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From Wikipedia, the free encyclopedia
1934–1977 American comic strip by Al Capp
"Daisy Mae" redirects here. For the game featuring the Animal Crossing character of that name, see Animal Crossing: New Horizons .
"It's Jack Jawbreaker!" Li'l Abner visits the corrupt Squeezeblood comic strip syndicate in a classic Sunday continuity from October 12, 1947.
— John Updike, from My Well-Balanced Life on a Wooden Leg (1991)
— Ralph Bakshi at ASIFA-Hollywood , April 2008

Capp, Al, Li'l Abner in New York (1936) Whitman Publishing
Capp, Al, Li'l Abner Among the Millionaires (1939) Whitman Publishing
Capp, Al, Li'l Abner and Sadie Hawkins Day (1940) Saalfield Publishing
Capp, Al, Li'l Abner and the Ratfields (1940) Saalfield Publishing
Sheridan, Martin, Comics and Their Creators (1942) R.T. Hale & Co. (1977) Hyperion Press
Waugh, Coulton, The Comics (1947) Macmillan Publishers
Capp, Al, Newsweek Magazine (November 24, 1947) "Li'l Abner's Mad Capp"
Capp, Al, Saturday Review of Literature (March 20, 1948) "The Case for the Comics"
Capp, Al, The Life and Times of the Shmoo (1948) Simon & Schuster
Capp, Al, The Nation (March 21, 1949) "There Is a Real Shmoo"
Capp, Al, Cosmopolitan Magazine (June 1949) "I Don't Like Shmoos"
Capp, Al, Atlantic Monthly (April 1950) "I Remember Monster"
Capp, Al, Time Magazine (November 6, 1950) "Die Monstersinger"
Capp, Al, Life Magazine (March 31, 1952) "It's Hideously True!!..."
Capp, Al, Real Magazine (December 1952) "The REAL Powers in America"
Capp, Al, The World of Li'l Abner (1953) Farrar, Straus & Young
Leifer, Fred, The Li'l Abner Official Square Dance Handbook (1953) A.S. Barnes
Mikes, George, Eight Humorists (1954) Allen Wingate (1977) Arden Library
Lehrer, Tom, The Tom Lehrer Song Book , introduction by Al Capp (1954) Crown Publishers
Capp, Al, Al Capp's Fearless Fosdick: His Life and Deaths (1956) Simon & Schuster
Capp, Al, Al Capp's Bald Iggle: The Life it Ruins May Be Your Own (1956) Simon & Schuster
Capp, Al, et al. Famous Artists Cartoon Course — 3 volumes (1956) Famous Artists School
Capp, Al, Life Magazine (January 14, 1957) "The Dogpatch Saga: Al Capp's Own Story"
Brodbeck, Arthur J, et al. "How to Read Li'l Abner Intelligently" from Mass Culture: Popular Arts in America, pp. 218–224 (1957) Free Press
Capp, Al, The Return of the Shmoo (1959) Simon & Schuster
Hart, Johnny, Back to B.C. , introduction by Al Capp (1961) Fawcett Publications
Lazarus, Mell, Miss Peach , introduction by Al Capp (1962) Pyramid Books
Gross, Milt, He Done Her Wrong , introduction by Al Capp (1963 Ed.) Dell Books
White, David Manning, and Robert H. Abel, eds. The Funnies: An American Idiom (1963) Free Press
White, David Manning, ed. From Dogpatch to Slobbovia: The (Gasp!) World of Li'l Abner (1964) Beacon Press
Capp, Al, Life International Magazine (June 14, 1965) "My Life as an Immortal Myth"
Toffler, Alvin, Playboy Magazine (December 1965) interview with Al Capp, pp. 89–100
Moger, Art, et al. Chutzpah Is , introduction by Al Capp (1966) Colony Publishers
Berger, Arthur Asa, Li'l Abner: A Study in American Satire (1969) Twayne Publishers (1994) Univ. Press of Mississippi ISBN 0-87805-713-7
