AFRICAN AMERICAN DOCUMENTARY FILMMAKING
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A documentary film (often described simply as a documentary) is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". The American author and media analyst Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Research into information gathering, as a behavior, and the sharing of knowledge, as a concept, has noted how documentary movies were preceded by the notable practice of documentary photography. This has involved the use of singular photographs to detail the complex attributes of historical events and continues to a certain degree to this day, with an example being the conflict-related photography achieved by popular figures such as Mathew Brady during the American Civil War. Documentary movies evolved from the creation of singular images in order to convey particular types of information in depth, using film as a medium. Early documentary films, originally called "actuality films", briefly lasted for one minute or less in most cases. While faithfully depicting true events, these releases possessed no narrative structure per se and were of limited interest. Over time, documentaries have evolved to become longer in length and to include more categories of information. Some examples are explicitly educational, while others serve as observational works; docufiction movies notably include aspects of dramatic storytelling that are clearly fictional. Documentaries are informative at times, and certain types are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media organizations such as Dailymotion and YouTube, with many of these platforms receiving popular interest, have provided an avenue for the growth of documentaries as a particular film genre. Such platforms have increased the distribution area and ease-of-accessibility given the ability of online video sharing to spread to multiple audiences at once as well as to work past certain socio-political hurdles such as censorship.
In connection with: Documentary film
Title combos: Documentary film
Description combos: to intended described reality and historical American in depicting
Paris Is Burning is a 1990 American documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the African-American, Latino, gay, and transgender communities involved in it. Critics consider the film to be an invaluable documentary of the end of the "Golden Age" of New York City drag balls, and a thoughtful exploration of race, class, gender, and sexuality in America. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
In connection with: Paris Is Burning (film)
Title combos: Burning Paris Paris film Is Burning film Is Paris
Description combos: and directed in Paris Latino Golden significant balls to
Africa Addio (lit. 'Goodbye Africa' or 'Farewell Africa'; also known as Africa: Blood and Guts in the United States and Farewell Africa in the United Kingdom) is a 1966 Italian mondo documentary film co-directed, co-edited and co-written by Gualtiero Jacopetti and Franco E. Prosperi with music by Riz Ortolani. Jacopetti and Prosperi had gained fame (along with co-director Paolo Cavara) as the directors of Mondo Cane in 1962. Africa Addio documents the end of the colonial era in Africa, and the violence and chaos that followed. The film was a huge success, which ensured the viability of the so-called "Mondo film" genre, a cycle of "shockumentaries"—documentaries featuring sensational topics. The film encountered criticism and praise due to its controversial content, but is nevertheless considered to be a very important film in the history of documentary filmmaking.
In connection with: Africa Addio
Title combos: Africa Addio
Description combos: co called Riz by and Africa 1966 of Kingdom
Jennifer Fox (documentary filmmaker)
Jennifer Fox (born 1959) is an American film producer, director, cinematographer, and writer as well as president of A Luminous Mind Film Productions. She won the Grand Jury Prize at Sundance for her first feature documentary, Beirut: The Last Home Movie. Her 2010 documentary My Reincarnation had its premiere at the International Documentary Film Festival in Amsterdam (IDFA) in 2010, where it won a Top 20 Audience Award.
In connection with: Jennifer Fox (documentary filmmaker)
Title combos: Jennifer filmmaker Fox documentary filmmaker Jennifer filmmaker Fox documentary
Description combos: Top feature Film writer as had of Last cinematographer
Searching for Sugar Man is a 2012 documentary film about a South African cultural phenomenon, written and directed by Malik Bendjelloul, which details the efforts in the late 1990s of two Cape Town fans, Stephen "Sugar" Segerman and Craig Bartholomew Strydom, to find out whether the rumoured death of American musician Sixto Rodriguez was true and, if not, to discover what had become of him. Rodriguez's music, which had never achieved success in his home country of the United States, had become very popular in South Africa, although little was known about him there. On 10 February 2013, the film won the BAFTA Award for Best Documentary at the 66th British Academy Film Awards in London and two weeks later, it won the Academy Award for Best Documentary Feature at the 85th Academy Awards in Hollywood.
In connection with: Searching for Sugar Man
Title combos: Searching for for Searching Sugar Searching Man for Sugar
Description combos: was achieved rumoured discover in 66th South written of
African American cinema is loosely classified as films made by, for, or about Black Americans. Historically, African American films have been made with African-American casts and marketed to African-American audiences. The production team and director were sometimes also African American. More recently, Black films featuring multicultural casts aimed at multicultural audiences have also included American Blackness as an essential aspect of the storyline. Segregation, discrimination, issues of representation, derogatory stereotypes and tired tropes have dogged Black American cinema from the start of a century-plus history that roughly coincided with the century-plus history of American cinema. From the very earliest days of moving pictures, major studios used Black actors to appeal to Black audiences while also often relegating them to bit parts, casting women as maids or nannies, and men as natives or servants or either gender as a "magical negro," an update on the "noble savage." Black filmmakers, producers, critics and others have resisted narrow archetypes and offensive representation in many ways. As early as 1909, Lester A. Walton the arts critic for New York Age was making sophisticated arguments against the objectification of Black bodies onscreen, pointing out that "anti-Negro propaganda strikes at the very roots of the fundamental principles of democracy." Noting the educational impact film could have, he also argued that it could be used to "emancipate the white American from his peculiar ideas," which were "hurtful to both races." The "race films" of 1915 to the mid-1950s followed a similar spirit of "racial uplift" and educational "counter-programing" with an eye to combating the racism of the Jim Crow south. That sensibility shifted markedly in the 1960s and '70s. Although Blaxploitation films continued to include stereotypical characters, they were also praised for portraying Black people as the heroes and subjects of their own stories. By the 1980s, auteurs like Spike Lee and John Singleton created nuanced depictions of Black lives, which led the way for later filmmakers like Jordan Peele and Ava DuVernay to use a range of genres (horror, history, documentary, fantasy) to explore Black lives from multiple perspectives. Ryan Coogler's 2018 blockbuster superhero film Black Panther has also been widely praised for creating a fully realized Afrocentric urban utopia of Black people that include a foundation myth, a legendary hero and takes "utter delight in its African-ness."
In connection with: African American cinema
Title combos: African American African American cinema
Description combos: gender cinema with aspect York the casting films with
African American documentary filmmaking
No description available.
In connection with: African American documentary filmmaking
Title combos: African filmmaking African filmmaking American filmmaking documentary American African
Description combos: available description available description No
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