60s Porn

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60s Porn

June 22, 2022 June 22, 2022 by Paul Cassidy
The Best 1960s Porn: A Decade In Review
Home - Porn - The Best 60s Porn: Movies & Porn Stars From The 1960s
Looking for the best 60s porn, or the hottest 1960s porn stars?
The 1960s are remembered for an uprising of liberal attitudes towards sex – and it’s the decade that is largely defined by sexual revolution . So, surely the sixties had some good sex movies?
Well, the Golden Are of Porn didn’t officially kick off until 1969, but the decade saw the arrival of several legendary 1960s porn stars – including: Rene Bond, Marsha Jordan and John Holmes.
If you’re looking to stream some of the best 1960s porn, the sites we recommend are The Classic Porn Delta Of Venus , and Vintage Cuties . All three are strictly dedicated to porn from the classics archive. You can get access to the best full length videos from some of the hottest 60s porn stars.
In the following guide, we take a closer look at the 1960s porn industry and who was making adult films during this period. We bring you our reviews of the best adult films, the top 60s porn stars, as well as some excellent sites for watching the best 60s porn.
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The Golden Age of Porn kicked off in 1969 and lasted until the early 1980s and defines an era in the adult movie industry that led to a huge rise in commercial porn.
More sexually explicit than ever before but often filmed in a style that we now call ‘pornochic’, it was an age when blue movies rose to the mainstream and porn came out of the underworld. But what was porn like in the decade before this big boom?
The 1960s porn scene is a unique one and marks the important era when adult content was moving between two very different styles and what we now refer to as:
Porn made during the period 1960-1969 falls into the category of Classic Vintage Porn which also includes content made during the 1970s and early 1980s.
Retro Vintage Porn comes much later into the 1980s and 1990s. You can find our full guides to porn from these decades in our other feature posts:
A lot of the sex featured in porn of this period is often pantomimed and softcore/nudity were very much the order of the day. However, there are still some films which go a lot further than others and explicit content is included.
In general, 1960s porn are referred to as sexploitation films and are low budget in style and independently produced. Many were churned out in a few days as a way of cashing in on the rising demand for softcore films.
They generally depict gratuitous nudity and non-explicit sex and many were intended for the grindhouse theaters (hence these films are sometimes called ‘grindies’).
Those 60s films that do not show sex but simply nudity are known as nudie-cuties or nudies.
Whilst sex on screen had been evolving alongside the mainstream movie business, due to strict censorship rules adopted in the 1920s (known as the Hays Code), you couldn’t watch explicit scenes at the cinema.
And remember, this is an age way before the internet and home videos systems so if you wanted to watch some sexy girls you usually had to go to a burlesque or strip show. As for films you had to see these in an adult movie theater or peep show.
Known as loops (or ‘stag’ reels), these short clips were played in machines that you could find in sex shops and were mainly shot in black and white. With no plot to speak of and without sound, they mainly contained striptease and softcore eroticism; sometimes masturbation and lesbian sex.
Rarely these would contain explicit scenes of penetration and even fetish content. Due to anti-obscenity laws at the time, this kind of content was illegal and though you can find examples, these are not typical of the time.
However, during the 1960s, the film industry in the United States was beginning to adopt a different rating system and more and more previously controversial scenes were able to pass censorship and make it into the mainstream media.
Under the Hays Code, if a man and woman were seen kissing, one foot had to be on the floor at all times whereas under the new classification system (similar to the one we have today) this nonsense was all thrown out of the window.
In fact, by the time the new ratings system finally settled down in the early 1970s, it was already too late and cat (or sex-kitten) was out of the bag.
The way was paved for sexploitation films, saucy comedies and dark erotic thrillers each showing more and more in terms of flesh on screen and were becoming more explicit in their content.
Okay, so a lot of these films might not be classified as porn but it is the very fact that the big film studios were offering more on-screen sex that motivated the 60s porn industry to go even further.
The wave of liberation that was being witnessed outside cinemas was being reflected in art and this new era of licentiousness revolutionized our on-screen entertainment. In short, softcore porn films were suddenly hitting the movie theaters and the swinging 60s’ cats were lapping them up.
