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Main Page
Discuss
All Pages
Community
Interactive Maps
Recent Blog Posts
Egg
Facehugger
Chestburster
Drone
Runner
Warrior
Praetorian
Queen
Spitter
Predalien
Super Predator
Hish
Young Blood
Blooded
Bad Blood
Hunt
Trophy
Skinning
Dreadlocks
Colonial Marines
Weyland-Yutani
Weyland Corp
Weyland Industries
Yutani Corporation
Seegson
Synthetic
Flamethrower (Alien)
Pulse Rifle
Smartgun
Flamethrower (Aliens)
Shockrifle
Wrist Blade
Plasma Caster
Smart-Disc
Combi-Stick
Net Launcher
Nostromo Suit
Tracking device
Power Loader
Shoulder Lamp
Motion Tracker
Hand Welder
Cloaking Device
Bio-Mask
Wrist Gauntlet
Medi-Kit
Nostromo
Narcissus
Derelict
Sulaco
Dropship
APC
Auriga
Mother Ship
Prometheus
LV-426
Hadley's Hope
Fiorina 161
Work Correctional Facility
LV-223
Earth
Val Verde
Los Angeles
Game Preserve Planet
Bouvet Island
The Alien
Ripley
Dallas
Parker
Lambert
Ash
Brett
Kane
Jones
The Pilot
The Queen
Ripley
Newt
Cpl. Hicks
Burke
Bishop
Pvt. Hudson
Lt. Gorman
Pvt. Vasquez
Sgt. Apone
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Dutch
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Anna
Mac
Billy
Blain
Poncho
Hawkins
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Leona
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Heinemann
Garber
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Aliens vs. Predator: Requiem
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The Sandman Will Keep You Awake - The Loop
" In space no one can hear you scream. "
― Alien tagline
Story: Dan O'Bannon Ronald Shusett Screenplay: Dan O'Bannon David Giler (uncredited) Walter Hill (uncredited)
116 minutes 115 minutes (Director's Cut)
" I've never liked horror films before, because in the end it's always been a man in a rubber suit. Well, there's one way to deal with that. The most important thing in a film of this type is not what you see, but the effect of what you think you saw. "
―Ridley Scott on his decision to keep the Alien hidden
" It was the most incredible preview I've ever been in. I mean, people were screaming and running out of the theater. "
―Terry Rawlings describing the film's screening in Dallas.
" The 1979 Alien is a much more cerebral movie than its sequels, with the characters (and the audience) genuinely engaged in curiosity about this weirdest of lifeforms...Unfortunately, the films it influenced studied its thrills but not its thinking. "
―Film critic Roger Ebert on Alien' s cinematic impact.
" One of the great strengths of Alien is its pacing. It takes its time. It waits. It allows silences (the majestic opening shots are underscored by Jerry Goldsmith with scarcely audible, far-off metallic chatterings). It suggests the enormity of the crew's discovery by building up to it with small steps: The interception of a signal (is it a warning or an
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