Designermöbel / Sitzmöbel / Stühle / Stuhl Eames Plastic Side Chair DSW Produktdetails Stuhl Eames Plastic Side Chair DSW Der Eames Plastic Side Chair DSW aus dem Jahre 1948 war das erste Sitzmöbel mit einer serienmäßig hergestellten und aus einem einzigen Stück gefertigten Kunststoffschale. Durch diese konstruktive Neuschöpfung, die von attraktiver Wohlgestalt ist, mit verblüffendem Sitzkomfort einhergeht und über ein filigranes Gestell verfügt – das selbst schon ikonisch ist –, wurde der Eames Plastic Side Chair DSW zur Designikone. Doch das Innovationspotential dieses Klassikers hat sich noch nicht erschöpft. Auch über ein halbes Säkulum nach seiner Erstvorstellung kann das Möbel noch überraschen, denn wir bieten Ihnen den Eames Plastic Side Chair DSW jetzt auch mit einem eichefarbigen Gestell an (der Farbton kann auch als honigfarben beschrieben werden), damit Sie den Stuhl noch besser mit Eichenböden und -möbeln kombinieren können. Eine solche Gestellfarbe wird bei uns schon seit Jahren nachgefragt, und jetzt endlich hat Vitra die neue Gestellfarbe realisiert.
Der Eames Plastic Side Chair DSW ist schließlich eine lebende Legende! Eames Plastic Side Chair DSW – neues Gestell, neue Farben, neue Sitzhöhe Der Eames Plastic Side Chair DSW weiß auch anno 2015 zu begeistern – und zwar nicht nur mit einer neuen Gestellfarbe. Denn ab sofort gibt es den Eames Plastic Side Chair DSW – und seine verschwisterten Modelle ebenfalls – auch mit farblich neuen Sitzschalen und einer um 2 auf 43 cm angepassten Sitzhöhe. Die neue Farbpalette umfasst neue ansehnliche Farben, darunter oxidrot, eisgrau und classic green. Die neue Sitzhöhe ist nun den heutigen Größenverhältnissen angepasst. Der ursprüngliche Entwurf zum Eames Plastic Side Chair DSW entstand nämlich in den ausgehenden 40ern des vergangenen Jahrhunderts – einer Zeit, als die Menschen im Durchschnitt kleiner waren und also auch das Mobiliar entsprechend kleiner proportioniert war. Die zeitgemäße Sitzhöhenanpassung ist aber selbstverständlich unter Beibehaltung der ursprünglichen Originalproportionen erfolgt.
Sie sitzen deshalb mit der neuen Sitzhöhe noch bequemer an zeitgenössischen Tischen. Dennoch ist und bleibt der Eames Plastic Side Chair DSW eine unumstößliche Größe! Entwurf: Charles und Ray Eames Maße: H 83 x B 46,5 x T 55 cm, Sitzh. Charles & Ray Eames Zubehör für Stuhl Eames Plastic Side Chair DSWVitra Eames DAR Plastic Armchair please select a shell colour BasaltBasic DarkCreamMauve GreyMustardOceanRedWhiteClassic GreenClassic RedIce GreyMoss GreyNavy BlueOxide Red Please select a base option Basic Dark (Black)Chrome (indoor use only) please select a foot option Felt Glides (for Hard Floors) Plastic Glides (for Carpets) Designer : Charles & Ray Eames Year of Design : 1950 Shell Material : Polypropylene Base: Chromed steel or Powder-Coated (for outdoor use) Dimensions : H: 83cm; Seat Height : 43cm; Arm Height : 67.5 - 69cm Delivery :6 - 8 Weeks Quickship Delivery : 2 - 3 Weeks (: White)
This is Vitra's re-edition of the now legendary Eames DAR Armchair with its 'Eiffel Tower' leg base. The seat design was first presented as part of a New York Museum of Modern Art competition entitled "Low Cost Furniture Design". Their organically shaped plastic seat shells were combined with several base options and manufactured in their millions. The DAR stands for 'Dining Height Armchair' with a wire base. Thanks to advances in technology and materials the new edition is now made in polypropylene (the original DAR chair was made in fibreglass) which offers greater seat comfort. The DAR Chair is available with a 'basic dark' powder-coated base (suitable for outdoor use), along with several shell colours and two heights - the original and a newer, slightly taller height. See other Charles & Ray Eames designs. See more Dining Chairs. See the Vitra collection. Utility Retail Ltd 2017 | How we do it Great design accessible for all GREAT DESIGN IN YOUR HOME
