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overnight
Mar. 21, 2016
Editor’s Rating
3 stars
* * *
Editor’s Rating
3 stars
* * *
Julianna Margulies as Alicia.
Photo: David M. Russell/CBS
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“Shoot” is transcendent at times, but it also has moments that are absolutely bonkers. More and more often, I think The Good Wife ’s ability to be both of those things will be its most enduring legacy.
Let’s get the worst bits out of the way first: Eli’s magical handicapped-bathroom stall is back in play this week, still giving him a near-perfect auditory window into Peter’s grand-jury case. I’m still not sure how one of network television’s strongest prestige shows — in its home stretch, no less! — is relying on a bathroom trash can as a key plot device, but here we are. Once again, Eli gets the information he needs to keep Peter’s head above water during the investigation.
While Lloyd Garber is being questioned about his donations to Peter and their relationship to his son’s murder charge, Eli overhears a particularly bombastic and irritated juror, who can’t possibly believe that Lloyd can so clearly recall details from many years ago. Leveraging this, Eli tells Alicia not to invoke spousal privilege in her testimony, and to make as many offhand comments about Lloyd’s faulty memory as possible. This enrages the prosecuting attorney, Connor (Matthew Morrison, still haunting me even though Glee is gone), but he seems stymied for now. But again, I can’t stress enough that all of this transpires because Eli magically eavesdropped in his special bathroom. How has no one else noticed this trick? Or reported it to someone? And somehow, the construction noise from last episode has completely disappeared, making it even easier for Eli to listen? This is driving me crazy.
As all of this happens, Peter’s lawyer stands around with his dog. The dog shtick is getting old. There, I’ve said it.
Moving on. Cary, Diane, and eventually Lucca are representing Harry Dargis (Blair Underwood), a man whose young daughter was shot and killed, and who took out a billboard calling out the gun store that sold the murder weapon. Often, perhaps too often, witnesses on The Good Wife seem polished, or distant, or sedate. Harry is a brilliant, compelling exception to this rule, and he’s played masterfully by Underwood. His eyes are red, he can barely speak at times, and you can see the weight of the loss he carries, even after the case ends happily, which we’ll get to in a minute.
But before we get down to the details of the case, there’s one more thing to mention: The opening vignette that introduces Harry and his daughter, Yesha. It’s the most simple and arresting sequence The Good Wife has done in a long, long time. We watch his daughter grow up. We sympathize when she’s sad about her braces, then we celebrate when she kisses a boy at the prom with those same braces in her mouth. And we’re shocked (or at least I was) when she gets shot through the throat with a stray bullet, a glass of chocolate milk still in hand. The sequence doesn’t last much more than two minutes, but by the end, we know Yesha well enough to truly feel her loss. And we know the pride and joy she brought to Harry’s life, if only because we see him drained of it all as he sits in court, childless.
Harry’s case is presided over by Judge Abernathy, which is wonderful, because I’d hoped Denis O’Hare would return before the series wrapped up. I love how The Good Wife has taken advantage of New York City’s deep bench of character actors, but even among that eminently talented bunch, O’Hare has always stood out to me. It’s The Good Wife , so the case takes multiple twists and turns — the tourism board gets involved, as do scores of other business owners from Harry’s neighborhood, and the gun-store owner is reasonably sympathetic, which keeps the case from getting too one-sided.
But finally, Abernathy announces that the billboard must come down, and that until it does, Harry will have to pay damages for every day it stays up — 10 cents per day. Harry pulls $40 out of his wallet and offers to pay upfront, and Abernathy tells him he’s now allowed to leave the billboard up for the next 400 days. It is frankly difficult to have any hope in America if you’re a proponent of stronger gun control, and sure, Abernathy’s verdict is television, not real life. But there’s something properly hopeful and joyous about this win regardless.
And Grace shows up again this week, spawning another fun game of “Is This the Last Time We’ll See … ?” She’s been accused of plagiarizing a college essay in a manner that seems completely baffling to me — if a school used a plagiarism-detecting software, wouldn’t they still, you know, review the essays? — but I applied for college way back when the SAT only had 1600 points, so maybe I’m a bit out of touch. The realism doesn’t matter much, though, since it’s mostly an excuse for Alicia to go mama bear on a guidance counselor and the admissions officer herself. It’s is basically one long game of chicken, with a class-action lawsuit thrown in the mix. The admissions officer backs down, Grace gets accepted, and then immediately announces her plans to go to law school. Hooray?
Meanwhile, there’s a spring in Alicia’s step that seems fueled by her affair with Jason and I’m … not enthused. It’s not that I don’t love Alicia being able to express her sexuality. I do. And I’m particularly fond of television shows that portray the sexuality of older women (especially older mothers) as matter-of-factly as they do when telling stories about younger women. But I’m concerned about this suggestion that Alicia is only the best version of herself when she’s with a man. It’s very odd, and made odder because we still don’t know the true nature of her feelings for Jason. If Alicia’s just having a fun, sexy time with a handsome dude, more power to her — God knows my entire sexual orientation breaks down to “Jeffrey Dean Morgan’s facial hair.” It’s just all a little strange and difficult to parse, especially after Alicia sees Jason kissing another woman in a bar.
