A Lonely Cow Weeps At Dawn
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A Lonely Cow Weeps At Dawn
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A young widow, Noriko, lives with her senile father-in-law, Shukichi, on a farm. He believes his favorite cow, long gone, is still alive. Noriko pretends to be the cow and lets him milk her - a satisfying arrangement for them both.
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2.8 out of 5 stars
265 ratings
MPAA rating
:
Unrated (Not Rated) Product Dimensions
:
0.6 x 5.3 x 7.5 inches; 2.4 Ounces Item model number
:
PNKE1136DVD Director
:
Daisuke Gotô Media Format
:
NTSC, Color, Multiple Formats Run time
:
1 hour and 1 minute Release date
:
April 28, 2009 Actors
:
Hôryû Nakamura, Ryôko Asagi, Yumeka Sasaki, Seiji Nakamitsu, Sakura Mizuki Producers
:
Mitsuru Fukudawara, Nadav Rechov, The Rechov Brothers, Yutaka Ikejima Studio
:
Pink Eiga ASIN
:
B001QZZZPS Writers
:
Daisuke Gotô Number of discs
:
1
2.8 out of 5 stars
265 ratings
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I purchased this movie because it received 4 stars, the reviews were generally positive and the cost was essentially the same as renting. However, having watched the movie, it is clear that the reviewers watched another movie or the reviewers have a financial interest in the movie because there was a big disconnect between what they said and what I saw. The movie appears to have been edited from a normal length movie to something close to a short film done by highschoolers (not even close to the collegiate level). This results in the movie being rushed and lacking in any real story that would make the viewer interested. The proposed plot involves the father-in-law (FIL) and daughter-in-law (DIL) mourning the lost of the things they loved most (a cow for the FIL, and the husband for the DIL). Both the cow and the husband were lost in an auto accident when the husband tried to forcibly remove the cow from the farm to sell it over DIL's desperate objections. I thought the movie was a comedy but although I laughed, I laughed for the wrong reasons. The only redeeming quality in the movie is that it is so short that by the time you conclude that it is not supposed to be a comedy and is not worth your time, it is over - assuming of course, you make it through the initial scene in which the FIL attempts to milk the DIL like a cow (which I assume is the case because the breast and hands are intentially blurred out (yes, an NR movie with breasts blurred out). Also, the movie lacks adequate explanations of crucial issues such as why the cow needed to be sold, why was the FIL attached to the cow, why did the DIL react the way she did, why we should not sue, etc.. Characters were introduced sporadically with no true relevance to the plot and no obvious purpose. Some scenes seem to stop in midstream making one wonder if they were cut to save time and money. And, for the adults who like to enjoy movies that include adult content, this is not the one. Except for the questionable theme of milking a woman like a cow, this would easily be a PG movie. There were reviewers that mentioned or suggested that the movie contained explicit adult scenes. This is absolutely false in the movie I watched. I was suspicious of the reviews about the quasi-pornographic nature of the movie because I have watched many "Asian" films and it has not been my experience that these films are that explicit, with a few exceptions. My thoughts were that perhaps someone was very intolerant of mature themes. The movie contained 2 scenes in which breast were blurred out (during human-cow milking) and no nudity or sex scenes. The closest "sex scene" was a doctor groping some woman while she was fully clothed. It was more anti-sexual than sexual. I don't think I can give this no stars because of the rating system but I would if I could. In fact, this movie owes me a couple of stars for watching and a refund. Bottom line, don't waste your time time on this movie. There are better infomercials to watch.
