A Private War 2021
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A Private War honors its real-life subject with a sober appraisal of the sacrifices required of journalists on the front lines - and career-best work by Rosamund Pike. Read critic reviews
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Celebrated war correspondent Marie Colvin is a woman who is as comfortable downing martinis with high society's elite as she is brazenly staring down warlords and fleeing from gunfire. Driven by an enduring desire to bear witness and give voice to the voiceless, Colvin charges into danger, constantly testing the limits between bravery and bravado.
R (Disturbing Violent Images|Brief Sexuality/Nudity|Language Throughout)
Denver and Delilah Productions, Kamala Films, Savvy Media Holdings, Thunder Road Pictures
Wayne Marc Godfrey
Executive Producer
While Rosamund Pike delivers an unbeatable portrayal of Colvin, the film itself fails to say anything new about addiction or the demons she battles.
Poor, gifted Rosamund Pike is persuaded to play the American-born Sunday Times journo at full throttle, when half-throttle would be a nice occasional variant.
February 20, 2019 | Rating: 2/5 | Full Review…
At a time when pressured media budgets are conspiring, with the general preference for escapism over reality, to threaten war reporting's very existence, A Private War unflinchingly reminds us of its value.
February 17, 2019 | Rating: 3/5 | Full Review…
[An] impassioned if occasionally contrived drama...
February 17, 2019 | Rating: 3/5 | Full Review…
I can only say, with confidence, that the film features a magnificently fierce, alert and impassioned performance from Rosamund Pike, whose usual English rose delicacy is nowhere to be seen. It is top work, properly.
Its grindingly earnest tone is that of the hasty posthumous tribute, rather than the more textured, inquiring long view of a worthwhile biopic.
February 14, 2019 | Rating: 2/5 | Full Review…
A powerful tribute to Marie Colvin, and the thousands of victims she gave a voice to.
August 20, 2021 | Rating: B+ | Full Review…
Comes at an interesting time for journalism. With the profession under fire from Fake-Newsers it's important to discover the stories of the people who report on "the rough draft of history."
February 3, 2021 | Rating: 3/5 | Full Review…
Pike has the physicality required for such a role - even unashamedly stripping down to Colvin's infamous La Perla bra - but the magnificence of her performance is that she emotes just as piercingly true in the stillness as she does in the action.
It is a sensational work of cinema: aggressively told and emotionally powerful.
January 7, 2021 | Rating: 9/10 | Full Review…
Pike is ably supported by the likes of Tom Hollander, Stanley Tucci and Jamie Dornan.
A gripping account of a remarkable woman and journalist, anchored by an exceptional lead performance from Pike.
August 28, 2020 | Rating: 4/5 | Full Review…
While Rosamund Pike delivers an unbeatable portrayal of Colvin, the film itself fails to say anything new about addiction or the demons she battles.
Poor, gifted Rosamund Pike is persuaded to play the American-born Sunday Times journo at full throttle, when half-throttle would be a nice occasional variant.
February 20, 2019 | Rating: 2/5 | Full Review…
At a time when pressured media budgets are conspiring, with the general preference for escapism over reality, to threaten war reporting's very existence, A Private War unflinchingly reminds us of its value.
February 17, 2019 | Rating: 3/5 | Full Review…
[An] impassioned if occasionally contrived drama...
February 17, 2019 | Rating: 3/5 | Full Review…
A powerful tribute to Marie Colvin, and the thousands of victims she gave a voice to.
August 20, 2021 | Rating: B+ | Full Review…
Comes at an interesting time for journalism. With the profession under fire from Fake-Newsers it's important to discover the stories of the people who report on "the rough draft of history."
February 3, 2021 | Rating: 3/5 | Full Review…
Pike has the physicality required for such a role - even unashamedly stripping down to Colvin's infamous La Perla bra - but the magnificence of her performance is that she emotes just as piercingly true in the stillness as she does in the action.
It is a sensational work of cinema: aggressively told and emotionally powerful.
January 7, 2021 | Rating: 9/10 | Full Review…
Pike is ably supported by the likes of Tom Hollander, Stanley Tucci and Jamie Dornan.
A gripping account of a remarkable woman and journalist, anchored by an exceptional lead performance from Pike.
August 28, 2020 | Rating: 4/5 | Full Review…
...somewhere out there, someone forgot to announce Pike's Oscar nomination.
August 27, 2020 | Rating: 4/5 | Full Review…
It's a rare case of a movie that could've done with just a little more narrative breathing room to flesh out the woman behind the iconic eyepatch a little more.
August 14, 2020 | Rating: 3/5 | Full Review…
A Private War is gritty and raw character drama about Sunday Times journalist Marie Colvin. The film follows the last ten years of Colvin's life reporting on conflicts in Sri Lonka, Iraq, Afghanistan, and Syria, along with her struggles with PTSD and substance abuse. Rosamund Pike gives an incredible performance, really transforming herself into her character. However, the script is rather weak and doesn't do a particularly good job at getting at what drove her to do the work she did, or chose the places she did, or what made her voice unique from others. Yet while it has some weaknesses, A Private War is a powerful and provocative film about the life of a war correspondent.