And that brings us back to the bonkers side of things: As Alicia sadly walks out of the bar, a cover of “Everybody Hurts” plays, sung by a woman. At this point, I can no longer tell when or whether The Good Wife is joking. Alicia and Jason make up later, and then she gives him a hand job under a restaurant table. There are only five episodes to go, Alicia. By all means, you do you.
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Alicia Florrick, you nasty. In The Good Wife 's Sunday, March 20 episode, "Shoot," Alicia really couldn't keep her hands to herself. We're talking about public, under the table hand jobs. Yeah. You saw that.
Anyway, let's get down to the nitty gritty, because you know Alicia wants to. Can we first talk about what an effective opening the episode had? It depicted Blair Underwood 's character through the years with his daughter leading up to her shooting death on prom night (of all nights). It got real. The case, which was about liability and defamation and all that, was typical Good Wife taking a stand on political issue, but I was more invested after that opening. In the end, Judge Denis O'Hare ruled in favor of the gun store own, Dorata from Gossip Girl ( Zuzanna Szadkowski ), but to keep his billboard up saying the gun store killed his daughter he just has to pay the court 10 cents in fines. So the "good guy" won by losing.
Meanwhile, Eli was still listening in on grand jury proceedings against Peter by way of the bathroom vent. Seems there's a juror who's not down with Matthew Morrison 's AUSA character and is questioning everything, including Lloyd Garber's very rehearsed testimony. In order to continue getting the one up, Eli and Mike Tascioni sent Alicia in and advised her to answer questions and stir the pot. It worked. Or did it? Did Peter fix a trial for Lloyd's son? These are the questions.
Behind the scenes, Alicia and Diane had a meeting to discuss the female-led firm Diane wants to get going. Hey, she's only doing it because Cary and David Lee are plotting against her, she said. What will it take to get Alicia on Diane's side and hurt Cary in the process? Some more power for Lucca. And it worked! Lucca got an office and brought on the big gun case. Cary knows what's up and flat out asked Alicia if she was approached by Big D (can we start calling Diane that now or is it too close to the end of the series to start trying to make nicknames happen?) and Alicia LIED TO HIS FACE. I love Alicia.
Anyway, while Alicia and Big D (going to keep trying it) were meeting to discuss the firm, Alicia saw Jason and Jason was seeing…ANOTHER WOMAN. She kissed him on the mouth. Turns out she's an "old friend from New York." Crushed Alicia turned to her best friend, tequila, and her other good friend Lucca Quinn. Let me just say that these Alicia/Lucca scenes are now the best part of the series. They're wonderful.
Please relive the conversation and all of its joys.
Alicia: "I have issues on this front. Husbands who screw around, who lie, who leave me in tears." Lucca: "You're not in tears now." Alicia: "You're right. I'm not. That's a sign of growth, right?" Lucca: "Or something." Alicia: "Scar tissue. Maturity. Cynicism." Lucca: "You expect the worst in people, you'll never be disappointed." Alicia: "Right. You think this is the worst of Jason?" Lucca: "No, I didn't say that. he didn't promise you anything, right? He didn't did he?" Alicia: "No, but I was becoming invested. I liked it, I liked being with him." Lucca: "So why don't you keep it up?" Alicia: "Become another face in his harem?" Lucca: "Have fun. Start your own harem. When you stop having fun, say goodbye." Alicia: "Oh god, this isn't who I am." Lucca: "You don't know who you are. No one knows who they are. Talk to Jason. He likes you and maybe it was just a friend."
Lucca Quinn is one of the best things to happen to The Good Wife , it's just a shame she was added in the last season.
So after Lucca discovers Alicia got her the new office, she sat down with Jason ( Jeffrey Dean Morgan remains incredibly charming) and told him what got Alicia so upset. He attempted to make amends, but Alicia and her sad pizza were already over it. After all, she's the governor's wife still.
An Alicia who is getting some is a feisty Alicia, as demonstrated when she went to bat for Grace whose college application essay was deemed plagiarism. Yadda, yadda, yadda, the software sucks, Alicia was a vicious mama bear and now Grace wants to be a lawyer. The episode ended with the three amigos, Lucca, Alicia and Jason, out at a bar being pals. Lucca wanted chips, so she left the table and Alicia couldn't stop herself and started giving Jason a hand job under the table. In public.
"We are in public. You are a constant source of surprise," Jason told her. "I wasted the last 20 years. I'm not going to waste the next 20," Alicia said.
The Good Wife airs Sundays, 9 p.m. on CBS.
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