2 Femme 1 Homme
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2 Femme 1 Homme
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Vollständig unterstützt English (United States) Teilweise unterstützt Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Originaltitel: Un homme et une femme
14 Gewinne & 14 Nominierungen insgesamt
Jean-Louis Duroc (as Jean Louis Trintignant)
The black and white part was not intended for artistic purpose but due to a lack of money. Lelouch could not afford having all the film developed in color.
Un Homme et une Femme Music by Francis Lai Lyrics by Pierre Barouh Performed by Nicole Croisille and Pierre Barouh
I saw this film twice when it came out in 1966. The leading characters are quite handsome and appealing to watch. At the time I loved the music soundtrack and even bought the soundtrack album. Seeing it is available on DVD and has some bonus footage, it was a real pleasure to watch this film again, as a bonus, with my second wife. Although it seems a bit dated and many films have copied elements of its style, it still captures and stirs the emotions about the possibility of falling in love and the reality of being a "walking wounded" mid 30's single person. The bonus footage showing how the film was made on the cheap with minimum rehearsing is quite amazing. Films today are often made for hundreds to thousands times the cost, and are as spontaneous as a log pile. I recommend a revisit to this film, but imagine today's young film watchers could be bored with the absence of violence, swearing, kinky sex, and other predictable ingredients of today's formula films. one amusing feature which dates the film is the near chain smoking both stars in the film keep doing on screen. That is mostly not cool these days.
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By what name was Ein Mann und eine Frau (1966) officially released in India in English?
The Best Movies and Shows in September
Who Are the 2022 Emmy Acting Nominees?
We Love These Hollywood Power Couples
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Eine Witwe und ein Witwer erleben, wie sich ihre Beziehung zur Liebe entwickelt, aber ihre vergangenen Tragödien erweisen sich als schwer zu überwinden, so dass sie mit äußerster Vorsicht vo... Alles lesen Eine Witwe und ein Witwer erleben, wie sich ihre Beziehung zur Liebe entwickelt, aber ihre vergangenen Tragödien erweisen sich als schwer zu überwinden, so dass sie mit äußerster Vorsicht vorgehen. Eine Witwe und ein Witwer erleben, wie sich ihre Beziehung zur Liebe entwickelt, aber ihre vergangenen Tragödien erweisen sich als schwer zu überwinden, so dass sie mit äußerster Vorsicht vorgehen.
Jean-Louis Duroc : Some Sundays start well and end badly. It's hard to believe- It's crazy to refuse happiness. If I had to go through this again, What would I do? Is there anything else I could do? To see her for months on end as a pal. What happens? You end up being pals, maybe. She wired, 'I love you.' Admit it boy, you just don't understand women.
Alle Titel TV-Folgen Prominente Unternehmen Stichwörter Erweiterte Suche
Vollständig unterstützt English (United States) Teilweise unterstützt Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Originaltitel: Un homme et une femme, 20 ans déjà
Füge eine Handlung in deiner Sprache hinzu
Marie-Sophie (as Marie-Sophie Pochat)
Professeur Thevenin (as Philippe Leroy-Beaulieu) …
Unnecessary Sequel of a Great Romance, or How to Kill a Magnificent Love Story
Twenty years after their affair, the promoter of the Paris-Dakar race Jean-Louis Duroc (Jean-Louis Trintignant) is called by the producer Anne Gauthier (Anouk Aimée) to Paris. After producing a movie that was a complete failure in audience, Anne intends to make a movie about their love. Meanwhile, a serial killer escapes from the hospital, and is found dead, together with the wife of his doctor. "Un Homme et Une Femme" is a delightful and charming classic romantic movie. Unfortunately, director Claude Lelouche decided to make this sequel, using the same cast, twenty years later. I do not dare to say that "Un Homme et Une Femme, 20 Ans Déjà" is a bad movie. However, it kills, for example, the magnificent open end of the original movie, showing what has happened with Jean-Louis Duroc and Anne Gauthier along twenty years. Further, there is a parallel story, and many sub-plots that are completely out of the context, mixing a romantic story with a thriller and a drama. Jean-Louis Trintignant aged too much, and Anouk Aimée is still very beautiful and elegant, but the wonderful chemistry between them is completely lost. My vote is seven because there are some good points, mainly the filming of the romance of Anne and Jean-Louis, like a movie-in-a-movie. Title (Brazil): "Um Homem. Um Mulher: 20 Anos Depois" ("A Man. A Woman: 20 Years Later")
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What is the English language plot outline for Ein Mann und eine Frau - 20 Jahre später (1986)?