Mid-century Scandinavian style continues to dominate interior design, and with good reason. We look at what makes Scandi style great and how you can get on-trend. They aren’t bestsellers for nothing! See what all the fuss is about and join 1000s of other customers with our popular pieces. PLUS get everything 30% off. Ever wondered which mid-century designer you are similar to, or what the biggest colour trends are this year? Wonder no more and head over to VOGA’s style blog for the answers. THIS IS HOW WE DO IT With no high street shops we have less overheads. In turn this means we can offer lower prices without ever compromising on quality. DIRECTLY FROM THE MAKERS Once you’ve ordered from us, we’ll arrange for your product to be manufactured according to your specifications. From craftsmanship to materials, our focus is always on quality. We know our products will last, so we offer a ten-year guarantee on every one. Sign up now to our newsletter and get 10€ off your first order, access to exclusive offers and giveaways, style tips, design news and interior inspiration.
I am already registered12 Things You Didn’t Know About the Eames Lounge Chair & Ottoman The Eames Lounge Chair and Ottoman has been in continuous production Since 1956. Celebrating Ray Eames on Her Birthday December 15, 2016, Ray Eames would have turned 104 years old. In celebration of her birthday,...Design: 1949-50Production: 1950-2Manufacturer: Herman Miller FurnitureCompany, Zeeland, MichiganSize: 149 x 120 x 43 cmsMaterial: varnished steel, coated plywood,wood, plywood, fiberglass, masonite,rubber The Eames storage units represent a further development of the model furniture created at the beginning of the century in the Deutsche Werkstätten and at the Bauhaus. These, too, were made up of standardized elements joined together as building blocks. The stringently geometric construction and the use of dominant primary colors in the Eames storage units bring to mind the design principles of the De Stijl group. Eames repeatedly worked on modular wall units after his participation in the New York Museum of Modern Art competition “Organic Design in Home Furnishings.”
One of his prizewinning designs was a wall unit developed jointly with Eero Saarinen in 1940-1 consisting of interchangeable elements with a bench as the basis upon which different boxlike elements could be freely arranged and stacked. Eames lent a more pleasant appearance to the system in his “Modular Storage Units” of 1946, especially by using plywood with an imprinted pattern of circles for the first time. After the construction of their “Case Study House No. 8” in 1949, Charles and Ray Eames reworked the concept of modular wall units from the ground up. In keeping with the construction and design pattern of their house, they developed a system of freestanding shelves which is assembled according to the principles of industrial mass production. As a variable construction set, the system offered nearly unlimited possibilities for combining prefabricated individual parts according to practical and decorative needs. The basic element in the system is a selfsupporting iron L-bar which was available in five sizes and optionally with a black lacquer, zinc, or chrome finish.
The shelves were plywood, veneered with birch, walnut, or plastic laminate. The back and side sections of the compartments were available either in plywood, perforated metal, or masonite painted in eight different colors. Welded iron rods in cross form substitute for the colored pieces in some places to stabilize the supporting framework. The compartments can be closed off with sliding doors of ebonycolored fiberglass, black plastic laminate, or plywood with an imprinted pattern. The system also comprises compartments with three drawers each. Four desk versions were offered separately to match the shelves. Although the reasonably priced building set was suitable for homes as well as offices and went on display in 1950 in six different variations at the influential exhibit “Good Design” cosponsored by the Museum of Modern Art, it was still difficult to sell. Because of the complicated assembly involved, the furniture was later offered in the form of finished shelves, and the feet, which frequently broke off during transport, were replaced by screw-on tubes.