The countdown has begun to order your classics before the law changes DSW Fibreglass Dining Chair £139.00 + FREE Delivery 130cm Round Tulip Table £2,345.00 + FREE Delivery 80cm Round Tulip Table £1,379.00 + FREE Delivery 160cm Oval Tulip Table £2,548.00 + FREE Delivery DSW Fibreglass Chair - Second Stock (See Description) 120cm Round Tulip Table £1,841.00 + FREE Delivery 244cm Oval Tulip Table £3,874.00 + FREE Delivery 150cm Round Tulip Table £3,352.00 + FREE Delivery 100cm Round Tulip Table £1,610.00 + FREE Delivery 235cm Oval Tulip Table £3,759.00 + FREE Delivery Lounge Chair and Ottoman, Black Powder Coating £900.00 + FREE Delivery Tulip Style Italian Carrara Marble Dining Table Oval £1,134.00 + FREE Delivery RAR Fibreglass Rocking Chair £140.00 + FREE Delivery £180.00 + FREE DeliveryVitraSlow ChairInformationProducts of the familyDesigner
Slow ChairRonan & Erwan Bouroullec, 2006Ronan and Erwan Bouroullec created this expansive armchair by using an extremely strong, precisely shaped knit which is stretched over the metal frame like a fitted stocking. Thanks to the knit sling cover, the Slow Chair combines soft comfort with ergonomic support, which is further enhanced by thin seat and back cushions. The translucent sling cover replaces the thick cushions of traditional armchairs, resulting in a design that is lightweight, yet generously proportioned. In the living room or on a sun porch, the Slow Chair maintains an understated presence while offering superb comfort.2)4)4)4)4)4)4)4)3)1)Frame/Cover: tubular steel frame with extremely strong, precisely shaped knitted fabric which is stretched over the frame.Upholstery: polyurethane foam and polyester fibre, including a seat cushion and two backrest cushions.Base: die-cast aluminium legs with polished or powder-coated finish.Glides: all bases fitted with hard glides for carpet;
felt glides optionally available for hard floors.Range of use: recommended for residential use only. Ronan and Erwan Bouroullec created this expansive armchair by using an extremely strong, precisely shaped knit which is stretched over the metal frame like a fitted stocking. Thanks to the knit sling cover, the Slow Chair combines soft comfort with ergonomic support, MORE INFO -- Please Select --Glides for Carpet Felt Glides for Hard floorCreative design from 1956 Premium leather and wood design Superior comfort and playful elegance Matching Eames 671 foot stool sold separately Also in the Charles Eames Lounge Chair range is the EA124 Lounge Chair Charles Eames Lounge Chair Instantly recognizable, the Eames Lounge 670 Chair is a true design icon that is reminiscent of an old English Club chair. Luxurious and sophisticated, the chair's intelligent design sets new standards for the traditional club chair. It is lighter with more elegance and comfort.
The chair is angled for relaxation, with cleverly positioned cushions to offer support where needed. Its classic yet modern frame is carefully crafted from high quality wood and upholstered in soft Italian leather. The five-point base is made from cast aluminium for lightness and stability. A choice of seven colours - black, white, cream, dark brown, brown, camel and sand - make it easy to find the right look for your home. Get the full Eames effect with the addition of the matching Eames 671 foot stool, sold separately. The story behind the Eames Lounge Chair The idea for the Eames Lounge Chair started with a simple question: Why don't we make an updated version of the old English club chair? With this thought, Charles Eames and his wife, Ray set about designing a chair that combined maximum comfort with the finest materials. The process took several years to perfect and the finished result was introduced on NBC's Home show broadcast in 1956. It was an instant success and became a benchmark for how a lounge chair should be.
Sometimes known as the Eames 'Relax' Chair because of its undeniable comfort, it is one of the most significant designs of the 20th century.We devote ourselves over 4 years to provide as good as possible replica designer furniture for the best price.. We buy directly from our manufacturer. That´s why we can keep the prices low and the quality high. When you place an order before 16.00, your order will be delivered at your door within two business days. Because of a large stock and an own warehouse, you have your order in your reach before you know it! Do you place an order in the weekend? Your order will be delivered on wednesday. We don´t deliver during the weekend. We'll make sure you are satisfied. We do everything in our power to achieve this. Free shipping and returns, pay afterwards, 2 years warranty on all products and attainable 6 days a week 9 hours a day. We do everything to make you smile! TRY FIRST, PAY LATER Do you wish to review the product at home before you pay?
