Abbie Cornish Ass

Abbie Cornish Ass




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Abbie Cornish Ass
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Abbie Cornish, also known by her rap name Dusk, is an Australian actress and rapper. Following her lead performance in 2004's Somersault, Cornish is best-known for her film roles as the titular heroin addict in the drama Candy (2006), courtier Bess Throckmorton in the historical drama Elizabeth: The Golden Age (2007), Fanny Brawne in the John ...
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Born:


August 7 ,

1982

in
Lochinvar, New South Wales, Australia






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a list of 36 people
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How Much Have You Seen?
How much of Abbie Cornish's work have you seen?






15 wins & 24 nominations.


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Actress
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Blackout
( post-production )

Anna



 

Detained
( post-production )

Rebecca Kamen


- Episode #1.6
(2019)
... Melanie Heyward


- Episode #1.5
(2019)
... Melanie Heyward


- Episode #1.4
(2019)
... Melanie Heyward


- Episode #1.3
(2019)
... Melanie Heyward


- Episode #1.2
(2019)
... Melanie Heyward


- Inshallah
(2018)
... Cathy Mueller


- Sources and Methods
(2018)
... Cathy Mueller


- End of Honor
(2018)
... Cathy Mueller



 2015/III

Octopus
(Short)

Marcy (voice)


- Part 3, Chapter 6
(2014)
... Belinda Mulrooney


- Part 3, Chapter 5
(2014)
... Belinda Mulrooney


- Part 2, Chapter 4
(2014)
... Belinda Mulrooney


- Part 2, Chapter 3
(2014)
... Belinda Mulrooney


- Part 1, Chapter 2
(2014)
... Belinda Mulrooney


- The Ramblings of Maurice
(2009)
... Wife / Nurse (voice)



 2007

Elizabeth: The Golden Age

Bess Throckmorton



 2004

Everything Goes
(Short)

Brianie



 2003

Marking Time
(TV Movie)

Tracey


- Episode #1.22
(2003)
... Antonia McAlister


- Web of Lies: Part 4
(2001)
... Reggie McDowell


- Web of Lies: Part 3
(2001)
... Reggie McDowell


- Web of Lies: Part 2
(2001)
... Reggie McDowell


- Web of Lies: Part 1
(2001)
... Reggie McDowell


- Aliens: Part 4
(2001)
... Reggie McDowell



 2000

The Monkey's Mask

Mickey Norris



 1999

Close Contact
(TV Movie)

Sara Boyack


- Episode #2.20
(1999)
... Simone Summers


- Episode #2.19
(1999)
... Simone Summers


- Episode #2.6
(1999)
... Simone Summers


- Episode #2.5
(1999)
... Simone Summers


- Episode #1.31
(1998)
... Simone Summers



 

Detained
(executive producer) ( post-production )



- BAFTA TV Tea Party
(2018)
... Self



 2018

24th Annual Screen Actors Guild Awards
(TV Special)

Self - Winner



 2015

Out & Around
(Documentary)

Narrator (voice)



 2014

The Merge with Abbie Cornish
(Short)

Self


- After the Oscars 2014
(2014)
... Self - Guest


- Episode #9.98
(2011)
... Self - Guest


- Episode dated 10 February 2014
(2014)
... Self - Guest


- Summer Special 2009/10
(2009)
... Self



 2008

The Making of 'Stop-Loss'
(Video documentary short)

Self



 2007

Postcards from Provence
(Video documentary)

Self



 2003

Cartaz Cultural
(TV Series)

Self (2008)


Publicity Listings:
1 Interview |
2 Articles |
2 Pictorials |
18 Magazine Cover Photos |

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Official Sites:


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Official Site

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Parents:
Cornish, Shelley
| Cornish, Barry


Relatives:

Isabelle Cornish (sibling)


