Al Ko Sister Sex

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Al Ko Sister Sex

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DeAnna Janes
DeAnna Janes is a freelance writer and editor for a number of sites, including Harper’s BAZAAR, Tasting Table, Fast Company and Brit + Co, and is a passionate supporter of animal causes, copy savant, movie dork and reckless connoisseur of all holidays.

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No schoolgirl outfits or money shots here. Unless they're pivotal to the plot of course.
Google best movie sex scenes and watch your screen populate with endless links to content that's well...NSFW. Lucky for you, we’ve done the dirty work and sifted through the snuff to find the good stuff. Some we found hidden in the most romantic movies of all time , while others were going full-frontal in the best movies about sex . From masterfully crafted slasher porn with a contemporary bent to bold novelty coitus with a Cadillac stick shift, our list highlights some of most authentically sensual private moments caught on camera, while also tackling the nuances of gay dating , revolutionizing aging and sexuality , and rethinking the rom-com . But also, it’s a way to just watch a lot of really hot people doing seriously naughty things to each other’s bodies. So scroll on to find the best movie sex scenes of all time, and just try to keep the innuendoes to a minimum. Or don’t. We can appreciate a good nip quip.
Getting dirty indeed, Jennifer Grey and Patrick Swayze strip down to their skivvies for a romp in a log cabin sound-tracked to the soulful vocals of Solomon Burke’s “Cry to Me” in the 1987 film. Now, these days, Baby and Johnny’s slow dance-turned-slow love making would hardly garner a PG-13 rating, but for a girl in her formative years, watching that scene in the late ‘80s was something to behold.
Though the final chapter has long been closed on the Brangelina love story, there’s no harm in revisiting the prologue to their romance. Mr. and Mrs. Smith , Doug Liman’s spy action thriller starring the two heartthrobs, marks the beginning of what would become iconic coupledom, and it includes a sex scene—complete with all the chemistry and fire power of their characters’ automatic weapons—that proves there is a very thin line between love and hate.
Ang Lee is credited with bringing a queer love story to mainstream cinema with his ruminating and meditative Brokeback Mountain , starring two of Hollywood’s most well-known and A-list actors. Gyllenhaal and Ledger saddle up to play gay cowboys whose relationship becomes official in a secluded tent after a night of too much whiskey. For another, much rawer, take on queer romance, check out God’s Own Country .
It’s a new film—having been released just last year—but what Jodie Turner-Smith and Daniel Kaluuya do to each other in a car results in one of the hottest sex scenes to ever make it into the reel can. Queen & Slim is a racially charged film about injustice that draws comparisons to Bonnie and Clyde and Thelma & Louise , so this particular scene isn’t without its own protest, but damn if it isn’t steamy.
Erotic thrillers really found their B-movie stride in the ‘90s with Basic Instinct , Sliver , Disclosure , and Wild Things , but honestly William Hurt and Kathleen Turner were waxing passionate in sexy neo-noir cinema long before Sharon Stone went commando under that little white dress. Here, Turner plays Matty Walker, a housewife who somehow convinces Hurt’s Ned to break into her house and strip her of her inhibitions … and her underthings.
One of the most celebrated sex scenes of all time, this one is artfully done and told out of sequence—director Steven Soderbergh being as playful with editing and time and narrative as his two leads, Jennifer Lopez and George Clooney, are with each other. Flirty and cheeky as they undress, they do finally get horizontal, their lips do finally lock, and unfortunately, the screen does finally fade to black.
Director Kimberly Peirce takes a tender approach to depicting a transgender man getting intimate with his dream girl in Boys Don’t Cry , the 1999 indie drama that would score its leading actress, Hilary Swank, a Best Actress Oscar win. It costars Chloë Sevigny as said dream girl and the two reach oral heights under the stars in a field by a lake late at night.
Movie watchers are finally given their release after that sweaty display of macho pseudo-athleticism on a beach volleyball court when Maverick (played, of course, by an aviator-sporting classic Tom Cruise) and his bombshell instructor (Kelly MacGillis) use their tongues to get to know each other’s bodies in front of a blue screen while Berlin’s “Take My Breath Away” plays in the background. It’s seminal ‘80s viewing.
