The LEGO Movie Videogame - 21 days 2 hours ago Players can unlock new sets of pants and change into them at changing stations (Dispantsers!) in the hub worlds. There are 20 pants in total and besides looking stylish, each grants the wearer a different perk. EditNote Pants can only be worn by characters that are already wearing pants by default. For example, Vitruvius and Old West Wyldstyle do not wear pants and therefore cannot change into ones that have been unlocked. Pants Found Perk Standard Default None Disco Level 1 They sparkle and when you start fighting, the music gets funky! Agility Level 2 Male characters can jump as high as females and use the pink and blue agility areas. Finally, equality among the sexes! Stinky Level 3 Creates a stink cloud around the character and makes farting noises! Also allows characters to jump as high as the ladies through the power of flatulence. Pneumatic Level 4 Your steps are like a jackhammer, which halts non-flying enemies as they struggle with their footing, as well as damaging any object when you walk over them.
Great way to quickly bust up bricks! Speedy Level 5 These pants will make you run nearly as fast as the Flash! Thunder Level 6 Lightning occasionally strikes your enemies (and friends) as you fight! Rainbow Level 7 Your footsteps sparkle and you make a rainbow when you jump! Also gives the ability to break rainbow bricks. Golden Level 8 They're shiny! Cold Level 9 Your movement is slow and slippery! Exploding Level 10 Your pants are engulfed in continuous mini explosions! Power Level 11 Your punches pack a wallop! Most LEGO objects will bust apart in one punch! Faster Build Level 12 They make you build LEGO objects super fast! (There's also a Red Brick for that.) Wet Level 13 Your pants leave little LEGO water droplets behind them! Super Level 14 Pants that grant the gift of flight! Tight Level 15 They show off your butt! Well, no more than any other but they'll make male characters jump as high as the females! Construction Code Gives the character perfect Construction Build ability, skipping the minigame entirely.
Also has the same effects as the Pnuematic Pants! Astro Code Now you can hack computer terminals just like Benny! Super Secret Code They're invisible! No, there's no LEGO nudity; characters simply appear with tranparent legs. Musical Code Music stings play when you jump and fight! Tornado DLC Your character spins around when moving, breaking any object instantly! Jack Rabbit DLC Gives your character the ability to jump as high as the girls, but also causes their normal movement to be constant jumping! Prospector DLC Causes more gold and blue studs to be dropped by smashed objects, even when in vehicles! It also applies to enemies when the Character Studs cheat is turned on! Hot DLC Pants are constantly on fire, and allow the character wearing them to start their own! See All Top Contributors » Need assistance with editing this wiki? Check out these resources: Beginner's Guide to Wikis Cheats and Secrets | The LEGO Movie Videogame Wiki Guide The Piece of Resistance
This post discusses the plot of The LEGO Movie in extensive detail.At the beginning of Phil Lord and Christopher Miller’s 21 Jump Street, their 2012 cop comedy that was a repurposing the television show that ran from 1987–1991, Deputy Chief Hardy (Nick Offerman), explains to two young cops (Channing Tatum and Jonah Hill) that they’re being assigned to a unit in which they’ll be impersonating high school students to investigate drug crimes.“We’re reviving a canceled undercover police program from the ’80s and revamping it for modern times,” Hardy says. “You see the guys in charge of this stuff lack creativity and are completely out of ideas, so all they do now is recycle shit from the past and expect us all not to notice.”It was a very funny acknowledgement of the main objection that most people had posed to the very concept of a 21 Jump Street. But Hardy’s grumpiness also set a bar for the movie so low that Lord and Miller could leap over it with even more glee than an apocalyptically high Channing Tatum diving through a gong.
If 21 Jump Street was proof that Lord and Miller could make a terrific, funny movie within the confines of Hollywood’s constricting business model, their follow-up, The LEGO Movie, released last weekend, proves something more ambitious: that the two men can take their industry’s obsession with pre-existing properties, sequels, Chosen One narratives, and overhyped emotions and make a surprising soulful movie out of all these tacky little pieces of plastic.The plot of The LEGO Movie is as follows. Emmet Brickowoski (Parks and Recreation’s Chris Pratt) is a happy, brainwashed construction worker LEGO who lives and works in Bricksburg, a city run by President Business (Will Ferrell). Business is a dictator who has homogenized culture to the point that there’s only one television show, an idiotic sitcom called Where Are My Pants, and a single hit song, the admittedly amazing “Everything Is Awesome,” made conformity the norm, and reduced his citizens’ identities to their interests, be it in cats, surfing, or sausage.