We can imagine that! You can make use of the Postpay option. You can pay while the the products is already in your living room. You have 14 days to try out the chair and determine if you want to pay or not. If you are are not satisfied, we will take back the product for free. Opinion: earlier this month Vitra's Tony Ash argued that copyists are "eating away at the very creativity of our industry". In response, Chris Diemer of replica furniture company Voga argues that firms like his are making good design affordable for the masses. I walked into our offices in west London recently to be greeted by an unusual amount of activity for 8:42am on a Friday – several of our staff huddled around a computer screen, deep in debate. And even though our staff are a bright, hard-working bunch, I did feel the need to investigate why they were so transfixed by something that wasn't making coffee or ordering breakfast. "There's an article on Dezeen about replica furniture," explained our e-commerce manager, visibly annoyed at what she'd just read.
Initially, I wasn't too worried by this. People are entitled to their opinions and all that. But when I read Vitra MD Tony Ash's comments regarding the replica furniture industry, I was more than a little disappointed, particularly in the implications he made about the ethics, motives and methods of its members. So, rather than simply let it lie, we decided that we'd like to speak up for ourselves. Before I go any further, I should say that Mr Ash did make some valid points in his piece. There have been notable examples in the last few years of disreputable replica furniture manufacturers producing sub-standard furniture, failing to deliver products and leaving customers out of pocket. Several companies have even gone out of business as a result. But making crass generalisations about an industry of thousands of people is bold at the best of times, and to tar all replica furniture companies with the same brush is neither fair nor accurate. I can only speak for Voga, but I can say that, unequivocally, we take great pride in what we do.
We do not take advantage of our customers, we do not skimp on quality and we don't do what we do just to make a quick buck. We love design, we love our products and we want to make them accessible to everyone. But we also know that's exactly what you'd expect us to say. That's why, over the last 12 months, we have taken initiatives to show how serious we are. In 2014, Voga established the Replica Furniture Association, a collective of responsible companies who adhere to a strict code of ethics. We refuse to be associated with any business that doesn't demonstrate a tangible commitment to customers' rights, financial security or quality assurance. Mr Ash's assertion that our manufacturing process is led by a "let's try and make this worse than the designer intended" attitude is both ignorant and downright insulting. At Voga, we quality control-check every single item that leaves our factory, regardless of size, price or designer, to ensure the highest possible standards are maintained.
I disagree with the idea that cheaper can only mean worse, and, as several Dezeen readers pointed out, any claim that designs by the likes of Charles Eames and Børge Mogensen are "too cheap" is kind of missing the point. For example, a Harry Bertoia Wire Chair would have cost you $90 in 1968. Now if you adjust that price based on inflation in the intervening years, it equates to around $300 in 2015 money – less than half what an original manufacturer will typically charge, and actually a little less than we charge. Can you still call Mogensen's J39 'The People's Chair', an item first sold in Danish supermarkets, when it costs over £400? Is it fair that Arne Jacobsen's Series 7 sells for hundreds of pounds, even though it was designed to cost around a fiver? Our number one aim is to make great design accessible again, as it was always supposed to be. Aside from all of these points, it was the assertion "copyists are eating away at the very creativity of our industry" that struck me as odd.
By their very nature the designs we produce are vintage classics, all more than 25 years old. As a result, a claim that we are in some way eating away at creativity by producing pieces that have been in existence for over a quarter of a century seems strange to me. We just produce replica furniture; we aren't preventing any designer anywhere in the world from creating anything new. Quite the opposite, in fact; we're fans just like anyone else. We get just as excited about fresh new designers bringing out mind-blowing products as any design geek would. And it isn't as if the powers that be agree with Mr Ash's point of view. The British government show scepticism in their impact assessment of Section 52 of the Copyright, Designs & Patents Act. They questioned whether a lack of unlicensed copies in the UK market would mean substantial gains to rights holders or designers and admitted that licensed and unlicensed copies of furniture are unlikely to be substitutes for one another in price terms or in the eyes of the consumer.
Section 52 also states that consumers are unlikely to switch to buying licensed copies due to an inability or unwillingness to pay for the higher-priced version, even if they are interested in the specific design. In other words: the removal of non-licensed copies from the marketplace would not increase sales for the original producers, it will simply prevent consumers from being able to afford good design. A change of law will have a significant impact on consumer opportunities and welfare, according to the UK government – something that we vehemently oppose. But I guess the main issue we have is the suggestion that replica furniture companies like ours don't care about their customers. Whether we could actually be classed as a competitor to companies like Vitra is debatable – the government certainly doesn't think we are – but we don't really see why we would take any less pride in our work than they do, or not work as hard for our users. In truth, we work tirelessly to produce the same quality designer classics as the original manufacturers for a fraction of the price, all 100 per cent legally and all because we want these designs to be accessible to all.