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The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporaneous composer who was insanely jealous of Mozart's talent and claimed to have murd... Read all
Peter Shaffer(original stage play) (original screenplay)
Zdenek Mahler(uncredited)
Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity.—Khaled Salem
The film ironically helped spark a revival of Salieri's music, which had previously languished in obscurity.
Both Mozart and Salieri are shown conducting an orchestra in modern style, by standing in front and waving the arms. In the 18th century, the conductor played first violin or harpsichord, the other musicians watching his head and hand movements. It was the rise of large orchestras in the 19th century that forced the conductor to abandon his instrument and take a more visible position.
Antonio Salieri: [wheelchaired through the insane asylum] Mediocrities everywhere... I absolve you... I absolve you... I absolve you... I absolve you... I absolve you all.
[screen fades to black, Mozart's high-pitched laughter rings out in the blackness]
The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus": -The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787. -His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace. -The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia.
The Orion Pictures logo, which was seen at the beginning of the film when it was first released theatrically, was not shown when the film played on both cable and commercial television, and is not seen on the VHS or DVD releases.
Le Nozze di Figaro (The Marriage of Figaro), K. 492, Act IV, Ah Tutti Contenti
(1786) (uncredited)
Music by Wolfgang Amadeus Mozart
Libretto by Lorenzo da Ponte
Performed by The Academy of St. Martin-in-the-Fields (as Academy of St Martin In The Fields)
Conducted by Neville Marriner
Excerpts Sung by Samuel Ramey (Figaro), Felicity Lott (Countess), Richard Stilwell (Count Almaviva), Isobel Buchanan (as Isabel Buchanan) (Susanna), Anne Howells (Cherubino), Deborah Rees (Barbarina), Alexander Oliver (Basilio), Robin Leggate (Don Curzio), John Tomlinson (Dr. Bartolo), and Willard White (Antonio)
A movie of a genius, directed by another one !
I thought that it would be impossible to make a movie like this one! Peter Schaffer's original play inspired Milos Forman, the great czech film maker, that surprised the world with "One flew over the cuckoo's nest" (1975). The sublime, almost over-human performance by Frank Murray Abraham (the Mozart enemy and secret admirer, Salieri) is one of the keys for the movie success, mostly to it's depth. The perfect sense of timing by Milos Forman is admirable, he knows when to play wich music. All the scenarios: opera houses, palaces, streets, etc., are details absolutely harmonious! One of this classic secret was that Forman gathered "the" team, perfect team work.

We can just admire it, laugh, cry, reflect, most of all, listen to it. See it, it's 10/10.

Thank you Mr. Forman...
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Hundreds of the travel industry’s most technology-savvy executives will gather for our second Skift Tech Forum in San Francisco on June 27. It will take place at the Fairmont San Francisco Hotel and explore key trends and disruptions that impact revenue and drive the e-commerce and technology strategies that power retailing, distribution, and merchandising decisions in travel. Expect insightful conversations from a broad range of speakers, including CEOs and top executives from Alaska Airlines, Amadeus, Expedia, Google, Uber, Marriott, Carnival, Shiji, and Oracle.
Amadeus, the world’s largest travel technology company, recently created a research and innovation unit by regrouping efforts scattered across the organization.
Head of Research and Innovation Marion Mesnage leads the team, overseeing about 80 researchers, data scientists, business specialists, and experts in innovation management. The mission, she says, is to identify and turn new ideas into value for Amadeus, its customers, and travelers.
For example, the team drives the innovation part of the Accenture Amadeus Alliance, an organization that combines the digital transformation expertise of Accenture and the airline knowledge of Amadeus. Mesnage’s division also collaborates with a separate startup investment arm called Ventures and with the company’s corporate strategy team.
Mesnage will speak on June 27 at Skift Tech Forum in San Francisco about what she and her team believe are the most compelling innovations on the horizon.
Skift: What is one example of a disruptive technology you have your eye on?
We’re looking at computer vision algorithms, which have several potential applications in travel. One interesting startup we’ve come across in this field is Assaia, which films aircraft operations during the turnaround at ramps and gates. It analyzes the films to offer a predictive analysis of what’s working and what isn’t, helping airlines and airports manage operations better.
A year ago Amadeus invested in CrowdVision, a company that uses computer vision software and artificial intelligence to analyze crowds to help airports manage their growth better.
Skift: Is Amadeus testing disruptive technologies itself?
Mesnage: Yes. Some of our projects are so technologically disruptive that we want to avoid breaking our customers’ websites and systems. In those cases, we operate customer-facing interfaces.
We might do small-scale tests of, say, improved travel search with consumers. It’s not because we want to become, say, a metasearch company. We only want to test and prove fresh approaches. If an experiment works out, we will look for a partner who is willing to test it at scale with their customers.
Marion Mesnage, head of research and innovation at Amadeus. Source: Amadeus
Skift: Why is voice-activated travel search taking a long time to become standard?
Mesnage: There are problems that remain difficult. Say you go to an agency and say, “I’d like to take a family vacation this summer, but nothing too luxurious.” That’s a natural way of speaking. However, today’s technology is far off from being able to respond to a query like that with a corresponding set of relevant recommendations.
The idea of pressing a button and getting a prepared vacation itinerary is a long way away. But what we see already is smart, incremental improvements around trip-planning.
For example, we know that people increasingly do trip planning by watching videos. So we have a project called Video Solution that uses attractive videos of places around the world to help brands better advertise their products in a way that’s contextualized appropriately.
Photo Credit: An image of an aircraft at an airport being analyzed by tech firm Assaia, one of the companies being eyed closely by Marion Mesnage, head of research and innovation at Amadeus. Mesnage will speak about computer vision algorithms and other technological innovations at Skift Tech Forum on June 27. Assaia
Vladimir Sadykov, Dagmarah Mackos and Federica Urso, Reuters
Marwa Rashad and Alexander Cornwell, Reuters
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