First of all, there is an apparent problem with the posted reviews in that some people watched a complete movie of approximately 58 minutes, and others watched an "edited version" of 39 minutes, which is the version I watched as stated on the listing. There is also some difference as to whether the sex/milking scenes, in BOTH versions apparently, were "blurred" or not. In the version I watched they were not. Once you know which version you are watching it is easier to assess the movies qualities. I, myself, cannot imagine that the movie would have been helped in the least in the "art" department by the inclusion of the more graphic sex scenes (nearly 20 minutes worth it seems) that some reviewers spoke of. And without subtitles, which the version I watched did NOT have, the dialogue was pretty much lost to me on this one, although I could sense what was being portrayed, albeit vaguely. As to the other criteria for the film, the directing suffered from the editing done to this particular version, the sets were very ordinary, the scenery was no more outstanding than in any other number of Korean/Japanese films, and I found what remained of the musical score to be overwrought at climactic scenes. The primary actors were okay, not great, but half the characters were depicted more like caricatures than believable participants in a drama. Going in I had some hope for this movie but that just didn't pan out. A disappointment, but it only adds to the depth and scope of understanding and enjoyment of this film genre.
This film starts a little weird. The papa is touched in the head and every morning he gets up to milk his favorite cow, which turns out to be his daughter!?? Now the have a routine and everybody is happy. there is a real estate agent trying to get the old man to sell his property, but he won't sell. One day the old man's 2nd daughter arrive back home from wild street running ways to take a break from it all. Well she a nosy snoopy B and she discovers this little routine the old man and his daughter have going every morning. Well that's when the fun and hilarity begins. This type of film is not for everyone, its slow and psychological, and you have to pay attention and keep up with what is going on. In the end there is a happy ending, sort of. And everybody lives happily ever after, oh and the real estate guy finally gets the land.
“Edited Version”. What means “edited version”? Only amazon knows I think. Sorry, but can not write good review. Copy I bought from amazon was “edited version”. Watched many minutes of old guy and daughter in field. Got bored. Could be more understanding if more of movie was included in “edited version” supplied by amazon. Curious, but why “a lonely cow is weeping at dawn”? Is this like fairy tale Jack and bean stock? Now this cow has importance in story I think. Naked lady and old guy with clothes on with green baseball cap on album cover. But no cow! Is a mystery. Maybe cow is off weeping when camera man took picture? Under naked lady is a green field I’m pretty sure. But you look. Is it dawn? Field is bright green so I think sun is already up. Naked lady was up early with her father’s cow to be milking around dawn I think! Too hot when sun over green field, so lady took off her Japan farming lady dress? Why man with green baseball cap not hot and still dressed? Maybe while naked lady cools off in barn, man is going out to find cow? Please, you watch movie too and if you do not also get bored, maybe you can also write a story here like me. Good you get “Edited Version” like amazon kind and it will not take much time. It is very short. Thank you very much.
How can you pass up a movie with this title? It's a very interesting concept, the woman acts like her man's recently passed cow, and he's happy, she's happy, we are all happy. Give it a try.
i enjoyed the product a lot... pretty much like it was advised and even more... i can say im satisfied
Bonjour, j'attends un film de Genre, je tombe sur un Film d'amour plein de tolérance, de passion et aussi de dépassement de SOI.Tel est A lonely cow weeps at dawn.Merci, A plus tard.
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NEW DVD Features! Japanese Language with English and French Subtitles. Featurette: An Interview with Director Daisuke Goto. Featurette: An Interview with Producer Yutaka Mr. Pink Ikejima. Featurette: An Interview with Cinematorgrapher Masahide Iioka. Featurette: What is Pink Eiga? Documentary Short. Daisuke Goto s Director s Notes. Cast and Crew Biographies. A LONELY COW WEEPS AT DAWN Original Artwork. International Version Trailers. Still Image Gallery. Widescreen Presentation. PINK EIGA Sneak Peeks.
