Amber Rose Revah Ass
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Amber Rose Revah Ass
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The British actress stars in Marvel's newest series on Netflix.
“My character, Dinah Madani, is just the coolest, [most] badass woman imaginable,” says Amber Rose Revah. “I’ve played so many different roles — I’ve played different ages, I’ve played a lot of different ethnicities. I always have different accents. I’ve learned different languages. But I think with this, the biggest thing for me, which it always is, is finding a character that’s a woman that’s three-dimensional. It’s few and far between that you have these characters, and Dinah really is that. And she’s got the balance of being kick-ass and physically able to do everything, and having a feminine side and having a weakness and being susceptible to other people’s manipulation.”
In other words, she’s human — a human within the Marvel Universe. Revah stars in Netflix’s “The Punisher” series, which itself lives a step away from the superhero-laden world of other Marvel films and series. While Jon Bernthal first took on the role of the former U.S. Marine-turned-vigilante Frank Castle — aka the Punisher — in “Daredevil” before getting his own spin-off series, Revah’s character never appeared in the comic books and was created for the series as a foil to the namesake main character.
“I’ve watched a bunch of the Marvel shows and I wasn’t, like, the greatest fan,” Revah concedes. “It’s actually my younger sister — she’s 20 years old, and she wears Marvel socks, she has a Marvel hat. And so she was just ecstatic when I was even reading for this job.” After being cast in the show, the world of fandom for the comic and show opened up to her.
“You know, it’s mad, every time I’m in the gym I think I notice someone different with a Punisher t-shirt. I think they imagine they can do more deadlifts if they’re wearing a big skull on their T-shirt,” she says. “But it’s brilliant, and you see it all over the place. It’s a bit of a sixth sense. I never noticed it before, and now everywhere I see a big Punisher skull.”
One of Marvel’s more violent franchises, the anticipated series was pushed back from its original October 2017 release date following the mass shooting in Las Vegas on October 1 , with Netflix canceling the show’s New York Comic Con promotional events. While it’s certainly not the only series where violence is integral to its premise, the prevalence of gun-centric violence in “The Punisher” places it in the nationwide conversation around gun control.
“I came over [to the U.S.] and I’d never held a gun before — and in Britain it’s illegal,” says the London-born actress; the U.K. has strict gun laws in place. “I was doing my training as Dinah would have done for her assignment, so I had to look as though I was proficient with it, but, certainly, it was strange for me. But with our show, we don’t have a way of glorifying guns, what we do is we bring up questions. And that’s very important, and I think that’s something that society is forgetting to do to some extent, to say ‘Why is this happening?’ I think we open up a question.”
Beyond the question of violence, the show also tackles the issue of veteran PTSD. (Joining that conversation as well this fall was the October film release “Thank You For Your Service.” ) Frank Castle and Dinah Madani are both veterans of the Afghanistan War, the latter working as a Homeland Security agent. “Veterans are expected to…just come back [to society] and integrate, and they have a week period which they give them, and it’s a lot more different than that,” says Revah. “And also the fact that within war and within violence, lines are very blurred…so the show deals with that as well.”
While preparing for the show — in addition to learning how to hold a gun and stunt training — Revah actually sat down to talk with a few Homeland agents.
“I went to their office and I had three brilliant agents, and I basically completely drilled them with everything under the sun, from finding out about their families, to how they turn off, to their psychology and their psyche and their drive, to certain tactical operations that they’ll carry out. That was absolutely fascinating; it really gave me a sense of Dinah’s day-to-day life.”
“There’s one brilliant thing which I wanted to discuss with them: what would you do if you felt there was corruption in the organization?” she continues. “Because, obviously, Dinah’s dealing with that. And then they told me the protocol of that, which is highly contentious, but I can’t say anything.”
“You see, I’ve got secrets,” she says, coyly. “They did, actually.”
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This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired. Richly detailed sets and costumes. An impossible feat to replicate. No drama came close. No other visual effects spectacle could touch it. And its audience is everyone. A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance , the greatest television series to come along in years. If you love genre like we do, this was as good as it gets. And like icing on the cake, along came The Mandalorian at year end.
But we’re not going to ignore the other good things that happened on the small screen this year.
Our borg Best of 2019 list continues today with the best in television. If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here .
Without further ado, this year’s Best in Television:
Best Borg Series – Doom Patrol (DC Universe). With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman. Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein). For 2019, it was the way to get your borg fix on the small screen.
Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV Soundtrack – The Dark Crystal: Age of Resistance (Netflix). It was worth the wait. Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded. The kindest heroes, the darkest evil, a truly epic, legendary story for the ages. Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much? Even that wouldn’t be enough if not for the layered mythology and epic adventure story. Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.
Best TV Sci-fi Series, Best TV Drama – The Man in the High Castle (Amazon). Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel. The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale. Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition. Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”
Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup – The Mandalorian (Disney+). Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since. The Western motif is still alive, not all that hidden here in space fantasy garb. And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond. Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.
It’s time for borg ′s annual look at the Best Kick-Ass Genre Heroines in film and television. This year we selected 26 characters that rose to the top. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for. Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits. So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina. At the movies Valkyrie , The Wasp , and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to
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