1975 Sex Film

1975 Sex Film
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History of Sex in Cinema:
The Greatest and Most Influential
Sexual Films and Scenes
(Illustrated)
Stanley Kubrick's over 3-hour long costume
drama adaptation of William Makepeace Thackeray's 1844 novel was one
of the director's most underrated films. The
gorgeously-filmed period piece and epic featured astonishing, gorgeous
candlelit cinematography by John Alcott and oil painting-like tableaus.
It told a tale of the profligate life-style of impetuous,
opportunistic, and jealous young Irish farmboy who became rogue Redmond
Barry (Ryan O'Neal). After a duel, he joined the British Army and
was engaged for a time in the Seven Years War, until he deserted
and was also pressed into service in the Prussian infantry. He emerged
to become a professional gambler in the company of fraudulent nobleman
Chevalier de Balibari (Patrick Magee).
In his dealings in Belgium, he happened to notice the
Countess of Lyndon
(Marisa Berenson) who was married
to aging and terminally-sick Sir Charles Lyndon (Frank Middlemass).
After his first flirtatious meeting with her
in a gamester session (a very seductive scene), lit only with candlelight
casting a reddish glow, he met privately with her and after restrained
moments, he kissed her for the first time.
When her husband died, Barry followed
up with a stately courtship of Lady Lyndon and soon married into
wealth - becoming Barry Lyndon. He made England his home, lived
off his wife's riches, with no money to his own name. Theirs was
an unhappy marriage ("Lady
Lyndon tended to a melancholy and maudlin temper, and, left alone
by her husband, was rarely happy or in good humor. Now, she must
add jealousy to her other complaints and find rivals even among her
maids"),
exemplified by the scene of Lady Lyndon witnessing Barry's unfaithfulness
in the garden with his wife's maid. Subsequently, Barry offered his
subservient sincere apology to her while she sat motionless, nude
and passive in her bath as a despondent newly-wed wife, but then
allowed herself to be kissed by him.
One love-making
scene between Barry with two topless ladies was also portrayed on a lobby
card.
Lacking historical accuracy, this crude and violent
crime biopic was a Roger Corman-produced exploitation film, taking
advantage of The Godfather mobster film craze at its time.
Producer Corman had earlier made The St. Valentine's Day Massacre
(1967) with many of the same characters, including Al Capone
(Jason Robards, Jr.).
"Now, After 45 Years the True Story
Can Be Told! Capone - The Man Who Made the Twenties Roar."
The film purported to tell about the rise and
fall of infamous and ruthless Chicago gangster Al Capone (Ben Gazzara),
and his relationship with pretty 'flapper'
Iris Crawford (Susan Blakely), other gangsters (Hymie Weiss (John
Davis Chandler) and George "Bugs" Moran (Robert Phillips))
and various underlings, including pre- Rocky Sylvester
Stallone as his right-hand man Frank Nitti.
First seen on the streets of Brooklyn,
Capone was transferred to Chicago where
he worked his way up the ranks, while dealing in rackets, bootlegging,
gambling, and prostitution. He mentored and then competed with
local crime boss Johnny Torrio (Harry Guardino). Some of the
footage was reused from Roger Corman's own earlier The St. Valentine's
Day Massacre (1967) .
The
first full frontal female nudity (an open crotch shot) in a major-studio
(or mainstream) American film was found in this
film. In the most notorious scene, Iris opened
her legs in full view as she left Capone's bed.
[Note: It was the predecessor of a more publicized
shot involving Sharon Stone during a police interrogation in Basic
Instinct (1992) .]
The first account of the "Happy Hooker" was
director Larry Spangler's X-rated porn film The Life and Times
of Xaviera Hollander (1974) , with Samantha McLaren (aka Samatha
McClearn) in the lead role as Xaviera, and the real-life Madam serving
as Narrator.
A year later, a series of three R-rated films in the
sexually-revolutionary 1970s were inspired and loosely based on the
novelized true accounts or raunchy memoirs of former call-girl and
madam Xaviera Hollander, published in 1971 as The Happy Hooker:
My Own Story .