In the Realm of the Senses has long been considered one of the most perverse and erotic films to have ever slinked across the screen. Sexually explicit and non-simulated in its acts, the art-house gem about a real-life tabloid scandal features countless coital climaxes between its two leads. But the red dress scene manages to leave a little more to the imagination than the rest of the film, making for quite the arousing watch.
At the beginning of David Cronenberg’s 2005 thriller, Bello and Mortensen, who play married couple Tom and Edie Stall, perform a seduction scene in which Edie dons her high school cheerleading uniform and coyly persuades Tom into a game on tongue-twisting fun. Its innocence is vital to the brutal and difficult-to-watch sexual deed that comes in the third act of the film.
Though there isn’t exactly any real action going on—by today’s movie-watching standards—in this love scene featured in the Oscar-winning 1953 film, the power of suggestion and the throes of passion are most definitely there. Kerr and Lancaster star as Karen and Milton, a pair of adulterous lovers who get lost in the ebb and flow of the waves and the toss and turn of each other.
Joe Wright’s wartime drama traverses several decades, but it’s in the movie's first act that the catalyst on which the entire film hinges explodes. Cecilia and Robbie—her in that green dress, he in that black tux—consummate their love for one another, pinned against a stack of books.
This sex scene has no penetration or nudity. Rather, it’s an intimate encounter between the film’s protagonist and the male classmate who touches him for the first time. Alone, on the Miami beach, the breeze and the camera at their backs, the two are free to just be.
Could it be? The first on-screen female orgasm in a non-porn film? Maybe so. Given it was 1933 and that sort of thing was met with extreme finger wagging, Gustav Machatý’s drama was way ahead of its time. The scene: Eva, ahem, receives amid the glow of an oil lantern. A pearl necklace makes a special cameo.
The story is about a conservative housewife who falls in love with a paraplegic Vietnam War vet. The scene we’re referencing is a sensuous affair of nude bodies, lingering touches and the female climax. Which was hella revolutionary for the ‘70s and hella sexy still today.
If you’re a child of the ‘90s, you’ve got this one filed under “Old-School Sex Scenes My Parents Wouldn’t Let Me Watch,” snuggled in between Dirty Dancing and Pretty Woman . Sure, it’s not as racy when viewed through mature lenses, but the clay, the Sway, the melody—it’s all good foreplay.
Smith and Payne strip down in the great outdoors in Doug McHenry’s crime drama about a couple whose happiness is continuously interrupted by criminal tangents. In one particular scene, however, there’s no family and no drama. Just the birds, the bees, and a lotta of flora clinging to sweaty flesh.
Honestly, any scene from this fleshy erotic thriller would fit in nicely with the others on this list, but the entirely vertical mambo between Lane’s Connie Sumner and her fling in the ladies’ room of a Soho café really stands up to the rest. Even more so because of what happens afterward.
Who needs nudity when there’s a perfectly timed penetration metaphor? In the final scene of what is arguably Alfred Hitchcock’s sexiest film, Roger, who likes Eve’s flavor , invites her to his bunk on a steaming locomotive. The scene cuts off just as the train enters a tunnel. Dirty minds, take it from there.
James M. Cain’s crime novel has been adapted for the screen a few times, and the 1946 original exudes heat even under the confines of censorship. But it’s the 1981 remake where the cuffs come off and the passion is served—on a baker’s slab after cups of coffee and a bizarre struggle, to be exact.
Whether you’re a fan or not of the gimmicky Nicholas Sparks twist, there’s no denying on-screen chemistry. Not even Mother Nature’s heaviest downpour could put out the fire between McAdams and Gosling—who dated IRL after filming—in this waterlogged reunion .
Gina Prince-Bythewood constructs one of the most tender love scenes captured on film, as Monica and lifelong friend Quincy slide between the sheets. We’re thankful to have a woman capturing a woman's first time, and to the falsetto neo-soul notes of Maxwell’s “ This Woman’s Work ,” no less.
Though the Meatpacking District’s sex dungeons are no longer, there is The Standard, where sex becomes a peep show for traffic on the West Side Highway if couples don’t close their curtains. There’s a very poignant, very raw scene in Steve McQueen’s erotic noir that illustrates just this.
Darren Aronofsky is notorious for screwing with the human psyche. And, here, he does it with a couple of ballerinas and a few tabs of ecstasy. Nina and Lily cap off the night with a make-out sesh that climaxes with a little oral fixation and Lily whispering, “Sweet girl.” Pun likely intended.
