer how Marieme’s developing sexuality is both empowering and treacherous, potentially obscuring her emergence as an individual. A rare exploration of the black female psyche, Sciamma’s work with cinematographer Crystel Fournier is particularly sensitive, stunningly photographing Marieme in a distinctive blue palette, and ensuring she remains vibrant and vital on screen even while it seems she may be disappearing from society.
The season Teenage Kicks runs at BFI Southbank throughout August 2014.
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"Swimming Pool" is an erotic thriller about a crime novelist who goes to a house in Southern France to write her next novel, where tragedy, mystery, and lots and lots of sex occur.
Watch "Swimming Pool" (R-rated version) on Amazon Prime .
The dark plot of Stanley Kubrick's erotic thriller follows a wealthy doctor who discovers that his wife had an affair. He later finds himself in the midst of a masked orgy organized by a secret society - and believe us, anything goes here. While an unrated version of the movie is now available, the particularly graphic orgy scenes were originally digitally altered by Warner Bros. so that the film would be rated R rather than NC-17.
Watch "Eyes Wide Shut" on Hulu or YouTube .
When an American student comes to Paris to study abroad, he befriends a sexually liberated brother and sister who share his love of film. "The Dreamers" is full of sex, nudity, and drama - all against the backdrop of the 1968 Paris student riots.
Watch "The Dreamers" (R-rated version) on Amazon Prime .
"Tokyo Decadence" is an erotic film that explores the life of an escort who plays out sexual fantasies for her clients. A large portion of the film graphically depicts these (often BDSM) fantasies, but the movie also follows her unrequited love story and lonely existence.
Watch "Tokyo Decadence" (unrated version) on Amazon Prime .
"Tropic of Cancer" holds an NC-17 rating for its (often funny) portrayal of various sexual fantasies and stories.
Watch "Tropic of Cancer" on Amazon Prime .
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Watch "Tie Me Up! Tie Me Down!" on HBO Max or Amazon Prime .
When three impressionable young women move to Los Angeles and quickly fall prey to all the vices it has to offer them, things spiral out of control. "Beyond the Valley of the Dolls" is a film about their decline into excessive drug use and various affairs. The film originally earned an X rating for full-frontal nudity, graphic sex, and lesbian relations. It has since been rerated NC-17.
Watch "Beyond the Valley of the Dolls" on YouTube or Apple TV .
For a movie completely about sex, "Shame " isn't exactly sexy. The dark drama follows the life of sex addict as he tries to get a handle on his problems.
Watch "Shame" on Amazon Prime or Apple TV .
"Elles" takes place during just one day - a day in which a French journalist delves into the world of female student prostitution. What she finds is something completely unexpected, which leads her to reevaluate her own life and sexuality. The movie is rated NC-17 for explicit sexual content.
Ryan Gosling and Michelle Williams stunned in the critically acclaimed drama "Blue Valentine" about the dissolution of a couple's marriage. The film originally received an NC-17 rating because of the scene where Gosling's character performs oral sex on Williams's character, but Gosling called out the MPAA for sexism and misogyny, saying that if the roles were switched, and the female was performing oral sex on the male, the film would have received an R-rating. The rating was appealed and changed to R.
Watch "Blue Valentine" on Amazon Prime or fuboTV .
This coming-of-age movie tells the story of a young woman exploring and embracing her sexuality as she falls in love with an older woman. The film caused controversy due to explicit sex scenes between the two women, and had a limited release with an NC-17 rating in the US.
Watch "Blue Is the Warmest Color" on Roku or Amazon Prime .
One of three NC-17 films ever to be nominated for an Oscar, "Henry & June" tells the sexy and dramatic story of writer Arthur Miller, his wife, and author Anaïs Nin's love triangle and bohemian lifestyle in Paris.
"Henry & June" is not readily available online.
Tilda Swinton and Ewan McGregor star in "Young Adam," a dark, moody film about a drifter who knows more about the death of a woman than he lets on. Due to the explicit content, the film received an NC-17 - one Sony Pictures Classics were not happy about - but an R-rated version is now available.
Watch "Young Adam" on Amazon Prime .
This psychological drama is definitely not your average erotic thriller - David Cronenberg's "Crash" is about a group of people who take sexual pleasure from, you guessed it . . . car crashes.
Watch "Crash" (R-rated version) on Hulu , Tubi , or Amazon Prime .
"Lust, Caution" is an erotic thriller that takes places in 1940s Shanghai, which was occupied by Japan at the time. Directed by "Brokeback Mountain " director Ang Lee, the action-packed espionage drama follows a woman assigned to lure a special agent into a trap in order to murder him. The movie is rated NC-17 for graphic sex and full-frontal nudity, among other things.
Watch "Lust, Caution" (R-rated version) on Amazon Prime or Apple TV .
An adaption of "The Book of One Thousand and One Night," "Arabian Nights" is an Italian film about a man who falls in love with his slave and his very erotic adventures as he searches for her after she is abducted.
Watch "Arabian Nights" on Tubi or Amazon Prime .
Not too much can be said for "Showgirls" - it was a box office failure and a flop critically - but there is a lot of sex and nudity. The cult classic has a comically over-the-top plot, but is still one of the most notorious NC-17 films out there.
Watch "Showgirls" on Pluto TV or Tubi .
Italian director Pier Paolo Pasolini retells erotic stories from Chaucer's famous narrative poem in 1971's "The Canterbury Tales," a film that received an NC-17 rating due to nudity, sexual content, and violence.
Watch "The Canterbury Tales" on Amazon Prime .
An ex-patriate in pre-World World II Paris who writes erotic stories about her sexual fantasies meets another ex-pat and finds someone to explore her fantasies with. "Delta of Venus" was rated NC-17 (though an R-rated version is also available) because of explicit sex scenes.
Watch "Delta of Venus" (R-rated version) on Apple TV or Amazon Prime .
Two men who grew up together at a religious Catholic school reunite as adults in "Bad Education," a Spanish drama starring Gael García Bernal . Due to themes of sexual abuse within the Catholic church, explicit sex, and drug use, the film was given a rating of NC-17 by the MPAA.
Watch "Bad Education" on Amazon Prime .
"Basic Instinct" has one of the most famous scenes in film history. You know, the one where a panty-less Sharon Stone slowly uncrosses her legs while wearing a dress. The neo-noir murder mystery is full of intrigue, drama, and yes, a lot of sex. It was initially given an NC-17 rating but, after a few selective edits, was given an R-rating. The uncut format is still available.
Watch "Basic Instinct" on YouTube or Amazon Prime .
"The Brown Bunny" gained a lot of attention due to an unsimulated sex scene between Vincent Gallo and Chloë Sevigny . The movie follows a motorcycle racer as he drives across country and is plagued by the memories of his former lover.
"The Brown Bunny" is not readily available online.
In this romantic comedy, the wife of a crime boss begins a secret romance with a patron of her husband's restaurant.
Watch "The Cook, the Thief,
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