Films like Stanley Kubrick’s Lolita (1962) were exploring more and more taboo sexual desires on the big screen and by the end of the decade the United States would get its first adult erotic movie released in the form of Andy Warhol’s Blue Movie (1969). It was this seminal piece of film which started the new wave of pornochic culture in cinema that was to follow in the seventies.
Of course, the porn scene wasn’t just being developed in the United States and much of the more explicit films of this time were being released in Europe. Denmark became the first country in the world to fully legalize pornography in 1967. In Asia, Japanese film makers were also pushing the boundaries of adult film content with their own sexploitation genre; the ‘ pinky’ .
By the end of the decade (and moving into the early 70s with films like Deep Throat (1972) sparking a new era of hardcore) the 60s sexploitation genre had pretty much had its day.
The Golden Age of Porn was able to work within a new set of censorship laws and the appetite for full frontal nudity and explicit sex launched pornography into its own.
So, who were the stars of the 1960s porn scene?
In the early part of this decade, the nude-cuties and loops often feature pin-up models and strip tease dancers. Many would use stage names and few were even credited at all.
However, as the 60s adult film business became more legitimate and sexploitation movies reached wider audiences, there were many actors and performers who became well known for their work in adult cinema.
Some of these went on to become big name porn stars in the 1970s; both Linda Lovelace and John Holmes started their careers in the 1960s.
Ladies first, we bring you our selections of the female porn stars of the sixties who deserve credit for their work.
A regular pin-up model for men’s magazines of the day including Playboy , Michelle Angelo was well known for her ample bosom and puffy nipples. At just five-foot-tall with an E cup breast, she has appeared in over 100 magazines and is still regularly featured in the Playboy retrospectives of this 60s and 70s.
Angelo was a high-profile model and one of the first to show pubic hair in her poses.
During the mid to late 60s, she also starred in quite a few feature-length films as well as short nudie-cuties loops including:
Appearing in several adult films of the era including The Agony of Love (1966) and Mondo Topless (1966), Pat Barrington was a stripper known as Vivian Storm before she hit the theater screens.
She appeared in a few dozen films during the period 1965-1969 before following a more permanent career as a topless dancer. She retired from working strip clubs in the early 1990s.
Her greatest fame is in the cult title Orgy of the Dead in which she performs nude, painted in gold.
An inductee into both the XRCO Hall of Fame (1985) and winner of the Legend of Erotica Award 1997, Rene Bond is best known for her work in the 1970s but actually began her porn career in the late 1960s.
She was a popular casting choice for Harry Novak (see Top Porn Directors , below), a prolific sexploitation producer who was starting to churn out softcore films at the end of the sixties for his company Boxoffice International Pictures.
From softcore to hardcore in the seventies, Bond had an innocence and naivety on-screen that made her appear vulnerable. Combined with her petite figure and doey eyes, she was able to look youthful and this made her a popular on-screen star.
By the late 1970s she was working in burlesque theaters stripping on stage and, according to audiences of the time, often inviting her own father on to stage where she would sing My Heart Belongs to Daddy .
She was one of the first porn stars to have a boob job which was reportedly paid for by Novak in response to the North American culture shift in the late 1970s for large breasts.
Retiring in 1980, Bond made over 300 films and loops over the course of her career but most of the feature length titles she appeared in are from the 1970s. You can still catch some of her early loops on DVD compilations such as Peekarama (available from Adult DVD Empire ).
A British pin-up from the 1960s who was a popular nude and topless model, Chris Carter also appeared in a couple of adult movies including Dream of an Apartment – Venus Films No 49 and The Dream World of Harrison Marks.
Despite censorship issues, the latter film ran in the West End theaters of London for over a year and was a saucy pseudo-comedy that had plenty of nudity but no sex scenes.
Carter also modeled nude and appeared in many gent’s magazines of the day including Parade, Joy, Monsieur and Escapade .
A favorite of the film director Russ Meyer (see ‘ Top Porn Directors of the 1960s’ , below), Uschi Digard was a Swedish porn star of the late 1960s and early 1970s.
She starred in several erotic films in her homeland of Sweden before working in the U.S. on sexploitation tiles like Cherry, Harry, and Raquel! (1969), The Big Snatch (1968) and Sappho, Darling (1968).