Simulated or not, a great sex scene evokes emotion—even if that emotion is paralyzing fear (although rumor has it the sex is actually real here). In Nicolas Roeg’s thriller, that fear comes when married couple Laura and John are getting busy as uninvited premonitions of murder flash in and out of John’s mind.
Spike Jonze takes everything you thought you knew about cybersex one stroke further. In his sci-fi love story, a lonely heart falls in love with his operating system, Samantha, and together with blushing dialogue and a transcendent score, the two embark on her sexual awakening.
Food and sex: crucial to human survival. Food WITH sex, though? That’s a personal decision. Here, Elizabeth and John are definitely pro food in the bedroom. Or rather, in front of the fridge, where Liz consumes about nine-and-a-half weeks’ worth of calories before even getting to the deed.
Full frontal, coital insecurities and puppet sex are all at play in one of the most humanistic films that stars not one human. Lisa and Michael spend an evening getting to know each other, and each other’s naked bodies, in Michael’s hotel room. What follows is some seriously sensual and honest filmmaking.
Derek Cianfrance’s marital drama, which chronicles the dissipation of one couple’s marriage, was slapped with the pornographic rating for including an oral sex scene in which the man is giving. Double standard aside , that night in Cindy’s childhood bedroom is one incredible and raw display of affection
Andrew Haigh’s SXSW award winner depicts the intimate relationship that comes out of a one-night stand: Russell and Glen meet at a gay bar, then they hook up. But the scene we’re highlighting comes later, when a serious conversation gives way to carnal desire.
Rose DeWitt Bukater is full of instruction: “Draw me like your French girls,” “Leave me alone,” “Oh, Mother, shut up!” It’s no wonder she’d take the lead in the bedroom—scratch that—the fogged-up vintage automobile. “Put your hands on me, Jack.” And so he does . That James Horner score though.
Don’t lie: you’ve had images of Lana and Joel taking advantage of an empty-ish subway car keep you company on your late-night commute home at least once. Though this scene and, really, the entire film reeks of male fantasy, it does still ignite a passion more powerful than a speeding bullet. Phil Collins helps .
Gaspar Noé is a visionary whose visceral films will change you, and Irreversible might be the best example of this. In this love scene, which happens at the end of the film though is the beginning chronologically, Alex and Marcus make love without making love. It’s just so devastatingly beautiful.
Not the rendezvous in the stacks, or the spread-eagle deed in the bedroom, but the seduction in Desi Collins’s boudoir, our antihero heroine who’s being held against her will, armed with lacy underthings and an escape plan. As we aren’t fans of spoilers, we’ll stop there, but you can click here to watch the scene.
Italian director Luca Guadagnino taps into the senses to craft a romance about an unfulfilled housewife whose sexual appetite is sated when she meets a chef named Antonio. Passions boil over in a field where Guadagnino’s lens captures nature, nurture and nudes.
Alfonso Cuarón’s Mexican coming-of-ager is all about "bits" and circumstance. Though the film is full of enough erotica to fill this whole list, we’re focusing on the climatic threesome that goes down in a hotel room between two best friends and the older woman stealing their attention. Oh, what a night.
Attempting to describe David Lynch’s mind-bender in a few words is so impossible it’s pointless. Attempting to describe Betty’s sexual awakening in bed with Rita, on the other hand, is simple: Betty is in love with Rita, so she makes love to Rita. And it’s lovely.
John Hillcoat’s tommy-gun gangster Western stars Hardy as a bootlegger who wears a LOT of cardigans opposite Chastain. During the scene, “ Fire in the Blood ” plays in the background and Chastain approaches Hardy on a pallet—and fire in the blood takes on a whole new meaning.
The attic. The bed. The attic some more. Sarah and Brad spend a lot of time in Todd Field’s 2007 Oscar nominee in the buff. But it’s in the laundry room after a pool day that gets awash where their affair first takes hold of them (and us) spread-eagle on the utility sink as the sky opens around them.
The controversy surrounding director Abdellatif Kechiche's lesbian coming-of-age romance epic is not lost on us. Still, we can't help but watch in awe the dedicated performances put forth from two of cinema's most authentic thespians: Lea Seydoux and Adele Exarchopoulos.