Who Are the 2022 Emmy Acting Nominees?
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Alle Titel TV-Folgen Prominente Unternehmen Stichwörter Erweiterte Suche
Vollständig unterstützt English (United States) Teilweise unterstützt Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Füge eine Handlung in deiner Sprache hinzu
Hinterlasse als Erster eine Rezension
Hinterlasse als Erster eine Rezension
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By what name was La vie des êtres (2021) officially released in Canada in English?
The Best Movies and Shows in September
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New & Upcoming Sequels, Prequels, and Spin-Offs
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From Wikipedia, the free encyclopedia
This article is about the 1966 French film. For the 1986 sequel, see A Man and a Woman: 20 Years Later . For other uses, see A Man and a Woman (disambiguation) .
Anouk Aimée as Anne Gauthier
Jean-Louis Trintignant as Jean-Louis Duroc
Pierre Barouh as Pierre Gauthier
Valérie Lagrange as Valerie Duroc
Antoine Sire [ fr ] as Antoine Duroc
Souad Amidou as Françoise Gauthier
Henri Chemin [ fr ] as Jean Louis' co-driver
Yane Barry [ fr ] as Jean Louis' mistress
Paul Le Person as Petrol pump attendant
Simone Paris as Head Mistress
Gerard Sire [ fr ] as Radio commentator
Gérard Larrousse as Rally driver
Jean Collomb [ fr ] as the waiter
Clive Roberts as Rally driver [8]
^ Jump up to: a b "A Man and a Woman, Box Office Information" . The Numbers . Retrieved March 30, 2012 .
^ "A Man and a Woman" . Internet Movie Database . Retrieved March 30, 2012 .
^ "Un homme et une femme" . JP's Box Office . Retrieved March 30, 2012 .
^ "Un homme et une femme" . Festival de Cannes. Archived from the original on August 7, 2012 . Retrieved March 31, 2012 .
^ "The 39th Academy Awards (1967) Nominees and Winners" . The Academy of Motion Picture Arts and Sciences . Retrieved March 31, 2012 .
^ "Golden Globe Awards for 1967" . Internet Movie Database . Retrieved April 1, 2012 .
^ "Claude Lelouch retrouve Anouk Aimée et Jean-Louis Trintignant pour l'épilogue d'"Un homme et une femme" " . franceinfo (in French). 15 March 2019 . Retrieved 4 January 2022 .
^ "Full cast and crew for A Man and a Woman" . Internet Movie Database . Retrieved March 30, 2012 .
^ Jump up to: a b c d e f Claude Lelouch (Director) (1994). A Man and a Woman: 37 Years Later (DVD). Burbank: Warner Brothers.
^ Lelouch, Claude (1971). A Man and a woman . Lorimer Publishing. p. 49.
^ Jump up to: a b Simon, Alex. "Claude Lelouch" . The Hollywood Interview . Retrieved March 31, 2012 .
^ Erickson, Hal. "A Man and a Woman" . Allmovie . Retrieved March 31, 2012 .
^ Tino Balio, United Artists: The Company That Changed the Film Industry , University of Wisconsin Press, 1987 p. 231
^ Jump up to: a b c "English Lingo For New 'Man & Woman' ". Variety . May 15, 1968. p. 4.
^ Cohn, Lawrence (October 15, 1990). "All-Time Film Rental Champs". Variety . p. M140.
^ "French Box Office 1966" . Box Office Story .
^ Jump up to: a b Crowther, Bosley (July 13, 1966). "French and Frankly Romantic" . The New York Times . Retrieved April 1, 2012 .
^ "Un Homme et une Femme" . Variety . December 31, 1965 . Retrieved April 1, 2012 .
^ "A Man and a Woman" . Rotten Tomatoes . Retrieved April 1, 2020 .
^ "Cannes Classics 2016" . Cannes Film Festival . 20 April 2016. Archived from the original on 10 February 2017 . Retrieved 21 April 2016 .
^ Jump up to: a b "Awards for A Man and a Woman" . Internet Movie Database . Retrieved March 31, 2012 .
^ "The 39th Academy Awards (1967) Nominees and Winners" . oscars.org . Archived from the original on 2014-11-10 . Retrieved 2011-09-04 .
^ "BAFTA Awards: Film in 1968" . BAFTA . 1968 . Retrieved 16 September 2016 .