Three different actresses
portrayed the title character in the trilogy: Lynn Redgrave (a respectable
actress), Joey Heatherton (a leggy blonde bombshell), and Martine
Beswicke (known for appearances in two Bond films). The films were
produced by the Cannon Group - the last film in the trilogy was overseen
by its notorious new owners Menahem Golan and Yoram Globus:
[Note: See the other years ( 1977 and 1980 )
for the next two entries in the 3-part The Happy Hooker film
series.]
Xaviera Hollander
was originally "Secretary of the Year" in her native Holland
before moving to New York City and becoming notorious as a 'high-class'
Madam who was arrested for running a bordello. She continued to write
autobiographical books and sex guides, and for three and a half decades
served as Penthouse Magazine's sex-advice columnist for "Call
Me Madam."
The first film in the three-part franchise was a slow-paced,
tame and unappealing adult film about sex-for-hire. Its tagline was:
"Don't Be Embarrassed To Spend 96 Minutes In
A Dark Room With A Hooker. You Know About Sex. Now Learn About
Life."
The only nudity came from one of Xaviera's prostitutes
named May Smith (Anita Morris). The nakedness occurred during two
scenes when she was dressed in food (as an ice cream sundae and in
a whipped cream wedding dress).
Ilsa: Exploitational Women-in-Prison
Series (1975-1977)
A series of infamous, violent and shocking B-films,
all with the title of Ilsa , were released in the mid to late 1970s.
They were part of the era's trend to exhibit women-in-prison (WIP)
films and add Nazi-exploitation to the mix, after the tremendous
success of Love Camp 7 (1969) .
[Note: Ilsa: The Wicked Warden (1977) (aka Greta,
the Mad Butcher, and Wanda, the Wicked Warden) , was
an "unofficial" Ilsa film directed by Spanish
exploitation master Jess Franco. Dyanne Thorne starred in the film
as a warden named Wanda.]
All of the films featured torture (sometimes with sex
involved), in various locales:
Ilsa: She Wolf of the SS
(1975)
The first film in the series, Ilsa: She Wolf of
the SS , a 1975 Canadian production (from David F. Friedman)
was the original film in a 3-part sexploitation series (see above).
It was sick, degenerate
and semi-pornographic with abundant gratuitous full-frontal female
nudity and gruesome incidents. It was reportedly
based on the real life atrocities of merciless Nazi murderess Ilse Koch
who was christened the "Bitch of Butchenwald."
[Note: Coincidentally, it was shot on the
set used for the Hogan's
Heroes TV show after it was cancelled.]
Ilsa
(big-breasted Las Vegas showgirl Dyanne Thorne) was featured as the
camp's nymphomaniacal, over-the-top, sadistic commandant, who personally
inspected stripped female prisoners, and decided which would be 'retrained'
to serve the soldiers of the Third Reich, or be subject to torturous
medical experiments.
Ilsa
conducted private research to prove that
females could take more pain than males (including the use of electrified
dildos and electrodes attached to sensitive areas) - one hapless
female experimental test subject was Anna (Maria
Marx) who was mercilessly tortured for "three nights" and
couldn't be broken. Torture victim (Uschi Digard) was
strung up in a pressurized chamber until she died, and another
prisoner (Sharon Kelly) was hung upside
down outdoors to die.
Prisoner (Peggy Sipots)
was gagged, hung by her neck with a noose and standing on a
melting ice block (at the end of a dinner table during a party
held for other German commandants). After the dinner, the drunken and
aroused Commandant invited Ilsa to urinate on his face
as he laid down on the floor in front of her.
In the opening scene, Ilsa was forcing herself on
a male prisoner and threatened him with
castration if he couldn't hold out long enough to satisfy her. Obviously,
he didn't, because she had to satisfy herself with a shower head.
(Soon after, there was a punishing male castration - mostly off-screen
but still gruesome.)

One of the American prisoners, blonde-haired Wolfe
(Gregory Knoph), who could satisfy her insatiable appetite for sex
because he didn't ejaculate - ultimately
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1975 Sex Film

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