Personal Quote:
[on doing nude scenes] The hardest part is getting your clothes off at first in front of the people who haven't seen you naked before. The first time you get nude in front of someone, it's hard, and then it's, "Well, you've seen everything now; it's OK, we can shoot the rest of the day".
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Trivia:
Has trekked across Morocco, Brazil, Italy and France.
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First she steals your eyes, then she steals the movie. And not to be too graphic, she works her tail off.
By Mike Sager Published: Sep 10, 2009
This content is imported from OpenWeb. You may be able to find the same content in another format, or you may be able to find more information, at their web site.
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She steps out into the brilliant blue light of a Malibu afternoon wearing flip-flops and a diaphanous little black sundress, a look suggestive of a young woman on holiday, a role she loves to play above all else, to hear her tell it. Like so many of her fellow Australians, her wanderlust seems almost genetic, an inbred need to see something more of the world, someplace else, as if to confirm its true existence. She leans against the railing and searches the horizon, the array of lean-muscled surfers in the middle distance, her honey-colored eyes behind green-tinted aviators, the breeze touching her golden, flyaway hair. She talks about soaking up sun in San Sebastián, on the Basque coast of Spain; of Morocco's sensual dichotomy between light and dark; of living in an empty house in a village in Brazil with two male friends, sleeping in hammocks, studying the martial art capoeira. She drinks Asian "bubble tea" from a plastic cup, compliments of her publicist. There are tapioca pearls at the bottom; they rise in single file through an overlarge straw, her lips the naked pink of an ingenue.
At twenty-seven, Cornish is perhaps most widely known for contributing to the breakup of Reese Witherspoon and Ryan Phillippe, with whom she costarred in (and from whom she stole the last third of) Stop-Loss, Kimberly Peirce's Iraq war tale. One of five children raised on a 170-acre farm in the Hunter Valley region north of Sydney, the former Aussie TV star has been praised as an actress since the morning after her first public performance, at age fifteen, a guest turn as a paraplegic on the down-under series Children's Hospital. Like generations of precocious actresses before her, she never looked back.
Often touted as the next Nicole Kidman or Naomi Watts , often described by directors and producers as "luminescent," she is a naturalistic indie actress wrapped inside the skin of a sex kitten, Chloë Sevigny meets Scarlett Johansson. Playing Heidi in 2004's Somersault, she is unnervingly convincing as a young runaway, trading her innocence for necessity and love. In Candy, as a heroin addict, she holds her own against a powerful performance some critics have called one of Heath Ledger's finest. Even opposite fellow Aussie Cate Blanchett's Oscar-nominated turn in Elizabeth: The Golden Age, Cornish manages to steal your eyes at times. Playing Bess Throckmorton, the angelic lady-in-waiting who falls for the charms of Clive Owen's lusty Sir Walter Raleigh, she is light and radiant against the dim gloom of the Virgin Queen's castle.
Next for Cornish is Jane Campion's latest, Bright Star. With her hair dyed brown, her charms swaddled in an entertaining assortment of oddly whimsical period costumes as befits her fashion-obsessed character, Cornish portrays Fanny Brawne, the eighteen-year-old muse to the young poet John Keats. While living next door to her family between 1819 and 1820, the ill-fated, tubercular Romantic master produced his most beautiful and enduring works, including "Ode to a Grecian Urn."
Cornish has just flown in from Vancouver, where she has begun three months of training for her next movie, Sucker Punch. Cowritten and directed by Watchmen 's Zack Snyder, the film costars Vanessa Hudgens and is listed as an adventure fantasy. After two period pieces, Cornish says she'd been hoping to do something physically demanding, something for which she had to train, "something really trippy like a concept film, where I'd have to really use my imagination and do crazy things."
Now she's busting her butt five days a week, five to six hours a day. "Mixed martial arts, fighting, swords, weapons, choreography, personal trainers," she enumerates proudly, the beguiling accent of a proper sheila. "We add gun stuff at the end of the day."
Moving a bit stiffly, she takes a seat at a patio table, in the shade beneath an umbrella. There are bruises visible up and down her (luminous) arms and legs. She reaches again for her Moroccan-mint-blended green-tea boba, from a little café she loves. When she arrived at the interview, she'd found it waiting. "It was funny to want to do that kind of movie and then it just comes along," she says brightly, and then she takes a lingering sip. The beads of tapioca flow in single file. It makes her smile.
Mike Sager is a bestselling author and award-winning reporter who's been a contributor to Esquire for thirty years.
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Every product was carefully curated by an Esquire editor. We may earn a commission from these links.
©Hearst Magazine Media, Inc. All Rights Reserved.

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Abbie Cornish stuns the world with her beautiful smile and gorgeous eyes.
There is no doubt about it Abbie Cornish is a babe. She also kicks ass as a model and actress. We put together our favourite collection of photos for you to gaze upon and use as wallpapers.
Abbie was born 7 August 1982. Her Australian hometown is Lochinvar, NSW. As a child she grew up on a large farm before moving to Newcastle.
Cornish started acting in 1999, and has been kicking ass ever since. She was in Tom Clancy’s Jack Ryan, and the movies Geostorm, RoboCop reboot, and Solace.
Abbie also is the sister of Isabelle Cornish.
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Australian Models & Babes Magazine (AMB) aims to bring everything you love about Australia to you.
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Published: 07:20 BST, 27 January 2020 | Updated: 21:07 BST, 27 January 2020
Her style is often considered demure and on the safe side.
But on Sunday at a Grammy Awards viewing party in Los Angeles, Australian actress Abbie Cornish looked almost unrecognisable. 
The 37-year-old wore a white holographic sequinned frock and debuted wavy pink tresses with a blunt fringe. 
My, how you've changed! Abbie Cornish, 37, looked almost unrecognisable at a Grammy Awards viewing party in Los Angeles on Sunday (right). Pictured on the left in December, 2019
Abbie's form-fitting dress featured racy cut-outs at the waist, and finished just below the knee.
The Limitless star boosted her height with nude patent pointy-toe heels, and accessorised further with a statement ring and metallic box clutch.
Most eye-catching however was Abbie's new hairstyle, switching up her straight blonde tresses for a shorter wavy do, with pink highlights and a blunt fringe.  
Eye-catching: Abbie showed off her curves in a white holographic sequinned frock, which she teamed with nude patent pointy-toe heels, a statement ring and a metallic box clutch 
That's different! The Limitless star debuted a shorter wavy hairstyle, with pink highlights and a blunt fringe 
Her makeup was pared back, and consisted of defined brows, a soft pink eye shadow, contoured
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