Sugar, Andy, Saga Magazine (December 1969) "On the Campus Firing Line with Al Capp"
Gray, Harold, Arf! The Life and Hard Times of Little Orphan Annie , introduction by Al Capp (1970) Arlington House
Moger, Art, Some of My Best Friends are People , introduction by Al Capp (1970) Directors Press
Capp, Al, The Hardhat's Bedtime Story Book (1971) Harper & Row ISBN 0-06-061311-4
Robinson, Jerry, The Comics: An Illustrated History of Comic Strip Art (1974) G.P. Putnam's Sons
Horn, Maurice , The World Encyclopedia of Comics (1976) Chelsea House (1982) Avon
Blackbeard, Bill, ed. The Smithsonian Collection of Newspaper Comics (1977) Smithsonian Inst. Press / Harry Abrams
Marschall, Rick, Cartoonist PROfiles #37 (March 1978) interview with Al Capp
Capp, Al, The Best of Li'l Abner (1978) Holt, Rinehart & Winston ISBN 0-03-045516-2
Lardner, Ring, You Know Me Al: The Comic Strip Adventures of Jack Keefe , introduction by Al Capp (1979) Harcourt Brace Jovanovich
Van Buren, Raeburn, Abbie an' Slats — 2 volumes (1983) Ken Pierce Books
Capp, Al, Li'l Abner: Reuben Award Winner Series Book 1 (1985) Blackthorne
Marschall, Rick, Nemo, the Classic Comics Library #18, pp. 3–32 (April 1986)
Capp, Al, Li'l Abner Dailies — 27 volumes (1988–1999) Kitchen Sink Press
Marschall, Rick, America's Great Comic Strip Artists (1989) Abbeville Press
Capp, Al, Fearless Fosdick (1990) Kitchen Sink ISBN 0-87816-108-2
Capp, Al, My Well-Balanced Life on a Wooden Leg (1991) John Daniel & Co. ISBN 0-936784-93-8
Capp, Al, Fearless Fosdick: The Hole Story (1992) Kitchen Sink ISBN 0-87816-164-3
Goldstein, Kalman, "Al Capp and Walt Kelly: Pioneers of Political and Social Satire in the Comics" from Journal of Popular Culture ; Vol. 25, Issue 4 (Spring 1992)
Caplin, Elliot, Al Capp Remembered (1994) Bowling Green State University ISBN 0-87972-630-X
Theroux, Alexander, The Enigma of Al Capp (1999) Fantagraphics Books ISBN 1-56097-340-4
Lubbers, Bob, Glamour International #26: The Good Girl Art of Bob Lubbers (May 2001)
Capp, Al, The Short Life and Happy Times of the Shmoo (2002) Overlook Press ISBN 1-58567-462-1
Capp, Al, Al Capp's Li'l Abner: The Frazetta Years — 4 volumes (2003–2004) Dark Horse Comics
Al Capp Studios, Al Capp's Complete Shmoo: The Comic Books (2008) Dark Horse ISBN 1-59307-901-X
Capp, Al, Li'l Abner: The Complete Dailies and Color Sundays Vol. 1: 1934–1936 (2010) IDW Publishing ISBN 1-60010-611-0
Capp, Al, Li'l Abner: The Complete Dailies and Color Sundays Vol. 2: 1937–1938 (2010) IDW ISBN 1-60010-745-1
Capp, Al, Li'l Abner: The Complete Dailies and Color Sundays Vol. 3: 1939–1940 (2011) IDW ISBN 1-60010-937-3
Capp, Al, Al Capp's Complete Shmoo Vol. 2: The Newspaper Strips (2011) Dark Horse ISBN 1-59582-720-X
Capp, Al, Li'l Abner: The Complete Dailies and Color Sundays Vol. 4: 1941–1942 (2012) IDW ISBN 1-61377-123-1
Inge, M. Thomas, "Li'l Abner, Snuffy and Friends" from Comics and the U.S. South , pp. 3–27 (2012) Univ. Press of Mississippi ISBN 1-617030-18-X
Capp, Al, Li'l Abner: The Complete Dailies and Color Sundays Vol. 5: 1943–1944 (2012) IDW ISBN 1-61377-514-8
Kitchen, Denis, and Michael Schumacher, Al Capp: A Life to the Contrary (2013) Bloomsbury Publishing ISBN 1-60819-623-2