^ "19ème Festival International du Film - Cannes" . cinema-francais.fr (in French) . Retrieved 4 June 2017 .
^ "19th DGA Awards" . Directors Guild of America Awards . Retrieved July 5, 2021 .
^ "A Man and a Woman – Golden Globes" . HFPA . Retrieved July 5, 2021 .
^ "1967 Italian National Syndicate of Film Journalists" . Mubi . Retrieved August 15, 2021 .
^ "1966 Award Winners" . National Board of Review . Retrieved July 5, 2021 .
^ "Past Awards" . National Society of Film Critics . 19 December 2009 . Retrieved July 5, 2021 .
^ "1966 New York Film Critics Circle Awards" . Mubi . Retrieved July 5, 2021 .
^ Barouh, Pierre (November 3, 2005). "A lifelong ambassador of Brazil" . RFI Music. Archived from the original on February 10, 2012 . Retrieved March 31, 2012 .
^ "A Man And A Woman (Original Motion Picture Soundtrack)" . Discogs . Retrieved March 30, 2012 .
^ "Soundtracks for A Man and a Woman" . Internet Movie Database . Retrieved March 30, 2012 .
A Man and a Woman ( French : Un homme et une femme ) is a 1966 French film written and directed by Claude Lelouch and starring Anouk Aimée and Jean-Louis Trintignant . Written by Lelouch and Pierre Uytterhoeven , the film concerns a young widow and widower who meet by chance at their children's boarding school and whose budding relationship is complicated by the memories of their deceased spouses. [2] The film is known for its lush photography, which features frequent segues among full color, black-and-white , and sepia-toned shots, and for its music score by Francis Lai .
A Man and a Woman sold a total of 4,272,000 cinema tickets in France and was also the 6th highest-grossing film of the year. [3] In the United States, the film earned $14,000,000. [1] The film won several awards, including the Palme d'Or at the 1966 Cannes Film Festival , [4] two Golden Globe Awards for Best Foreign Language Film and Best Actress - Drama (for Aimée), and two Academy Awards for Best Foreign Language Film and Best Original Screenplay . [5] [6] A sequel, A Man and a Woman: 20 Years Later ( Un Homme et une Femme, 20 Ans Déjà ) was released in 1986, followed by The Best Years of a Life , which was released in 2019. [7]
A young widow, Anne Gauthier ( Anouk Aimée ), is raising her daughter Françoise ( Souad Amidou ) alone following the death of her husband ( Pierre Barouh ) who worked as a stuntman and who died in a movie set accident that she witnessed. Still working as a film script supervisor, Anne divides her time between her home in Paris and Deauville in northern France where her daughter attends boarding school. A young widower, Jean-Louis ( Jean-Louis Trintignant ), is raising his son Antoine ( Antoine Sire ) alone following the death of his wife Valerie (Valerie Lagrange) who committed suicide after Jean-Louis was in a near fatal crash during the 24 Hours of Le Mans . Still working as a race car driver, Jean-Louis divides his time between Paris and Deauville where his son also attends boarding school.
One day Anne and Jean-Louis meet at the Deauville boarding school after Anne misses the last train back to Paris. Jean-Louis offers her a lift and the two become acquainted during the drive home, enjoying each other's company. When he drops her off, he asks if she would like to drive up together the following weekend, and she gives him her phone number. After a busy week at the track preparing for the next race, Jean-Louis calls and they meet early Sunday morning and drive to Deauville in the rain. Clearly attracted to each other, they enjoy a pleasant Sunday lunch with their children who get along well. Later that afternoon they go for a boat ride followed by a walk on the beach at sunset.
Jean-Louis spends the following week preparing for and driving in the Monte Carlo Rally in southeast France. Every day, Anne closely follows news reports of the race, which takes place in poor weather conditions along the icy roads of the French Riviera . Of the 273 cars that started the race, only 42 were able to finish, including Jean Louis's white Ford Mustang , number 145. Watching the television coverage of the conclusion of the race, Anne sends Jean-Louis a telegram that reads, "Bravo! I love you. Anne."
That night at a dinner for the drivers at the Monte Carlo Casino , Jean-Louis receives the telegram and leaves immediately. He jumps into the other Mustang (number 184) used during the race and drives through the night to Paris, telling himself that when a woman sends a telegram like that, you go to her no matter what. Along the way he imagines what their reunion will be like. At her Paris apartment, Jean-Louis learns that Anne is in Deauville, so he continues north. Jean-Louis finally arrives in Deauville and finds Anne and the two children playing on the beach. When they see each other, they run into each other's arms and embrace.
