where can I download Fen by Freya North (Goodreads Author) italian kindle online eReader review

where can I download Fen by Freya North (Goodreads Author) italian kindle online eReader review

where can I download Fen by Freya North (Goodreads Author) italian kindle online eReader review

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Book description
“How much do you know about art history?” This was not the response I was expecting when I complained to my wife that Freya North’s novel “Cat”, set in the world of the Tour de France, was annoying me by mixing fact and fiction unreliably and spoiling the reading experience for me. Fortunately, it would soon become clear that my wife was neither trying to avoid talking about the book nor being oblique.“Fen” is the name Fenella McCabe, the middle of the three McCabe sisters, usually goes by. In “Cat”, she is referred to as having to choose between two men and we get to find out a lot more about those men and Fen herself here. The link my wife was getting at is that Fen has just taken a job as an archivist for Trust Art, a trust that provides funds to help keep works of art from British artists in the UK when they might otherwise be sold to foreign buyers and investors and part of the country’s art history would be lost. This starts to make sense of my wife’s question – Fen has training as an art historian.Until now, the only man in Fen’s life has been Julius Fetherstone, a sculptor who supposedly trained under Rodin and who sculpted a number of sexually charged works of art, both paintings and sculptures, but whose most famous work, the marble sculpture “Abandon” has been lost for many years and of which only bronze impressions remain. It is this man who links her to the others, as her new job helps her meet Matt, the young editor of the trust’s in-house magazine, who happens to be related to the trust’s founder, who himself was a big fan of Fetherstone’s work. Fen also meets James, a much older man living near her Uncle in Derbyshire, who desperately needs to sell a couple of Fetherstone works to fix a leaking roof. The two men are quite different, in age, location, wealth and lifestyle, but Fen falls for both and the story revolves around her relationship with both men as well as with the art.Compared to “Cat”, I enjoyed “Fen” rather a lot more, as my lack of advance knowledge on the subject matter used as the basis of the story meant this wasn’t a hindrance, as my wife suspected, although that wasn’t the entire reason I preferred it. Strangely, considering the artistic nature of the subject matter, the language wasn’t nearly as overly flowery, possibly because the art itself was more sensual than visual and so was described more in terms of how it made Fen feel than how it looked. The literary device of having Fen talk to herself as Cat did was again present, but equally didn’t seem to be over used to the point of becoming all pervasive as it did before. That said, there were a few moments where the voice of the narrator and/or author did quite forcefully break through the fourth wall and these moments provide to be highly distracting from the story itself and a massive interruption to the flow of the novel. As was the constant repetition of what happened to the McCabe sisters’ mother, which was also true in “Cat”. I assume it was quite important to the sisters that their mother ran off with a cowboy from Denver, but as a reader, I don’t feel I’ve needed reminding of that fact more than twenty times over two novels whenever the subject of their mother came up.For all the ways where “Fen” was better written than “Cat”, or at least less badly written, the ending really annoyed me. In “Cat”, there was a deadline and an obvious end point with the Tour de France only lasting three weeks, which gave that book some focus and a little urgency. This was lacking in “Fen”, as it had no obvious timescale of “Fen” and so it seemed as if the story was meandering along quite happily until North realised she was rapidly approaching either a submission deadline or a word count limit and then had to rush around trying to tie things together in a bit of a last minute rush. This meant the ending of the book had some very unbalanced pacing, as well as some highly tenuous links between people that had never even been hinted at previously and some very unsatisfying revelations and conclusions right at the end that there wasn’t time to have explained either before or afterwards.This was a desperate shame and really took away from the book for me, because up until the later stages, “Fen” was a far better book than “Cat” in a number of ways. The smaller cast of characters and the less frenetic pace of events made the pace of the novel and the events described a lot more relaxed and provided a gentler reading experience, as well as providing more opportunity to get to know the main players in the story a lot better and the time to build stronger attachments to them than before. Even if this didn’t happen in the reader, Fen herself had a much greater emotional attachment to her men than her sister did, which made the sexual scenes slower and gentler and far less rushed and vulgar, in both language and style. Admittedly, the vocabulary used to describe the sex was still quite limited and occasionally repetitive, and there wasn’t an awful lot of variation between the scenes in the novel, but it wasn’t nearly as harsh and it was different compared to the other book of North’s I’ve read. Apparently, North had been told by her editors to tone down the sex scenes for this book and not only can you see an obvious difference, but I personally felt the book was better for it.For all “Fen” is a better book than “Cat”, it is still lacking in a number of ways, most notably the over used literary devices, which make it seem as if North has found a new trick and is determined to show off how well she has learned it until everyone is bored of it. Perhaps the main question this book left me with is that North’s story-telling, if not all of her writing, showed a fair improvement from her previous book and it left me wondering whether there would be a similar improvement between this novel and the next, which could potentially mean the next novel was a halfway decent one if that was indeed the result.
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