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Addison Graham encul par Dennis West
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. . .upon this rock I will build my church; and the gates of hell shall not prevail against it. Matthew 16:18
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The red heifer from Numbers 19 has been born in Israel on September 19, 2018. Read more
If you are reading this after all the Christian people have disappeared, then click here for help.
In reference to a previous post on June 10, 2017 on our Devotional for the Day website...
Editor: bereadyforthelord Published: Tuesday, June 20, 2017
* * * * WARNING WARNING WARNING WARNING * * * *
These people are very dangerous and very evil! Read the testimonials .
And MANY false prophets shall rise, and shall deceive many . Matthew 24:11
Beloved, believe not every spirit, but try the spirits whether they are of God: because MANY false prophets are gone out into the world . 1 John 4:1
It appears to me that these imposters keep trying to change their names in order to deceive and confuse people. They have leached onto every formerly sound doctrinal preacher and enchanted them into serving a false god. Read Bill Randles research on this " mystical revival ." In Bible times there were not very many real prophets of God. The Bible specifies for us and warns us that in the last days there shall be "MANY FALSE PROPHETS." Either God is lying to us, or all these people who claim to be real prophets of God are liars.
PLEASE NOTE that there are many more false prophets but here is my starting list. We have all heard of at least some of the names but NEVER take someone else's word for who is false or not false. Satan is waging a war to confuse the people of God, but you do not have to be confused. It is crucial that you DO YOUR OWN PERSONAL STUDY of the WORD OF GOD and allow Jesus to point out the Scriptures to you and speak to your spirit where the errors are.
We have a lot of prophets. They're not 'prophetic.' They're PATHETIC. -Adrian Rogers, The Midnight Cry and the Rapture of the Church -
Please note that this is not all inclusive. The list continues to grow. There are people who continue to join.
A: Doug Addison (In Light Connection), Che Ahn (Harvest Rock Church), Rory and Wendy Alec (God.TV), Beth Alves (Intercessors International), Joni Ames (A.C.T.S. Ministries), Ian Andrews (International Association of Healing Ministries), LaNora Van Ardsall (Fountaingate Ministries International), John and Carol Arnott (Toronto Airport Christian Fellowship), Jill Austin (Master Potter Ministries)
B: Heidi Baker (Iris Ministries), Jim and Lori Bakker (The New Jim Bakker Show), Jim and Mary Baker (Zion Christian Fellowship), John Belt (Live In His Presence Ministries), Todd Bentley , Mike Bickle (The International House of Prayer), Paul and Cheryl Black (Cornerstone Fellowship), Shawn Bolz (Expression 58), William Branham [1]
C: Paul Cain (Shiloh Ministries), Wes and Stacey Campbell (RevivalNow!, BeAHero.org), Michael and Natalie Chevalier (France Revival), Nolan and Heather Clark (Jesus Feast/Revival Town), Randy Clark (Global Awakening), Kim Clement , Denny and Ann Cline (Albany Vineyard Church), Bobby Connor (EaglesView Ministries), Graham Cooke, Paul and Donna Cox (Aslan's Place), Dennis Cramer
D: Kimberly Daniels (Spoken Word Ministries), Paul Keith David (WhiteDove Ministries), Matt Dentino (Outreach Ministries International)
E: John Eckhardt (IMPACT Network), Lou Engle (LouEngle.com), Aaron Evans (Emerging Daniel Company), Mike Evans (Wholeness Ministries)
F: Emerson and Ana Mendez-Ferrell (Voice of the LIght Ministries), Will Ford (Will Ford Ministries), Theresa Forkins-Phillips (Chicago Prophetic Voice), Francis Frangipane, Sandi Freed
G: Joseph Garlington (Covenant Church of Pittsburgh), James and Michal Ann Goll (Encounters Network)
H: Bill Hamon (Christian International), Scott Hicks (True Worship Ministries), Rodney Howard-Browne (Revival Ministries International), Ray Hughes (Selah Ministries), Theresa Hurlbert (Somebody Cares Ministries)
I: Israel Relief Fund: A Caring Coalition for Such a Time as This, International School of Reconciliation Studies
J: Cindy Jacobs (Generals of Intercession), Harry Jackson, Jr. (The Hope Connection), Bill Johnson (Bethel Church), Bob Jones (Kansas City Prophet), Manasseh Jordon [2] , Rick Joyner (Morningstar Ministries)