After dropping their children off at the boarding school, Jean-Louis and Anne drive into town where they rent a room and begin to make love with passionate tenderness. While they are in each other's arms, however, Jean-Louis senses that something is not right. Anne's memories of her deceased husband are still with her and she feels uncomfortable continuing. Anne says it would be best for her to take the train back to Paris alone. After dropping her off at the station, Jean-Louis drives home alone, unable to understand her feelings. On the train Anne can only think of Jean-Louis and their time together. Meanwhile, Jean-Louis drives south through the French countryside to the Paris train station, just as her train is arriving. As she leaves the train, she spots Jean-Louis and is surprised, hesitates briefly, and then walks toward him and they embrace.
According to director Claude Lelouch , the story originated from an experience following his disappointment trying to get a distribution deal for his film Les Grands Moments . As was his habit during troubling times, he went for a long drive and ended up on the shore at Deauville at 2:00 am. After a few hours sleep in the car, he was awakened by the sunrise and saw a woman walking on the beach with her daughter and a dog. This sparked his creativity which led to the story and script which he co-wrote with Pierre Uytterhoeven within a month. [9]
The title may have come from a line in the film, Jean-Louis and Anne are listening to the news on the radio driving in a fast Ford Mustang and a commentator says "A man and a woman have just died after skidding in a powerful car". This leads to a discussion about how well he is driving "you are average" Anne says! [10]
A key casting decision for Lelouch was Jean-Louis Trintignant .
I think Jean-Louis is the actor who taught me how to direct actors. We really brought each other a lot. He changed his method of acting while working with me, and I began to truly understand what directing actors was all about, working with him. I think the relationship between a director and actor is the same relationship as in a love story between two people. One cannot direct an actor if you do not love him or her. And he cannot be good if he or she does not love you in turn. [11]
For the female lead, Trintignant asked Lelouch who his ideal woman would be, and Lelouch indicated Anouk Aimée , who had appeared in Fellini's La Dolce Vita (1960) and 8½ (1962). Trintignant happened to be a close friend of hers and told him to call her. When he did, she accepted without reading the script. Although early disagreements and the low-budget skeleton crew caused initial tension between the director and actress, they quickly resolved their differences and the two went on to become close friends. [9]
Once the script was drafted, the film was made relatively quickly, with one month of preproduction work, three weeks of principal photography, and three weeks editing. [9] Due to budget constraints, he used an older handheld camera that was not soundproof, so blankets were frequently employed to dampen the camera noise. [9]
Lelouch is considered a pioneer in mixing different film stocks: black-and-white with color, and 35mm with 16mm and super 8. For years film critics debated the symbolism of the mixed film stocks, but Lelouch acknowledged that the primary reason was that he was running out of money, and black and white stock was cheaper. [11] His original plan involved shooting strictly in black and white, but when an American distributor offered him $40,000 to film in color, he filmed the outdoor sequences in color, and the indoor scenes in black and white. [9]
The music soundtrack was recorded prior to filming, and Lelouch would play the music on the set to inspire the actors. [9] Lelouch encouraged his actors to improvise some of the dialogue, and several key scenes were improvised. The climactic scene at a train station was not scripted at the time of shooting, and Aimée did not know that director Lelouch had decided on the two main characters reuniting at the end. The look of surprise on Aimée's face is genuine. [12]
The film was shot, among others, in Paris , Monte Carlo and Deauville . The love scene was shot in the Hotel Barrière Le Normandy Deauville which, in memory of the film, has a suite entitled "A Man and a Woman". (Info by the Dizionario del Turismo Cinematografico )
The film earned theatrical rentals of $4.6 million in the United States and Canada and $4 million internationally during its initial theatrical release. [13] [14] It played for 83 weeks in Boston, 73 weeks in Syracuse and 61 weeks in Seattle. [14] An English language version of the film was shown in the United States and Canada from July 1, 1968, and the film eventually earned rentals of $6.3 million in the US and Canada. [14] [15]
It was the sixth most popular film at the French box office in 1966, after La Grande Vadrouille , Dr Zhivago , Is Paris Burning? , A Fistful of Dollars and Lost Command . [16]
Upon its theatrical release in the United States, A Man and a Woman received mostly positive reviews. In his New York Times review, Bosley Crowther wrote: "For a first-rate de
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