He also happens to be a super-villain who’s stolen a secret weapon called the Kragle, over the objections of a stoner-sage wizard with the evocative name of Vitruvius (Morgan Freeman), and plans to freeze his entire society in place, thwarting a secret society of LEGOs known as the MasterBuilders, whose wild creativity threatens Business’ vision of perfection. And Emmet is unwittingly drawn into this conflict when he comes into contact with the Piece of Resistance and meets another LEGO named Wyldstyle (Elizabeth Banks), a pretty, creative MasterBuilder who, along with her boyfriend Batman (Will Arnett), is part of the resistance.But it has another layer as well: the movie shifts into live-action when Emmet’s story turns out to be the creation of a little boy whose father (Ferrell) has created an exquisite LEGO universe in the basement and forbidden his children to play with it. The Kragle is actually the Krazy Glue the man plans to use to cement his creation into place, ending the possibility of infinite rearrangements that are exactly what make LEGOs so endlessly amusing.
President Business is a stand-in for the boy’s father, whose appropriation of children’s toys and determination to strip them of their anarchic creativity is actually a kind of death.As much as President Business stands in for industry, it’s not for capitalism in general, but for the movie business in particular. The LEGO Movie never pretends that the products of mass media aren’t outrageously entertaining — that would be a willful denial of reality. Instead, it asks us to consider what we’re losing out in that homogenization.Almost everything in The LEGO Movie functions on multiple levels. “Everything Is Awesome” is genuinely a beautifully-constructed earworm, made lovely by Tegan and Sara, and funny and silly by the Lonely Island. But as many times as it’s possible to listen to the song on a loop, it feels like an awful waste that this is the only song we’ll ever get to hear by these collaborators. Who wouldn’t want to hear more of what they could do together?
And finally, the song is a perfect expression of the formula that’s subtext in so much Hollywood advertising and text in internet-optimized headlining style: if every possible thing elicits the same reaction at the same pitch, how can we have meaningfully different experiences? Awesome isn’t the only thing to value.Similarly, it’s highly entertaining to have Batman bopping around Emmet’s quiz, showing up with conveniently-timed Batmobiles, and tossing Batarangs at strategically placed buttons. But The LEGO Movie’s version of Batman reminds us of just how much our tonally homogenized superhero movies and their failure to move beyond origin stories have cost us. This Batman has all the same attributes as Christopher Nolan’s or Tim Burton’s, but in different quantities: he’s an arrogant showboat who composes “deep” metal tracks for Wydstyle, even though he doesn’t actually know her real name. When, at one point in the movie, Batman seems to ditch Emmet, Wyldstyle, Vitruvius, and the mission against President Business to go hang out with Han Solo and Lando Calrissian, it’s entirely keeping with his character, and it’s the gesture that follows that reads as a surprise.
Superheroism is a small part of The LEGO Movie’s pastiche, but their interpretation of Batman is the freshest we’ve seen on the big screen in several years.And even its larger narrative, The LEGO Movie casts a gimlet eye on the Chosen One stories that have so dominated both young adult literature and the big screen in recent years. In these stories, young people tend to be targeted because they possess special powers, or to discover, once they’ve been chosen for a school or a contest, that the abilities they’ve previously applied to normal tasks are actually a portent of something larger.But Emmet, after accidentally discovering the Piece of Resistance — or not really discovering it, it gets stuck to him after he falls down a hole — doesn’t turn out to be the Special, as the Chosen One in Vitruvius’ prophecy is called, or even particularly special at all. He’s a bit of a bland guy with some silly dreams that turn out to be useful in an emergency. And Vitruvius ultimately confesses that the prophecy is bunk, a propaganda tool he dreamed up to keep his cohorts going in the fight against President Business.
When he’s freed up from the burden of being highly unusual, and singularly responsible for Business’ defeat, Emmet actually becomes a more productive member of the team. And his fellow questers are freed up to use their talents without feeling like their skills are somehow inferior or getting in the way of Emmet realizing his greatness. The abilities that Emmet eventually learns are available to all LEGOs, and the citizens of Bricksburg eventually rally in defense of their city, unleashing joyful, creative chaos in the fight against President Business. It’s a nice inversion of the idea that the super-villain advances The Incredibles that “When everyone’s super, no one will be”: in The LEGO Movie, when creativity is available to everyone, the things they create turn pleasure and joy into a kind of infinitely renewable resource.In The LEGO Movie, that conflict plays out on two levels. In the LEGO world, Emmet’s adventures bust President Business’ monopoly control of creativity, and blows up the idea that you have to have any particular abilities to become a MasterBuilder.
Given the opportunity, everyone is awesome. In the live-action segments of the movie, the young boy reminds his father that they’re both capable of building extraordinary things, and that his father’s static vision of his dream universe isn’t the only way for something to be exceptional and fascinating. In a nice twist, and an important comment on the terrible state of gender equality in the entertainment industry, the father tells his son that he can’t just give the little boy a chance to play. They have to invite his younger sister down into the basement, too: the movie ends with her creations from the Planet Duplo mounting an invasion of Bricksburg.And on a third level, Lord and Miller are almost certainly talking about themselves. Working together, they’ve produced three delightful franchises from unexpected places: their surprisingly good 2009 adaptation of the essentially plotless picture book Cloudy With A Chance Of Meatballs, which earned a sequel last year, 21 Jump Street, which they’re reprising later in 2014, and now The LEGO Movie.