K: Patricia King (Extreme Prophetic)
L: Curt Landry (Israel Relief Fund), Marty Layton (LifePointe Church), Martha Lucia (Watchman Network), Keith and Sanna Luker (Prophetic Worship Radio)
M: Jonathan Maracle (Broken Walls), Nancy Magiera (HUB Ministries), Cindy McGill (Hope for the Harvest), Reeni Mederos (Warriors Cave), Keith Miller (Stand Firm World Ministries), Joshua and Janet Mills (New Wine International), Myles Munroe (Bahamas Faith Ministries)
P: Ben Peters (Open Heart Ministries), Jason Phillips (Revival Town Ministries), Churck Pierce (Glory Zion Ministries), Don Potter (PotterHausMusic.net), Paula Price, Prophetic.TV
R: Larry Randolph, Rick Ridings (Succat-Hallel Tabernacle of Praise), Alberto and Kimberly Rivera (Raining Presence), Ras Robinson (Fullness Online)
S: John and Paul Sandford (Elijah House Ministries), Kent Simpson (Prophetic Ministries Today), Dutch Sheets, Brian Simmons (Gateway Christian Fellowship), Donna Smallenberg, Matt Sorger, Peter Spencer (Sound of Passion), Jay Swallow (Two Rivers Native American Training Center)
T: Wade Taylor, Richard Twiss (Wiconi International)
W: C. Peter Wagner (Global Harvest Ministries), David and Kathie Walters (GoodNews Ministries), M Leon Walters (The Latter House Kingdom Ministries), Sandy Warner (The Quickened Word), Barbara Wentroble (Wentroble Christian Ministries), Sharnael Wolverton (Swiftfire Ministries International)
Y: Bill Yount (Blowing the Shofar Ministries)
...they [referring to Jerusalem] had Bickle and Lou Engle over there around a couple years ago - and I do want to encourage you for it was the - YOUTH - there that said they discerned this was not from God and they were very voiceterous to stand up against it and to speak out against all this...-Lynn, www.johnthebaptisttv.com/bbpress/topic/2747-
[1] William Branham was not part of the Elijah List (the Elijah List was not formed until after his passing) but I have placed him here in order to keep these self-proclaimed prophets all on one page. Some, if not most, of these Elijah List false prophets base their teachings on Branham's teachings. Heidi Baker is one of them.
[2] To my knowledge as of the time of writing this, Manasseh Jordan is not part of the Elijah List, but is a self-proclaimed prophet who has been endorsed by false teachers such as Benny Hinn, Mike Murdoch, Paula White, and Paul Crouch.
Hi, I was just online researching the counterfeit church culture and looking up the demonic Hillsong and I stumbled upon your site and read about Bethel. Wow, I just want to say I almost fell for years of that stuff and your article on Beth-HELL was not only enlightening but HILARIOUS. Glad I found your site. Thank you. -Michelle ...Read all comments
→ Godtube discriminates against exposing false prophets!
And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come. Matthew 24:14
If you find a page error it will be repaired much sooner if you report it than if you wait for me to discover the problem. Thank you. :O)
Sharing the good news of Jesus Christ around the world.
All scripture is taken from the King James Bible unless otherwise specified. Read our Disclaimer .
Prophecies of Revelation Copyright © 2003-2019 All Rights Reserved
Publisher: Ubiquity Press Editor: Erik Malcolm Champion ISBN: 978-1-914481-01-7
Virtual heritage has been explained as virtual reality applied to cultural heritage, but this definition only scratches the surface of the fascinating applications, tools and challenges of this fast-changing interdisciplinary field. This book provides an accessible but concise edited coverage of the main topics, tools and issues in virtual heritage.
Leading international scholars have provided chapters to explain current issues in accuracy and precision; challenges in adopting advanced animation techniques; shows how archaeological learning can be developed in Minecraft; they propose mixed reality is conceptual rather than just technical; they explore how useful Linked Open Data can be for art history; explain how accessible photogrammetry can be but also ethical and practical issues for applying at scale; provide insight into how to provide interaction in museums involving the wider public; and describe issues in evaluating virtual heritage projects not often addressed even in scholarly papers.