Pike is great, but the movie never coalesces around a coherent idea of who Colvin really was outside of vague ponderings about her wanting to do good and something about trauma. One feels that the real Colvin deserved something better.
A PRIVATE WAR (3 1/2 Stars) It's nice to see a fierce woman at the center of the familiar journalist in a war zone story, and Rosamund Pike's unsparingly aggressive performance as Marie Colvin, a BBC correspondent who lost an eye and wore a patch, makes her a "Fifth Estate Pirate" for the ages. This true portrayal of a woman whose outrage led her into deadly conflicts may seem like a lot of typing at computer screens, smoking, and fighting with editors to let her get into increasingly dangerous situations, but this urgently directed film wants to shake us out of our selfie-culture complacency and ask ourselves if we would be anywhere as ballsy and brave as Marie. Jamie Dornan surprises with an earthy, edgy performance as her photographer, reminding us that he has more than 50 shades to him. It's an imperfect film, episodic but impactful, but Pike is the real show, literally and figuratively exposing us to a woman whose imperfections were matched by her passion and heroism.
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One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to t... Read all
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Arash Amel
Marie Brenner(based on the Vanity Fair article "Marie Colvin's Private War" by)
In a world where journalism is under attack, Marie Colvin (Rosamund Pike) is one of the most celebrated war correspondents of our time. Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while constantly testing the limits between bravery and bravado. After being hit by a grenade in Sri Lanka, she wears a distinctive eye patch and is still as comfortable sipping martinis with London's elite as she is confronting dictators. Colvin sacrifices loving relationships, and over time, her personal life starts to unravel as the trauma she's witnessed takes its toll. Yet, her mission to show the true cost of war leads her -- along with renowned war photographer Paul Conroy (Jamie Dornan) -- to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.—Aviron Pictures
Rated R for disturbing violent images, language throughout, and brief sexuality/nudity
In a piece for Harper's Bazaar dated 4 December 2018, war correspondent Janine di Giovanni, who knew Marie Colvin, writes critically of the film: "There were no good guys at the Sunday Times, where Colvin worked, who cared for her well-being. There were instead editors who wanted scoops at the expense of the safety of their reporters. Colvin had many friends in London, but none of them were similar to the Bridget Jones-style girlfriend character (portrayed by Nikki Amuka-Bird) in the film. Her last boyfriend was not a caring and loving Stanley Tucci but rather a man who gave her immense heartache and distress. There were no 'heads on sticks' in Bosnia, as the character meant to be Colvin's first husband, Patrick Bishop, says in one of the opening scenes (heads were on sticks in Chechnya). Colvin's second husband, Juan Carlos Gumucio, is erased from the script altogether, though he played an important role in her life." Although positive about Rosamund Pike's performance, she recommends that her readers watch the documentary Bearing Witness (2005) instead.
Colvin's smoking sometimes does not sync - holding, inhales, exhales.
Newspaper Editor: Why is it important, do you think, to see this images? Why is it important for you to be there? Right now you may be one of the only Western journalists in Homs. Our team has just left.
Marie Colvin: For an audience for which any conflict is very far away, this is the reality. There are 28,000 civilians, men, women and children, a city of the cold and hungry, starving, defenseless. There are no telephones. The electricity has been cut off. Families are sharing what they have with relatives and neighbors. I have sat with literally hundreds of women with infant children who are trapped in these cold, brutal conditions, unable to feed their children anything other than sugar and water for weeks on end. That little boy was one of the two children who died today. It's what happens every day. The Syrian regime is claiming that they're not hitting civilians, that they're just going after terrorist gangs. But every civilian house has been hit. The top floor of the building I'm in has been totally destroyed. There are no military targets here. It is a complete and utter lie.
Newspaper Editor: Well, thank you for using the word " lie ". I think a lot of people wanna thank you, because it's a word we don't often hear, it's not often used, but it is the truth in this case. The Syrian regime, their representatives, have continually lied. They've lied on this program to us directly. Marie, I mean, you have covered a lot of conflicts over a long time. How does this compare?
Marie Colvin: This is the worst conflict I've ever seen. It's the worst because it was a peaceful uprising that was crushed by violence. President Assad is sitting in his palace in Damascus in panic, the entire security apparatus his father built crumbling around him, and he is responding in the only way he's been taught how. When he was a child, he watched his father crush oppositions by shelling the city of Hama into ruins and killing 10,000 innocent civilians. He watched, as we're watching, a dictator killing with impunity. And the words on everybody's lips here are, " Why have we been abandoned? ". " Why? ". I don't know why.
Danny Boy
Written by Frederick Edward Weatherly
Arranged & Performed by Nig Richards
Rosamund Pike delivers a fantastic performance
A very different role for Rosamund Pike then Gone Girl or any other film she has made recently. She takes the care in embodiment of Marie Colven, trying to give her truth life. This is not an easy movie to watch, harsh scenes of war-torn countries and showing real people that have actually been effected by real tragedies. While watching I definitely felt that Matthew Heineman was trying to give the realest depiction of this story. I often felt a little underwelmed with the pacing of this movie, it flips back and forth to the past and present a little too much for me and not focusing long enough on either for the full character development. Rosamund Pike did give a great performance and Marie Colvin's story is worth watching.
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