With an F cup, she was often cast in feature films which made the most of her ample chest and she famously appeared in several ‘wrestling’ bouts with other big-boob models including Battle of the Bosoms (1980) with Candy Samples.
Digard was more active in the 1970s than the 1960s when she worked with the likes of John Holmes and shot cult works like Ilsa, She Wolf of the S.S. (1974) and Female Chauvinists (1976).
She also appeared in dozens of men’s magazines during the 1960s as a nude and topless model/centerfold.
Also known as Carla Erikson or Artemidia Grillet, Uta Erickson was a Norwegian adult performer who worked with the husband and wife filmmakers, Michael and Roberta Findlay (see ‘ Top Porn Directors of the 1960s ’, below). She was also a favorite for Doris Wishman plus worked with directors like Joe Sarno and Barry Mahon.
She was a darling of the softcore scene, lending an air of European eroticism to her movies that tipped them into the arthouse genre rather than a regular ‘grindie’.
Her best work can be seen in the 1969 titles, Passion in Hot Hollows and Mnasidika.
Miss Nude Universe in 1967, Kellie Everts was a bodybuilder and stripper as well as making appearances in several adult movies, She was born in West Germany in 1945 and moved to the United States in the early 1950s starting a carer in front of the camera in 1966 in The Girls on F Street.
This was followed up with The Swinger (1966) and She Did It His Way! (1968). She also made a couple of films in the 1980s including Lesbian Love Slave (1989) in which a submissive beauty is dominated by two stacked blondes.
Everts went on to found her own evangelist church giving sermons up and down the United States, often preaching from burlesque theaters and nightclubs. She continues to spread her word as Guru Rasa of the Church of MotherGod.
Known as the Queen of Softcore during the 60s and 70s, Marsha Jordan was one of the big names of the sexploitation film era. A buxom blonde also known as Marge Wilson or Carol Peters, Jordan appeared in films alongside other stars of the Golden Age including Candy Samples, Uschi Digard (see above) and Valerie Clarke.
She even worked on some mainstream movies as well as an Ed Wood film in 1972 ( Snow Bunnies ) and some other sex comedy films. She has a bit of a cult following and you can catch some of her early 60s striptease loops at the Archive .
Her filmography from this decade includes:
With over 600 film credits to her name, Tamaki Katori was a prolific Japanese porn star of the 1960s and 1970s. She was one of the most well-known names of the pink film industry and starred in the first known title to come to be released in this genre; Flesh Market (1962).
Known by her fans as the ‘pink princess’, Katori was talent spotted at a Miss Universe beauty pageant by Nikkatsu; Japan’s oldest major film studio.
At the time of her debut film, nudity was banned and the film was shut down in cinemas by the police and was heavily censored. However, the boom for this kind of content was to dominate Japanese theaters over the 60s and 70s and Katori was at the spearhead of this movement.
Whilst female sexploitation stars in the West were working for low-budget movies, she was being offered huge sums of money to appear in pink films.
Katori worked with one of the country’s most sensationalistic directors, Giichi Nishihara, who was dubbed ‘Japan’s sleaziest movie-maker’ by critics. However, Nishihara had a cult following and combined with Katori’s baby face and big boobs, the pair made movies that were, commercially, hugely successful.
She retired from the industry in 1972.
Infamous as the star of the 1970s porn classic, Deep Throat (1972) Linda Lovelace was initially introduced to the porn scene in the late 1960s.
Real name, Linda Boreman, she has alleged that she was coerced by her boyfriend of the time (Chuck Traynor). Lovelace started out making a series of hardcore 8mm loops made for peep shows and featured in several fetish films which include bestiality, Dogarama (1969) and urolagnia, Piss Orgy (1971).
Though her legacy in porn is overshadowed by the accusations levied by Lovelace over abuse and coercion, she remains an iconic figure who found her roots in the 1960s adult film industry.
Also known as Darlene Grey, Angela Carter and Vivian Moyer, Candy Morrison was a British pin-up during the 1960s who was allegedly rejected by Playboy magazine because her breasts were too large!
An all-natural 36H, but with a petite figure, Morrison was working as a stripper in San Francisco when she was talent spotted by the film director Russ Meyer. Meyer cast her in his 1966 feature movie, Mondo Topless .