A Lonely Cow Weeps at Dawn is a film of bittersweet sentiments, which credibly deals with loneliness, greed and the coming to terms with old age. Director Goto s strength is that he never overplays these sentiments, leaving the film to offer subtle depictions of various human emotions, which is helped out in no small part by a terrific ensemble who play their roles succinctly. It s indeed the simplicity of the film which allows it to work as well as it does, and though it employs a few common, or even clichéd, narrative devices to depict its urgency, its helmed by a man who understands his material and uses it to create a believable amount of pathos. Likewise, Hajime Oba s score is beautifully poignant, while Masahide Iioka s photography keeps things visually alluring, with the Japanese countryside providing a pleasant change of pace. A Lonely Cow Weeps at Dawn is a touching film that carefully deals with real issues. The constraints - or rather reputation - of the genre means that it may never reach the wider audience it perhaps deserves, but at the very least it s out there, so those seeking a little arthouse gem for the time being need look no further. --Kevin Gilvear, DvDtimes.co.uk A Lonely Cow Weeps at Dawn is a film of bittersweet sentiments, which credibly deals with loneliness, greed and the coming to terms with old age. Director Goto s strength is that he never overplays these sentiments, leaving the film to offer subtle depictions of various human emotions, which is helped out in no small part by a terrific ensemble who play their roles succinctly. It s indeed the simplicity of the film which allows it to work as well as it does, and though it employs a few common, or even clichéd, narrative devices to depict its urgency, its helmed by a man who understands his material and uses it to create a believable amount of pathos. Likewise, Hajime Oba s score is beautifully poignant, while Masahide Iioka s photography keeps things visually alluring, with the Japanese countryside providing a pleasant change of pace. A Lonely Cow Weeps at Dawn is a touching film that carefully deals with real issues. The constraints - or rather reputation - of the genre means that it may never reach the wider audience it perhaps deserves, but at the very least it s out there, so those seeking a little arthouse gem for the time being need look no further. --Kevin Gilvear, DvDtimes.co.uk A Lonely Cow Weeps at Dawn is a film of bittersweet sentiments, which credibly deals with loneliness, greed and the coming to terms with old age. Director Goto s strength is that he never overplays these sentiments, leaving the film to offer subtle depictions of various human emotions, which is helped out in no small part by a terrific ensemble who play their roles succinctly. It s indeed the simplicity of the film which allows it to work as well as it does, and though it employs a few common, or even clichéd, narrative devices to depict its urgency, its helmed by a man who understands his material and uses it to create a believable amount of pathos. Likewise, Hajime Oba s score is beautifully poignant, while Masahide Iioka s photography keeps things visually alluring, with the Japanese countryside providing a pleasant change of pace. A Lonely Cow Weeps at Dawn is a touching film that carefully deals with real issues. The constraints - or rather reputation - of the genre means that it may never reach the wider audience it perhaps deserves, but at the very least it s out there, so those seeking a little arthouse gem for the time being need look no further. --Kevin Gilvear, DvDtimes.co.uk A Lonely Cow Weeps at Dawn is a film of bittersweet sentiments, which credibly deals with loneliness, greed and the coming to terms with old age. Director Goto s strength is that he never overplays these sentiments, leaving the film to offer subtle depictions of various human emotions, which is helped out in no small part by a terrific ensemble who play their roles succinctly. It s indeed the simplicity of the film which allows it to work as well as it does, and though it employs a few common, or even clichéd, narrative devices to depict its urgency, its helmed by a man who understands his material and uses it to create a believable amount of pathos. Likewise, Hajime Oba s score is beautifully poignant, while Masahide Iioka s photography keeps things visually alluring, with the Japanese countryside providing a pleasant change of pace. A Lonely Cow Weeps at Dawn is a touching film that carefully deals with real issues. The constraints - or rather reputation - of the genre means that it may never reach the wider audience it perhaps deserves, but at the very least it s out there, so those seeking a little arthouse gem for the time being need look no further. --Kevin Gilvear, DvDtimes.co.uk A Lonely Cow Weeps at Dawn is a film of bittersweet sentiments, which credibly deals with loneliness, greed and the coming to terms with old age. Director Goto s strength is that he never overplays these sentiments, leaving the film to offer subtle depictions of various human emo
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