Amor Penis Amoor Italy Film

Amor Penis Amoor Italy Film




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Amor Penis Amoor Italy Film
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A nun serving in a women's prison confesses to an inmate about her turbulent past as a cabaret singer, single mother, and convicted murderer. A nun serving in a women's prison confesses to an inmate about her turbulent past as a cabaret singer, single mother, and convicted murderer. A nun serving in a women's prison confesses to an inmate about her turbulent past as a cabaret singer, single mother, and convicted murderer.
El día que me quieras Written by Alfredo Le Pera and Carlos Gardel Performed by Sara Montiel Arranged and conducted by Gregorio García Segura Recorded by Hispavox
A Montiel film if there's ever been one!
Argentinean director Luis Cesar Amadori had no time to waste. His previous two films with Sarita Montiel (La Violetera & Mi Ultimo Tango) had been blockbusters all over the world and the public was clamoring for more, more, more; not to mention the producers who were willing to spend TEN times their usual budget on ONE Montiel vehicle. Consequently, Amadori couldn't afford to be overly creative. With "Mi Ultimo Tango" he had shamelessly remade his 1939 hit "Caminito de Gloria" transforming the Libertad Lamarque vehicle to fit, lets say, Montiel's more carnal attributes ... and he had gotten away with it. For "Pecado de Amor" he avoided being so obvious but he still borrowed a lot from another of his Lamarque epics, this time it was "Madreselva" (1938). Sara Montiel, at the peak of her beauty and talent, was ready for whatever her writer-director (or whoever) would throw at her and she bit into the story of a nun with a shady past as if it was her last meal. In religious habit or in expensive gowns by Schubert or Balenciaga she is a delight to watch, her personality dominating the screen from beginning to end captivating her audiences and moving them to laugh or cry. A lot has been argued about Sarita's acting and singing abilities but nobody can deny that the lady possesses star quality in spades. Unfortunately, the same cannot be said for the rest of the cast. Both leading men Reginald Kernan (whoever he is) and Mario Girotti, who later became a star of the Spaghetti Western genre as Terence Hill, walk through "Pecado de Amor" as mere shadows of Miss Montiel. The Eastmancolor photography is adequate for this kind of "plush melodrama" and the musical score by prolific composer Gregorio Garcia Segura serves the film very well, although I detect a certain influence of Rodgers & Hart's "My Funny Valentine" throughout the proceedings. The dialogs by J.M. Arozamena are at times tacky but sometimes surprise us with some unexpected wit. Take the scene in which Kernan, as the stern father confronts his son Girotti in Montiel's presence. Girotti had been caught stealing from his dad in order to buy jewelry for Sarita. Kernan: I just wanted to meet in person "the motive" that has made you stoop so low.... Sarita:(as she walks away) I love family reunions, but "the motive" is leaving now! "Pecado de Amor" is full of scenes like that and they add to the entertaining value of a film which pretends to be nothing more than good entertainment Of course, the real beef is in the songs which are enough to fill the soundtrack album. Particularly memorable are "El Pichi" (The Pimp) with Montiel dressed as a man surrounded by pretty chorus girls; Carlos Gardel's "El Dia Que Me Quieras"(The Day That You Love Me) sung passionately by Sarita to Kernan; "Sous Les Toits de Paris" (Under the Roofs of Paris) sung in French and Montiel as a Greek Goddess singing "Tinaine I Agapi" (What Is Love?) in Greek. Director Amadori could not resist the temptation of including his own tango "Madreselva" and Sarita does a good cover of it wearing her famous emeralds and diamonds necklace and earrings. Critics who adore art cinema have always had a problem with Sara Montiel films. I don't. Cinema should be, before all, entertainment and stars have always played a big role in this. They have made the masses pay the admission and attend the cinema even when the films lacked "quality"... This is quite a contribution to an industry that could not have survived until now without box office sensations such as Miss Montiel.
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Metrosource Minis: The LGBTQ World & Beyond
Metrosource Minis: The LGBTQ World & Beyond
Metrosource is one of the leading LGBTQ publications since 1990, committed to presenting the vibrant lesbian, gay, bisexual, transgender and queer community with ideas, resources and events to enhance their lives.

