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White Girls Who Love BBC And The Men Who Love Them!

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Description: White girls who love BBC and the men who love them! No racists allowed only ladies who prefer the fillig sensation of BBC the men who want to get with them!
Category:
Romance and Relationships - Singles/Dating - 20`s and 30`s

Announcement:
tell m about your 1st experience with a BBC?

1. Did it hurt at the begginning?
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Announcement:
Ladies, do yo cum differently with a BBC?

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2. feels like I'm really full.

This post is for the real freaky people in the house 


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bbc not for sucking is for loving !!

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Full-frontal nudity, steamy threesomes, one-for-the-money shots — these movies pushed the envelope and still played multiplexes
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Arriving on a wave of high anticipation, hype and bag-headed public appearances , the first “volume” of Lars Von Trier’s two-part, five-hour magnum opus Nymphomaniac will start rolling into theaters on March 21st. ( Vol. 2 doesn’t arrive until April 4th, though you’ll be able to catch both chapters on video-on-demand starting on March 20th.) Never one to shy from provocation — he’s more likely to sprint towards it — the Danish director’s chronicle of one woman’s sexual awakening is littered with spankings, fellatio, a ménage à trois or two, sodomy, masturbation and good old-fashioned humping. Though some stunt, er, parts were employed, you are basically watching actors like Charlotte Gainsbourg and Shia LeBeouf engage in the sort of unsimulated activities you associate with porn stars. (LeBeouf even sent in a homemade pornographic videotape for his audition.)
Despite the abundance of explicit sex on display, however, Von Trier’s film is not pornography. Rather, it’s the latest in a long line of films that have pushed the envelope in terms of what can be shown in “mainstream” films and not be considered the sort of movie that requires you to give your credit card to a Web site in order to watch. These films are cast with A-list movie stars and directed by world-class filmmakers. They are designed to play in multiplexes and art houses. Some have been imported in as prestige foreign films, and others have been produced and distributed by Hollywood studios. But the 3o films here all share one thing in common: They all come as close to being pornographic as mainstream films will allow. Read this NSFW list with someone you love.
It wasn't just the pubic hair on display that got Vilgot Sjoman's political screed-cum-melodrama seized at customs when it was brought here in 1969, put at the center of an obscenity case tried by the Supreme Court and considered one of the more notorious films of its day. (Although the few scenes in which actors Lena Nyman and Borje Ahlstedt show off some hairy nether regions certainly helped distinguished this Swedish import from the usual foreign-film fare.) No, what put this story of a radical student having an affair with a married man in boiling hot water was the sequence in which Nyman plants a kiss on her costar's penis in full view; that was enough to brew up a shitstorm that woud end up breaking down censorship barriers and ultimately help usher in an age of cinematic permissiveness. No one talked about the interview footage of Martin Luther King Jr., or footage of actual Vietnam War protesting, or the cheeky subversiveness of the movie's antiauthoritarian humor. They focused on the genital smooch. The curiosity and the contrversy helped garner it a broader audience. And the rest is history. DAVID FEAR
Cinematographer-turned-director Haskell Wexler's mix of narrative and nonfiction (including actual riot footage shot during the '68 Democratic Convention in Chicago) is fueled by the tension of watching performers interact with real situations. One scene in particular, however, struck the MPAA board as a little too real for their tastes: A naked-as-jaybirds romp between future Tarantino favorite Robert Forster and Marianna Hill, with the two of them ending up literally between the sheets. The almost documentary-like feel of their tryst earned Wexler's movie an X, though he'd claim that the rating was more reflective of the political rage he portrayed onscreen. We still think the you-are-there canoodling in the buff may have had something do with it, Haskell. DAVID FEAR
Ken Russell's majestic adaptation of D.H. Lawrence's novel was one of the outré director's more somber, "respectable" films – save for the naked wrestling match between Alan Bates and Oliver Reed, considered by many to be mainstream cinema's first instance of full-frontal male nudity. It's also the stuff of acting lore: Both actors kept trying to back out of doing the scene, until one night they got drunk together and went for a joint pee, during which they were able to check each other out and realize there was nothing to feel self-conscious about. (Or maybe there was: Reed spent his time in between takes off to the side, as he put it, "trying to get a semi on so that it would look more purposeful and stop all my girlfriends saying ‘why bother' and deserting me.") Seen today, the homoeroticism is undeniable regardless of the scene's supposedly plantonic male-bonding intentions. It's a man-on-man sex scene in everything but name. BILGE EBIRI
It may not have been as momentous as Stravinsky's The Rites of Spring (as Pauline Kael notoriously claimed at the time), but Bernardo Bertolucci's seminal film was a watershed how sex was depicted on film. The Italian director originally wanted French stars Dominique Sanda and Jean-Louis Trintignant to play the leads; Sanda had just gotten pregnant, however, and Trintignant wouldn't do nudity. So the director enlisted newcomer Maria Schneider and, in a casting coup, Marlon Brando — with the latter quickly turning this tale into a riveting, expansive meditation on his own screen image. His character is a widower who's been beaten down by life, and who uses his anonymous, athletic and often creative sexual encounters in an empty Parisian apartment as his way of escaping from the world. Audiences weren't used to seeing a major movie star having fingers shoved into his rectum, and though its sex scenes seem somewhat tame today, the film's exploration of how carnality can destroy boundaries is still something to behold. And you'll never hear the phrase "go get the butter" the same way again. BILGE EBIRI
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