Wikimedia Commons has media related to Li'l Abner .
Li'l Abner is a satirical American comic strip that appeared in many newspapers in the United States, Canada and Europe. It features a fictional clan of hillbillies in the impoverished mountain village of Dogpatch, USA. Written and drawn by Al Capp (1909–1979), the strip ran for 43 years – from August 13, 1934, through November 13, 1977. [1] [2] [3] The Sunday page debuted six months after the daily, on February 24, 1935. [4] It was originally distributed by United Feature Syndicate and, later by the Chicago Tribune New York News Syndicate .

Comic strips typically dealt with northern urban experiences before Capp introduced Li'l Abner, the first strip based in the South. The comic strip had 60 million readers in over 900 American newspapers and 100 foreign papers in 28 countries. Capp "had a profound influence on the way the world viewed the American South." [5]

Li'l Abner Yokum: Abner was 6′ 3″ and perpetually 19 years old. A naive, simpleminded, gullible and sweet-natured hillbilly . He lived in a ramshackle log cabin with his pint-sized parents. Capp derived the family name "Yokum" as a combination of yokel and hokum . (Although it is also the approximate Northern European pronunciation of the name " Joachim ".) In Capp's satirical and often complex plots, Abner was a country bumpkin Candide —a paragon of innocence in a sardonically dark and cynical world. [6] Abner typically had no visible means of support, but sometimes earned his livelihood as a "crescent cutter" for the Little Wonder Privy Company which later changed to "mattress tester" for the Stunned Ox Mattress Company. During World War II, Abner was "drafted" into becoming the mascot emblem of the Patrol Boat Squadron 29. In one post-World War II storyline Abner became a US Air Force bodyguard of Steve Cantor (a parody of Steve Canyon ) against the evil bald female spy Jewell Brynner (a parody of actor Yul Brynner ). [7] Early in the strip's history, Abner's primary goal in life was evading the marital designs of Daisy Mae Scragg, the virtuous, voluptuous, barefoot Dogpatch damsel and scion of the Yokums' blood feud enemies — the Scraggs, her bloodthirsty, semi-evolved kinfolk. For 18 years, Abner slipped out of Daisy Mae's marital crosshairs time and time again. When Capp finally gave in to reader pressure and allowed the couple to tie the knot, it was a major media event. It even made the cover of Life magazine on March 31, 1952 — illustrating an article by Capp titled "It's Hideously True!! The Creator of Li'l Abner Tells Why His Hero Is (SOB!) Wed!!"

Daisy Mae Yokum (née Scragg): Beautiful Daisy Mae was hopelessly in love with Dogpatch's most prominent resident throughout the entire 43-year run of Al Capp's comic strip. During most of the epic, the impossibly dense Abner exhibited little romantic interest in her voluptuous charms (much of it visible daily thanks to her famous polka-dot peasant blouse and cropped skirt). [8] In 1952, Abner reluctantly proposed to Daisy to emulate the engagement of his comic strip "ideel", Fearless Fosdick . Fosdick's own wedding to longtime fiancée Prudence Pimpleton turned out to be a dream — but Abner and Daisy's ceremony, performed by Marryin' Sam, was permanent. Abner and Daisy Mae's nuptials were a major source of media attention, landing them on the aforementioned cover of Life magazine's March 31, 1952, issue. [9] Once married, Abner became relatively domesticated. Like Mammy Yokum and the other "wimmenfolk" in Dogpatch, Daisy Mae did all the work, domestic and otherwise — while the menfolk generally did nothing whatsoever. [ citation needed ]

