About James Dean
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About James Dean
More than six decades after his untimely death, James Dean remains one of Hollywood’s most enduring and enigmatic icons.
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More than six decades after his untimely death, James Dean remains one of Hollywood’s most enduring and enigmatic icons.
It's been more than 60 years since his tragic death and still Hollywood is looking for “the next James Dean .” The young actor made only three movies in his career – East of Eden (1955) where he played the bad boy brother in the “Cain and Abel” retelling, his signature role as an angst-fueled teen in Rebel Without a Cause (1955), and Giant (1956) where he stepped into the cowboy boots of a nonconformist ranch hand. All of his movies became Hollywood classics, but he only saw one, East of Eden , completed.
He was only 24 years old on September 30, 1955, when he was driving down Route 466 in his Porsche 550 Spyder and a car collided with his, killing him almost instantly. The young star's life and career was cut short, but his premature death contributed to the legend he would become. Rebel Without a Cause and Giant were released posthumously, and Dean came to epitomize the sensitive, troubled rebel who fans still connect with today. Who was the man behind the brooding Hollywood sex symbol? Here are 7 revealing facts that might give you a clue.
Dean was born in Marion, Indiana on February 8, 1931. Dean's father Winton left farming to become a dentist and moved the family to Santa Monica, California. But when Dean’s mother died from cervical cancer when he was 9, the family broke apart. His father sent him back to Indiana to live on his aunt and uncle’s Quaker farm, and this was the beginning of an estrangement between father and son that would haunt them for the rest of their lives.
He was the symbol of sexy cool onscreen, but off-camera the 5’8," 135-pound star had some quirky and dirty (as in unwashed) habits. Dean supposedly didn’t care much about his public appearance and went for the disheveled look. At one formal luncheon, he showed up barefoot and in filthy jeans and was known to appear at rehearsals in pants held together with safety pins. He was also known for having pretty extreme mood swings, according to friends, who said he also had the habit of calling or visiting them late at night. “He’d be up one minute, down the next. He was uncomfortable in his own skin,” one of them said.
Just hours before his crash, James Dean takes a cigarette break at a gas station next to his beloved silver Porsche 550 Spyder that he named Little Bastard.
Dean respected another brooding actor of the day, Marlon Brando . While Dean was just emerging in Hollywood, the slightly older Brando had major success as Stanley Kowalski in A Streetcar Named Desire (1951), his iconic role as a motorcycle gang leader in The Wild One (1953), and he won an Oscar for On the Waterfront (1954). Dean attempted to call Brando and see him socially, but Brando rebuffed his attempts at a friendship. “I gave him the name of a [psycho]-analyst, and he went. At least his work improved,” Brando said.
In his short career, Dean played fictional non-conformists who played by their own rules, but if he had lived he may have taken on the role of a real-life outlaw. He read and re-read the book The Authentic Life of Billy the Kid and frequently spoke of wanting to portray the Wild West gunslinger in a film.
Before he made it in the movies, Dean worked a lot on live television. A fan of improvising, he went off-script on one show and threw a few ad-libs at one of his co-stars, actor and future president Ronald Reagan , who was totally confused by Dean's acting method. Reagan wasn’t the only one who disliked Dean’s spontaneity. "Just make him say the lines as they’re written,” one actor said once.
Although Dean was briefly engaged to actress Pier Angeli, his sexuality has been a matter of debate. A number of biographers doubt his relationship with Angeli was a physical one. Some biographers believe he was bisexual; others characterize him as a homosexual who had one or two brief affairs with women. It was rumored that his first sexual experience occurred as a teenager when a local minister seduced him.
When he wasn’t acting or racing cars, Dean liked to practice magic tricks. A smoker, who was often photographed with a cigarette dangling from his mouth, Dean put a magical spin on his tobacco habit: he would put an unlit cigarette and a flaming match into his mouth and then pull out a burning cigarette. Another reason why Dean was smoking hot.
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Julie Harris and James Dean in East of Eden (1955), directed by Elia Kazan.
Lois Smith and James Dean in East of Eden (1955), directed by Elia Kazan.
Nicholas Ray (right) with Natalie Wood and James Dean on the set of Rebel Without a Cause (1955).
(Clockwise from left) Sal Mineo, Natalie Wood, and James Dean in Rebel Without a Cause (1955), directed by Nicholas Ray.
James Dean in Rebel Without a Cause (1955), directed by Nicholas Ray.
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James Dean , in full James Byron Dean , (born February 8, 1931, Marion , Indiana, U.S.—died September 30, 1955, near Paso Robles, California), American film actor who was enshrined as a symbol of the confused, restless, and idealistic youth of the 1950s. Although he made few films before his death in a car accident at age 24, his performances, perhaps most notably in Rebel Without a Cause (1955), have proved enduring.
Dean’s family moved from Indiana to California when he was five. Following the death of his mother four years later, Dean returned to Indiana where he was reared on a farm by an aunt and uncle. He moved back to California after high school to study theatre for two years at the University of California at Los Angeles. His first professional acting assignment was for a soft drink commercial, which led to a speaking role as John the Baptist in the television Easter special Hill Number One (1951). He played bit parts in three Hollywood films— Fixed Bayonets (1951), Sailor Beware (1952), and Has Anybody Seen My Gal? (1952)—before moving to New York City on the advice of actor James Whitmore, with whom he had briefly studied. After a series of short-term jobs, including a brief period as a “stunt tester” for the CBS game show Beat the Clock , he was cast in a key role in the Broadway flop See the Jaguar (1952). More successful was his sly, insinuating performance as a blackmailing homosexual houseboy in another Broadway production, The Immoralist (1954), a stage adaptation of André Gide ’s book.
The Immoralist brought Dean to the attention of film director Elia Kazan , who cast the 23-year-old actor in the leading role of troubled teenager Cal Trask in East of Eden (1955), the screen adaptation of John Steinbeck ’s novel . On the set, Dean perpetuated his reputation for constantly changing his character interpretation and line readings and for deliberately baiting and challenging his fellow actors, including Julie Harris , Raymond Massey , and Burl Ives. When East of Eden premiered, however, Dean was seen as a movie star of the first magnitude and was nominated for an Academy Award ; it was the first acting nomination to be granted posthumously.
Dean’s second starring film appearance, as sensitive high-school misfit Jim Stark in director Nicholas Ray ’s Rebel Without a Cause (1955), made him into the embodiment of his generation. His character defiantly rejects the values of his elders while desperately aching to “belong” and attempting to find a purpose in life. Dean’s performance spoke eloquently on behalf of disenchanted, disenfranchised teenagers and gave them a hero they could respect and admire. The classic drama also featured Natalie Wood , Sal Mineo, and Dennis Hopper .
Dean was next cast in producer-director George Stevens ’s Giant (1956), a drama set on a Texas ranch that also starred Rock Hudson and Elizabeth Taylor . Shortly after completing the film, the restless Dean drove off in his silver Porsche to compete in a sports car rally in Salinas , California. Speeding down the highway, he crashed headlong into a Ford sedan and was killed instantly. Almost immediately an intensely loyal cult was established, and within days of his death he became a film icon. Both Rebel Without a Cause and Giant were released posthumously, and he received an Oscar nomination for the latter film. The James Dean mystique continued to flourish into the 21st century.
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