The Shining Chapter 4 Summary How It All Goes Down Shadowland When Danny comes in for milk and cookies, Wendy's lying down.(Note: If it sounds like we're talking baby-talk in this section, it's because it's from Danny's point of view, and he's only five.)Against his mother's protests, Danny goes back to the curb to wait anxiously for Jack.It's 5 p.m., but Danny, too young to tell clock-time well, is "aware of passing time by the lengthening of the shadows, and by the golden cast that now tinged the afternoon light" (4.2).He's singing nursery rhymes and thinking of Jack and Jill Nursery School in Stovington.His dad doesn't have the money for nursery school now. Danny doesn't care though – that was just a baby school, though he misses fellow nursery schoolers Andy and Scott. What's important to Danny right now is what's going on with his parents.He always knows what's going on with them, and other things, but they don't really believe him.He'll be patient until the time comes when they have to believe him.
Danny isn't old enough to understand some of the things Wendy's thinking about right now, "vague things that had to do with security, with Daddy's selfimage, feelings of guilt and anger and what was to become of them" (4.6).Specifically, she's worried that the car broke down, and/or "that Daddy had gone off to do the Bad Thing" (4.6).Danny knows what the Bad Thing is. Scotty Aaronson's dad had done it too. Scotty's dad "punched his mom right in the eye and knocked her down" (4.6). Because of the Bad Thing, the Aaronson's got a "DIVORCE" (4.7).DIVORCE is the most horrifying thing Danny can imagine. It means your parents fight over you.His parents thought about it often after "Daddy punished [Danny] for messing the papers up in his study and the doctor had to put his arm in a cast" (4.7).Mommy was the main one thinking about DIVORCE then, and Danny was so afraid she would make it a reality.It was because of Danny's arm, and because of what Daddy had done to George Hatfield.Danny knows Daddy is in pain all the time;
he always wants "to go into a dark place and watch color TV and eat peanuts out of a bowl and do the BAD THING until his brain would be quiet and leave him alone" (4.8).Jack is close to home now, Danny knows. He didn't break down and he isn't even thinking of drinking, he's thinking of…When he thinks too hard, "It [makes] things – real things – go away, and then he [sees] things that aren't there" (4.9).Like once when his parents were thinking about divorce really hard at the breakfast table after the broken arm.Danny is concentrating too hard, and losing touch with the real world.When he comes back, his parents are in a panic. They think something is wrong with him. He tries to explain, and to tell them "about Tony, who they [call] his 'invisible playmate'" (4.9).Jack says Danny is "having a Ha Loo Sin Nation" (4.10) and then takes him to the doctor.Wendy makes Danny promise not to ever do that again.He's scared, too, because right before Tony came, he'd been in Jack's mind and felt him thinking "SUICIDE" (4.11).
Danny doesn't know what that means, but he knows it's worse than DIVORCE. It was the only time he's seen the word there.Tony has followed Danny here to Boulder – he's seen him twice – and Danny's glad to have a friend close by.The first time was just a glimpse, but the second time Tony shows Danny that the movers had put Jack's important trunk, the one with "'THE PLAY'" (4.17) in it, under the stairs.When Jack begins to panic when he can't find it, Danny tells him where the trunk is.Danny thinks hard about Jack now, "and his body slump[s] on the curb as if all the muscles had gone out of it" (4.25), though he can still see what's going on.He hears Jack thinking about Watson and the Overlook and knows he got the job.Suddenly, Danny hears his name being called.Oh, cool, look, it's Tony.But wait, there's something scary about Tony this time, like he's going to somehow hurt Danny.He must follow.Tony takes him to a place of utter darkness and deep snow.Danny sees a huge building with new shingles on the roof – Jack had put them on.
Tony tells Danny, "Poison" (4.37) and then commences to show him warning signs, like "NO SWIMMING. THIS PROPERTY CONDEMNED" (4.38). Danny can't read, but he gets the idea.All the sudden he's in a room. In the mirror he sees the word "REDRUM" (4.40).In another room, he hears a man's voice that sounds a little familiar. The man is screaming "Come out! Come out, you little shit. Everything in the room is either smashed, or getting smashed, including Wendy's record player and all of her records.The word REDRUM flashes in a mirror.Danny protests, but Tony shows him a bathtub with a hand hanging out of it. The hand is dripping blood. Tony takes Danny to a hallway with blue carpet.A bad "Shape" (4.58) is coming at him now, smelling of "blood and doom" (4.58). It has a huge mallet in its hand and is smashing things with it.Danny begs Tony to take him back. Tony does, right before Jack pulls up.Danny sees Tony just up the block and then he jumps up to greet Jack.Now he's petrified with horror, because "Beside his Daddy in the other front seat, [is] a short-handled mallet, its head clotted with blood and hair" (4.65).
It's only a bag of groceries.He tells Jack he loves him, and Jack says he loves Danny too.Danny knows that sometimes the things Tony shows him don't happen.Still, he's afraid, and his fear is connected to the strange word Tony showed him in the mirror. People who Shmooped this also Shmooped... Cloud Atlas - Learning Guide Hyperion - Learning Guide The Lovely Bones - Learning Guide The who, what, where, when, and why of all your favorite quotes. Go behind the scenes on all your favorite films. heard people knocking Zathura for being a rip-off of and while I can certainly see that both films have strikingly similar premises, it should be mentioned that Zathura is based on the book sequel to Jumanji, both written and illustrated by Chris Van Allsburg. It's not as evident that the movies are related to one another, as the makers of the film version of Jumanji left out a key component of the book that eventually became the inspiration for the sequel.
Zathura works exceptionally well as a stand-alone adventure. shouldn't dismiss this as a Jumanji retread; Zathura revolves around a board game that brings forth real-life dangers,Danny (Bobo, Around the Bend) and Walter (Hutcherson, Kicking & Screaming) are two young siblings that discover the old board game in the basement of their father's not-quite-renovated house. The game itself seems simple: two players take turns racing their rocket ships to the world of Zathura; whoever gets their first is the winner. Things aren't so simple when the game gets underway, as the boys find their living room torn up by a meteor shower that nearly kills them. Despite the fact that nearly every move in the game brings forth more mysterious and dangerous aspects to the house, the boys are forced to play. Their house is isolated in space itself, with no chance to get back home until the game reaches its conclusion. With renegade robots, carnivorous lizard aliens, and many other perilous
situations that occur, the boys find that getting to the end may not be a sure Favreau is fast becoming one of the better family film makers working inAlthough he started off with two adult films, both good for the modest stories they were, it is in his last two films, the family-friendly Christmas story, Elf, and now Zathura, that Favreau gets to finally show off that he has a flair forBy "juvenile", I certainly don't mean inferior; that Favreau can see his stories through a child's eyes, where a sense of wonder, horror, and mystery still exists in everyday objects and places. In many ways, Zathura feels like a Spielberg creation, and while Favreau may not have the prodigious conception of Spielberg when it comes to making a truly magical movie, he does have a great knack for getting superb and very realistic performances from his child actors, which is something Spielberg has sometimes struggled to do. most memorable family films, Zathura is ruled by special effects and