Fill your home with little stories and enchanted tales with the help of the furniture that you put within your home. Make each piece of furniture that you lovingly place within your home add character and depth to your rooms. Here at Graham & Green we believe that you should surround yourself in beautiful things of which make you happy, your home should reflect you, your character and your heart. Interior design for Graham & Green is as breathing is to human beings; We aim to provide for you only the best in beautiful, unique pieces of furniture that will really set your home apart from the rest. We take inspiration from many different styles and era’s and endeavour to create only the most beautiful and unique pieces for you that will not only pass the test of time, but will go on to become family heirlooms. Here at Graham & Green we strongly believe that our unique items of furniture can turn your house into a home in no time at all. Our furniture collections can turn your bedroom into a boudoir, your living room into a room that you really do want to live in and your kitchen into a culinary and stylish masterpiece.
Whatever the room, we can transform it. Add a touch of French fancy to your home with our French Chateau collection. Reminiscent of classic French design, this collection of handcrafted and hand gilded furniture will be the perfect accompaniment to your home. Alternatively, if you are perhaps more modern in style then the unique collection that is Kartell is bound to impress you. The fabulously modern yet functionally perfect Kartell collection, designed by Philippe Stark’s collection, really is a stylish marvel and is sure to set your home apart from the rest. Whether it be timeless, elegant pieces or modern majestic pieces of furniture that you desire, here at Graham & Green we pride ourselves on the variety of beautiful furniture that is available on our website and throughout our store. Standard delivery only £5.95 Log in or Create an Account By creating an account with our store, you will be able to move through the checkout process faster, store multiple shipping addresses, view and track your orders in your account and more.
If you have an account with us, please log in. Designed by Hans J. Wegner for Carl Hansen & Son in 1949 and produced without interruption since 1950, the Wishbone chair is one of the most recognisable classics of the 20th century. Available to buy online in soaped oak with natural cord seat. Price inc. vat / Collection from our London showroom free of charge. Delivery from £29 * Show all delivery rates UK Mainland Courier Delivery (Door to Door): £29 * Rates based on lowest applicable rate, see full delivery information ** Installations include delivery and installation up to second floor, and removal of packaging from site - please note this excludes suspension lighting and wall mounted items. Download Carl Hansen Wood Finish Options Black paper cord seat Natural paper cord seat Wishbone Chair, black painted beech with black papercord seat Wishbone Chair, soaped oak with natural papercord seat Wishbone Chair, black painted beech with natural papercord seat
Wegner CH28 Sawhorse Chair - All Wood - Oak Frame Wegner Opala G03 Midi Floor Lamp Wegner Opala G04 Maxi Floor Lamp Wegner CH24 Wishbone Seat Cushion - Paul Smith Edition The Philipe Gailard Chair : Walnut Pair of Morton Dining Chairs Pair of Soren Chairs Temple Chair Natural Wood The Philipe Gailard Chair : Ash Ducelle Chair - Wood Legs with Stretcher Ducelle Chair - Wood Legs Ducelle Chair - Pylon Legs Ducelle Chair - Metal Legs Archie Chrome Dining Chair Upholstered Radius Dining Chair Nova Dining Chair (UK Exclusive) Carrick Chair with Arms Archie Black Dining Chair Bali Dining Chair with Arms Industrial Chair with ArmsAre you sitting comfortably? By the end of October – after a six-month “amnesty” for retailers – that luxury will cost you more, maybe 12 times more, than now. And it's all thanks to the bloody European Union.It's thanks to Britain bringing its own copyright laws on furniture design into line with our partners – a dovetailing that was meant to be happening in 2020, but has been expedited after representations from the licensees (we'll get back to them) as well as the estates of dead designers.
The measure also grants designers the same protection as that enjoyed by plastic and graphic artists, and gives them rough parity with writers, musicians, broadcasters and film-makers. Which is all well and good. But the change could precipitate the disappearance of the “Barcelona”-style chair – currently so ubiquitous in building society branches – and the fetishisation of its licensed equivalent, originally conceived by Mies van der Rohe and costing nearly £6,000. The starter-home couple will be denied the pleasure of those Italian chrome standard lamps on long spindly arcs, because a licensed Castiglioni version will cost them more than a grand. The same goes for Anglepoise lamps. And you'll be so scared of scratching your clear Perspex Louis Ghost dining-chairs that you won't dare sit on them. What's at issue is the deal on offer to dead designers' estates. At the moment, the copyright in a creator's work holds for 25 years from his or her death – during which time top-drawer copiers can buy licenses to put the designs into manufacture.
The licensees can then make limited editions, before churning out as many as they can sell for a few thousand quid a time. But after a quarter of a century, it's open season. Then, the knock-off merchants can legally swing into action. And soon your online oulet is advertising, say, a replica-Charles Eames reclining armchair and footstool – perfect examples of the current taste for “mid-century modern” – for around £400, instead of the £5,000 that the licensee's stockist will charge you.From 28 April, furniture designs in Britain will be protected from unlicensed manufacture for 75 years – that's an extra 50. Under the new legislation, retailers selling unlicensed copies – whether classics or bog-standard bog seats – will be liable to fines up to £50,000 and jail terms of up to 10 years. What's more – or less – we'll see fewer representations of the expensive stuff as licensors begin to assert their rights to charge for and control the reproduction of their work in the visual media.
It's doubtful that the Coalition government really considered that ramification, when it decided to repeal Section 52 of the Copyright, Designs and Patents Act (1998). Its intention, reasonably enough, was to protect intellectual property. But what it couldn't take account of is the debate within the “design community”. For while Sir Terence may want his chicken-brick to bankroll future generations of Conrans, an interior designer who shall be nameless says it will now be a “nightmare” to prop rooms for his clients at a reasonable mark-up. And, this being the design community, there are socially conscious angles to consider, too. Step forward Stephen Bayley, the design pundit who knows so much about his subject that his email address starts with “guru@”. He agrees that the issue is “complicated” but clearly believes design should have a point beyond the percentage cut: “The essential, defining proposition of modern design is – or rather, was – that an idea can be limitlessly reproduced at low cost,” he says.