Directed by Michael Winterbottom and billed as an art-house romance drama, this film can be summed up in one word: horny. So many orgasms, so much sex—we know porn when we see it, sir. About an American college student and British geologist who throw down between multiple rock concerts, it all culminates in a very hot, very explicit, very unsimulated rock-fuck-repeat affair. The best scene? The one where Matt blindfolds Lisa, and then checks out the downtown.
No stranger to letting it ALL hang out onscreen (see: Monday, Pam & Tommy ), Sebastian Stan is at the center of yet another sexually explicit scene. This time, it's in Mimi Cave's jaw-dropping comedy thriller. We'll spare you plot details, as this one's better going in oblivious, but the scene we mention here sees the two leads on a date, choreo-dancing to French psych-punk rock , and then heading to the bedroom.
Francis Lee's Sundance-winning character study is a gritty journey through self-discovery and acceptance set in the isolation of the Yorkshire Dales under blankets of fog. As the film progresses, the sexual encounters between the film's two leads, Johnny and Gheorghe, give way to more emotion and connection, but their initial romp—a beautifully shot roll in the mud—is one for the canon independent cinema.
Netflix's rom-com that flirts with BDSM is nothing like Fifty Shades . It's better. An extraordinary feat for Korean cinema, the film deftly operates at the intersection of kink and consent, without ever veering into the NC-17 trap, allowing its leading K-pop stars—Seohyun from Girls’ Generation and Jun from U-KISS—to explore the practice of erotic roleplay in the safest of zones. Our favorite suggestive scene? The one where Jun lines Seohyun's right leg with the most delicate of kisses.
The nudity and sexually gratifying scenes are aplenty in this classic Spanish romance from Julio Medem. But if pressed for time, skip ahead to the morning after Lucía and Lorenzo meet. The two give each other silly stripteases, and then put a blindfold to work, tasting, licking, and sucking on different body parts—you know, to get to know each other inside and out.
"Wait, did she just? Welp, she sure did," thought everyone in the theater watching visionary director David Lowery's fantasy adventure starring Dev Patel and Alicia Vikander. Entirely clothed yet pulsing with desire, Vikander's The Lady gets handsy with Patel's Gawain, massaging his own little knight to euphoric orgasm. When it's over, she leaves him with his magical girdle soaked in his own—you know.
The sexual chemistry between Issa Rae and LaKeith Stanfield in this time-hopping romance is hotter than melted wax. Things get especially steamy on a night when the rain is pouring, the liquor is flowing, and the Al Green is spinning. As the sky opens up outside, these two open up in more ways than one with each other inside, exploring their past lives—and current bodies—in a skillfully lit rollick between the sheets.
Andra Day gives it her all in Lee Daniels's jazzy, pulpy biopic about the legendary Billie Holiday. She even scores an Oscar nom for her leading role. So you can imagine the level of commitment at play here, and that includes when Billie and her controversial squeeze, Agent Jimmy Fletcher, make the bed creak in a shabby motel. What begins as roughhewn or carnal gives way to lovemaking that's tender and intimate.
Car sex is nothing new. But sex with a car is, and it's done boldly and brilliantly by French horror auteur Julia Ducournau ( Raw, Servant ). Now, no mincing words here: Titane features a full-throttle sex scene with protagonist Alexia sliding onto the gear shift of a flame-licked Cadillac and riding that beast 'til climax. It's quite extraordinary and something you simply have to see to believe.
A horror movie about a film crew who hole up in a backwoods Texas farmhouse to make a porno, the whole of X is actually way more than the sum of its nudie parts. But we're here to talk about the sex. And sex there is in Ti West's erotic slasher. Mia Goth, Brittany Snow, and Jenny Ortega all take turns turning you on, but one scene in particular takes the hotcake: the one where Pearl watches Goth's Maxine Minx do the nasty with Kid Cudi's Jackson. (If you know, you know.)
Mary Elizabeth Winstead gives a powerful performance in Eva Vives’s criminally underseen 2018 dark comedy. She plays the titular character, a self-destructive stand-up comedian who lets her guard down with a guy she meets at one of her shows. That guy is Rafe, and the scene we’re mentioning here happens after the two spend an evening trying not to have sex. Some dancing and a game of Slapsies, or Flinch, changes all that.
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