Mammy Yokum: Born Pansy Hunks , Mammy was the scrawny, highly principled "sassiety" leader and bare knuckle "champeen" of the town of Dogpatch. She had married the inconsequential Pappy Yokum in 1902; they produced two strapping sons twice their own size. Mammy dominated the Yokum clan through the force of her personality, and dominated everyone else with her fearsome right uppercut (sometimes known as her "Goodnight, Irene" punch), which helped her uphold law, order and decency. [10] She is consistently the toughest character throughout Li'l Abner. A superhuman dynamo, Mammy did all the household chores — and provided her charges with no fewer than eight meals a day of "po'k chops" and "tarnips" (as well as local Dogpatch delicacies like "candied catfish eyeballs" and "trashbean soup"). Her authority was unquestioned, and her characteristic phrase, "Ah has spoken!" , signaled the end of all further discussion. Her most familiar phrase, however, is "Good is better than evil becuz it's nicer!" (Upon his retirement in 1977, Capp declared Mammy to be his personal favorite of all his characters.) Li'l Abner's mom is the only character in the Dogpatch universe capable of defeating him in hand-to-hand combat.


Pappy Yokum: Born Lucifer Ornamental Yokum , pint-sized Pappy had the misfortune of being the patriarch in a family that didn't have one. Pappy was so lazy and ineffectual, he didn't even bathe himself. Mammy was regularly seen scrubbing Pappy in an outdoor oak tub ("Once a month, rain or shine"). Ironing Pappy's trousers fell under her wifely duties as well, although she didn't bother with preliminaries — like waiting for Pappy to remove them first. [11] Pappy is dull-witted and gullible (in one storyline after he is conned by Marryin' Sam into buying Vanishing cream because he thinks it makes him invisible when he picks a fight with his nemesis Earthquake McGoon), but not completely without guile. He had an unfortunate predilection for snitching "preserved turnips" and smoking corn silk behind the woodshed — much to his chagrin when Mammy caught him. Pappy Yokum wasn't always feckless, however. After his lower wisdom teeth grew so long that they squeezed his cerebral Goodness Gland and emerged as forehead horns, he proved himself capable of evil. Of course Mammy solved the problem with a tooth extraction, and ended the episode with her most famous dictum.

Honest Abe Yokum: Li'l Abner and Daisy Mae's little boy was born in 1953 "after a pregnancy that ambled on so long that readers began sending me medical books," wrote Capp. Initially known as "Mysterious Yokum" (there was even an Ideal doll marketed under this name) due to a debate regarding his gender (he was stuck in a pants-shaped stovepipe for the first six weeks), he was renamed "Honest Abe" (after President Abraham Lincoln ) to thwart his early tendency to steal. [12] His first words were "po'k chop," and that remained his favorite food. Though his uncle Tiny was perpetually frozen at 15 1 ⁄ 2 "y'ars" old, Honest Abe gradually grew from infant to grade school age, and became a dead ringer for Washable Jones — the star of Capp's early " topper " strip. He would eventually acquire a couple of supporting character friends for his own semi-regularly featured adventures in the strip. In one story line he lives up to his nickname when during a nationwide search for a pair of socks sewn by Betsy Ross ; after finding that his father was the current owner and preparing to trade them for the reward (a handshake from the President of the United States), he confesses at the last second that they were not his to give.

Tiny Yokum: "Tiny" was a misnomer ; Li'l Abner's kid brother remained perpetually innocent and 15 1 ⁄ 2 "y'ars" old — despite the fact that he was an imposing, 7-foot (2.1 m) tall behemoth. Tiny was unknown to the strip until September 1954, when a relative who had been raising him reminded Mammy that she'd given birth to a second "chile" while visiting her 15 years earlier. (The relative explained that she would have dropped him off sooner, but waited until she happened to be in the neighborhood.) Capp introduced Tiny to fill the bachelor role played reliably for nearly two decades by Li'l Abner himself, until his fateful 1952 marriage threw the carefully orchestrated dynamic of the strip out of whack for a period. [13] Pursued by local lovelies Hopeful Mudd and Boyless Bailey , Tiny was even dumber and more awkward than Abner, if that can be imagined. Tiny initially sported a bulbous nose like both of his parents, but eventually, (through a plot contrivance) he was given a nose job, and his shaggy blond hair was buzz cut to make him more appealing.