The book will be of particular interest to students and scholars in museum studies, digital archaeology, heritage studies, architectural history and modelling, virtual environments.
A 3D reconstruction of a Neolithic hut in Malta. The model has been used in publications and exhibitions to show the original form of the structure prior to destruction.
A serious game that allows exploration of a burial site in Malta. The interface provides tools for self-guided learning. [Author].
A typical workflow of photogrammetry data processing (3D reconstruction).
Original versus 3D reconstruction of objects.
Dense point cloud generated from photographs (Sompur Mahavihara, Bangladesh, a world heritage site) using photogrammetry.
All figure content in this area was uploaded by Erik Malcolm Champion
Content may be subject to copyright.
Content uploaded by Erik Malcolm Champion
Content may be subject to copyright.
Virtual heritage has been explained as virtual reality applied to cultural heritage,
but this definition only scratches the surface of the fascinating applications, tools
and challenges of this fast-changing interdisciplinary field. This book provides an
accessible but concise edited coverage of the main topics, tools and issues in
Leading international scholars have pro vided chapters to explain current issues in
accuracy and precision; challenges in adopting advanced animation techniques;
shows how archaeological learning can be developed in Minecraft; they pr opose
mixed reality is conceptual rather than just technical; they explore how useful
Linked Open Data can be for art history; explain how accessible photogrammetry
can be but also ethical and practical issues for applying at scale; provide insight
into how to provide interaction in museums in volving the wider public; and
describe issues in evaluating virtual heritage projects not often addressed
The book will be of particular interest to students and scholars in museum studies,
digital archaeology, heritage studies, architectural hist ory and modelling, vir tual
VIRTUAL HERIT AGE A Guide Erik Malcolm Champion (ed.)
Cover design by Mattin Delava r, Ubiquity Press
Cover image: Interior , Virtual Longhou se (2017),
William Michael Carter , Kristian Howald & Craig Barr
Print and digital versions typeset by Silicon chips Ser vices Ltd.
ISBN (Paperback): 978-1-914481-00-0
is work is licensed under the Creative Commo ns Attribution-
NonCommercial 4.0 In ternational License (unless stated otherwise within the
content of the wo rk). To view a copy o f this license, visit https://creativecom
mons.org/licenses/by-nc/4.0/ o r send a letter to Creative Commons,
444 Castro Street, Suite 900, M ountain View , California, 94041, USA.
is license allows sharing and copying a ny part of the work for personal
use, providing au thor attribution is clearly stated. is license pr ohibits
e full text of this book has been peer-reviewed to ensure high academic
standards. For full review policies, see http://www .ubiquitypress.com/
Champion, E. M. 2021. V irtual Heritage: A Gu ide . London: Ubiquity Press.
DOI: https://doi.org/10.5334/bck. License: CC-BY -NC
T o read the free, open access version of this
book online, visit https://doi .org/10.5334/ bck
or scan this QR code with your mobile device:
Introduction: V irtual Heritage: From Arc hives to Joysticks 5
1. Speculating the Past: 3D Reconstruction in Archaeology 13
2. Phot ogrammetr y: What, How , and Where 25
4. Mappin g Ancient Heritage Narratives with Digital T ools 55
Anna F oka, David A. McMeek in, Kyriaki K onstantinido u, Nasrin Mostoa n,
Elton Barker , O. Cenk Demir oglu, Ethan Chiew , Brady Kiesl ing, and
5. Hybrid Interactions in Museums: Wh y Materiality
6. V ideo Games as Concepts and Experiences of the Past 81
7. Mixed Reality : A Bridge or a Fusio n Between
8. Getting I t Right and Getting It W rong in Digital
9. Evalua tion in Virtual Heritage 115
10. Preserving Authenticity in Virtual Heri tage 129
1. A 3D reconstruction of a Neoli thic hut in Malta. e model
has been used in publications and exhibi tions to show the
original form of the structure prior to destruction 15
2. A serious game that allows exploratio n of a burial site in Malta.
e interface provides tools f or self-guided learning. [Author] 17
3. A typical workow of photogra mmetr y data processing
4. Original versus 3D reconstruction of objects 32
5. Dense point cloud generated fro m photographs (Sompur
Mahavihara, Bangladesh, a world heri tage site) using
6. Adventur e Man (2020) by Prof. Kris Ho wald, Sheridan College
Computer Anima tion Program – Example of Animated
7. Adventur e Man (2020) by Prof. Kris Ho wald, Sheridan College
Computer Anima tion Program – Example of texturing and
8. W arwolf – e Siege of Stirling Castle, 1304 by Bob Marshall 49
9. Greek and English translatio n of passage 1.18.5 of Pausanias ’s
Periegesis Hellados with dieren t relational annotations to
display movemen t and origin in the semantic annotation
platform Recogito. i s displays the complexity of map ping
narratives of heritage in di erent languages 60
10. A conventio nal (and incorrect) mapping location for m ythical
Hyperborea as found in the b uilt-in cartographic system of
11. Recogito interface with marked-u p, identied, and DARE
gazetteer alignment of the Ancient T emple of Hera in the
island of Samos (Hera ion) including additional free tags such
12. Object identication and tagging in book 7 section 4 of
Periegesis, including m ark-up and georeference alignment
13. e smart replica objects for e H ague and the Atlantic
W all at Museon (inset). Each replica repr oduced an authentic
object in the exhibition (inside glass case in photo). Replicas
of each object could be picked up by visi tors (le of exhibition
stand in photo) to explor e the exhibition and trigger virtual
content r epresenting dierent points of view . Photographs
by Daniela Petrelli a nd Nick Dulake, used with permission 72
14. e Interactive T ableaux at the Bishops’ H ouse Museum.
Each tableau reacted with dierent beha viours when activated
with replica objects. Photograph s by Caroline Claisse, used
15. e souvenir postcards (fro nt and back) realised by the meSch
project for M useon (le) and the Italian Historical W ar
Museum (right), rema terializing virtual aspec ts of individual
visits. Photograph b y Luigina Ciol. Postcard design by P addy
16. A network showing three ‘ families’ of historical games, using
data from Steam. N odes represent game elements (‘ tags’) that are
identied and reported by the play ers of these games (produced
17. Buildings at Delphi in A C: Odyssey and the same locations in
reality (aer Poli topoulos et al. 2019) 86
18. Screenshot of the recon structed fort Matilo in Minecra th at
had been built over several RoMein cra events held in Leiden,
19. Augmen ted reality is a form of immersive reality that enhances
our perception of the real wor ld and allows users to interact
with reality and virtuality (gure produced b y the author) 96
20. Mixed reality is a form of imm ersive reality that enhances our
perception of both the real and virtual enviro nments and
allows interaction between users, reality , and virtuality
(gure produced by the a uthor) 97
21. Visual model of the concepts about evalua tion in virtual heritage 117
is diverse and fascinating collection of essa ys on virtual heritage takes the
reader on a tour of some of the mos t pert inent issues and c hallenges cur-
rently facing the domain. er e is a scholarly focus on the digital technologies
deployed in a virtual heritage context, wha t these can achieve in terms of repre-
sentation, and the rela tionship between precision, accuracy in representation,
and the characterisation of a uthenticity. I t is refreshing also to see considera-
tion of less technical issues such as ethics and the rela ted question of (digital)
data preservation and long-term access. While these aspects of virtual heritage
may be intimately r elated to various technical developments they also help to
situate virtual heritage within the heritage do main more broadly by drawing
out the similarities, and dierences, between the ‘virtual ’ and ‘non-virtual’ in
how the issues should be addressed. e impact of o ur interactions with the
communities we serve and our obligatio ns to care for and curate the conten t we
create on their behalf are too oen a erthoughts in project design.
Y ou will also nd chapters here addressin g key questions around visual eects,
animation, visualisation, evaluatio n, and the role of gaming. Each topic is han-
dled in a way that points to the importance o f remembering human experience
in all aspects of heritage. Heritage, especially virtual heritage, unquestio nably
benets from the advanced technologies it can no w mobilise. However , at the
Jerey , S. 2021. Foreword. In: Champio n, E. M. (ed.) Virtual Heritage: A G uide .
Pp. 1–3. London: Ubiquity P ress. DOI: https://doi.org/10.5334/bck.a. License:
heart of heritage there remains a d ynamic and complex discourse around how
the multiple values and diver se forms of signicance attached to tangi
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Elle adore la bite de ce vieux mec
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