Written by Paul Hagen | July 26, 2019 |
Entertainment , Screen

We live in a society that’s fixated with putting female nudity on display. So it’s always a surprising pleasure when cinema offers us a tantalizing glimpse of the male anatomy. Sure, we could always turn to porn. But it’s an entirely different experience when we are wrapped up in a story and a filmmaker chooses to show us a man in all his glory. The following films are not necessarily all about queer themes. Some are not even focused on male sexuality. But they have the distinction of being brave enough to show audiences the penis, undisguised.
This Natalie-Portman starring film follows sisters who may possess the supernatural ability to connect with ghosts. They cross paths with a visionary French producer while performing in Paris.
In this film, iconic journalist Gay Talese reports on Gerald Foos . Foos owned a Colorado motel, where he allegedly secretly watched his guests via specially designed ceiling vents. Audiences peering down with him from the “observation platform” he built in the motel’s attic.
This is the story of a woman living in Dublin, Ireland. It explores how difficult it can be for a mother to grieve the death of a child – even if they are estranged.
Tom Hiddleston stars (and looks oh-so-sexy) in this science fiction thriller. He moves into a most unusual building, where life for the residents of a tower block begins to run out of control.
It’s 1937 in war-torn Spain. A young officer falls hopelessly for the charms of a femme-fatale. Watch to see how she’ll use him to further her own ends.
In the 1950s, Hollywood Star Macarena Granada (Penelope Cruz) returns to Spain to film a blockbuster about Queen Isabella I of Castile.
A writer heads to South America to investigate her boyfriend’s death. She ends up involved in a dark mystery with a link to history.
Emma is the titular model – struggling to get her break in Paris’ fashion scene. Along the way, she develops an obsession for photographer Shane.
Fernando is a hunky scientist looking to study black storks when he is swept away by river rapids and ends up lost in an eerie forest.
Carols and Ana live across the street from Miguel and Andrea in Mexico city. When visitors arrive to the couples’ homes, their troubled relationships get a much-needed shaking up.
Estranged brothers Gummi and Kiddi live side by side tending sheep in an Icelandic valley. When a disease threatens their herds, they must fight to save their prize-winning livestock from extermination.
Welcome to a bizarre world whose citizens are plagued by a number of deformities. But audiences will recognize a struggle common to all of us: finding someone to accept you as you are.
Academy Award-winner Alfonso Cuaron directs and Golden Globe-winner (and perpetually dreamy hunk) Gael Garcia Bernal stars in this modern classic. The story follows two teenage boys and a sexy older woman on a Mexican road trip that teaches them plenty about the nature of life and love.
Not to be confused with the Netflix series of the same title, this is a film by Gaspar Noé . It’s the story of an American living in Paris named Murphy. His relationship with an unstable woman named Electra is altered after they invite a neighbor into bed.
Tim was the captain of the football team. John was an aspiring actor. As teens, they fell in love at an all-boys high school. Against all odds, they attempt to continue to make it work for fifteen years through love and loss, jealousy and heartache. It’s based on the acclaimed stage adaptation of a cult classic memoir by Timothy Conigrave .
Claire was a hedonistic soccer mom. Then she ended up on an unexpected voyage of self-discovery in the Mediterranean while trying to return her son’s pet rock to its home.
A young man from the remote Pacific Island of New Caledonia decides to pursue a career playing rugby in France. But he learns that there are consequences – to defying his father and seeking success in the world of sport.
Want to know when we publish more articles like this one? Sign up for MetroEspresso .
Many beach towns that still attract and welcome the LGBTQ community began as secluded artists’ colonies in the last century. But in Fire Island: Photographs ($50, Glitterati ...
Sell By is a gay romantic comedy with modest ambitions that nevertheless lives up to its potential. It’s entertaining, but not game changing. The film stars Scott Evans and ...
The dynamic duo of Randy Barbato and Fenton Bailey, along with their award-winning team, have not only made RuPaul’s Drag Race a mainstream success but have been designated by Variety for having the biggest impact in reality TV. The team celebrates 30-plus years since they founded the multi-media empire that is World of Wonder, responsible …
During Black History Month, actor Rhoyle Ivy King made CW and LGBTQ history for his role of Nathaniel, the network’s first non-binary BIPOC character, on All American: Homecoming. The show, geared towards young viewers, focuses on students in the sports world coming into their own under the HBCU experience. For over 150 years, HBCUs have …
After 24 years at Fox News, Shepard Smith, who came out as an openly gay man in 2017, is anchoring The News with Shepard Smith on CNBC. Now in its 2nd year, the show has shown steady growth, boasting the most affluent and educated audience for a primetime cable news program according to Nielsen Research. …
Metrosource Minis is the official podcast companion to the national LGBTQ print and online magazine featuring short form interviews with our featured celebrities from the LGBTQ world and beyond…with your host, Alexander Rodriguez. Quick, fun, and informative…Metrosource on the go. [podcastplayer feed_url ='https://feeds.sounder.fm/3885/rss.xml']
Rob Anderson is a comedian and content creator best known for his short form sketches, parodies and comedic series like “Gay Science”, which answers important LGBTQ questions like: “Why Are Gay Men Terrible Drivers” and “Why Gay Men Can’t Sit In a Chair Properly”. Amassing over 2 million social media followers, Anderson’s comedy thoughtfully explores relatable LGBTQ+ issues in unique ways. Recently Rob has partnered with The Academy Awards, made promotional content with popstar Kim Petras, and even penned a number one best selling children’s book based on the infamous 2018 National Anthem performance by singer, Fergie. Previously, Anderson studied improv and sketch comedy at iO, Second City, and The Annoyance in Chicago, as well as held marketing positions at Grindr, Uber, and The Infatuation. Rob has been featured by Good Morning America, Business Insider, NPR and more.
On this episode, we chat with Rob about his take on corporate marketing for Pride, going from power marketing genius for Uber & Grindr to working on his own brand, coming out, going viral, mental health in the social media world, body image, and hitting the road with his North American tour….oh, and love and dating. Hosted by Alexander Rodriguez.
Life through the #LGBTQ lens. 🏳️‍🌈
LA ADDRESS 6475 E. Pacific Coast Hwy., #438 Long Beach, CA 90803 1-800-818-0480

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