Salomey: The Yokums' beloved pet pig. Cute, lovable and intelligent (arguably smarter than Abner, Tiny or Pappy), she was accepted as part of the family ("the youngest," as Mammy invariably introduces her). She is 100% "Hammus Alabammus" — an adorable species of pig, and the last female known in existence. A plump, juicy Hammus Alabammus is the rarest and most vital ingredient of "ecstasy sauce," an indescribably delicious gourmet delicacy. Consequently, Salomey is frequently targeted by unscrupulous sportsmen, hog breeders and gourmands (like J.R. Fangsley and Bounder J. Roundheels ), as well as unsavory boars with improper intentions (such as Boar Scarloff and Porknoy ). Her moniker was a pun on both salami and Salome .

Li'l Abner also featured a comic strip-within-the-strip: Fearless Fosdick was a parody of Chester Gould 's plainclothes detective, Dick Tracy . It first appeared in 1942, and proved so popular that it ran intermittently in Li'l Abner over the next 35 years. Gould was also personally parodied in the series as cartoonist Lester Gooch — the diminutive, much-harassed and occasionally deranged "creator" of Fearless Fosdick . The style of the Fosdick sequences closely mimicked Tracy , including the urban setting, the outrageous villains, the galloping mortality rate, the crosshatched shadows, the lettering style — even Gould's familiar signature was parodied in Fearless Fosdick . Fosdick battled a succession of archenemies with absurdly unlikely names like Rattop, Anyface, Bombface, Boldfinger, the Atom Bum, the Chippendale Chair, and Sidney the Crooked Parrot, as well as his own criminal mastermind father, "Fearful" Fosdick (aka "The Original"). The razor-jawed title character (Li'l Abner's "ideel") was perpetually ventilated by flying bullets until he resembled a slice of Swiss cheese. [27] The impervious Fosdick considered the gaping, smoking holes "mere scratches", however, and always reported back in one piece to his corrupt superior "The Chief" for duty the next day.

Besides being fearless, Fosdick was "pure, underpaid and purposeful", according to his creator. He also had notoriously bad aim — often leaving a trail of collateral damage (in the form of bullet-riddled pedestrians) in his wake. "When Fosdick is after a lawbreaker, there is no escape for the miscreant," Capp wrote in 1956. "There is, however, a fighting chance to escape for hundreds of innocent bystanders who happen to be in the neighborhood — but only a fighting chance. Fosdick's duty, as he sees it, is not so much to maintain safety as to destroy crime, and it's too much to ask any law-enforcement officer to do both, I suppose." Fosdick lived in squalor at the dilapidated boarding house run by his mercenary landlady, Mrs. Flintnose. He never married his own long-suffering fiancée Prudence Pimpleton (despite an engagement of 17 years), but Fosdick was directly responsible for the unwitting marriage of his biggest fan, Li'l Abner, to Daisy Mae in 1952. The bumbling detective became the star of his own NBC-TV puppet show that same year. Fosdick also achieved considerable exposure as the long-running advertising spokesman for Wildroot Cream-Oil , a popular men's hair product of the postwar period.

Although ostensibly set in the Kentucky mountains, situations often took the characters to different destinations — including New York City, Washington, D.C., Hollywood, the South American Amazon , tropical islands, the Moon, Mars, etc. — as well as some purely fanciful worlds of Capp's imagination:

Exceeding every burlesque stereotype of Appalachia , the impoverished backwater of Dogpatch consisted mostly of hopelessly ramshackle log cabins, "tarnip" fields, pine trees and "hawg" wallows. Most Dogpatchers were shiftless and ignorant; the remainder were scoundrels and thieves. The menfolk were too lazy to work, yet Dogpatch gals were desperate enough to chase them (see Sadie Hawkins Day ). Those who farmed their turnip fields watched "turnip termites" swarm by the billions every year, locust-like, to devour Dogpatch's only crop (along with their homes, their livestock and all their clothing).

The local geography was fluid and vividly complex; Capp continually changed it to suit either his whims or the current storyline. Natural landmarks included (at various times) Teeterin' Rock, Onneccessary Mountain, Bottomless Canyon, and Kissin' Rock (handy to Suicide Cliff). Local attractions that reappeared in the strip included the West Po'k Chop Railroad; the "Skonk Works", a dilapidated factory located on the remote outskirts of Dogpatch; and the General Jubilation T. Cornpone memorial statue.

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