The film is a nudie-flick and is more a documentary of the ‘craze’ that was sweeping the United States in the 60s but is worth watching to get a feel for the kind of new landscape that was revolutionizing the Western world during this period.
Meyer (see Top Porn Directors , below) was a big name in the sexploitation genre with plenty of ‘grindies’ and ‘roughies’ to his name but this was his first color film and is more French New Wave in style.
Morrison also featured in plenty of men’s magazines during her carer including Gent, Buff, Fling and Gem plus she also starred in a couple of stag reels doing what she did best, stripping off to show her sizable assets.
Canadian born Janey Reynolds (also known as Joanne Frawley, Marli Evans and Janey Frawley) was a pin up model of the 1960s who starred in numerous 8mm nudie-cutie loops for peep shows.
She appeared semi-nude in the 1965 Adam Calendar as well as modelling for Man’s World and Rhapsody .
She never appeared full frontal and the reels of her work are all softcore solo stuff but she certainly knew how to work the camera. You can find examples (albeit a little grainy) of just why she is worth mentioning through sites like Vintage Cuties .
Star of the infamous 1973 porno film, The Devil In Miss Jones , Georgina Spelvin’s name is the feminine form of the stage version of ‘John Doe’, or ‘George Spelvin. It was a popular stage name taken by actors when they played two roles.
Spelvin, born Shelley Bob Graham in 1936 also used several other pseudonyms during her career including Claudia Clitoris, Dorothy May, Merle Miller and Ona Tural.
She made her first adult movie in 1957 in a softcore lesbian film called Twilight Girls and went on to feature in a few more sexploitation titles during the 1960s. Though she didn’t garner commercial fame until the seventies when she started working with porn star Harry Reems, Spelvin learned her craft on the 60’s porn scene.
She is an inductee in the AVN and XRCO Halls of Fame and has won several AFAA Awards during her career (mostly for her work in the 1970s and early 1980s).
Inducted into the AVN Hall of Fame in 1996, Jennifer Welles’ career spanned from 1967 to 1978. During this period, she worked in both the softcore sexploitation genre and latterly in hardcore. Her first role was in the film Sex By Advertisement (1967) which was followed up with Career Bed, This Sporting House and Submission in 1969.
She worked with Henri Pachard on several films and went on to star in the hardcore Honeypie (1975) directed by Howard Ziehm.
Winner of the 1977 Erotica Award for Best Actress, Jennifer Welles starred in one of the classic titles of the Golden Age of Porn, the eponymously titled Inside Jennifer Welles (1977). Though she is credited as being the director of this documentary style movie, it was actually another sixties porn icon that took the helm of this project; director Joseph W. Sarno (see ‘ Top 60s Porn Directors ’, below).
Another British model, Williams was raised in California and became a successful pin-up and actress before making a career as an artist. She was the Playmate of the Month in the October 1963 issue of Playboy and also starred in The Swinger (1966) and The Naked World of Harrison Marks (1966).
By contrast to the female porn stars of the 1960s, there aren’t as many male leads; principally this is due to the fact that the majority of porn reels were softcore nudie-flicks and featured only women (solo and couples).
It can also be intimated that the guys of these films were either uncredited and more anonymous or just not nearly as memorable as their successors in the 70s and 80s.
Remember that although this was an era of sexual revolution, the stigma of porn and adult movies was such that some men would probably have preferred to keep this kind of work off their resume.
That being said, the decade did see some famous male porn stars start their career and a couple of guys whose legacy lives on long after the credits rolled.
Born John Calvin Culver, Casey Donovan was a lead in American porn films during the late 60s, 70s and early 80s. He was primarily known as a gay porn star but also starred in several bisexual roles as well as hetero porn movies. The most notable of these performances was in The Opening of Misty Beethoven (1976) in which he played the role of a homosexual art dealer who is seduced by a woman.
His 60s work is pretty much in supporting non-sex roles for low budget sexploitation movies and he really came into his own during the 1970s. However, we are going to bank him as an up and coming star from this decade.
Credited with more than 600 titles during his long career, Eric Edwards made his adult film debut in 1969 in the infamous Dogarama which also starred Linda Lovelace. He continued working through the 1970s, 1980s and 1990s during which time he also directed over 60 titles.
A hall of fame member with XRCO and winner of the 1997 Legend
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