Achilles.

The image fete male strength, a
nd his power over women by omitting the
female totally. Ingres certainly didn't create
this array of idealized
men in a vacuum. Why
were artists inspired in the first place to cel
ebrate the idealized guy in favor of girls?
The Romanticized Guy
During the eighteenth century, the German artwork
Winckelmann (1717-1768) released
a novel that encouraged contempor
ary artists to model their
work on the sculptures of Ancient Greece. Classical
Greek sculptures repr
esent an idealized man,
Neoclassicism was popularized.
14
Neoclassical paintings, such
as the aforementioned
, highlight the
heroic, balanced, rational, and idealized
Guy by emulating Ancient Greek figures.
y, as a push against Neoclassicism, the artwork and
. Romanticism rejected the idea of harmony
and the ideal, and instead focuse
d on nature, emotion, passion, and
the inner self. Artists were
Competent to express their deepest se
their relationship to
the world like never
before. Evidently, this movement changed
Now,
the male nude could embody expression rather than
Signify equilibrium, inte
llect, and perfection.
odin (1840-1917) created male nude
sculptures, which indicate the shift away from Neoclassicism. Rodin's
figures are expressive and "create
powerful evocations of person
Want, despair, and passion."
15
His sculpture
Adam: The Development of
Man
, from 1880 represents a awesome un
derstanding of human emotion
ssical art.
Earth, with a look of sorrow, as if
burdened by his ties to Earth. His
sinuous musculature reminds us of
his strength, but also of his
mortality. Instead of the classi
ouches, and recoils at the weight
of the world. Rodin does not attempt
to disguise the battle of guy,
and rather stresses life's inevit
able torment. The acceptance of
feeling and unrest likely goes hand
female bare, and the fall of the Academic male nude, since
women are connected with irra
tionality, emotion, and enigma.
The Romanticized male nude is no
Uncertainty an exaggerated version the
human circumstance, but is arguably more
realistic than the idealized
Auguste Rodin,
Adam: The
Creation of Man,
1880.
Metropolitan Museum of Art.
Neoclassical male nude. Because wh
ile the intellectual and beautif
ul Neoclassical guy deceive us
into thinking that we can exist without emoti
on, the twined and expressive Romanticized male
reminds us of the reality of bei
ng living. Rodin's sculptures must
give us insight on the artist's
relationship with the world but the
fact that his sculptur
es are not self-portrai
ts reveals a distance
between Rodin and his subjects. The self portrait,
Selfportrait can supply
Outstanding insight into an
artist's internal world.
A Different Kind of Guy
While Solomon Godeau asserts th
at the crisis in masculinity started during the eighteenth
Disaster started in the la
te nineteenth century,
when "we see the conventional c
oncept of the rational, autonom
ous male slowly but surely
fragmenting."
16
Thus, the idea of the separate, bala
nced, perfect male was an okay
concept until the nineteenth century, until cha
nges started to happen. here believes
that the crisis in masculinity has origins in
industrialization,
the call for women's rights, the
Enlightenment, the French Revolution, and fresh bran
ches of science, including the study of sex.
17
The author goes on to write:
Marx, Darwin, Nietzsche, and Freud all revealed,
each in a different way, that guy isn't
a logical, autonomous being, but is somewhat
sexually and socially
conditioned, and that
since he's driven by his subconscious and by
his want, he cannot even be described as
master of his own house. The "denaturing of
man, meaning the removal of the causality
ng of the dividing line between regular and the
sick, shattered the hegemonic understanding of the man's part.
18
So, during the nineteenth century the function of
the guy was no longer comprehended due to further
Ethnic and social shifts. Artists provided imag
ery that supplied visual investigation of this
concept.
The Austrian artist Egon Schi
ele (1890-1918) was determined by
Exceptional, outrageous, expressionistic style. Schiele was
determined to create new and provocative work,
and frequently painted nude portr